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Don't Let Anybody
«
on:
May 16, 2011, 02:12:19 PM »
by
Epic Rites Press
by John Yamrus
http://www.facebook.com/video/video.php?v=203091666394865
John Yamrus has been a fixture on the poetry scene since 1970. He’s published eighteen volumes of poetry, two novels, and his poetry is widely published in magazines around the world. His poems have been taught at both the high school and the college level and selections of his work have been translated into several languages, including Spanish, Swedish, Italian, French, Japanese and Romanian. His work has been described by the great Milner Place as “... a blade made from smooth honest steel, with the sharpest of edges.”
John's newest book,
Can't Stop Now!
, is available on Amazon:
http://www.amazon.com/Cant-Stop-Now-John-Yamrus/dp/1926860063/ref=sr_1_1?ie=UTF8&s=books&qid=1305569434&sr=8-1
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Re: Don't Let Anybody
«
Reply #1 on:
May 16, 2011, 02:17:54 PM »
by
John Yamrus
thanks for posting this Wolf!
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Re: Don't Let Anybody
«
Reply #2 on:
May 16, 2011, 02:22:55 PM »
by
Epic Rites Press
John,
Nobody delivers the goods like you! Excellent poem! Excellent reading! Excellent video! I posted it at the front door of the Epic Rites website - kinda like a modern version of the "Know Thyself" inscription above the entrance to the Oracle of Apollo.
Man, I love this!
- Wolf
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Re: Don't Let Anybody
«
Reply #3 on:
May 16, 2011, 03:29:01 PM »
by
John Yamrus
thanks, Wolf...that's really cool.
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Re: Don't Let Anybody
«
Reply #4 on:
May 16, 2011, 07:53:30 PM »
by
Lavonne Westbrooks
Love the way you read John!
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Re: Don't Let Anybody
«
Reply #5 on:
May 16, 2011, 08:16:16 PM »
by
Tom Riordan
Got a kick out of this, John. And McDonald's is cooking practiced at the highest level! -Tom
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Re: Don't Let Anybody
«
Reply #6 on:
May 16, 2011, 11:14:19 PM »
by
Epic Rites Press
Quote
And McDonald’s is cooking practiced at the highest level! -Tom
One of the best definitions of poetry (in my opinion) is found in Rob Plath’s
A Bellyful Of Anarchy
:
Quote
great poems are like 911 calls
great
poems
are
like
911
calls
screaming
&
pared
down
&
urgent
pretension
beaten
out of
them
by
crushing
circumstances
not
a literary
game
but
the
real
motherfucking
deal
would
you
use
rhyme
& meter
when
you dialed
9-1-1
for
help?
then
why
do
it
in
poetry?
you
don’t
have
as
much
time
as
you
think
John’s poetry, in my opinion, is the epitome of Plath’s definition of poetry. It’s “simple straight talk,” “pared down and urgent,” with “pretension beaten out of them by crushing circumstances.” John’s poetry is comprised of lines that someone at the height of madness can grab hold of like a crucifix, lines that could talk a jumper from a ledge. They are lines that somebody would scream into a telephone making a 9-1-1 call.
John follows a simple formula: he puts the right word next to the right word, the right line next to the right line, the right stanza next to the right stanza – he doesn’t produce stuffy, fake, academic poetry that goes nowhere, does nothing, saves nobody. The minute you start counting syllables, throwing out the best word for the best-sounding word, writing becomes nothing more than verbal masturbation.
John’s poetry is definitely McDonald’s poetry: it’s quick, to the point, and keeps you coming back for more. There is, after all, a reason why there’s “over one billion served” – because customers are happy. They love the food and they love the service. That stuffy, fake, academic poetry that’s pushed more people off the ledge that heartbreak and homesickness combined, is like a fancy meal that’s hard to chew, hard to digest, and has you constipated for weeks afterwards.
Great insight Tom - you hit the nail square on its head!
