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  field rabbit
« on: April 24, 2009, 11:29:09 PM » by ca.leverette
Just starting my "ese". It's Friday night & I can't find a new law and order, or even a new csi, so I'll find myself.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #1 on: April 24, 2009, 11:43:48 PM » by ca.leverette
the day waited
I anticipated
begonias burst into flame
scarlet clay
in marquis-shapes
this poem is deadly
quickly, dissipate
it will kill all the others

live intrigue
coral reef
left behind
tracking leaves
innocence
light-years
humility

secluded
fatigued
dusty night
wake up
you, you unknown
dry crispy leaf
not sinister
refuses to leave

lonesome activity
soft hands
whisper covers
faded metal stains
ice glistens

hollow diamonds
hollow hexagons
pointed shapes
oval to vees
half what ice should be
sprinkly stars eventually

draped property
rows and rows
chain-link fence,
years pass
I spent all my shivers
on removing articles
spell check
preview
post
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #2 on: April 24, 2009, 11:54:54 PM » by ca.leverette
I suppose I should give credit
where credit is due.
I should show him
the utmost justice.
he truly is charming,
as he says.
a little solemn too,
but oh,
the things he plans to do.

in the evenings,
he pulls words
from his pocket and
revives my drooping spirit.
daily, he uses powers
of persuasion and philosophy,
overwhelming me
with lofty thoughts
and comforting phrases
provocative, soothing.

soon,
he will silence discussion
with a kiss that falls
a blow to the heart; 
like a criminal confesses a crime;
like demon possession

whether innocent or guilty,
I'll do what he suggests.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #3 on: April 25, 2009, 12:04:58 AM » by ca.leverette
life holds a brilliant sky
stars are there
you can see them
but you can't count them
they twinkle fire
first there is a bridge
you cross
a ladder you find
and climb
mountain you scale
tunnel you travel,
valley you divide
its name
shadows
death.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #4 on: April 25, 2009, 06:45:23 AM » by ca.leverette
Hands feel,
as if touching again,
what lips and skin remember.
Smooth desire runs again,
through honey-ed blood,
as her body awakens
to the taste of him--
his savour known and
remembered
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #5 on: April 25, 2009, 06:46:35 AM » by ca.leverette
I was wholly unprepared
for his enormity
My thoughts
were much too small,
never big enough
to encompass his truth.
 
I searched
for a bridge to cross--
the one of separation
But no one
could take me
near the edge,
where only there,
could I die,
present in the moment.
 
Death, like rain
fell gently back
into an immense ocean,
where brave ones dive deeply
through narrow uncoverings
of what is always there;
where separation is an illusion;
and isolation is only fear.
 
The sea was kind
and without urgency,
no pressing in the moment,
or into worlds of awareness,
where I had work to do,
hidden things to uncover--
 
moments to remember
without going mad
searching for a center,
or an empty space,
flowing and unfolding
ryhymes and reasons
on which to hang my grief--
 
I never knew
and didn't care
about their provision,
or experiencing false
sensations of
effortless activity--
or whatever this
and whatever that,
or whatever happened next,
 
a mere investigation--
the one on the edge
across the bridge,
where he waited in comfort
without falsehood:
I was clarity
and he was balance
as we presented
ourselves simply--
a focus for the sea.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #6 on: April 25, 2009, 06:48:20 AM » by ca.leverette
I can see the Sun from here--
clearly my key to light
as I look over my shoulder,
watching dappled shadows
bounce from white-light
to black-light, from
daylight to night time,
in glowing colour casts--
at points easy to forget,
waiting for my eyes to adapt.
 
These lenses invite
a lovely rapport with life,
although at times,
the lense is much too long,
and not always convenient.
 
If it were not for the
soot and whitewash,
bright dappled sunlight
would fill my journals
and record everything--
even all the glory.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #7 on: April 25, 2009, 06:49:05 AM » by ca.leverette
He inspires me to write poetry,
rigidly poised,
listening for different sounds,
testing the chords,
plucking at strings-- 
the brass joins in,
the cymbals and drums,
and always the applause is silent.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #8 on: April 25, 2009, 06:50:05 AM » by ca.leverette
I'll talk.
You'll listen.
No, wait.
I'll talk.
You'll squirm.
Isn't that what you like?
That excited, squirmy feeling?
Pushing, pressing
so close to the edge
but never falling over?
You love that jolt of power
when you've finally broken
the last frazzled nerve,
the nerve that held on,
tried to stay strong
until you snapped it--
busted it wide open
like a broken fire hydrant
gushing profanities
while you smile.

I've changed my mind.
No squrim for you.
No pleasure.


I'll talk.
You'll listen.
Or maybe
we won't talk at all.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #9 on: April 25, 2009, 06:50:47 AM » by ca.leverette
She and I are one--
poured out,
plundered for you
by the law of recipriocity--

She, at her finest, her highest,
meeting her most ultimate goal,
a gleam in the eye of vulnerability--
an ache drawn from the deep
of passion's bounty;
an avalanche of need, at last
consuming humanity's greed.

And giving herself over
to a fantastic scheme,
she succumbs to the fancy
of reality only in dreams,
and so, I will accompany her
in the lost joining of one.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #10 on: April 25, 2009, 06:51:29 AM » by ca.leverette
Niagara in the Fall


Under
the waterfall
twenty miles
and a day

still
we are
far from shore

our bodies
never drying
under the sun

never insignificant
like yesterday's
neglected news,
rolled-up and silent
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #11 on: April 25, 2009, 06:52:15 AM » by ca.leverette
Hey
I bet you could
if you would
if not for mere entertainment
whiled all joined the arraignment
of rhythm without time
and poems minus the rhyme--
only to discover
one cannot be
without the other

but, on the other hand
one would surmise
her own summations;
the other could laugh
without hesitation--
only to discover
one would be fine
without the other

because, although
would and could
are very close
humans always have faces,
even in far away places
and are not that way,
of course.


Cheryl

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #12 on: April 25, 2009, 06:53:50 AM » by ca.leverette
strong thighs,
curvy hips,
a dark past,
laces tight round legs
and feet and the gritty pen
of a poet-slave,
staying soft when her words
would not take the chance
to let her dance
when she was ugly,
when she was pretty,
when she was nothing
or even everything,
tight black leather
and the knots of circumstance
loosened round her lover
and she danced.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #13 on: April 25, 2009, 06:55:15 AM » by ca.leverette
Out the front window
pumpkins, whole thick crops
clearly blown away, nothing left.
Strange smoky faces appear
from smouldering rock.
Golden teeth gleam in wide-open
mouths, gaping like carved pumpkins
from fields once-green.
 
Singed hair dangles from temples
crossing hollow cheeks,
resting on lips meant for kissing.
Lids pull up and back--
curtains exposing round balls
once slick, now afloat in black holes.
 
Lenses look miliseconds
into atom's brilliant flash--
     Hiroshima
     ... and the eyes of a woman.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #14 on: April 25, 2009, 06:56:04 AM » by ca.leverette
First Edition


A sad King once ruled my life.
He pressed me into His satire,
where once I was His chronicle.
My lips he never read.
And though I screamed my throat red
with the blood of disgust,
He dismissed me saying,
"It is not you I value. It is not you I trust."

I was His priceless First Edition, bound
in leather and fine leaf, that He battered
and abused. I told of history and decades
of decadence, but He tore out my pages,
destroyed my gilded edges, and robbed me
of integrity. He became the exception to every rule;
an absolute Monarch, and I his fool.

He called me Tragedy claiming me to be His prose
and in the darkness of His Poetry
stripped me of my vanity.
Run wild, you Beast, you Child!
Your "poetry" echos in my face:
   You are but mirror. You have no place.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #15 on: April 25, 2009, 06:57:50 AM » by ca.leverette
Even the young have wisdom.
Watch how  the cold search for warm.
See the helpless seek shelter
Bright eyes like newborn sun.
Even the hopeless, relentless
Dare to dream, though they fade.
Tears swell to great rivers and oceans
Where wounds and scars are laid.
Pain is not like a fever
Rising and falling with time.
Hearts don't break like fine china
Dangerous, jagged straight lines.
To one a season is needful.
To another the same is pure joy.
One struggles, surrenders to valleys
Strength no lie will destroy.
Don't tell the girl she can't hide
Or talk of Angel Wings at her birth.
Don't play her music you've written.
Help her thrive in your shelter long hidden.

***********************************************

Ever the young have their wisdom;
See how the cold seek the warm?
Watch as the helpless find shelter
Away from a gathering storm.

Even the hopeless are thinking,
Daring to dream, though they fade.
Swells of great rivers may wash the
graves that gilded hands have laid;

But pain is not proper fever,
Rising and falling with time,
Nor do hearts breaking like china
Ever break along straight lines.

To one a mountain is needful,
To someone else it is joy.
We struggle to glean from valleys
A strength no lie can destroy.

Do not tell the girl she must hide
Her Angel Wings at birth.
She plays a music in her mind
Replacing censure with worth.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #16 on: April 25, 2009, 06:58:47 AM » by ca.leverette
All of the ones are now undone:
they've all been turned to twos.
All by myself, I can't stand ones,
or children with no shoes.

Not all the shoes were left by me
though those I did were many.
Of empties, though, there should not be
even more than one, if any.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #17 on: April 25, 2009, 07:01:15 AM » by ca.leverette
this room


on lonely nights
a crowd's nearby
silence is in this room

on sunny days
clouds pass this way
shadows wear gloom

in the calm of storm
even air is warm

all is safe and still
waits on a passing chill
drifting through this room

what would you say
if she told you today
she heard gentle words
chase the silence away

would she be right
if she told you tonight
she watched the bright
shift the shadows light

will you think it wise
hearing moans and sighs
from a fire rise

but cold is what she finds
she's a forlorn child
maimed and mesmerized
staring with lonely eyes
where sorrow lies

living in yesterdays
searching for a face

fancies instead a mask
but she's afraid to ask

which one to wear
she really doesn't care

to hear you say
she lost her way
in this room

the first time

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #18 on: April 25, 2009, 07:01:51 AM » by ca.leverette
Solitary Flame

There is a fire.
I see you .. solitary and centered.

Surrounding me with warmth
You have none. I reach for you.
To kindle a flame.
To light for you a candle.
Your face I can't see ....
You turn away from me.

Fear is in the fire. I will help you see.
Take your hand. Lead you through
When you willing allow me to.

No stranger to me is the fire, but familiar.
Did you think? Were you aware?
What time did you take?
Your trust is hidden there.
One such as me should be weak, you believe.
Must needs be what you think you see.

Shallow breath and weightless.
Gentle bud with fragile limbs.
A seedling can't know where courage ends.

Tender leaves, wind-blown.
Thorns of sorrow each petal knows.
Buried roots, safely below ... the rose grows.

Crimson-scorched am I
When your face from me you turn.
Yet I sit among fire never burned.


Flesh and bone will bear this heat,
From spark, to ember, to flame, a fire.
My heart is holy, scattered dark and deep.
Solace beckons .. the stairway steep.
No fire will destroy me.

Single ring of fire able to scorch me
Though your trust you must keep.
Solitary Flame for you I reach.



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #19 on: April 25, 2009, 07:02:22 AM » by ca.leverette
Be kind
to those
you know
who's
daily-mantra-replay
is
"my life is hell".
Because,
dear friend,
if you have not lived it,
if you have not been there,
please listen
when I say
"hell on earth"
is not
a mere cliche.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #20 on: April 25, 2009, 07:03:03 AM » by ca.leverette
Find me in your fallow'd forge
Surround me in your shallow shore
Walk me through your open door
Break me till I cry for more
Make the ache weaken
and scatter my call
So shall the air shatter it all
Drown me till I care no more.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #21 on: April 25, 2009, 07:05:59 AM » by ca.leverette
I tried to paint my world
but I didn't know
how to use a brush
or acrylics
or oils
or water
with beautiful color.

My hands were heavy.
My fingers were frozen.
I couldn't draw
a straight line
or shade
the curve of a circle.

Stick figures
of rowdy children
with bug eyes
poked fun
at my visual contortions.

Whispers fell from the page
into my world
like drippy voices:
"you're hopeless".

When the whispers
turned to shouting
and the dripping
turned to leaping
I had no choice
but to walk far away
from the stick figures
and the swirling circles.

I walked
until I lost myself
and tore away the ropes
from the way
things should be.

There was life,
the way it is.

Knots and cords
and slings
are machines
but I'm human
with lines, unsophisticated
and curves, not comprehensive
but all of them are me--
the way my art should be.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #22 on: April 25, 2009, 12:59:52 PM » by ca.leverette
I once knew a man who lived by chance.
No, not your usual impractical dance.
All it took was the sun to encourage him.
A tender bush or weed he'd love to trim .

He seldom knew of sensitive nods
(Innocent peaks at his rambling rod -
Desiring to see what everyone knew).
If only they knew what he could do!
Cloud a faithful lover's eye with tears
Or laugh at the shock of ignorant ears.

He longed to dance and so he did.
He longed to be the authentic "him".
He longed to comfort hurt and shame
Mixing and measuring name by name.
Giving solace to both vain and slain
His generous breast absorbing the pain
The timid, shy, the fearful and insane.

Many things such a man may deny
But never temptation; his only lie.
He claimed his golden pot was real.
Of it's wholeness his desire to feel
Never revealing the truths concealed.

