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  YAHRZEIT
« on: October 18, 2008, 11:02:26 PM » by Tom Riordan
YAHRZEIT

(Jewish observance of the anniversary of a loved one’s death)

Mrs. Waite is walking to church.
Don’t say hi. She cannot answer.
See her? There? A tall, thin lady
With the improbably silver hair?
It’s Sunday. Her husband David
Stands on the lawn, rake in hand,
And watches until she disappears.
See him? There? A tall, thin man
With disappearing hair? Then he
Turns back to the matter at hand:
A perfect lawn. They both attend
Our Lady of Perennial Despair.

They are our next door neighbors
But they inhabit their home lightly
As if they are space invaders still
Not sure about the local language.
Other Earth concepts — don’t pile
Your recycles in your neighbor’s
Driveway — also escape their ken.
Their daughter Ivey, who all but
Lived with us one summer before
Her parents realized that it raised
Hopes they would also talk to us,
Is looking out the window, dazed.

They know a few things, though.
Every spring we get an envelope
Delivered in the mail — backwards
It seems, since their house is just
After ours when the letter carrier
Comes by — soliciting money for
The American Heart Association.
They open their door to children
Every Halloween and offer them
A bowl of candies, yet even then
Are unable to say hello to anyone
But stand in a close silent cluster.

If you stand out on the front lawn
With a rake in your hand, just so,
It has been said that David might
Come over and say things to you.
Maybe Nancy chit-chats at church
But probably she just knows how
To rise, sit, kneel in the right
Order and say "Peace be with you."
The day your Mom ruptured a disc
And the EMTs wheeled her away,
Nancy asked through the hedges
If I needed her to watch you two.

One rumor has it that the Waites
Call the police on the 4th of July.
It is also thought they telephoned
Village Hall on the morning after
Thanksgiving to complain because
Four plastic Halloween pumpkins
Were still sitting on our stoop.
The inspector who came to tell us
Said he could not reveal the name
Of the complainant but he did roll
His eyes toward the Waites’ house
And advise "This is only a warning."

Still, how can we help but worry?
Our town is an inner ring suburb,
A home world sustained by codes
And methods for enforcing codes,
But everybody does not embrace
The same code at the same time.
The Waites are so close, just one
Thickness of a green arbor-vitae.
Every evening we see their faces
Framed in their kitchen window —
Nancy, David, and tall thin Ivey
As they dry the dinner dishes with
Plaid towels of interwoven wishes.

These are your neighbors. Once
You ate and played with Ivey —
Do you remember? Once Mrs. Waite
Almost watched you when your Mom
Was being put into an ambulance.
Your mother could just collapse
Again some day, when I’m away.
One day, all three of the Waites
Might open up their mouths and
Say one awesome thing, a comet
Heralding a marvelous spring.

Now Mr. Waite resumes his raking.
Ivey fades back into the watery
Pool of their kitchen to resume
Whatever she was doing before
Her mother headed out to church.
Who we are is sculpted by forces
Beyond our control that set us up
As portals each to our own cosmos,
But remember how the warm night
Caroming with stars and fireflies
Colonized the expanses between
Who you were and who she was?

Nancy goes through the motions
In church, David pulls and herds
His leaves into one long mound,
I stack these lines like lumber,
And you kids count off the days
Until those daring rescue ships
That all kids manage to imagine
Arrive triumphant at last from
Wherever it is they come from —
We are builders who must build
One kind of structure or another
To have any chance of enduring
A universe so bent on ignoring us.

What but dumb can a universe be
Being an eternal uninspired zero
Expanding at reckless velocity
While we tiny flecks of flotsam
Reach out our hands to connect
As if we could infinitely stretch?
But what save us are the houses:
Screen doors, kitchen windows,
Front stoops and barefoot lawns,
A big brimming pot of spaghetti
Staring down five paper plates
With the confidence of a pasha,
A church in the shape of X or T
Where bells extol our mastery
Over the fallen leaf, the dropped
Beat in one iamb, and the spirits
Desperate to embezzle what we
All together agree to agree upon,
Namely, that we are neighbors —
Maybe not the best of neighbors,
But still, in this relationship
We can outrun whatever comes at us,
Circulating a tiny white envelope
For the sake of each other’s heart.

The doorbell rings. Trick or treat.
See how the Waites are clustered
As if your Ninja and your Reaper
Are going to decapitate the bronze
Of Saint Martin de Porres sweeping
The vestibule? Instead, select one
Of these chocolate bars, one each,
And go twirling back into the dark.
The plastic pumpkins by our door,
The stuffed coat a headless ogre —
They surely do a great deal more
Than simply state "This is October."