- Wolf
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Re: Don't Let Anybody
«
Reply #7 on:
May 16, 2011, 11:28:33 PM »
by
Tom Riordan
Quote from: Wolf Carstens on May 16, 2011, 11:14:19 PM
One of the best definitions of poetry (in my opinion) is found in Rob Plath’s
A Bellyful Of Anarchy
:
John’s poetry, in my opinion, is the epitome of Plath’s definition of poetry. It’s “simple straight talk,” “pared down and urgent,” with “pretension beaten out of them by crushing circumstances.” John’s poetry is comprised of lines that someone at the height of madness can grab hold of like a crucifix, lines that could talk a jumper from a ledge. They are lines that somebody would scream into a telephone making a 9-1-1 call.
John follows a simple formula: he puts the right word next to the right word, the right line next to the right line, the right stanza next to the right stanza – he doesn’t produce stuffy, fake, academic poetry that goes nowhere, does nothing, saves nobody. The minute you start counting syllables, throwing out the best word for the best-sounding word, writing becomes nothing more than verbal masturbation.
John’s poetry is definitely McDonald’s poetry: it’s quick, to the point, and keeps you coming back for more. There is, after all, a reason why there’s “over one billion served” – because customers are happy. They love the food and they love the service. That stuffy, fake, academic poetry that’s pushed more people off the ledge that heartbreak and homesickness combined, is like a fancy meal that’s hard to chew, hard to digest, and has you constipated for weeks afterwards.
Great insight Tom - you hit the nail square on its hea d!
- Wolf
Wolf, John's poetry is definitely pared down, definitely straight talk, but life & death urgent, crushing circumstances? That claim does seem pretentious to me. Tom
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Re: Don't Let Anybody
«
Reply #8 on:
May 17, 2011, 12:47:23 AM »
by
Epic Rites Press
Quote
Wolf, John's poetry is definitely pared down, definitely straight talk, but life & death urgent, crushing circumstances? That claim does seem pretentious to me. Tom
Tom,
Have you read John's newest books? Obviously (since I've published John's last two books, an issue of Tree Killer Ink that showcases John's work, plus continue to push his new work in every new magazine, not to mention John's two new books in the works) you know (or maybe you don't) that I could quote poem after poem after poem after book, to illustrate the immediate, crushing circumstances in John's work, right? Here, the latest poem, I NEVER PLAYED, published in ERP's newest magazine, Tree Killer Ink #10.
http://www.facebook.com/video/video.php?v=202964786407553&oid=130526383690123
Tell me you've read John's last two books and I'll gladly argue the point further.
I don't know what else to say, my friend...
- Wolf
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Re: Don't Let Anybody
«
Reply #9 on:
May 17, 2011, 08:53:25 AM »
by
John Yamrus
thanks, wolf. i love Plath's "poetry is a 911 call". it's urgent. it's immediate. and real.
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Re: Don't Let Anybody
«
Reply #10 on:
May 17, 2011, 09:20:37 AM »
by
John Yamrus
and...tom, you're right. what my poetry lacks...what my poetry needs...is more references to dead Greeks and literary/historical figures. that would give it weight and gravitas. that would make it poetry. fortunately, for me, i don't write poetry.
never did...and never will.
john yamrus
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Re: Don't Let Anybody
«
Reply #11 on:
May 17, 2011, 09:46:50 AM »
by
Tom Riordan
John, Wolf. I apologize if I've offended you. If claiming that someone's poetry is life & death urgent, forged by crushing circumstances, isn't pretentious, what is? That's all I'm saying. I'm certainly not saying such urgency is a necessary for great poetry: quite the opposite. I don't think your poetry lacks anything, John. Nor would I make that claim of crushing circumstances etc. about what I write, or anyone else on the site. Tom
p.s. John, I would love to see your spoof of the greek god etc. poem...