"I'm ok", he was known to say,
"I'll prove to you I'm really this way".
Planning and plotting his run-away
Not knowing he would forever wait
Mapping his route and never escape.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #23 on: April 25, 2009, 03:07:56 PM » by ca.leverette
... Never Misled


It's true
she's a beauty in red
Her dress bunched up
all around her in a heap
still young and lovely

A little weary of this
I sigh and turn my head
nonchalantly
so matter of factly
such an apathetic stare

I'm just me
an empty bed
waiting for the dead

Or maybe I'm lonely
looking for a mere tiny space
a pleasant place
to lay this pounding head

So forgiving am I
so forlorn

I give up
Darkness fails me again
another sleep-search
I'm on the rise
Seems like I'm always roaming
chasing a shelter of wood
a square box called home

Gentle, kind ripples
rush swiftly by me
soft and giving
But like time
won't slow down
when I've lost my way

If only I could
I would come to you

Even though math
carefully calculated
science with her formulas
even though old wives tales
say I shouldn't
I would anyway

Calculations keep correcting
over and over again
Formulas continue
weaving perfection
tight as a drum-skin

But there will only be
one you one me one we

I watch you beckon
the young beauty in red
knowing she will turn her head
and walk away from you
just as she said

But me ... I was never misled.



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #24 on: April 25, 2009, 04:03:35 PM » by ca.leverette
Quietly In The Background


"Nowhere and everywhere", you said,
upon my first meeting with you.
I dared to ask where,
from what direction you entered
this tiny closet of a world -
my life, with an old wooden door,
swelling and shrinking each time
the weather changes.

"There is a place where no man can go,
save one," you tenderly revealed.
"There is an ache no man can heal
save one, and if it be me for you,
I will walk in you, like the wind
blowing through; you will never
wonder if the breeze you feel is me."

I am comforted knowing
you earnestly desire I ask much of you.
In return you are free to give more.
I have come to know you intimately.
It is a gift, and I am pleasured.
I revel in the man you are,
and I relish in the telling.

You are a mixture of story and invention,
as genuine as the stone under my feet.
Your plans, I cannot comprehend.
You are outrageous, stirring in me
the most extreme adventures.

I do not know your genius.
Boasting does not become you.
I wonder; would you even know how?
You hide your talent from me.
Neither are you a lover of intrigue.

You test my inventions
yet I am not your experiment.
Here in this place with you
fantasy will not linger long
though in your eyes, ecstasy lives.

You make color out of my flesh.
You draw sound from my bone.
You do not tarry.
Instead you carry the weak
and break the strong.

You know all tongues
not ignoring the slightest cry
or berating the beating
of a thousand drums ...
in my hands.

An encounter with you dazzles me,
a reverberation of all my senses.
You taste of the euphoric -
an orchestration; an aphrodisiac
for the palate of any soul.
You seek only to play your music
throughout my heart ...
quietly in the background.

So I will not look for you in high places,
in cool streams or mountain-tops.

Only in difficulty will I find you.

This one truth I know:
if I avoid you, you will find me.

You touch. You hear.
You see. You are real.
You are simplicity
and you love me.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #25 on: April 26, 2009, 04:28:09 AM » by ca.leverette
I have a friend named Thomas.
Calling him friend - quite a stretch.
I dare not be assumptive.
Thomas - he will know.

We are creations, kingdom seekers
By a silken thread we are looped
Unashamed of our talent.
He will know this too.

He is no better than me; I no better than he
Should he choose another man to be
Or different castles in which to dwell.

Of the young I know this well.

I have a secret to tell.
Crossing treacherous watery moats
Dare I speak the unspoken
No breaking of the broken, shall I
My tears a token.

Thomas writes; my heart longs to smile
Sings a tiny tune; and all the while,
I ache remembering the delight of a son
A light; living on the side of another moon.

More than life I love this one, my son
Undone by care, I'm sure he never knows
A world beguiling concerns him so
Is the very reason I will never let him go
Not by vapor, not by shadow.

Sir Thomas spins words of gold.
No matter he thinks
No matter what he's said.
I will never turn my head.

He is not a boy.
He is a joy.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #26 on: April 26, 2009, 04:29:04 AM » by ca.leverette
Honestly kind friends,
I stifled a laugh when he said to me
"You may have whatever you desire, my sweet".

O my dear men, who listen to me
make sure of your offer, if offering to me.
I will be kind, though secrets they be.
I would ask these questions, if it were just me.

When you look at me and see my beauty
do you look only with desire to have me,
or with curiosity?

Have you watched me closely
my flesh so fair, sparkling in the sunlight?
Have you gazed at me with such intent
that I appear to be in movement
though with you I am still?

Has the shine in my hair so fresh
an amber glow warming seem
you could taste the scent of it,
yet never touch me?

When you make love to me, what do you see?
Searching each limb,
do you see me as a mystery?
If I feel awkward will you comfort these
orgasmic contortions of my body
as my back arches toward you; this primal plea?

Do you hear a loveliness in my voice as I moan
knowing I desire you to come closer,
to be near the beating of a heart so restless
wanting more, never having enough?

Do you feel my ecstasy when I grimace
at the thin line of pain and pleasure
only you can bring me to?

Will you balance a pain so hidden and deep
with a pleasure so vibrant any minute
the Universe will open for me?

When my body is at rest, my face peaceful,
will you stay? Will you rest beside me?

Have you ever felt so utterly at one with me
you couldn't distinguish or separate you from me,
at rest by your side, even in beauty,
though she sleeps?

When you look at me, for just one moment
will you see the light in my eyes,
and the tenderness in my body?

Are you awestruck,
amazed by what only you see?
Are you in complete wonder at the how,
at the why, at the curiosity?

Whatever I desire I may have, he said to me.
Only when he gives me these things
sated I will be.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #27 on: April 26, 2009, 04:29:52 AM » by ca.leverette
Bewitched By A Lullaby


Who has bewitched You, My Friend?
Your mask is darkened and seared.
Your brow deep furrows haunt.
Light of hope has left Your eyes.
A mind dull and dreary with fear.

Yes, I am this Burn You speak of!
How fiery My scorching flame!
Your steamy Torch once Your pride.
Now concealed His prowess You hide.

A dam of lust has broken
Steamy and out of control.
You endlessly ache of desire
A prison You cannot escape
Tightly locked is always this way.

Much time passed, You speak?
Hungrily You reach to touch
Grasping for fullness and depth
Vast and heated hot flesh
Slick, firm ... waiting for Me.

Picture Me now in Your mind
One who beguiles You with tyme.
Like the coil of a snake I unwind
Wrapping, draping, tempting, taking
All of You coming inside.

Writhing, unsettled and longing
The core of My passion You ride
In desperation an ache I quake
Red, gold churns, Garden's snake
A flame You don't know?
You can't think. "Come,
"Come, together Let's drink",
Sighing softly as death I sing.

Your senses have loosened.
Your body is free, fire consumed
You are blind never to see.
All of Me I offer freely.
My sweet ripe flesh You need.
No mouth or tongue will redeem.

I invoke You, I whisper Your name,
"Reveal how You feel;
"Burn, burn slick Steel."
My breasts flash forgiveness,
My body Your witness.
"Will You burn, burn only for Me?"
I cry this betrayal My tears.

Your male Member hardens like sin.
Your Flame shines brightly of lust.
Are You feeling, floating destruction
As though with one stroke
Finished, spent You would be?

Fire in Your groin, a Furious Flame
Surely at last I must douse
You enter Me deep and sweet
Familiar and priceless to keep.

Let Me hear the sound of Your voice.
Describe to Me just how You feel.
I listen, folds shiny and glistening
Embed Your Rod, hard and eager
A Rock amid tender new flesh.
I engrave Myself deeply in You.

Hear my song of passion and lust,
"Tell Me, do You burn?
"Pray feed Me, burial-burn".
Replenished yet never will finish.

I'm comforted now with Your raging
Ravaging rod, You plunge Me like steel
I'll keep You hidden and deep.

I sing such tender love-lies.
My lust complete satisfies.
Melody lilting, lifting such sighs
"Burn with Me, burn with Me now.
"I'll come for You, I'll gladly show how.
"Burn with Me, burn with Me ...
"Come with Me, come with Me".

You I've bewitched with My lust
Midst a ring, a circle of fire,
... singing My sweet lullaby.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #28 on: April 26, 2009, 04:30:28 AM » by ca.leverette
she dances


little one
so small
she hears music
bereft of beauty, she cries
and she dances.

her body responds
in odd ways, gracious
circles and turns
whips and whirls
as she dances.

each hand an instrument
her arms a courier
of worship; she worships
the One who hears her cry
and she dances.

her feet expressions of praise
she flies; Pegasus-winged
freely she glides on milky clouds
of yester-years; sorrow's tears
and she dances.

gifts now bestowed
among hearts of all men
she is gifted; hear her song
watch her worship
take view this glory
...
as she dances.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #29 on: April 26, 2009, 04:31:00 AM » by ca.leverette
We Walk Among Wood


Be my shroud
my piece of humanity
cover me when I am exposed
disclose me with your hands
illusory and distant
wrap yourself around me
with your muscle and tendon
ease this knot of lust hard for you
bound by your steamy flesh.

In reconciliation
we are ancient,
bone and marrow
from the birth of man
always hungry, never full
forever lost, we can't find
the you
and the me
we were at our birth.

Amidst a circle of fear
we meet in the center
of our beginning,
our Alpha
renews us
Gilead's balm at every touch.

An end that should be,
but never is,
our Omega
lives in moments of time
with no distance
between a man and a woman
bursting with flames, warmed with life,
fire melts ice, and once again ...

beyond a third dimension
we build mountains
from grains of sand
we walk among wood,
plant trees of oak,
forests of maple
with seeds too small to see
yet each a progeny.

From ashes and dust we are birthed
tossed and flung through the atmosphere
never touching the earth.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #30 on: April 26, 2009, 04:31:30 AM » by ca.leverette
sea chant


dare a man search
where few men have looked
where few men have touched
among the tender sandstone
swirling and swollen
he will find a dam of desire

an anchor, weightless
lowers and drops.
whales cry
without despair.
lighthouse ancient, chimes
an unknown directive.
rumbling ships hum
with no entrance.

amidst the swell,
powers exchange.
one loses
both gain.

when at last a brave man is unfettered
and covered in moist intimacy
textures transform.
sea animals chant of instinct,
the courageous,
... and his birth
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #31 on: April 26, 2009, 04:32:11 AM » by ca.leverette
This need I have to be touched
is just that, yet more - a hunger.
A longing for invasion
to be captured and overcome
to be so hard-pressed
I burn with furious exaltation
I cannot ... do not desire
to control such extravagance.

So weary of doubt,
ever-analyzing my senses.
Must there always be
hesitation, or fear of my actions
ashamed of this passionate greed.
I only long to forget who I am
unaware if I exist at all.

There is a valley in me, hidden.
Yet, at the longing of another
I awaken, and weep
just as the Earth splits
at the entrance of her lover,
I open for the arrival of mine.

Best born of the Earth,
we fuse fiery and terrible
inviting our lovers quake
to fill empty ravines,
veiled, yet now exposed.

Mysterious fusion
dark and timeless
Earth collides with flesh
and I am known.
My lust revealed.

Fire consumes flesh
scatters heart and bone.
a marvelous heat ignited
by an enigma and her flame.

Mysteries must be solved.

Separated from the Earth,
I am torn.
She is only dust.

So shall this need I have;
this hunger to be touched
never die, lingering forever in spirit;
fingertips of humanity, a requiem.

The Earth grieves.
She could not comply.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #32 on: April 26, 2009, 04:33:17 AM » by ca.leverette
My Sweet Cherry ...


I have this endless fantasy of you ...
a ripe, delicious fruit; a luscious cherry,
thick, creamy icing covering you,
sprinkles of random-rainbows
delight me, and tantalize anew.

Hungry for your sweetness,
I feed selfishly
amid your sugary-pink flesh.

With each delectable bite I take,
you lick tiny nuggets, red and scarlet,
from my bare, swollen breasts -
sparkles of your confection,
dripping and falling, sliding all over me,
as you nurse nipples, drawn and taut,
shining of your destiny.

I taste your extravagant affection,
sucking greedily your honey glaze,
nibbling softly your ripened cherry,
drinking of your thick syrupy dew,
slick and new; a sweet lust-fuck ...
dare I eat the whole of you.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #33 on: April 26, 2009, 08:58:03 AM » by ca.leverette
Mysterious is
the time
when curiosity
entertains a woman
and leaves her breathless.
Her eyes
become a fire.
Smoky-blue
is the curl of flesh
twisting round her
for the first time.
Her speech
is transformed.
She is
revolutionized.
Her touch
ignites a spell
captivating
her lover, unaware,
and tangled
are his trembles.
His look
is hungry,
savage and wild,
full of wonder
and surprise.
His strength
is in the sparkle-clear
where he lives-out
his longing--
the nearness of reality.
Heaviness disappears.
All is lost
to float upon
the most curious sea.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #34 on: April 26, 2009, 09:19:25 AM » by ca.leverette
Draw for me pictures
of a wall and I will use
them to arrest you
on your way skyward.
Paint me a scheme of boughs, limbs
and leaves, and I will
show you who I am
when you think you cannot see.
Build a cabin from
the mighty oak, and
there you will see a landscape soft
and hidden when you
turned your head. Count the
hours until dusk, and watch
me shade a patch of
after-life for you
in shadows so very close
to home until I
find the breath you lost
when you first stumbled upon
me in the wood of
your mind.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #35 on: April 26, 2009, 11:23:28 AM » by ca.leverette
I have no favorite color.
I have no favorite number
and to consider such,
is a sin against the other.

But 'twould be
rude of me
not to be polite
so I shall grant this challenge
a winner's best fight.

My effort is a zero
in colors black and white.
As if crazed
or in a daze
(either one will do)
I remember
lifeless days--
like watching TV
without tint, hue
and light.

Surrounded by
another view
were brand-new
TeeVees in color--
everyone but me.
Mine was monotone gray
and repetitve
black
and white
-- white
and black.

Sights and sounds
and lovely forest scents
meant nothing:
nature -- what was that?
Just something to remind me
the world isn't flat?

Dear Christopher Columbus
should history be true
and you the true explorer
and he was really you,
you were wrong about that
because my world was
colorless and empty,
and no numbers ryhyme with "that"
which is a take-away 360--
a lumpless circumference,
never nice and round.