But it is late November now, just
Nine days until the final curbside
Collection of leaves: earth-movers
Partnered with huge dump-trucks.
No one has to tell David "Rake up."
This kind of observance is serious
Business — he cannot bear to think
How many things it keeps at bay.
It bothers him that we don’t rake,
But we have something raking us
With chilly talons, so I sit here,
And your mother is on her guitar.

So where are you, where are you
Right now when the seesaw plank
We ride on teeters in the balance
Between who we are gazing up at
And who is gazing down at us? —
Beams as painstaking but flimsy as
Your Elmer’s glue papier-mâchés
Holding our warm souls together
While the circling ice scavenges
Tears shed in inclement weather.
What are you thinking? December has
Tiptoed closer in its mask of snow,
So your Mom and I need to know.

Is that Mrs. Waite returning? See?
There? Tall, thin, the silver hair?
Mr. Waite’s already disappeared
Back into the house, leaving only
Leaves to beacon his wife home.
But look. Is that Ivey’s face up
In the round third-floor window?
They rotate like the three moons
Of the sad demoted planet Pluto
All vying for the has-been’s eye
Because it once regarded them —
Nix, Hydra, Charon — as its apples.

That is how we both regard you two:
So very bright and very beautiful
It will hurt to discover you gone
Off into your own remote orbits
Because at first it will seem that
You are simply flying off in no
Particular direction — toward no
Particular redemption — then no,
A long span of observation will
Eventually reveal an orientation.

Now I can hear my wife calling.
"Tom? Tom! Where are the kids?"
They’re not with you?  I think.
"Stevie! Johnny! Snow is falling!"
Is that a Mona-Lisa/Cheshire-cat
Grin flickering on Nancy’s lips?
What Christian dyes her hair zinc?
What would Jesus the Colorist do?
"Tom, never mind, I found them!
Look guys, it’s snow! No, don’t
Go outside with those suits on!"

Nancy opens the door and goes in.
Ivey’s moon-face is gone now too.
All the windows stare back dark
And dull as if no one is home.
David’s breastwork of leaves
In the gutter means that when
The high-school football fans
Begin arriving in an hour or so
They’ll cram all of their SUVs
In front of our house, which means
That when my father comes later
To grieve with us, he has to park
In the Tow Zone up the block.

But it’s not the end of the world.
Nothing is, is it? Not loving once,
Not the Waites’ toxic indifference,
Not dreading Dad’s yahrzeit visit.
I guess I'd better go downstairs
And see if anyone wants lunch.

Logged

  Re: very long piece, feel free to skip!
« Reply #1 on: October 19, 2008, 04:17:50 AM » by Sue Lozynskyj
Tom, I got this far and got lost...I don't think capitals at the beginning of every line is helping the clarity.

Their daughter Ivey, who all but
Lived with us one summer before

Her parents realized that it raised...this line is especially odd - throws the sense of the lines either side.

Hopes they would also talk to us,
Is looking out the window, dazed...this line is too far away from Ivey

My attention span's too short!!
Maybe putting all the history and stuff at the beginning is too much. Maybe putting it all in one poem is too much...you could get a whole collection out of these neighbours...but I bet they'd sue you!!
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Chance favours the prepared mind: Louis Pasteur

  Re: very long piece, feel free to skip!
« Reply #2 on: October 19, 2008, 09:24:21 AM » by a.e.plastic
I really enjoyed this. Holding on in a frostily indifferent universe.
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You don't have to be Japanese to learn how to kowtow

  Re: very long piece, feel free to skip!
« Reply #3 on: October 19, 2008, 09:53:58 AM » by silent lotus
Dear  Tom

very long piece, feel free to skip!

Well not as long as the Torah.

An interesting imagery of consciousness.

thank you for sharing.

silent lotus
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  Re: very long piece, feel free to skip!
« Reply #4 on: October 19, 2008, 10:58:35 AM » by Desiree Wright
Beautiful.  There were a couple of lines that missed a beat, but you are talented enough to find them yourself.

Loved how you defined your neighbors, alienated menaces nitpicking your goings on, but all the time making for themselves a
place in your heart.  So rich.

Like Sue, I felt the capitals interrupted the flow.  MIght want undo in that respect.

Definately a pick, a whole bushel. Thank you.

d

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  Re: very long piece, feel free to skip!
« Reply #5 on: October 19, 2008, 11:07:16 AM » by Tom Riordan
Thank you all for investment of attention! Will certainly reexamine the caps issue and continue to review for clunky bits. --Tom
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  Re: very long piece, feel free to skip!
« Reply #6 on: October 19, 2008, 11:24:14 AM » by Desiree Wright
Ken = understanding.  Worth the read to have learned that three letter word. 
I thought you might have meant "kin" or "klan". 

Saint Leo, protect me.
 