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Re: Don't Let Anybody
«
Reply #12 on:
May 17, 2011, 12:18:24 PM »
by
John Yamrus
Quote from: Tom Riordan on May 17, 2011, 09:46:50 AM
p.s. John, I would love to see your spoof of the greek god etc. poem...
no need to, brother, it's already been done.
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Re: Don't Let Anybody
«
Reply #13 on:
May 17, 2011, 02:02:12 PM »
by
Epic Rites Press
Quote
John, Wolf. I apologize if I've offended you. If claiming that someone's poetry is life & death urgent, forged by crushing circumstances, isn't pretentious, what is? That's all I'm saying. I'm certainly not saying such urgency is a necessary for great poetry: quite the opposite. I don't think your poetry lacks anything, John. Nor would I make that claim of crushing circumstances etc. about what I write, or anyone else on the site. Tom
p.s. John, I would love to see your spoof of the greek god etc. poem...
Tom,
Ninety-nine percent of people are sleepwalking through life. They're not even alive because they haven't yet realized that they're dying. They waste their lives grasping onto illusions. John's poetry is a wake-up call: grabbing readers by their necks, giving them a good shake, restoring them to their senses. If this isn't a matter of life and death, or urgent, I don't know what is. The reality is (as Plath mentions in his poem) we don't have as much time as we think. John knows this, and he wants his readers to realize this as well. He wants to wake his readers up and force them to be honest in every aspect of their life - especially their writing. John, in my opinion, writes neccessary poetry. John writes the kind of poetry that will talk jumpers off a ledge. The type of poetry that saves lives. We need more neccessary poetry like this. Think about it the next time you're counting syllables, about to throw out the best word for the best-sounding word, or thinking about how to reference Pindar or Ovid in your latest ode.
By the way have you read John newest book
Can't Stop Now!
?
- Wolf
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Re: Don't Let Anybody
«
Reply #14 on:
May 17, 2011, 03:21:32 PM »
by
Tom Riordan
Wolf,
I appreciate your thoughts about John's poetry here, it makes me understand your point of view better. I appreciate the same qualities, but don't see it all as being entirely as potent as you do.
That's poetry.
I objected too to the essay Maggie posted about meter being the most essential component of poetry. I object whenever someone says "This one kind of poetry is great and all other kinds suck." There's a lot of good styles, John & Rob's is one of them.
If you ever think you see me passing up the best word for a better sounding one, call me on it, okay? That will help!
I can assure you I've read and listened to enough of John's poems to know what my reaction to his work is. Tom
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Re: Don't Let Anybody
«
Reply #15 on:
May 17, 2011, 03:29:15 PM »
by
John Yamrus
strong reactions on both sides of the fence. that's what i like. if my poems didn't shake something up in people (good or bad), then they'd just be blah. i hate blah. i also hate cats. but that's another story entirely.
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Re: Don't Let Anybody
«
Reply #16 on:
May 17, 2011, 03:30:28 PM »
by
Tom Riordan
I'm 100% with you on the cats, John!
Also on how provocative your work is. I can't save it's saved my life as much as Wolf's, but it does get a rise out of me!
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Re: Don't Let Anybody
«
Reply #17 on:
May 17, 2011, 04:15:16 PM »
by
John Yamrus
well, that's the thing i've learned about my writing. people either get it, or they don't. and when they DO, they get it deep. there's no halfways when it comes to my writings.
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Re: Don't Let Anybody
«
Reply #18 on:
May 18, 2011, 03:30:43 PM »
by
Epic Rites Press
Quote
Wolf,
..I object whenever someone says "This one kind of poetry is great and all other kinds suck." There's a lot of good styles, John & Rob's is one of them.
Tom
Tom,
John was talking about poetry being "practised at the highest level" and you responded by suggesting that if John's writing is poetry "practised at the highest level," then McDonald's is "cooking practised at the highest level." The insult is clear. That's what started this discussion.