Yet somewhere there is someone
much greater than me, who
changed my life with grace
and taught me truth in-terlaced
and dappled brightly
infinitely and numerous
in swirled and curling mercy.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #36 on: April 28, 2009, 07:24:47 AM » by Jill Winkowski
Having fun at your journal, Cherylanne--like this one quite a lot.
Niagara in the Fall


Under
the waterfall
twenty miles
and a day

still
we are
far from shore

our bodies
never drying
under the sun

never insignificant
like yesterday's
neglected news,
rolled-up and silent

Logged

"FOR God's sake hold your tongue, and let me love ;" John Donne, The Canonization

  Re: field rabbit
« Reply #37 on: April 29, 2009, 12:24:51 PM » by ca.leverette
Having fun at your journal, Cherylanne--like this one quite a lot.

Jill, what a surprise.  Thank you so much.

Haven't had time to post much lately.  I do enjoy it though, especially having an opportunity to share a little art too.

The piece you mentioned came around after a friend and I discussed meeting in Niagara Falls.  Glad we didn't though.  He turned out to be little nutty, in the end.

Thanks again,
cheryl
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #38 on: May 01, 2009, 01:02:57 PM » by ca.leverette
She wants an ache in her belly
without the wanton womb
She wants to build a fire
and inflame a captive
She wants lightning bolts
and incandescent memories
 
She wants to find the remnants
and smooth the wrinkles
She wants to feel the kindred
spirits of stallions and rams
and bulls and drakes
and she wants to stay that way
even after the public shame
... and the privacy claimed.
 
She is such a disguised child,
     or is she is a girl?
Or is she a woman--
because, who else
     would want to watch the face
     of Anais Nin as she speaks;
     or tell the priceless secret
     of making love to Henry?
 
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  after anais 2
« Reply #39 on: May 01, 2009, 01:13:58 PM » by ca.leverette
She wants a man longing to sing to her,
no matter how beautiful the melody is,
as long as he, and the melody,
don't leave her cold.
 
She wants him to dream of her,
with intervals of time in between,
with all consciousness of them remaining,
as the world around them dissolves,
leaving spots of time here and there,
until a great silence descends upon them,
and music triumphs at last.
 
She wants to be his chaos,
alive and kicking inside her,
not a vision to decipher,
but a reality to write upon--
a welcomed parchment,
where she writes her etherea,
and the joy no one sees.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  after anais 3
« Reply #40 on: May 01, 2009, 01:22:57 PM » by ca.leverette
She wants to be a seed,
scattering his pollen everywhere.
 
She longs to be his fever,
his delerium,
with bright neckties
and dark bathrooms,
cigarettes, sonatas and
anecdotes, with warm veils,
peach-skinned breasts,
and taffeta fingertips.
 
She wants someone
to hear her say:
     "I love him!"
and even more desperately,
her cry:
     "Hurry, come quickly!
     Or what will I do?
     I am burning with it,
     and ... with you."
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  after anais (4) and jung
« Reply #41 on: May 01, 2009, 01:24:20 PM » by ca.leverette
We are
a wild extravagance
a mad gaiety
a verve, a gusto
a delerium
a continual oscillation
between extremes
with bare stretches
tasting like brass
almost leaving
a full flavor of emptiness
beyond optimism or pessimism.
 
Might we give the last frisson?
Does pain have no more secret recesses?
We wish no predominant note
of bitterness to the full
if there were one
and if it were possible
do we really desire
to restore our appetites
for
                    fundamental
                            realities?
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  after anais 5
« Reply #42 on: May 01, 2009, 01:27:58 PM » by ca.leverette
She wants him to feel her warmth,
and soft, steaming thighs,
and feel his lengthened hardness
reaming out every wrinkle inside.
 
She's aware he knows how to
build her fire, and inflame her,
shooting hot, incandescant bolts
through and through her.
 
And afterwards, any man,
if there were one,
would feel his remnants,
because he has softened
every hard place,
setting every shore inside her
a little wider.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #43 on: May 01, 2009, 03:00:06 PM » by ca.leverette
I do not know where I'm going
I cannot tell you where I've been.
I do not want to take you there
where life was cold--
always unfriendly
Though Jesus, he was everywhere
His touch was warm--
I could not feel it
His face, he shone--
I could not see him.
He was there
He is here
 
This is the one thing I will tell you:
Jesus--  he is everywhere.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  anachronic
« Reply #44 on: May 01, 2009, 03:03:38 PM » by ca.leverette
Anachronic


 
 
 
Frost-bitten
ice bergs in the bay
a still-life smitten
my ship was stranded.
On the deck
I prayed you would find me
right before the thunder
before your arrival
toting baggage and veneer decor
in iron trunks and steel cages--
     you were
     an empty coin purse
 
A stranger on the dock
you witheld my property
while I maintained my dignity
a pretense of artistry
in bands of violins
a gypsy's gypsum jewelry--
     you were     
     widely used.
 
I was losing time in the underworld
with stairwells flying up and down.
Yet I stood still
and reveled in the landscape.
When the elevator fell thirteen floors
I lost my footing,
here in the hollow--
     echos of
     a another life.
 
New and used
you borrowed my books
for nothing:
          the bay has melted now.
          At last I've landed
          among the living
          my blood is at peace,
               and warm.
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  sliver of silver
« Reply #45 on: May 01, 2009, 03:06:32 PM » by ca.leverette
The sliver of silver
and the brass couplet
round her slender neck
would not
could not
compare
to the fantasies
entwined
and shining
round and about
her tender soule
like a golden rope
through millions of milleniums
and the mightiest of Kings.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #46 on: May 01, 2009, 03:08:23 PM » by ca.leverette
They flew in circles
the cat and the dog
They were legendary
containing within themselves
a deeper truth
the meaning they would debate
and it was history--
each one must learn it alone.
The lyric was certain
and fell like iron curtains
forbidden for centuries
to pronounce the name
of the mystery
Or was it a myth, a delusion--
what was that word?
The power was extraordinary
it was supernatural
exploding with danger
Both ran to it undercover
whilst circling the vowels
rolling over the consonants
chasing a tail chasing the tail
of that vain superstition
that disappearing act
the whimsy of man, la femme fancy
If only such rudimentary creatures
would scrape the earth
and bow to de amor, to the flamme,
to the rapporte romanique,
     to love.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  storm-rising
« Reply #47 on: May 01, 2009, 03:37:55 PM » by ca.leverette
I am the storm rising
waking you at midnight
wet and tired with sweat
watered-down for me
you are my salty-sea.
 
I am the lightning bolt
striking you from behind
sending climactic moments
electric spoken words
in color for you alone to see.
 
Mine are the eyes peeping
in shadows long and weeping
where you hide your
needs beyond repair
on your knees in disarray
waiting to hear you say
you want me anyway.
 
Mine are the ears hearing
thoughts interferring
with your life
the way it should be
and I can't disregard it
that I own a place
and mine is the face
     in your reality.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #48 on: May 02, 2009, 12:04:17 AM » by ca.leverette
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #49 on: May 02, 2009, 12:05:20 AM » by ca.leverette
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #50 on: May 02, 2009, 12:06:14 AM » by ca.leverette
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #51 on: May 02, 2009, 12:07:04 AM » by ca.leverette
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #52 on: May 02, 2009, 12:08:12 AM » by ca.leverette
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #53 on: May 02, 2009, 12:09:09 AM » by ca.leverette
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #54 on: May 02, 2009, 02:06:20 AM » by ca.leverette
Dice still between your fingers,
     you lead.
It's early to be stirring senses.
          You stir.
We speak in metaphors,
seduced by words
left to interpretation.
     Your magic lingers.

Invited in, your hands play
as you arrange and open.
          You are glad to be here
knowing the face of passion;
tracing the lines of longing--
experienced fingers coax.

Discontent in transitory moments,
          we pretend.
Permanence is in the curve of letters,
     and a kiss.
Beyond well tended beds,
winding paths lead to questions. 
          You turn away. 
                    Or lose your way.

Take a chance. 
Make a choice.
     Make one.

The dice fall two by two. 
                    Flesh becomes.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #55 on: May 02, 2009, 02:26:23 AM » by ca.leverette
Smack-dirty Ho
 
 
Ay ho, how bout you now?
Layin lo witcha romeo?
Maybe he's playin hi-di-ho.
I be laughin so low
at nuthin but a yo-yo-ho.
Don't cha know? I got it so-slo.
 
If I be schemin witcha dolla,
I don't worry -- I just holla.
But you don't know bout dat.
You don't know where I'm at.
Ho too busy smackin spit-spat.
See ho, I keep my mouth clean.
 
I know you don't know bout dat.
Cuz ya ain't got my g-sheen.
Hmm ho?  I do know bout dat.
Know more than you can dream.
Cuz I be fightin for my clean.
Nah, you don't know me, ho.
 
Cuz if you knew me, ho
you wouldn't be a-bout me, ho.
You wouldn't talk a-bout me, ho.
Don't know dis gurl's slightly thrown.
So don't be talkin shit a-bout me,
cuz I be fast as light-ning
 
when it comes to a yo-ho's ding--
knowin you don't like me
cuz your man sho-nuff does.
He be watchin all da time.
You been watchin your blind-side.
Aight ho? Ya got only yerself in mind.
 
So ho, you don't know bout dat, tho.
You say ya fru-fru scary-poo?
I say ya better keep very kewl.
I'd sure hate to bury you.
A word-slap or two--
you be losin that at-ti-tude.
 
See, I know bout that, ho.
Dis gurl ain't foolin no one,
not like you think you do,
cuz I don't try to.
I keep my mouth clean--
got nuthin to re-deem.
 
But you don't know a-bout dat.
Nah, you don't know a-bout dat,
cuz you be tossin da to-ta-fro.
 
Ay yo, you ain't nuthin--
you ain't nuthin but a smack-dirty ho.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  royal collaboration 1 (dj)
« Reply #56 on: May 02, 2009, 03:04:32 AM » by ca.leverette
Leaves wait, tightly wound, the buds ready
for the bursting and unfolding that soon comes.
Ahhh, the sweet sap flows as wetness grows.
Spring, the time when life renews again.
 
Moonlight sings softly, with never a hint of sadness
but it holds me, transformed into a being of the night.
The love reaches deep inside, my life holds treasures dear.
Please, help me understand the meaning. again and again
 
Must I be a product of my basic needs?
Must I respond to images and titilation?
Must I belong to a fraternity of loose malcontents?
Must I hang and wait beyond the moment of sanity?
 
There are no easy answers as she wonders
Her life is different, she needs the completion.
But I cannot fill her, she has not chosen me, I wait.
but my patience slathers and slides and disappears.
 
As though the sparkles fade forever, the trumpets
go silent, the bells sweet and shiny in the moonlight.
Only the rarest few can understand. These meanings
need a priest, the ones that give their lives to knowing.
 
The buds go about their ancient business of unfurling.
And birds sing songs of territory and mating.
This is the rebirth of the world, the newness of our living.
I wonder deeply when I again will be reborn. 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  rc2
« Reply #57 on: May 02, 2009, 03:05:27 AM » by ca.leverette
Deep grow the roots of
pain and pleasure,
and dusty are the courts which
the royal fear and desire. 
 
Velvet and carnal bodies struggle
and are convenient vehicles of passion--
of rejection--  masks of Sir King
and the Queen, expressionless still,
but never the stillness of ease.
 
His figurative shadowy movements
maim and encourage her
like a church badly shaken--
the fiery point of a King's arrow
gouges the heart of her entrails
like a whirlwind flying
with the kindness of traitors
at a Queen's barren door.
 
He feels the silent storm of revolt
rise in her as she denies the words she heard--
his promises; his gifts, and her own consent--
with trembling legs;
with dark and distant circles
round her eyes, and beads of sweat--
he whirls behind her--
a bend in the spine of a Queen--
her arms and forehead hit-solid
the bloody floor.
 
Yet,  the story is not through:
      Though the dust will not settle--
      soiling defiance and imagination
      and plunging humiliation--
      the King will never be
      the innocent toy of a Queen.
 
 
 
ca.leverette
04/2008
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  rc3 (dj)
« Reply #58 on: May 02, 2009, 03:06:21 AM » by ca.leverette
the force of his will, the power of his body
made him feel good, deep deep down.
He did these things because he could do them
and he felt an imperative; sweeping from somewhere.
 
Always pressing, bursting, flying from inside.
His devine wishes, his holy desires
all sneezing from him as spittle flew
the mouth of the King speaks, all shudder.
 
Some felt horror as if earthquake trembles gathered.
others imagined the rolling and bouncing of a severed head.
The Queen only felt imposed upon, his trouncing ways
not magnificent, not superior, not a holy writ.
 
She knew the man, the human, the beast even.
He had awful breath and stained teeth.  His loins
reeked of too many days out of the bath.
arms were strong and hairy and harsh.
 
The King rose, magnificent for a magic moment.
She saw his manhood, erect, beautiful, amazing even.
Oh no wonder she thought, men are almost devine.
Only she was left with folds and an opening; like a scar.
 
She would gobble him up, take all of him, swallow him
and her precious place would milk him, shine him up
and then out he would go, defeated, lost, softened.
his magificence blunted by her; and she had his essence.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  rc4
« Reply #59 on: May 02, 2009, 03:07:20 AM » by ca.leverette
Her life was full
of goat skins on dirt floors,
long-handled gourds
and grassy luminous platforms.
She walked among stony bridges
across snake-filled foot-paths,
with white owls hooting
and fingers drumming
in the tropical darkness--
or even in the endless bursts
of blue across warm skies.
 
Now, the Queen entered a room
filled with oriental rugs
and velvet chairs on pine,
crystal wine glasses
like veils of twinkling light,
and sparkling chandeliers
bowing to the night.
 
She was not timid in her grandeur
as she crossed the entrance hall--
every pulse beating rapidly,
waiting for her to speak
in a voice like the sunset
melting over mountain peaks.
 