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  Re: very long piece, feel free to skip!
« Reply #7 on: October 19, 2008, 02:12:09 PM » by Rick Stansberger
This one seems to state the same theme a number of different times.  The details taken one at a time are lovely, but the old workshop phrase, "Kill your darlings" keeps coming to mind.  Maybe I'm just impatient.

Rick
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Rick's fifth book is out:  Gizmo--love, loss and the passion to know--in the first part of the last century.

  Re: very long piece, feel free to skip!
« Reply #8 on: October 19, 2008, 02:38:18 PM » by larry jordan
This is impressive. It's structure is messmerizing. I, too, found myself getting impatient, but I think that is more a product of our culture and time than a comment on the poem. There are some extraodinary lines in here and moments when as a reader i fall into the work. I am not sure what would sustain it except for more plot and conflict, both of which I could live without.

I think in the end, it is simply worth reading, overcoming one's antsyness.

larry
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  Re: very long piece, feel free to skip!
« Reply #9 on: October 19, 2008, 05:26:06 PM » by EB
Agreeed, very beautifully crafted
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  Re: very long piece, feel free to skip!
« Reply #10 on: October 19, 2008, 09:45:27 PM » by Rick Stansberger
This is a very tight poem in a very consistent suburban, middle-class voice.  It brings that whole world alive for this small-town desert dweller.  Still, there are some lines that descend to telling, like the last line of S6.  I especially like how the relationship between the speaker and the persons addressed develops as the poem goes along.  Very skillful.

Rick
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Rick's fifth book is out:  Gizmo--love, loss and the passion to know--in the first part of the last century.

  Re: very long piece, feel free to skip!
« Reply #11 on: October 19, 2008, 10:25:32 PM » by Tom Riordan
My kids totally agree--I am hopelessly repetitive, consistent, suburban and middle-class, try everyone's patience, and do tend to indulge my "darlings" ! Guilty as charged on all counts. Seriously, thank you all for reading so carefully, sharing your ideas, and being nice. I am bowled over by this community. Such good writers and hearts. Thanks, Tom
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  Re: very long piece, feel free to skip!
« Reply #12 on: October 19, 2008, 10:47:36 PM » by Lynn Doiron
As they dry the dinner dishes with
Plaid towels of interwoven wishes.

The above is only one of many areas that came upon me as I read with a smack that made me wish I could stack lines in half such a way as you have managed here.  After about three stanzas the caps at the head of each line stopped bothering me and by the end of the piece and reading a few comments, I have to say I would miss them if gone. 

I would not let go of a single darling.  I have only read the piece through one time, out loud, slowly, and I found the whole of it just sort of entering my skin; I became the narrator; I became the one contending with the Waites and such sorrow as would need be unbearable. 

There was something in the area of circling ice scavenges tears shed in inclement weather ... something in that area that I did get bumped and read twice to get what was intended.   But other than that, oh my tom.  If this is not already a pick, it will be in a minute.

lynn
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My blogs:
http://lwww.lynndoiron.wordpress.com for memoir/journal/poetry

  Re: very long piece, feel free to skip!
« Reply #13 on: October 20, 2008, 12:27:48 AM » by brian_edwards
I can only add my praise Tom. I was certain I'd hate it, I should have really. Capped lines, the telling, the length, and I didn't care much for the repetition in the first stanza, nor the space invaders in the 2nd, but woah, I soon got over all of that and just enjoyed the journey. It could stand some tightening here and there yes, but the whole of it is just wonderful. Too many favourite bits but have to mention this:

What but dumb can a universe be
Being an eternal uninspired zero
Expanding at reckless velocity
While we tiny flecks of flotsam
Reach out our hands to connect
As if we could infinitely stretch?
But what save us are the houses:
Screen doors, kitchen windows,
Front stoops and barefoot lawns,
A big brimming pot of spaghetti

Yes, yes, yes.

Thanks Tom,

B.



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  Re: very long piece, feel free to skip!
« Reply #14 on: October 20, 2008, 12:30:50 AM » by brian_edwards
Oh, one nit: change the title of the thread. People should not be put off by the length. This deserves more reads.

B.


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  Re: very long piece, feel free to skip!
« Reply #15 on: October 20, 2008, 11:10:18 AM » by Tom Riordan
Thank you, Lynn and Brian. From your, my & all posts, I'm learning a lot about how we read, the mined path from resistance to embrace. This group is just great. Tom
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  Re: very long piece, feel free to skip!
« Reply #16 on: October 20, 2008, 11:12:23 AM » by Jill Winkowski
I am intrigued, like the form and think that it feels like an exploration of indifference...
Jill
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"FOR God's sake hold your tongue, and let me love ;" John Donne, The Canonization

  Re: very long piece, feel free to skip!
« Reply #17 on: October 20, 2008, 11:51:25 AM » by Lynn Doiron
I agree to the need for a title change, but find the 'tell' aspect of this remarkable write is what makes the pain of narrator's situation real and incredibly genuine.  While the Waites attend the church of Perennial Despair, the voice of this piece lives inside a space where the despair is such that it cannot be faced.  Someone once said that a poem says what it says in a way that cannot be communicated other than as it has been.  I have seldom read about loss and felt as lost as the voice of the piece.  The minutia of the lives next door is one reality; the curiosity of the girl in the window is another -- a bridge of sorts between her world, the world of the Waites family, and his world ,where ghosts of the family that was abide. 