Or was that McDonald's crack meant as a compliment?
- Wolf
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Re: Don't Let Anybody
«
Reply #19 on:
May 18, 2011, 03:53:10 PM »
by
John Yamrus
Posting here is fun, but ultimately it takes too much of my time out of a very busy day. i think it's best that i get back to the real world and focus my attentions elsewhere.
and, Tom, more and more i'm getting the distinct impression that PC is pretty much all you have. i want you to know that i really am sorry for disturbing your existence.
take care.
john
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Re: Don't Let Anybody
«
Reply #20 on:
May 18, 2011, 04:03:19 PM »
by
Tom Riordan
Quote from: Wolf Carstens on May 18, 2011, 03:30:43 PM
Tom,
John was talking about poetry being "practised at the highest level" and you responded by suggesting that if John's writing is poetry "practised at the highest level," then McDonald's is "cooking practised at the highest level." The insult is clear. That's what started this discussion.
Or was that McDonald's crack meant as a compliment?
- Wolf
John read his poem, which consists of a narrator saying that poetry practiced at the highest level is a business and then suggesting that the poetry that sells the most is the best. I said "Got a kick out of this, John. And McDonald's is cooking practiced at the highest level!" Cooking a business, McDonald's selling the most?
The idea that sales levels equals quality is what his poem and my reply dealt with, not anyone's writing.
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Re: Don't Let Anybody
«
Reply #21 on:
May 19, 2011, 01:53:19 AM »
by
Epic Rites Press
Tom,
I've been a member of PC long enough to know how things roll around here. I've read the archives, you know? You and John (as I see it) are polar opposites. John writes poetry that is urgent and essential; you write poetry that is pendantic and useless. It's the difference between a wake-up call and a sleeping pill.
I'm entitled to my opinion, as you are to yours. My only complaint is that you're not honest in your disagreement. As soon as someone calls you on it, you pretend to be some kind of ambassator of free speech where:
Quote
I object whenever someone says "This one kind of poetry is great and all other kinds suck." There's a lot of good styles...
No, you like what you like - and you have your reasons for it. Be honest about it. There is only one kind of poetry - great poetry, and no matter what style it's written in, great poetry speaks to the blood and bone in us.
And
that
is the kind of poetry that changes readers.
- Wolf
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Re: Don't Let Anybody
«
Reply #22 on:
May 19, 2011, 07:37:28 AM »
by
R Raymond
This thread is degenerating into personal attack and insults. I think we should just let it be. I am a fan of both styles of "polar opposites" mentioned. They may have different intents and, to a point audiences, but in the end they are words, and if they are, like I say, "well strung together" I'm gonna read 'em and enjoy 'em. The immediate poetry cuts like a knife while the more academic lulls like meal to be savoured. A good sharp knife is hard to find and a good meal is hard to prepare. I choose to cut into the osso buco with a sharp knife.
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Re: Don't Let Anybody
«
Reply #23 on:
May 22, 2011, 03:35:33 AM »
by
Epic Rites Press
Quote
This thread is degenerating into personal attack and insults. I think we should just let it be. I am a fan of both styles of "polar opposites" mentioned. They may have different intents and, to a point audiences, but in the end they are words, and if they are, like I say, "well strung together" I'm gonna read 'em and enjoy 'em.
Rob,
This thread hasn't degenerated into "personal attack and insults," it began that way as soon as I posted John's poem. This PC playground has operated for too long with cartoon bullies running rampant, kicking sand in faces because they feel superior. Seriously, I don't know what's worse: their bullshit or your complancency to read it day and day out and keep silent about it.
Somebody has to stand up to the haters of this world, otherwise their hatred becomes contagious - and the next thing you know we all wake up in the Nazi Germany dream-world of poetry.
... You think I'm being melodramatic, but I'm not - Take a good look around this playground and tell me you can breathe freely - Tell me you feel safe.
- Wolf
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