Her silky form glazed iridescent
as she gazed outward--
thoughts rippled upon her chosen prey--
her eyes leaping and undulating
in their strange dance,
weaving a net around
the helpless one:
 
     "When you first hurled yourself at me,
     no great boundless waves
     crashed the earth,
     as you choose to believe.
     Yet time did open secret caves
     leading me to pain and mercy.
 
     "Life was silken euphoric shadows,
     and patches of fading stars,
     as I bent to a light
     I could not understand,
     Neither could I withstand such light--
     distant, haunting murmurs
     played and pushed
     against desire and confusion,
     the weeping and the living.
 
     "But no man
     shall be a stone about my neck--
     I will not contain
     soothing powers or blessings,
     like the calm space all men dream of--
          for destiny drives me
          like a roll of the sea."
 
Silence loomed as her eyes,
like whipcords of strength
tightened, drawing her victim
into a whirling sea,
as the King fell at last,
     into the valiant freedom
     of a Queen, with eyes
     of turqoise green.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  rc5 (dj)
« Reply #60 on: May 02, 2009, 03:08:23 AM » by ca.leverette
He stood peering long into the distance
The castle ramparts solid granite, it fit
his gaze at this moment, high above the dungeon.
A sudden impulse struck and the King urinated
down the side of the cool rocks; a mark of his dominance.
 
Legions would come someday, to assault his symbols,
to chain his captains and rape his women. 
But the castle will stand. Lethal preperations were made.
Scouts ranged far and wide to warn of approaching armies
He sighed, knowing that so much depended upon him.
 
She crept into unguarded thoughts.  Her image, the sound
of her legs moving under silken robes.  The earthyness of her
a scent she had, deep -- primal -- fertile.
He wanted to place her deep in the castle, down in the dark.
Stretch her on the rack, hang her from irons, as he donned a leather mask.
 
The thought aroused him, as the quivers of thickening reminded the King
of his endless need for her.  The beguiling bitch of his consciousness
So deep inside his mind she lay, she inhabited his inner world.
He had consorts, youthful brides at his command, a word and his.
But she tossed him aside as she wished, her head not a worry.
 
This lack of fear, this daliance with death perturbed him.
The Queen would toss a laugh to him, threading it deep.
Ohhhh, to twist that rack handle, to stretch her another inch.
He though of her legs getting longer, so badly he wanted her.
The need for her to be around him, holding strong, the pressure.
 
He climbed down alone again.  His thoughts faded.
The long view sustained him, his need softened for now.
His need to punish the Queen will turn to unseen but gathering
enemies.  Often he wondered what it all meant.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  rc6
« Reply #61 on: May 02, 2009, 03:09:16 AM » by ca.leverette
She was not complacent
perched as a bird
in the sun drenched window.
Nor was she silent in her ecstasy--
and the King wondered what
was in her mysterious mind.
Did she dream of her ancestry
sweeping back tides
through eons of time;
of royal dynasties
and Chinese legends;
or of Egyptian realms and
prehistoric centuries?
The Queen revealed nothing
in her opalescent eyes,
with an aura of contentment--
and he longed to join her
in her dreams.
 
His kingdom grew
without and within
and disappeared,
transforming him--
he could not dream of nomads
wandering on waterless soil,
or of ocean wayfarers on
watery paths leading home.
He could not dream of liberty
by knee or land or sea--
he could not conquer anything
until he conquered the Queen.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  rc7 (dj)
« Reply #62 on: May 02, 2009, 03:20:39 AM » by ca.leverette
Her distance beguiled the King.
Shattered a place inside where his confidence sprouted,
the very place that made him Kingly
that spark of manhood that melted his female subjects.
 
The glance from him, a fierce instensity in his eyes.
Women would blush and lower their gaze instantly.
A man who could have them at the snap of his finger,
The KING.  She doused his spark, the fire dimmed.
 
Yes she would remove layers of clothes
Yes she would lay down and allow him
Yes she would open her legs
No she would not guide him inside; her eyes dull, her hips lifeless.
 
He wanted the swoon, the blush the submission
She offered the sullen, the ashen the duty
This distracted our King from the warrior inside.
Carefully but surely his sense of living life had changed.
 
He was begining to love the Queen.
Puzzled he sought answers to a most ancient dilemma
and the thoughts became twittering birds, suddenly in flight.
The King reddened and wished for her head on a platter.
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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  rc comments
« Reply #63 on: May 02, 2009, 03:21:58 AM » by ca.leverette
Her head on a platter ... my ... hasn't this taken
on a sadistic turn ... hmmmmm.
 

Reply
   Message 17 of 20 in Discussion   
 
From: Sent: 6/2/2008 5:57 PM
Not so much -- back a ways he wanted to stretch her on the rack.
He was thinking of lengthening her legs
She just beguiles him to the point of anger cause he doesn't
know how to get what he wants from her.  A classic
hard to get scenario.  You missed the "thoughts became twittering
birds" line just above the head one.  I kinda liked that --
maybe I rushed the ending 
 

Reply
   Message 18 of 20 in Discussion   
 
From: jĺsmďne‡Ĺkďrĺ© Sent: 6/3/2008 6:48 AM
No, I DID like the thoughts line--
just didn't say anything.  Perhaps
I should have.
 
Regarding rushing the ending,
I'm not sure why you say that.
 
One area that's a challenge for me
is the Queen laying there with no
response.  Not even sure what
that's like.   Even witchy bitchy
woment get wild when it comes
to sex-- maybe even wilder.
 
BUT, I WILL think of something.
 
Thanks for the reply, as always. 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  rc8
« Reply #64 on: May 02, 2009, 03:23:05 AM » by ca.leverette
She does not sing,
but whispers his name in
haunted intentions,
low and gentle.
Dark nights embark kisses of rage
and a will draped in wrath
and the still-white of beginnings.
 
The Queen would not fall on razors
of splendid blue days;
she would not bury her thoughts
in a facade of mellow thorns,
or roses, tortured for the
purpose of giving or for love
or for the aimless show
of a showman's hope.
 
Her sorrow is bordered
with wisdom, and her
visions aligned with truth--
and all of her words----
whether brutal or splendid--
are written with the wings of
a Queen in mystery--
her impression among the silk
of pretentious gowns hanging,
always prepared and waiting.
 
Royal sheets and linen cloth
promise rest and tangle as one,
embedded by King and Queen,
yet lay styled and smooth with
a seamless token of sleep.
 
She will not write dramatically
on the walls of his arriving,
or of her coming alive;
nor will she sing or cry or
relive memories of her life--
escaping more than twice
in a dance of many well-trained
knives, or any weapon--
causing only vivid complaints
and tainted of words no one
would hear-  or of wounds
never self-impaired;  or scars
never left unattended,
or memories without names.
 
Her myriad of perfect rooms
blend and rise, always remaining
young and light-  her silence
is mystical-  her inheritance bold--
and her life held as high
as the cheeks of chiseled bone,
and no moment ever a mistake.
 
Her words are holy,
climbing the soul of the King,
the One who's dream is to
set fire fire the day--  he is
timeless--  the Queen's only desire--
with her wings never burning away.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  hardly there
« Reply #65 on: May 02, 2009, 03:27:08 AM » by ca.leverette
Hardly There
 
 
What did I do this time?
Have you forgotten
you were icing on the muffin
and sweet as butter cream last night?
 
I bent over when you told me to.
Leaned forward like I always do
and wound myself around you,
delivering intercourse like wine.
 
You were so convincing:
it was all so very private.
Yet you painted me like paper
with simple yellow flowers
and smoothed out every wrinkle
you didn't need to mention.
 
Why the glaze in your eyes
if I'm still worthy
of your hands and knees
crawling through me,
like I'm a garden on the wall?
 
Why the stare without meaning
while back and forth
your body moves inside me,
yet I am hardly there?
 
 
Lest I forget that you are my only lover,
surely there is something I can do:
 
I will awaken your sleepy mind
and listen to your sounds.
I will blow through you
like the breath of a tunnel--
a summer wind whirling round--
and the shine of sun
coming down in the darkness,
holding you spellbound.
 
Once or twice I will take you
like a fountain in my mouth--
and a sky of clouds will empty--
raining silver trumpets and whistling
a return to innocence
with eager tongues unaware
like slender fingers dancing--
hardly there, yet everywhere.
 
 
ca.leverette
04/08
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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #66 on: May 02, 2009, 06:12:19 AM » by ca.leverette
Wisdom spoke of vision
and said to me,
     "This road is not for you.
      You will not make it through,"
and drove me toward the shoreline
and washed me with the tide.
 
So I chased the pain
and tossed it out
and locked myself
against the pounding at the door,
where gleaming eyes were winking
through the window-watch,
from out of the night like starfish
in a blue-black sea.
 
Innocence ran far and fast
from the tenderness
of the tender's grasp,
and though our dreams are brief,
like unfinished symphonies,
fierceness pierced the darkness
with a royal sound, and
roaring winds spilled many summers,
exhausting every fallen star
and bathed us
in a brilliant percoid heat.
 
Illusion sparkled
of silent stolen light,
closing in on all my earthly-things--
rare and delicate, were they--
beating in a rhythm primal,
resolving men to life,
where our very closeness here
in this world, steals our future,
and ever seals our fate.
     
Wisdom spoke of vision,
and said to me,
     "Such fierceness does not last,
      and is never safe".
 
And to wisdom,
I'll succumb-- but,
I must ask:
     "Why, when we leave the shore,
      and all is left undone,
      must we always land
      one day late
      behind the sun?"
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  deleted from embarrassment 1
« Reply #67 on: May 02, 2009, 06:15:46 AM » by ca.leverette
Craving
 
Ah, Succubus, succ-u-bus,
or might you be Incubus,
the demon who laughs
as we blame what we create?

I know this one thing --
I long to be with you.
My body craves to crawl inside you
to drink your soul as you eat my flesh.

Will you slither beneath me,
your arms bent, curled about
my neck and shoulders,
your hands grasping, fingers

tugging, tangled in my hair,
a fusion of desperation and need?
Or will you rise above me
levitating lust, salivating greed,
my legs curled about your waist,
your pulsating phallic member,
stroking ... demanding ... stroking?

There is a rumor you are merely a myth.
Yet I know your heart beat.
You gnaw at me like the fire of hell
and the Sun god's furious heat.

Wanton waif I am, I covet you.
My soul is barren -- you have consumed me.
I ache for you, inciting your deceit and lies.
From a deep dark hole inside, you bewitch me.
My lust is devoted, separated for you.

What a serpentine beauty you are!
Do I care that you are male?
If you were female would it matter?
You could be nothing at all --
Why would I be concerned?
My only discernment: You are here.
I've memorized your call.

cont....

~gingertyme~
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  deleted from embarrassment 2
« Reply #68 on: May 02, 2009, 06:20:06 AM » by ca.leverette
If life unbearably pressed me,
tempted to take the dastardly fall,
you would not let me go.
You have attached yourself to me;
a fascinating parasite disguised.

On sleepless nights you come to me,
whispering seductively,
righteously and raspy,


     "Be still, you restless one.
     You have submitted to my enticement.
     You've befriended me.
     I have captivated you.
     I will flood your inner valley
     with thick rich come.
     

     "You will never be satisfied.
     I will always be the one.
     I know precisely what you need,
     what words to speak,
     what shadows to flail about you.
     

     "I mesmerize your enchanting bud,
     once innocent, now possessed and swollen.
     I circle your knot so hard,
     tantalizing your beguiling clit,
     with fingers sinister and slick.

     "My tongue teases and flicks,
     reveals many a secret.
     My hands, stealth with perfection,
     caress you, dangerously deep
     inside a ravenous place so hungry,
     with your lust, all my flesh you eat.


     "Will I let you go? No.
     You will succumb, fetal and helpless,
     you suck of me, suck the Succubus.
     Nurse the Incubus ... winding about you
     a tale of sin, and dark, empty caverns.
     

     "Still you croon mindlessly with lust for me.
     Ah yes, I am Succubus.
     I am the Incubus."

cont....

~gingertyme~
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  deleted from embarrassment 3
« Reply #69 on: May 02, 2009, 06:21:15 AM » by ca.leverette
With one word from you,
dark shadows divide me,
come inside me,
open me wide to you.

I want you again and again,
lost with the taste, the scent,
the filling of you Succubus,
my Incubus.

You grow, you swell, you harden,
until no room is left inside
my drenched, orgasmic womb.

Sighing, moaning, uttering sounds
even demons cannot diffuse,
once more, a night I am spent.

I feel you smile inside me,
I know you will be waiting
until I beg your entrance once again.

~gingertyme~
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #70 on: May 02, 2009, 06:22:43 AM » by ca.leverette
If allowed your rebirth
would your elusive delusion,
at last, find a remedy?
 
This wallpapered
world of maps
is like a forbidden formula,
a terrible algebra--
the multiplicity of a grand divide
designed by a captivating
and calculating calculus.
   
Which one of us
is more like
the wayfarer,
abandoning himself,
waltzing into
the wake of grace,
returning with
supplication and renewal
for his lost crew?
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #71 on: May 02, 2009, 02:29:28 PM » by ca.leverette
To know a man
is to know
that which conquers him.
 
 
Dammit!  WHY
do you do what you do?
 
Because you like it.
Because you can't control it.
You can't conquer it.
It conquered you in the past,
and continues to conquer you,
everyday.
 
It feels good,
and this is why:
because you don't
understand it.
You can't figure it out.
It's not statistical.
You can't define it.
You allow it
to define you.
 
Like an addict,
you can't say no.
 
Like the insane,
you don't know
     what
     or why
you're doing
     what
     to whom
     or when.
 
You are dumb-founded.
Deeply. 
In so deep, you are lost.
 
Like a puppet,
you hand the master's strings
back to him,
because they were never yours,
and the puppetmaster reminds you
that you can't win.
You lose the war
everyday.
 
You want it,
and this is why:
because you can't make
it go away.
It's stronger than you.
You're too weak
to win the battle,
so you go back for more
everyday.
 
