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«
on:
January 14, 2012, 07:08:34 AM »
by
Sue Lozynskyj
Mum banned crayons from the house
after the Artistic One had drawn
an elephant on the tablecloth.
The Practical One took a pencil and ruler,
mapped out a Union Jack
on butcher’s paper.
She labelled where each segment
should be blue or red in pencil
and showed it to Dad.
The next day the Artistic One
drew his sister’s portrait
her blue ribbons framing her rosy cheeks
on the back cover of Mrs Beeton.
(American Version)
Labels
Mom banned crayons from the house
after the Artistic One had drawn
a fire truck on the tablecloth.
The Practical One took a pencil and ruler,
mapped out the Stars and Stripes
on butcher’s paper.
She labelled where each segment
should be blue or red in pencil
and showed it to Dad.
The next day the Artistic One
drew his sister’s portrait
her blue ribbons framing her dark brown eyes
on the fly leaf of Aunt Jemima.
Logged
Chance favours the prepared mind: Louis Pasteur
Re: Labels
«
Reply #1 on:
January 14, 2012, 07:33:05 AM »
by
Tom Riordan
Quote from: Sue Lozynskyj on January 14, 2012, 07:08:34 AM
Mum banned crayons from the house
after the Artistic One had drawn
an elephant on the tablecloth.
The Practical One took a pencil and ruler,
mapped out a Union Jack
on butcher’s paper.
She labelled where each segment
should be blue or red in pencil
and showed it to Dad.
The next day the Artistic One
drew his sister’s portrait
her blue ribbons framing her rosy cheeks
on the back cover of Mrs Beeton.
I love this whole story, Sue, with its fun surprise at the end. Beeton a bit obscure over here, but maybe all the better!
A question about what's implied in last S. He used pencil too, incorporating the back cover graphics to form his sister's ribbons and cheeks? used colored pencils? crayons had been brought back? Tom
Logged
Re: Labels
«
Reply #2 on:
January 14, 2012, 11:08:27 AM »
by
Sue Lozynskyj
Hmmm, the crayons were re-instated...tho'I like your first suggestion too! I wonder how I can clarify that...pondering...
Logged
Chance favours the prepared mind: Louis Pasteur
Re: Labels
«
Reply #3 on:
January 14, 2012, 11:11:18 AM »
by
Karl Cramer
This doesn't go anywhere for me. First I am distracted by the labeled people themselves (Artistic One, etc.). Then the poem just ends without any observable transcendence or meaning.
Logged
Re: Labels
«
Reply #4 on:
January 14, 2012, 11:19:41 AM »
by
Lavonne Westbrooks
On the contrary. These two siblings are competing for their parents affections. When the Artistic one loses the crayons as punishment from the mother and becomes jealous of the father's approval of the Practical one, retaliation comes in the form of defacing the mother's household management reference book.
The labels tell the reader how the two characters approach life. The Artistic one expresses himself freely and the Practical one plans her approach. :)
Logged
Re: Labels
«
Reply #5 on:
January 14, 2012, 06:50:39 PM »
by
Roger Fizzerton
I think is very fine, and every line rang true for me. I didn't get the rivalry/seaking approval idea - I just took the last S as reflecting the way that children will often just do what they want to do regardless of what you say!
Much enjoyed.
Roger
Logged
Patience is a virtue, they say - but then I never claimed to be virtuous!
Re: Labels
«
Reply #6 on:
January 14, 2012, 07:23:27 PM »
by
milner place
Real fine one, Sue.
milner
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'Caminante, no hay camino,
se hace camino al andar'
- Antonio Machado
Latest book 'naked invitation' $15 or £10, p&p inc
milnerplace@msn.com
Re: Labels
«
Reply #7 on:
January 15, 2012, 03:04:15 AM »
by
Sue Lozynskyj
THanks for all the comments. Karl, I'm always torn between spelling everything out in a poem for clarity, and leaving the reader some work to do to...in this case I was hoping there was enough clues in the poem for the reader to understand the family dynamics going on. I do strive for clarity...I much prefer Sharon Olds
http://www.poetryfoundation.org/poetrymagazine/browse/150/2#20601116
over TS Elliott
http://www.poetry-archive.com/e/love_song_of_j_alfred_prufrock.html
for instance, (tho I am very fond of Elliott too!)
Lavonne your reading of the poem is bang on target. Thanks for the helpful feedback...in our family of 4 children we each had labels...I was the Musical One, and the Clumsy One, and the Dreamy One. My brother, The Artistic One was also the Naughty One!
Roger and Milner thanks ofr the encouragment. :)
Logged
Chance favours the prepared mind: Louis Pasteur
Re: Labels
«
Reply #8 on:
January 15, 2012, 10:36:14 PM »
by
Dale McLain
Marvelous atmosphere here! I've been The Artistic One and the mom.
This read like a wee novel to me!
Logged
Re: Labels
«
Reply #9 on:
January 16, 2012, 08:44:27 AM »
by
Pam Scobie
A lovely, witty story.
Logged
Re: Labels
«
Reply #10 on:
January 16, 2012, 08:51:50 AM »
by
silent lotus
dear Sue
for me this resonates with the abounding need for society to label
the first moment after birth.
for my ear this is a wonderfully penned art work.
congratulations !
& if i may, a bit in the same vain about labeling & judgement is something i posted long ago
http://poetrycircle.com/index.php/topic,23486.0/all.html
a warm smile
silent lotus
`
Logged
Re: Labels
«
Reply #11 on:
January 16, 2012, 12:43:18 PM »
by
Tiko Lewis
love how you just
can't stop what's
inside.
well done.
tiko
Logged
...i don't eat jelly beans afterward.
Re: Labels
«
Reply #12 on:
January 16, 2012, 01:27:10 PM »
by
Rick Stansberger
An early battle in a continuing war. I bet the siblings are still at it, visiting their parents in the hospital. At least they are in my wife's family.
Logged
Rick's fifth book is out: Gizmo--love, loss and the passion to know--in the first part of the last century.
Re: Labels
«
Reply #13 on:
January 16, 2012, 01:47:01 PM »
by
Sue Lozynskyj
You're right on the nail there Rick!
Logged
Chance favours the prepared mind: Louis Pasteur
Re: Labels
«
Reply #14 on:
January 18, 2012, 09:02:49 AM »
by
StellaR
great write, Sue!
I am still finding the crayon drafts of Artistic One the First.
Artistic One the Second does most of hers with a tablet and 3D program.
Stella
Logged
“Logical argument is what destroys poetry because poetry is beyond logic.” Robert Graves
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