One of the best poems I've read here or anywhere.  I hate to be redundant but remarkable write.  Bravo, you.

lynn
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My blogs:
http://lwww.lynndoiron.wordpress.com for memoir/journal/poetry

  Re: very long piece, feel free to skip!
« Reply #18 on: October 20, 2008, 12:19:30 PM » by Jill Winkowski
Yes, that minutia of the couple next door (and style of voice/narrator) seems to really slow the "moment" of loss, (perhaps, the way an old fashioned film projector, when it breaks down, slows the action in the film ) and reader and narrator are free to look at it in a protracted way.
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"FOR God's sake hold your tongue, and let me love ;" John Donne, The Canonization

  Re: very long piece, feel free to skip!
« Reply #19 on: October 20, 2008, 03:29:08 PM » by maggie flanagan-wilkie
Tom,

This is a stunning Letter Poem. One of the best I've read.
It so reminded me of Lyn Hejinian whose work I admire very much.

I found the caps unnecessary and a few bumps in the read but you'll straighten them out, I'm sure.

I would change the title to who this is written to, though. Dear....

Maybe with an * after it, and the explanation after the last stanza.

Very, very nice.

Maggie








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  Re: very long piece, feel free to skip!
« Reply #20 on: October 21, 2008, 02:28:40 PM » by Stella Jones
Came to this late and have just spent a lovely time with your words

Thanks Tom   

Sx
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StellaX

  Re: very long piece, feel free to skip!
« Reply #21 on: October 21, 2008, 07:49:43 PM » by Tom Riordan
Thanks for interesting & kind thoughts, Maggie Jill & Stella. --Tom
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  Re: very long piece, feel free to skip!
« Reply #22 on: October 30, 2008, 10:28:51 AM » by brian_edwards
Fantastic choice Mugs! Congratulations Tom! The best place for this excellent poem (still wish you'd change the damn title though ;) )

B.
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  Re: very long piece, feel free to skip!
« Reply #23 on: October 30, 2008, 10:42:19 AM » by milner place
Good to see this up front, Tom.

milner
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'Caminante, no hay camino,
se hace camino al andar'
- Antonio Machado

Latest book 'naked invitation' $15 or £10, p&p inc milnerplace@msn.com

  Re: very long piece, feel free to skip!
« Reply #24 on: October 30, 2008, 10:25:12 PM » by Tom Riordan
I’m very happy to have been accepted into this fab commune so warmly. I would be happy to take the disclaimer off the poem's posting title, Brian, but I'm afraid if I start screwing around with it, the whole shebang will just disappear somewhere. Anyway, thanks again Maggie and all. Tom
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  Re: very long piece, feel free to skip!
« Reply #25 on: October 30, 2008, 10:48:54 PM » by brian_edwards
To change it, just click the modify link at the bottom of the original post (you need to be logged in to see the link).
Just change the title in the subject bar.
Go on . . . live life on the edge Tom . . . ;)

B.
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  Re: very long piece, feel free to skip!
« Reply #26 on: October 30, 2008, 10:51:20 PM » by Tom Riordan
All right....here goes!
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  Re: very long piece, feel free to skip!
« Reply #27 on: October 30, 2008, 10:53:59 PM » by brian_edwards
When I had the honour of being featured last week, I was so tempted to remove topic, just to see what would happen . . .  (OK, that confession has probably stopped me ever getting featured again . . .)

B.

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  Re: YAHRZEIT
« Reply #28 on: November 07, 2008, 12:20:11 PM » by Oleksa
Though I'm generally not a fan of length in poetry, I found this absolutely compelling-- from the theme of yearning to make human connections in a mechanistic social world, to the effect of the overwhelmingly short and simple lines stacked on top of one another, to the quasi-couplets at the end of each stanza. Very nice. I have nothing to offer in the way of criticism-- just, very nice.

Take care,

-O 
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'Whatever happened to fiery romance?
How I wish it was those dishes you were throwing;
Damn you for being so easygoing.'

-Andrew Bird

  Re: YAHRZEIT
« Reply #29 on: November 07, 2008, 03:46:57 PM » by Tom Riordan
I'm so glad you enjoyed this, O. Thank you for posting. --Tom
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