You're unashamed
of your actions,
unabashed,
in your behaviour.
Would I tell you again?
     I will.
Because you have an enemy,
an enemy hiding from you.
You look, but you never
find your opposition.
Your rival is alive and well,
and you can't beat him.
So, you
embrace an invisible,
but very real, enemy
everyday.
 
Like a jack-in-the-box,
you are a prisoner
in a colored tin box
that your god made for you.
Custom-made, for you.
You're a captive
until the victor
winds you up,
and let's a part of you
pop out, and bob,
bobbing for attention,
like a puppy,
for a pat on the head,
looking for strength to win
the medal,
power to earn the
trophy.
But you never win.
 
Your victor
knows how to conquer you,
The puppetmaster
knows how to wind you up
so tight,
when at last you spring free,
the only thing you know
     is not what's true.
The only thing you know
     is what you feel,
and for a few minutes
     you feel free.
And still,
you never win.
 
It was just a little taste.
Just enough to
keep you prisoner,
and beg for the winder
of the key
to set you free.
 
     To know you--
     to know a man,
     is to know
     that which conquers him.
 
I've met the power
that rules you,
the power that you can't
and don't overcome.
I've seen a defeated man,
blind on the battlefield.
 
I've met the enemy.
It's not me.
I've seen what controls you,
what defeats you,
what conquers you,
and now I say,
with a wisdom beyond
my own understanding:
     
     I know you.
 
I know you,
my friend.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #72 on: May 02, 2009, 02:30:43 PM » by ca.leverette
I will always be anxious
and you will always speak
with surprising irony
and both of us
will always be hungry
for freedom
for the world
and for each other.
 
An elixer of time and space
you were a canyon eternally deep
and I was the wind whispering
until darkness would drink you up.
Then, I was the wind wailing.
 
You were the stalwart rock,
I was the ever-flickering flame
and with great gasps
like martyrs in a renaissance drama
we would drop to our knees
as if somehow we had earned
the right to shout "glory".
 
You were a hawk
and I was your stain against the sky
splattered like fins of silver
in your stony talons
and together we carried
all of our stories
and dropped each one
into caves, sleeting and frozen.
 
We were flames:
we were birds
we were singers;
but mostly we were wrestlers,
wrestling the sweetness of hunger
with the sun of many days
rising between us.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #73 on: May 02, 2009, 02:43:26 PM » by ca.leverette
poured out
plundered for you
by the law of love.
recipriocity
at her finest
her highest
her must ultimate
goal, a gleam
in the eye
of vulnerability.
an ache drawn
from the deep
of passion's bounty.
an avalanche of need
at last consuming
humanity's greed
giving herself over
to a fantastic scheme
succumbing
to the fancy of reality
only in dreams.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #74 on: May 02, 2009, 02:44:16 PM » by ca.leverette
In love
with these tiny spaces--
familiar glowing faces
and lovely finger traces
 
I come
to a favored place
looking for you,
neglected muse
and for what
did I hide your face
fear, despondency
rappelling latent
complacency
 
None of those
have I rejected you
but for the whisp
of many vapors
only to watch
them disappear
 
Time spent
in shallow waters
yet you are deep
and never wake
the sleeping
always tenderly
absorbing tears
of the weeping
even when my dreams
come alive in you
rocks in pockets
of a stranger
diamonds no longer
in the raw
primed to gleam
among dangers
of the stronger
 
A pinwheel
of childish
colored paper
twirling curls
searching
misted blurs
in greener
fields of vapor
I leave you behind
from time to time
and trade you in
for secrets
never once sublime
worshipped last
the divine
is what you are
hidden in every line
 
Whisper truth
in fairy tales
spinning fast
blinding gales
turn to you
at last
when all along
I sacrificed
your tune
your song
for temporal
Babylon.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #75 on: May 02, 2009, 02:46:40 PM » by ca.leverette
Like a rural countryside, I am gray on a wintry day.
My pallet is dark and desolate, creating images
of flat fields, in boundaries.
 
Tall and long timber--
trees of solemnity dim silently to dust.
Barren are my branches.
 
Lyrical muted dusk in trembling timbre sings.
Empty farmhouses with glass windows answer me
like lone wolves howling in strange hypnotic strings:
      the wind through hollowed pine.
 
Streams, scarce of water
line my fingers on the inside.
In constant transit are my palms,
     turning outward.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #76 on: May 02, 2009, 03:22:51 PM » by ca.leverette
So close to the edge
we lit up the night
awakened a decade of silence
and wrote the story of our lives.
The veils we peered through
were lifted.
We saw firey candles
painting our world
and heard music
stolen from our souls.
 
We were courageous
and built mansions
in the unknown.
We sat on thrones,
our imaginations singing
in velvet robes
the royalty of a purple rose.
 
We cupped words
like water pouring,
running through our fingers.
We scooped up dirt
and found the womb of earth.
We bent our knees to fire
and at last we knew the flame.
We felt those words too.
They sparkled like fireflies
like rhymes dancing
in a dark forest
unafraid of the light.
 
Our dreams were barefoot
and we dangled them
tangled them over the edge
washing our feet
in cool streams of water,
refreshed by words
drawing sparkling brooks in trails,
leading us to the next oasis.
We satisfied our thirst
with water
and with words.
 
And the water
was no longer still
and the words
were no longer silent.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #77 on: May 02, 2009, 03:23:55 PM » by ca.leverette
Stolen and silent
like silver-steel,
this sorrow.
Erratic and irrational,
the irony.
 
From the west
a hellish quest:
fires burn
in need of water.
 
In the east
rivers churn
and overflow.
Children drown
in need of a savior.
 
Rains fall,
reins tighten;
from east to west
the mighty reigns,
and once again
like a prayer,
this promise:
I'm calling out your name.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #78 on: May 02, 2009, 03:24:48 PM » by ca.leverette
So deep,
so deep in centrifugal earth,
glows the brightest gold;
none bolder man will know.
If not for the glory of the stone
human eyes would not behold
such beauty of the gold.
 
I watered and softened the soil,
preparing it for the mine.
I dug desperately, prodding patiently.
I stretched out-- lengthen'd my hands.
My fingers grew numb, until
darkness drummed again.
Tears fall on pages of wisdom
and I do,
I do not sleep.
 
I worked the ground
and awakened the fields.
I fed my flock and
gathered my hundred-herd.
But the earth, her riches
she would,
she would not yield.
 
My pottery I've broken.
My flesh I've ripp'd.
I've ceased my feasting,
my drinking, and
listened to heaven's message.
Yet armies attack and
capture my kindred.
Fire falls
and falls from the sky,
sweeps down and
destroys this home.
 
Where is the God of the Holy,
Creator of Leviathan, the evil?
I return to my childhood
and cry;  I weep and plead
growing tired like a child,
desperate for rest
but peace is strange;
understanding-- void.
 
I dream of the day you touch me,
and like a babe,
I close my eyes and rest,
awakening to a new
world shining, shining
of the purest gold.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #79 on: May 02, 2009, 03:27:39 PM » by Scott Douglas
To know a man
is to know
that which conquers him.
 
 
Dammit!  WHY
do you do what you do?
 
Because you like it.
Because you can't control it.
You can't conquer it.
It conquered you in the past,
and continues to conquer you,
everyday.
 
It feels good,
and this is why:
because you don't
understand it.
You can't figure it out.
It's not statistical.
You can't define it.
You allow it
to define you.
 
Like an addict,
you can't say no.
 
Like the insane,
you don't know
     what
     or why
you're doing
     what
     to whom
     or when.
 
You are dumb-founded.
Deeply. 
In so deep, you are lost.
 
Like a puppet,
you hand the master's strings
back to him,
because they were never yours,
and the puppetmaster reminds you
that you can't win.
You lose the war
everyday.
 
You want it,
and this is why:
because you can't make
it go away.
It's stronger than you.
You're too weak
to win the battle,
so you go back for more
everyday.
 
You're unashamed
of your actions,
unabashed,
in your behaviour.
Would I tell you again?
     I will.
Because you have an enemy,
an enemy hiding from you.
You look, but you never
find your opposition.
Your rival is alive and well,
and you can't beat him.
So, you
embrace an invisible,
but very real, enemy
everyday.
 
Like a jack-in-the-box,
you are a prisoner
in a colored tin box
that your god made for you.
Custom-made, for you.
You're a captive
until the victor
winds you up,
and let's a part of you
pop out, and bob,
bobbing for attention,
like a puppy,
for a pat on the head,
looking for strength to win
the medal,
power to earn the
trophy.
But you never win.
 
Your victor
knows how to conquer you,
The puppetmaster
knows how to wind you up
so tight,
when at last you spring free,
the only thing you know
     is not what's true.
The only thing you know
     is what you feel,
and for a few minutes
     you feel free.
And still,
you never win.
 
It was just a little taste.
Just enough to
keep you prisoner,
and beg for the winder
of the key
to set you free.
 
     To know you--
     to know a man,
     is to know
     that which conquers him.
 
I've met the power
that rules you,
the power that you can't
and don't overcome.
I've seen a defeated man,
blind on the battlefield.
 
I've met the enemy.
It's not me.
I've seen what controls you,
what defeats you,
what conquers you,
and now I say,
with a wisdom beyond
my own understanding:
     
     I know you.
 
I know you,
my friend.


this is powerful
and beautiful,
you are prolific.

i don't think i can read
as fast as you can write
so i can't read it all, but...
Logged

  Re: field rabbit
« Reply #80 on: May 02, 2009, 03:35:01 PM » by ca.leverette

this is powerful
and beautiful,
you are prolific.

i don't think i can read
as fast as you can write
so i can't read it all, but...


Oh, I'm not writing this as I post it.  I'm copying and pasting some of it.  I love this website and would like to have stuff close at hand.

Thank you Scott.  I'm glad you liked the above whatevah-it-is.  That means it didn't hit home with you, which means you're not like that, right?  lol  just kiddin.  I don't mind men and the ways of men.  In fact, I like them very much.  Women are the same way.  We have our secrets and our idiosyncrasies, as you well know.

Thanks again for stopping by,
Cheryl
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #81 on: May 02, 2009, 03:38:27 PM » by Scott Douglas
Oh, I'm not writing this as I post it.  I'm copying and pasting some of it.  I love this website and would like to have stuff close at hand.

Thank you Scott.  I'm glad you liked the above whatevah-it-is.  That means it didn't hit home with you, which means you're not like that, right?  lol  just kiddin.  I don't mind men and the ways of men.  In fact, I like them very much.  Women are the same way.  We have our secrets and our idiosyncrasies, as you well know.

Thanks again for stopping by,
Cheryl


no
i do see the tendency
of what is outlined
in men, it's not
absolute for sure,
but a slice.

well done
Logged

  Re: field rabbit
« Reply #82 on: May 02, 2009, 03:42:31 PM » by Scott Douglas

actually
i didn't see it as a condemnation at all
but a loving observation.
Logged

  Re: field rabbit
« Reply #83 on: May 02, 2009, 03:45:48 PM » by Scott Douglas
i saw you;
your inside
sprayed across
a page today.
such worry,
such insight
i stopped asserting
when i knew
i knew nothing but what i feel,
i look
for beauty -
i look
for truth,
without
a hope
of ever
touching it,
like a vagrant
warming by
a campfire
burning
dollar bills.
Logged

  Re: field rabbit
« Reply #84 on: May 02, 2009, 05:50:56 PM » by ca.leverette
i saw you;
your inside
sprayed across
a page today.
such worry,
such insight
i stopped asserting
when i knew
i knew nothing but what i feel,
i look
for beauty -
i look
for truth,
without
a hope
of ever
touching it,
like a vagrant
warming by
a campfire
burning
dollar bills.

well, I just sat and stared at this.  didn't know what to say.  don't know what to say, except thank you very much.

you're very kind, probably much more than you know,
cheryl
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #85 on: May 02, 2009, 09:51:46 PM » by Scott Douglas
well, I just sat and stared at this.  didn't know what to say.  don't know what to say, except thank you very much.

you're very kind, probably much more than you know,
cheryl

i'm glad you took it that way,
i didn't know if i was breaking some kind of protocol.
your beautiful poetry helped inspire this poem
so i thought it belonged here,

thanks
Logged

  Re: field rabbit
« Reply #86 on: May 03, 2009, 01:16:51 AM » by ca.leverette
I'm glad you took it that way,
i didn't know if i was breaking some kind of protocol.
your beautiful poetry helped inspire this poem
so i thought it belonged here,

thanks

Oh no, you will never break any protocol where I'm concerned when you address me with poetry as lovely as you write.  I almost took your last sentence, which is very good, and replied to you in kind, but you deserve more than that for such a kind gesture.  However, I may still do it, as long as I know you know your comments and participation are truly appreciated.  I do not take them flippantly or take them for granted, by any means.

Thanks again, Scott.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  plantin' another tree
« Reply #87 on: May 03, 2009, 04:19:58 AM » by ca.leverette
Approachin' fifty-three,
considerin' rollin' pennies for gas
she's a far cry from drivin'
the 98 Eclipse cherry-versus-lemon
red as blood off the final chop
of the family tree that does her in.

She's easy pickin's for bad luck. 
Right when she's ready to lay it
all back, that blow is off the chain
sure brings her to the knees
she's already on, worshipin'
in the church, where in

his over sized shitty brown
Dakota pick up truck
her husband and best friend
come to know each other
the Biblical way, compliments of
the Sunday School parkin' lot

and Western Sizzlin' buffet
on any available week day.
They're guilty as sin. those two
are dirty as wall eyed catfish suckin'
mud from the Arkansas River
where the water flows

keepin' the broken tree alive. 
What happens in the moments
she reads the wadded up love
letter, pencil scribblin's
on the back of a Days Inn receipt,
she doesn't know how her life

turned black as Ozark Mountain coal
or how reality is a nappy rug
pulled out from under her feet.
Now strange faced folks in
nightmares laugh at her with no
face, wakin' her up, wakin' up

everyday, she's on the way
to fifty-three, collectin' penny rolls. 

She'll plant another tree. 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #88 on: May 03, 2009, 05:09:55 AM » by ca.leverette
I thought surely I'd visited Death Valley
Thought I'd swam in the Salty Sea
But only my visions were of a valley
My delusions were deadly and deep.
 
When my Dad died, I was broken.
How can the broken be broken more?
Like hell, I clang on the Gates of Heaven
and like Clapton, who knew the truth
when he said, I'm "knockin' on Heaven's Door".
 
I watched my Dad suffer.
I held him when he died.
Now I live with my Mom in her suffering,
I fight and fight, I swear I do,
but I cannot cease this crying.
 
I speak often to the God of the Universe
There's no greater power than His
No higher mountain to climb
No sweeter voice to hear
Not a more precious thought to
contemplate, than the sound of wind
I hear, as He whispers to me, "wait".
 
When Daddy grew weary
and held his head in hands
When it was more than his daughter
could stand, I would walk out the door
of sorrow, if that's what I chose to do.
But so strange a tint, is this visitor-- 
this grief living in our home:
tough, unfamiliar, and shaded
in colors, relentless and ever-new
and I can't, like a selfish dancer
waltz out the doors of gray,
mysteriously cloaked in blue.
 
I thought I'd swam the Salty Sea
in a visitation of the Valley of Death
but salty is a never-ending tear
and the Valley is my Mom and me.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #89 on: May 03, 2009, 05:10:37 AM » by ca.leverette
In the end
on her silver anniversary
a dark-soul
will return
to light and color.
 
She will break ground.
Move the earth.
Shake death valley.
 
Luminous is her beauty.
Cyclical is her color.
Her strength is luxurious.
 
She is a calendar of years
a cult object, exclusive
to collectors of depth
to lovers in circular stairwells
hollow with her design.
 
Her passing
marks decades
renowned with
visions and images
tracing history
in costume
in fashion
and the taste of time.
 
In revolution
she becomes the end.
Coveted paremeters
stretch, deliver her.
No longer
is she an object
but a prize.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #90 on: May 03, 2009, 05:17:40 AM » by ca.leverette
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #91 on: May 03, 2009, 05:18:24 AM » by ca.leverette
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #92 on: May 03, 2009, 05:19:35 AM » by ca.leverette
Fingers touch
Quick tongue licks
Flutter by me now
I need this twitch.
 
Tiny swats
Your sweet lips
Taste all of me now
I want this twitch.
 
Return the favor?
O yeah I will.
You'll beg me to stop,
But you'll want me still.
 
Round a lap we go
Such decadent lust
This fanciful show
It's "fuck me slow".
 
I'm your tease
You tantalize me
Tempt to please
Your death I'll be.
 
Twitches and quakes
Murmurs and groans
Knots and aches
A "grind-me" moan.
 
All these things
A man to make
I won't ask
What's mine I'll take.
 
You want me slow
I'll fuck you fast
I want you hard
But you won't last.
 
Tease to please
Dreams are these
Or will I be
On my knees?
 
Milky and sweet
You see me now
Your aim is clear
I need you here.
 
Whisper heat
Upon my neck
Tell me lies
Between these thighs.
 
Blow and burst
Your come I've stirred
You start this swirl
With mere a word.
 
Flesh-flight screams
Flutter-by wings
Quake-quasi switch
A "dare me" twitch.
 
This orgasmic space without any air,
Lost in a place called "we don't care.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #93 on: May 03, 2009, 05:20:07 AM » by ca.leverette
Long ago in the 19th century
lived Jemalynne, of British aristocracy,
and due to her rebellious attitude
made to ride a horse, bareback in the nude,
through an open field where a multitude
of men and women watched Jemalynne,
very excited from such a tremulous trip.
 
Quite a shock this was to young Jem,
well endowed she was, now seen, her audience
could not help but become excited and begin
to pleasure themselves (and to her amazement,
each other as well), in a field wide and open
of the 19th century, ever so proper and prim.
 
Sexual tension
mounted as all the women,
exhausting themselves when
they simply could not remove the silly
pantaloons underneath quickly,
to find the wet spot seeping
through the many
layers of clothing a lady
wore back then.
 
As a result, the men became even more aroused
whilst the English, whether proper or espoused,
would only express such comments as these,
     "But, oh my dear sweet
     Madam, waiting only for me,
     how moist your sex must be,
     to learn how much more
     this hard, engorged
     rod will do for you, than your
     fingers, yet novice and pure".
 
Jemalynne merely watched, gleeful and giddy,
men and women of the 19 century, sexually
privy, aroused and silly, the British aristocracy.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #94 on: May 03, 2009, 05:20:40 AM » by ca.leverette
Wet heat covers me all at once,
the smooth, solid contact I crave. 
Your entrance,
and essence,
both powerful and timely,
stretches, raises, and exposes
what only you see. 
Please,
allow me
to ride out these
quakes.  Then I will be
encouraged by this trembling
till the end. 
 
With every aftershock, I am amazed,
while at the epicenter of all I am, you remain,
suddenly swallowing, drinking all of me,
lost in this orgasmic work of art.  Freely
you exhaust this chamber and glean
white-hot strands, once alive in dreams,
now a steaming struggle, living and
dispersed, throughout the whole of me.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #95 on: May 03, 2009, 05:21:21 AM » by ca.leverette
She was provocative,
deep and delightful.
He was an artist
surpassing the form.
When there was no light
in which he could work
she would go to him
and provide a subject
for his hidden canvas
and his paltry palette.
Sometimes she was
a circus act,
walking a tight-rope.
Other times
she was a clown,
because in that dark
under-the-earth place
his whole life assumed
the character of imprisonment.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #96 on: May 03, 2009, 05:21:56 AM » by ca.leverette
Up in the Ozark mountains
when a man wants a rub,
or if he gives ya' a rub
all he really wants
is some grub
for that growin' belly
and all those teeth he's missin'.
 
On the flatlands
a man would rather
give a rub than
than ask for one
'cause he's honest and true
and "dammit!  He really likes you!"
 
BUT, in proper Scotland
here's the way it is.
(this is true but you'll
find it hard to believe.
made me laugh till I pee'd.
if you're Scottish, just
laugh with me, please).
 
I told a fine Scottish man
he had a positive attitude.
To this very nice man,
(and respectable too)
I said boldishly unknowingly,
     "maybe if I hang around you,
     it'll rub off on me".
I meant his attitude!
 
But the poor man was surprised!
And said I wasn't very nice.
I grabbed my book of euphemisms
and looked up the "rub off"-isms.
 
I'll be damned if I didn't
tell that fine man
that if I hang around him
long enough, maybe
he'll be jackin'-off on me!
 
Needless to say,
there's nothing else to say.
I remain me,
innocent or guilty.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #97 on: May 03, 2009, 05:22:27 AM » by ca.leverette
He put me in handcuffs
made "special" for
crazies like me.
But when I met you
I threw away the cuffs
and swallowed the key.
 
I'm still me
but, dammit,
I'm free.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #98 on: May 03, 2009, 05:23:08 AM » by ca.leverette
The wind, like a bridal gown,
blew a black gale-- a black veil
across my lips
when he entered the room.
     
'Twas the sweet kiss of death,
he said.

Buckling under, my knees weak'nd.
Silent, my eyes grew wide
 
at his antithesis--
sad and mournful
a kiss, striking me with terror
and erotic excitement.

 
Throbbing ecstasy soared through me
fireballs of uncontrollable heat.
Visions rushed and pleaded,
bleeding, soaking and filling me.

 
At last, I opened my eyes 
to flickering candlelight
and a warm, sensuous glow.
Black wind turned me gently

caressing my face.
In glimmering light I could see
blood-red lace strewn about me
I could hear soft after-life music,

and felt such thorns of many roses
upon my pillow.
Dangerous and dark,
a presence swarmed round me.

I remembered the kiss.
I remembered it,
just as he said:
     "Fingers will play upon your neck and breasts

     "... and before you take your next breath,
     your lips will welcome
     my sweet kiss of death.
     You will never again wonder,
     
     "'Am I dead or alive?'
     Now 'tis so. 
     You will snap in space and time,
     devouring nectar-laced knowledge
     
     "that forever,
     you shall be mine."

Black veil did turn
turning again... and bit,
 
whispering,
     "So be it".
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #99 on: May 03, 2009, 06:45:11 AM » by ca.leverette
Around midnight,
on the Eve of a Revolution--
the war between Ignorance and Revelation,
as the Maidens did parade;
and the Age of Steel waylaid,
the King hid his treasure-house
filled with mirrors made of jewels
unearthed by villages
with weapons of iron
before the grilles and screens
of churches
gave the working class a chance,
with skills famous and unsurpassed.
When strength remained the instinct of man
a greater war was at hand ....

II.
 
The orchestra hall was jammed--
packed with men and women far;
up and down and all around--
a program of stars.
 
As the feathered fowl of enlightenment
chirped and twittered to and from,
a strange, foul-winged presence
entered the huge auditorium.
 
And carried
by his tarried-side
confusion and fighting;
arguing and backbiting.
 
From the last row and moving forward,
like a flock of doves in coat and tails,
every gentleman and lady,
stood and took a bow,
deferring to the side of
his-and-her outstretched hand.
 
The strange presence lingered,
meandered and faded,
as honor and nobilty
replaced the shameless presence, 
unafraid of darkened space.
 
 
III.
 
The orchestra grew quiet
as instruments were tuned.
The muscians were prepared
on the blue of a hollowed moon.
 
Row upon row,
slender shafts of iron
wrought twisted designs,
turning feathery and flighted
on an ore-smelted wheel:
sharpened the New Age of Steel
in a battle of free will.
 
Civilization in journey,
now a masterpiece of peril
as an ancient unseen tribe
conquered decadence and pride.
 
Kingdom in tyranny,
culture of artistry,
liberty-twice-bound
by no more than heresy and irony:
an open door for all inclined.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  smack dirty rap
« Reply #100 on: May 03, 2009, 06:46:37 AM » by ca.leverette
Smack-dirty ho
 
 
Hey ho, how bout you now?
Layin lo witcha romeo?
Maybe he's playin hide-da-ho.
I be laughin so low
at nuthin but a yo-yo ho.
Don't cha know I got it so-slo?
 
If I be schemin witcha dolla
I don't worry -- I just holla.
But you don't know bout that.
You don't know where I'm at.
Too busy smackin spit-spat.
See ho, I keep my mouth clean.
 
I know you don't know bout that.
Cuz ya ain't got my G-sheen.
Hmm ho?  I do know bout that.
Know more than you can dream.
Cuz I'm fightin for my clean.
Nah, you don't know me, ho.
 
Cuz if you knew me, ho
you wouldn't be bout me, ho.
You wouldn't talk bout me, ho.
Don't know Gurl's thrown slight-lee.
So don't be talkin shit bout me.
Cuz I'm fast as lightning
 
when it comes to a yo-ho's ding.
Knowin you don't like me cuz
your man Sho-Nuff does.
He's watchin all the time.
You been watchin your blind-side.
Aight ho? Got only yourself in mind.
 
So ho, you don't know bout that, tho.
You say your fru-fru scary-poo?
I say you better keep very kewl.
I'd sure hate to bury you.
A word-slap or two
you be losin that a-ti-tude.
 
See, I know bout that, ho.
Ain't got nobody fooled.
Not like you do.
Cuz I don't try to.
Cuz I keep my mouth clean.
Got nothin to re-deem.
 
But you don't know bout that.
Been tossin the to-ta-fro.
 
Ain't nothin but a smack-dirty ho.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #101 on: May 03, 2009, 07:12:34 AM » by ca.leverette
Alone, I begin my watch
of the sun bleed
on trees of green
wearied and bursting,
as crimson threads
make my bed:
     you are my world tonight.
 
Should you stumble
in the darkness
neath a nether-long,
I will be your song;
falling down now,
on your shoulders
an offering to rest:
     my mat of tenderness.
 
In my tears the sun sets.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #102 on: May 03, 2009, 07:13:16 AM » by ca.leverette
Life holds for you
a brilliant sky
filled with stars
twinkling every color
of the rainbow
But first
there is a bridge you shall cross
a ladder you will find,
and climb,
a mountain you must scale
tunnels you will travel,
a valley you must divide
 
-- and its name is
the shadow of death
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #103 on: May 03, 2009, 07:13:42 AM » by ca.leverette
Curled in a ball
with the lights off
I wait
until the ripples
are smooth
from the stone you skipped
across my placid sea,
as delicate as glass
breaking
 
and I wonder if I have
any foundation at all.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #104 on: May 03, 2009, 07:14:19 AM » by ca.leverette
Dancers danced
as if by accident
then dropped the pretense
as bister-darkened eyes
stared from underneath
plumage, the darts
of a nocturnal bird watched.
 
Her illusion was extraordinary
and no one stopped
to ask why
as if she were nothing more
than an owl or a sparrow
deaf to human vowels.
 
From midnight till dawn
the moon lit up the night,
waned, and dropped
in the eastern sky.
Circles formed among the stars
like circles on the earth
and captured the bird
 
With chains
parting her kness
dancers peered with flames
warming her thighs
to see the depth inside.
 
She chased the summer
moonlight and found the heat
to feel the earth grow warm
beneath her freedom-feet
to move beyond
the moon-dancers,
where she dropped her chains
underneath a winter sun.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #105 on: May 03, 2009, 11:01:45 AM » by ca.leverette
Many voices flow through you
of sea
of land, and
of the mystic caribou.
 
I shall lift the latch and set you free
be silent
be still, and
constantly pour yourself through me.
 
You are my fervor and have my gratitude
to stay
to remain, and
from another view
the color of passion in greens and blue
changes from me to you
yet never of a lesser hue.
 
In truth, I long to know you
but I am bound by no mere sacrifice
of who we are in this place
the author of a more meaningful self
such is this fruitful life
born for much greater, a paradise.
 
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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #106 on: May 04, 2009, 02:38:51 AM » by ca.leverette
I was searching for a stranger
in places where strangers go.
The stranger fled
to a drummer's dwelling
and his drum opened for me.
I flew round the curvature and fell,
lost inside the drum.
 
Soon the sun began to set
and I longed to feel
the drumbeats I couldn't see.
 
Ay, the stranger threw me
in the drum
with the strength
in his fingers and thumb,
but I escaped
alone and on my own
from the stranger
and his empty drum.
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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #107 on: May 04, 2009, 02:39:41 AM » by ca.leverette
so, you think you're wise
     to the pain in these lies
but never were you privy
     to the why in this disguise.
 
promises can't be broken
     that's my take, that's my token
paid when the swear was made
     over secrets never spoken.
 
your tune of fluted solitude
     kept me bound and bruised
tightly reigned in disdain--
     hissing piss'd-off pee-s and cues
 
your debut was oh-so-you
     your materialism new
shining-brilliant is your future
     blinding you to your past
     of black and blue.
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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  who i was back then
« Reply #108 on: May 04, 2009, 02:41:13 AM » by ca.leverette
There are times I must miss something I never had, because I don't know what it is.  The sadness eludes me like the butterfly cliche, but the tears stay, and stain, leaving tracks like false memories.
 
Who was I back then?  When I loved everyone?  When I would have made love to the moon and her stars if she would have allowed it?  And the songs I played for her beat a melody like the fingers of a lost angel, waiting for her lover to return-- because she knew he would ... she knew he would return.
 
Have I forgotten how to wait?  How to hope?  How to believe that even though I feel such mediocrity, I truly am more unique than the starlit rings of Jupiter playing round about, like the miracle of a new beginning?  And that miracles and new beginnings are not fairy tales....
 
Tell me this is a dream, but do not tell me it will not come to pass--
 
and this is what I am not ashamed to beseech from all of you--
 
you are my beloved--
 
and I cannot, I will not be any less honest than this.
 
 
cherylanne

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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  pimbly-nimble
« Reply #109 on: May 04, 2009, 12:06:55 PM » by ca.leverette
If you're a man of pimbly-nimble
here's your deserved recognition
a little of this, a bit of that--
in fact, I'll take some back.
Your double-feet must be stronger
so you shall dance a little longer.
Not sure of what or who's insane.
Might be we are ignorant of the game
and though your valleys be not deep
at least your mountains aren't too steep.
I remit and admit a lesson I did learn
and now this I must proclaim:
     the sane stain your hands
     as your feet in circumstance
     never weary of the lame.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  a mean poem
« Reply #110 on: May 04, 2009, 12:09:05 PM » by ca.leverette
Have you no other fields to romp in
and must you romp in mine?
You rode in here on my back
and now by my side
you are a parasite
hoping to stay alive.
 
You were kicked and butted
all the way from here to there
and its the pity of irony that you
return, simply because you have
 no-where.
 
Dare I say beware these fields
they have grown and changed a bit.
This time round, should you dally
 in the wrong pasture,
 your romp will be
 heading else-where. 
 
And have you no respect for the dead?
You act-out scenes from epitaphs
as if you are deaf, dumb and blind
never understanding
the words once said.
 
These fields were my land once
and I was foolish to gather you in
but its not too late for you
to don new blinders 
for your  wandering eye
and muzzle your froward mouth,
lest I open up and finish the  tightening
of the loosened-noose
tis now  round your neck.
 
You asked me so many questions
and I answered every one
but it appears you will not
learn a lesson in words
and the gurgling you heard
is your drowning, yet you don't see
this sea of weed will suck you in
until the funneling of it,
and you, are finally done.
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  our avenue
« Reply #111 on: May 04, 2009, 12:10:10 PM » by ca.leverette
The avenue we paved
we walk still--
we always will
dream sometimes
and a presence lingers
 
The bridge we built
we needed--
souls daring to meet.
Not flesh to flesh
but spirits to see.
 
In our forest, we were lost
not knowing another's touch
or what sights we'd see
but believing came easily
in the nature we explored
 
we learned to create
something from nothing
and all from everything.
Our travels taught us
to understand
even in
misunderstanding.
 
We painted peace through conflict
and ran from anger to affection
stumbled from fear to protection--
the blind truly do lead the blind
from madness
even to
acceptance.
 
We formed a new way
making sense from need
uncovering visions lost
awakening fantastic slumber
 
At last we could declare
affection and care
are not like math solutions
Differences are
good and right
never black and white
 
We explored with
meaning and value
nurturing those moments
when the impossible
becomes possible
 
Fragrant are the memories
and flagrantly we struggled
to believe in pleasure;
in discovering
there are no secret agents
hiding behind masked villians.
 
Sometimes, we are
who we are
and nothing more,
stumbling dangerously
like brilliant falling stars--
the few who risk it all
to lace one's life
with a stranger.
 
The avenue remains.
The bridge is sturdy
and strong
and the forest
we never saw
for the trees
was you and me.
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  neglected muse
« Reply #112 on: May 04, 2009, 12:12:19 PM » by ca.leverette
Although a muse may be neglected,
and the light may dim,
I'm not sure it will ever abandon a writer. 
It will always return. 
 
This is an interesting concept though --
the thought that a muse has a life of its own,
a will of its own.
But a muse, by definition,
is birthed by the writer
and lives and breathes by the writer's pen. 
 
So, a muse can be neglected,
but it will always return.
 
Personally,
my muse will never abandon me,
because its part of me.
By another's view,
I may neglect myself,
maybe even abandon myself,
but in truth I can't do either,
because my life is not my own
but belongs to a greater power
far beyond anything I can imagine.
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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  3 am
« Reply #113 on: May 04, 2009, 12:14:19 PM » by ca.leverette
It is three am in the morning.
My fire will not go out.
My lamp does not smoke.
I have plenty of wood
an more than enough oil.
I will never go to bed.
There is a fever in my brain
and I cannot sleep,
lest I dream of him
who is on the way to me, and
my fever turns to delerium--
delerious dreams of tomorrow.
 
Outside, the night is calm and silent.
Tender, moist air softens the ground
beneath a sky sparkling with stars.
Somewhere in the night
he is on his way.
Through space, I see him.
I see him dreaming,
serious and enormous;
light-hearted and humble--
at the same time.
He is coming toward me and
as he draws nearer he smiles,
bringing gifts of freedom and peace.
 
....
I suppose I should give
credit where credit is due.
I should show him the utmost justice.
He truly is charming, just as he says.
A little solemn too, but oh, he
plans things so very well.
 
In the evenings, he pulls words
from his very own pocket
and revives my drooping spirit.
During the day he makes use of
the power of persuasion,
and his own philosophy,
and overwhelms me with
lofty thoughts and comforting phrases--
which both provoke and
soothe me in one instant.
 
Soon, he will silence all discussion
and draw me to him
under a kiss that falls
like a blow to the heart.
Soon, in a moment of passion,
with soft words and caresses,
he will kiss me asif he were
confessing a crime,
but I will be powerless against
his will and he will hold me and
possess me like a demon.
 
I think I would be happy being his,
and I will do whatever
he wishes me to do.
And whether innocent or guilty,
I may even go wherever
he tells me to go--
so great this hold he has on me.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #114 on: May 04, 2009, 12:20:35 PM » by ca.leverette
The path we struck, we wander still
and, dreamlike, wonder will a presence linger.

A bridge of need, we built to meet
not flesh to flesh, but spirit to spirit;

we could not see our forest through our trees.
Not knowing how to touch what we explored,

we traveled lightly and gave in gently
to the insistence of impossible moments.

Ex nihlo alius. We found we could declare affections
flagrantly, as if the blind could lead the blind.

There are no masked villains here; no hand
to take away what is offered. We are who we are:

two brilliant falling stars, flaming
to lace lives to strangers.



The avenue we paved
we walk still--
we always will
dream sometimes
and a presence lingers
 
The bridge we built
we needed--
souls daring to meet.
Not flesh to flesh
but spirits to see.
 
In our forest, we were lost
not knowing another's touch
or what sights we'd see
but believing came easily
in the nature we explored
 
we learned to create
something from nothing
and all from everything.
Our travels taught us
to understand
even in
misunderstanding.
 
We painted peace through conflict
and ran from anger to affection
stumbled from fear to protection--
the blind truly do lead the blind
from madness
even to
acceptance.
 
We formed a new way
making sense from need
uncovering visions lost
awakening fantastic slumber
 
At last we could declare
affection and care
are not like math solutions
Differences are
good and right
never black and white
 
We explored with
meaning and value
nurturing those moments
when the impossible
becomes possible
 
Fragrant are the memories
and flagrantly we struggled
to believe in pleasure;
in discovering
there are no secret agents
hiding behind masked villians.
 
Sometimes, we are
who we are
and nothing more,
stumbling dangerously
like brilliant falling stars--
the few who risk it all
to lace one's life
with a stranger.
 
The avenue remains.
The bridge is sturdy
and strong
and the forest
we never saw
for the trees
was you and me.
 

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  oh
« Reply #115 on: May 04, 2009, 12:21:41 PM » by ca.leverette
Oh don't you know
I'm beautiful this way?
That's what I heard 'em say
all my life, and you know,
I believe what I wanna believe.
I don't wanna know you
or anyone like you.
You say you care, dammit,
don't answer me when I cry. 
 
No one's gonna rule over me.
I ain't in your kingdom.
I ain't your kind.
No one's gonna judge me.
Don't you know? 
I know my righteousness
ain't like yours.
I'm poor.  I'm needy. 
So what are you? 
So where do you live? 
Yeah, I know better.
I know much better than you do.
 
If I let you in, if I stay with you,
if I breath a little,
while you remain, 
you might relieve me from myself
and save me from all this pain
bringin' me into you,
and oh no, that won't do.
Wont do, cause I ain't stupid.
I ain't gettin' that close to you. 
 
Why would anyone love me? 
I never done one good thing,
not one nice deed,
from the beginning to end.
No one really cares about me,
and God, it consumes me like a fire,
but hell, I ain't no liar.
I never claimed to be
anymore than what I seem.
I'm so much less than what you see
and so much more than what you fear.
 
That's all I need to push you away.
No, no way, will I let you get to me. 
Don't want your peace,
don't want your care,
don't want your desire.
Your damn  fiery trinity
tryin' to consume me,
and God it hurts,
God, it hurts
knowin' you're right.
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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #116 on: May 04, 2009, 12:28:34 PM » by ca.leverette
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  where will I go
« Reply #117 on: May 04, 2009, 12:29:21 PM » by ca.leverette
where will I go
when the east wind blows
what will I do
in shelters of snow
 
hatred stings
as a robin sings
so shall I escape
his suffering
 
along the top
of a great, great wall
I make my way
through a widening bay
 
my eyes
sweep the horizon
my fingers
carve the rampart
the stone is soft
as a wooden cross
astonished
at my remembering
 
the beginning spark
in the first of fires
is swift in his departure
leaving without a mark.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  the last turning
« Reply #118 on: May 04, 2009, 12:32:10 PM » by ca.leverette
In this,
the last turning
of your head,
I will not speak to you
with tears.
What was yours
is no more;
shackled in black,
your silk I wore.
Though you wound
and should redeem
I have bled,
now I'm clean.
And though you bury
me, I will rise
on the day of my resurrection
borne on the wings of this,
your final rejection.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  deep
« Reply #119 on: May 04, 2009, 12:34:41 PM » by ca.leverette
When I consider this paradox
never has there been a more beautiful one
never one more passionate.
Closely I love, yet wars surround me
tearing at intimacy,
the pulling away of enlightenment.
 
On moist patches of grass
beneath jewel-laden skies,
on palace balconies,
wherever eternity and time collide,
this is where every pore of my soul cries.
 
Why must ecstacy's first flush pass?
Why must heat's early devotion cool?
I am in love ... yet now
I have fallen away?
 
My deepest nature is marked,
primal desperation quieted,
and not by a shallow or easy design.
My need will never be instantly satisfied.
Nor do I desire such superficiality.
 
I am not robbed of the great in numbers.
My spirit has not been cursed.
Intelligence and gifts abound
like elements and facets of diamonds.
Yet these unadorned packages
are not what I seek.
 
My soul cries for the deep.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  adjectives
« Reply #120 on: May 04, 2009, 12:37:10 PM » by ca.leverette
Strolling with intrinsic egoism,
he is a King, scrolling sarcasm
and engraved envy, searching
for his kindling prey.
His cryptic eyes lock with hers.
Greedily, he tongue-wets his lips
divining her beguiling sighs
crossing a grand divide of
sparkling diamond baguettes
and jewels-- a mosaic exquisitely cut.
 
The King marks his path
through a royal exhibit
aiming for his potential Princess
amid crowded blinks and flickers
and blings of scattered lights.
 
Though she is a touch too brazen,
and her boldness a bit much,
the Princess is classical nubile nuance,
minus a sensual slinky shape
and smoke-chain barbed wire fences.
 
The King hails her halo of flattering
flames and smiles in simile:
     she knows as much about style
     as she does her downward spiral.
 
His movements tug the memory
of the phantom Princess--
like clipboard blades on an
antique glue-gun fan,
like the tap-tap-tapping
of an ancient tomb,
his courting is ritualistic
and disguised decay.
He is alluring, typing every
inspiring line and all the right
words with erotic perfection.
 
Arrogantly, his timing
is quick and calculated as
he lures his trophy toward
the center of a cultured care,
wrapped silently undercover.
 
Flattery flutters and tilts the clipboard blades--
the Princess is now his quintessential Queen,
with one last courtly coronation for a King
who is many kings once more
pouring bile from his demon-bowels
and one last answer to his call:
the final ballroom curtsy to the King
of the Cyber-speak Ball.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  yo' mama
« Reply #121 on: May 04, 2009, 03:56:13 PM » by ca.leverette
I hope your mama dies
before you do
'cause I like her
an' I don't like you
an' when your perka-lated liver
swallows you up
I don't wanna see her sad.
 
Now I need to find
a quiet place
to pray
a soft space
to kneel
so I won't hear your voice in my head
tellin' me not to feel.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  humiliation
« Reply #122 on: May 05, 2009, 01:49:22 AM » by ca.leverette
Humiliation Lyrics 

by: John Simmons
by: Ouchman
Written by: Simon Critchley
   


Humiliation
You told a lie, I’m going to tell
You cheated me, so go to hell
You worthless scamp, you petty snail
Hope you can’t sleep, and your crops fail

You told a lie, I don’t forget
And if you live, I can’t forgive
And if you live, the air you breathe
Will choke your soul, and eat you whole

But if you ever, still needed me
I’d be right there, I’d be right there

I loved you so, you hated me
You told a lie, how can it be
I loved you so, you hated me
I don’t take things, philosophically

I curse your name, I wish you ill
A plague of flies, behind your eyes
I hate your mum, I blame your dad
They must be mad, or simply dumb

But if you ever, still needed me
I’d be right there, I’d be right there

Oh many are, the ways of man
On Wanstead Flats, in a camper van
You cheat on me, you cheat on her
You cheat on him, you cheat yourself

Why should I try, to justify
What you deny, you told a lie
You feckless nit, you slimy shit
You lumpy head, you whoreson zed

But if you ever, still needed me
I’d be right there, I’d be right there

 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  words like water
« Reply #123 on: May 05, 2009, 02:12:57 AM » by ca.leverette
So close to the edge
we lit up the night
awakened a decade of silence
and wrote the story of our lives.
The veils we peered through
were lifted.
We saw firey candles
painting our world
and heard music
stolen from our souls.
 
We were courageous
and built mansions
in the unknown.
We sat on thrones,
our imaginations singing
in velvet robes
the royalty of a purple rose.
 
We cupped words
like water pouring,
running through our fingers.
We scooped up dirt
and found the womb of earth.
We bent our knees to fire
and at last we knew the flame.
We felt those words too.
They sparkled like fireflies
like rhymes dancing
in a dark forest
unafraid of the light.
 
Our dreams were barefoot
and we dangled them
tangled them over the edge
washing our feet
in cool streams of water,
refreshed by words
drawing sparkling brooks in trails,
leading us to the next oasis.
We satisfied our thirst
with water
and with words.
 
And the water
was no longer still
and the words
were no longer silent.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #124 on: May 05, 2009, 02:14:59 AM » by ca.leverette
What sweet words I hear!
 
How gracefully you tear
thin rice paper from your soul
and speak of your tears.
 
Like onion skin, gently
you peel each layer,
all of them and there you are:
your eyes like great oceans of blue
a scent of salt water surrounds you
so thick I can reach right through,
feel steamy heat on your face
moistening sun-drenched cheeks.
 
As a sweet milky thickness
shines in the night, when
rainbows encircle each light
my thoughts rest on death 
and life, on home and those
whom I love, and on your words
rich with kindness and grace
 
and I am so grateful
for this place I'm at
so grateful to say
I know you.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #125 on: May 05, 2009, 02:16:14 AM » by ca.leverette
Wow.  What an odd revelation-- 
to be so moved by both of you;
you and your words.
If I broke into song it wouldn't be worthy.
I could pick out my favorite lines,
but every one overflows with meaning.
One phrase rings in my thoughts--
love knows no bounds.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #126 on: May 05, 2009, 02:16:54 AM » by ca.leverette
So many miles we've traveled
and I wonder, was there a place 
with you I merged?
Your emptiness once engulfed me
but I can't see it.
 
You were never there.
 
I can't watch you work the land
with tender fingers   
with understanding hands.
 
You never touched me.
 
Unable to gaze in your horizon-eyes,
dancing with affection,
your fiery attention, draped and smoky
elusive, you hide nothing
and everything all at once.
 
Offerings of first rites no longer matter.
Acceptance at birth has long past.
Bodies in both minds last and last,
curved and pressed together so many ways.
This mystery stays in never-trace.
 
No matter the place or way,
we fill it well,
like a lily among her pond
a steed among his herd,
even a star of wonder in this world.
 
We may wander among wood
always loving the good
partaking of the tension,
the stone of pain
striking, flint against flint
sparks a better two
from light, another view.
 
Will you come often, awakening now
beloved senses you've taken,
burning lust like red wine
through my blood, my lips and skin
embers deep, from warm to hot
sweet like honey, scorch this body
only in my mind? 
 
Flames kindled, I can't dilute.
Yet in your wake, I'm nourished.
 
Somehow, we take the fall
me to you, you in me
through a world
where outside it's walls
we can't imagine.
 
You move in me and do not stop
quickly finding the hollow
of my voice and throat
breaking me, chaining me
without falter, above me,
beneath you, a curling hunger
for what you give.
 
Inside, I hold you.
On the outside, I wait
for your silent command.
Slippery I invoke you
with constant movement.
Raising and lowering,
no turning back.
 
This is the want
I cannot touch or understand.
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  eating an orange
« Reply #127 on: May 05, 2009, 02:17:56 AM » by ca.leverette
When I eat an orange
I'm like a little girl.
I bite the peeling
off the top
and feel the juice
trickle down.
Peel after peel falls
as I open the fresh fruit.
Then I see it--
the bright, wet orange
and I can't wait
to take the first bite.
 
No napkins or washcloths.
I soak up the nectar with
my tee-shirt,
or anything near
'cause I don't care.
I love the tangy wet
sweetness, and lick
every drop off 
my fingers and chin.
 
When we make love
I'm a woman.
I can't wait for you
to take the first bite.
You peel off every layer
of my facade-- shyness,
inhibitions and fear,
and I become bold.
I am bright and tender.
 
No fluffy pristine
towels needed.
I don't want to miss
a single lick or taste
of you, and we both
suck the juice
of the other until
the thirst of two
climbs and swims uphill
as we empty ourselves
into a deep fiery ocean
of sweet tangy desire.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #128 on: May 05, 2009, 06:37:08 AM » by ca.leverette
I looked
and did see
hands and fingers stretching,
grasping in and out
with a shudder.
Reaching for comfort.
Searching for peace.
 
I listened and heard sounds,
child-like and needy.
Saw light-eyes seeking
hiding and peeking
watching me
from the bottom of the sea.
 
Your warmth rolled in,
spooling and soothing
spaces of weeping
where spaces needed mending,
and allowed me entrance
to an unfamiliar language.
 
And you, in words
spilled light between us.
Your spinning touch
ending and beginning
once again.
 
Moonbeams pulled me
in a watery embrace.
So new, this place
hiding and seeking
peeking at me
from the bottom of the sea.
 
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #129 on: May 05, 2009, 06:37:56 AM » by ca.leverette
Perched on the edge of circumstance
she took a wayward chance.
Tired of promises,
weary of the never-ending dance.
She gave hope one last glance.
 
How could she not,
his voice a bellow?
Hiding truth with lies,
a transparent disguise.
He heard the music flow
from her fearful eyes.
 
     "No one's ever offered.
     No one's ever asked,"
what she really wanted.
What she needed
to make her devotion last,
or take her adoration to task.
 
All her life was one mistake
and everyday she ran away.
She always knew how
but never really knew
an answer to the question
he broke in two:
     "What does it take,
     what's a man gotta do?"
 
She would lift her eyes and look,
peer into him, like a lovely book
with soft beginnings and never-endings--
rowdy romps at midnight spinning,
to face the truth
and steal the winnings.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #130 on: May 05, 2009, 06:39:17 AM » by ca.leverette
Dear Freedom,
 
 
Forgive my brevity.
I have so much to do,
and you're the only place
I want to go.
But dreams aren't real.
It didn't happen and
you were never here.
 
I know--
we're waiting for
a change in the wind
 
While silent needs
lay dormant
searching for a new day
in tidal waves
a thousand ways
 
And moist wide eyes
now burn
for a different reason,
the dawning
of this first season
 
When you carry me
bleeding, ripe and raw
ending days of finality
 
Not discerning why--
a willful acceptance of all,
and determined to believe
 
Truth is such a dark cliche--
never will I doubt your delay
or distort and construe
your meaning
for the pleasure, for the comfort
of my own dreams.
 
Time to face the storm.
 
Freedom,
you are a cup of wonder--
waiting for
a change in the wind.
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  I took away your name
« Reply #131 on: May 05, 2009, 06:41:04 AM » by ca.leverette
When she took away his name
she was a mere
part girl-part woman,
and made a promise just the same:
     
    "Its ok.  I won't give it away.
     It was meant for only you.
     Maybe I'll call you "guy" or "dude"
     from now on, or maybe
     for just a while.
     I'm doing what you want
     and besides,
     this is the way it is. 
     Not just
     the way it will be.
 
     "I never really hated you either.
     But you knew that. 
     I had to say the words;
     feel the feelings.
     
     You should know
     it takes strength to build a bridge;
     to erect a sturdy wall.
     You were so powerful. 
     I was so small.
     I could only see life
     through your eyes;
     touch with your hands;
     and worst of all--
     think your thoughts.
 
     "You were a part of me,
     not meant to be.
     We were one, not two,
     and should have been
     on our own
     separate and alone.
     
     "By your side was fine,
     but I was a captive inside
     searching that thin line
     for my separation-time.
 
     "Like sour milk, we putrified.
     Our time was much too long;
     your will much too strong.
     The pain was far too great,
     my healing, far too late.
 
     "Understanding you
     is no longer my ambition.
     There's no universal definition
     for hands reaching through
     an obsidian sky,
     bleeding the oblivious lie--
     the tainting of you and me".
 
With a sigh,
childish eyes smiled, 
a mere glimmer
he was allowed to see:
     
     "Yet, in the end your lie set me free,
     and even though, from where I am
     it may seem hard to tell,
     my rescue
     set you free as well.
 
     "Sometimes it takes the small
     to cross a bridge or
     climb a wall."
 
With a toss of her head,
she looked back
for the last time, and said:
 
     "After all
     we'll both be ok,
     in the long haul".


The Real Story


I took from you your name,
but that's ok.
I won't give it away.
It was meant for only you.
Maybe I'll call you "father" or "dad"
from now on,
or maybe for just a while,
but you'll be ok.
I'm doing what you want
and besides,
this is the way it is
... not just the way it will be.
 
I never really hated you either.
You knew that. 
But I had to say the words.
Feel the feelings.
I needed strength to build a bridge,
... to erect a sturdy wall.
 
You were so powerful.  I'm so small.
I could only see life through your eyes.
Touch with your hands.
and worst of all
... think your thoughts.
 
You were a part of me,
not meant to be.
We were one, not two,
and should have been each
... on our own.
 
By your side was fine,
     but I was captive inside
     searching for the thin line
     to separate.
Like sour milk, we putrified.
Our time was much too long;
your will much too strong.
The pain was far too great,
my healing
... far too late
 
Understanding love
is no longer my ambition.
There is no universal definition
except God,
     who reached through
     an obsidian sky,
     put to death the oblivious lie
     that tainted you and me
but in the end set me free
and though, from where I am
it may seem hard to tell,
His rescue, my forgiveness,
... set you free as well.
 
Sometimes it takes the small
to cross a bridge or
climb a wall, but after all
we'll both be ok
     ... in the long haul.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #132 on: May 05, 2009, 07:52:59 AM » by ca.leverette
Her home is a skeleton
of burnt timber, black and charred
smelling of soot--when fire
and smoke gutted her world.

     
What would she give for one
     second of chaos from her past life
     and one chance to freeze time?
She rues the moment she was born
until every moment's gone
and hums empty tunes
like rings without stones.

Her dinner is a dry seedless
gourd on a weathered board
where she cans in broken jars
and weaves with rotten thread.

   
She can't put a price on what
     she would give--priceless are
     the restless feet of a little boy
     and the hands of a little girl, both
     busy with curiosity, shy with life.

In the cold she falls
asleep on a narrow bed
listening to black walls.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #133 on: May 05, 2009, 11:07:13 AM » by milner place
I'd cut the last line off this, Cherylanne, let the 'black walls'  do it.

milner
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'Caminante, no hay camino,
se hace camino al andar'
- Antonio Machado

Latest book 'naked invitation' $15 or Ł10, p&p inc milnerplace@msn.com

  Re: field rabbit
« Reply #134 on: May 05, 2009, 11:54:35 AM » by ca.leverette
I'd cut the last line off this, Cherylanne, let the 'black walls'  do it.

milner

Thanks so much for the visit and the suggestion.  'Tis done.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  bewitched by a lullaby
« Reply #135 on: May 06, 2009, 01:40:35 PM » by ca.leverette
Who has bewitched you, my friend? Your mask is now darkened
and seared. On your brow, deep furrows haunt and hope takes
leave of your eyes as your mind becomes dull with fear. What
is this burning you speak of? How fiery is her scorching flame!
Your steamy torch, once your pride, now concealed--
your prowess you hide.

A dam of lust has broken, steamy and out of control.
You endlessly ache with desire in a prison you cannot
escape--tightly locked, it is always this way.
Much time has passed and now you speak;  you hungrily
reach to touch, grasping for fullness and depth; fast
and hard hot flesh; slick and firm, you want liberty.

Picture now in your mind, the one who beguiles you with time-
like the coil of a snake, she unwinds, wrapping, draping,
tempting, taking, all of you coming inside. Writhing, unsettled,
and longing, upon the core of her passion you ride, conspiring
to devastate desperate aches. Red flames churn like no other-

you don't know, you can't think: "come with me, together let's
drink", soft as death she sings. Your senses have loosened,
your body is free by fire, consumed. Yet you are blind, never
to see. She offers herself--she is free. Her sweet, ripe flesh
is all need.  No mouth or tongue will ever redeem. She invokes
you, she whispers your name: "reveal how you feel and burn for me".

Her breasts flash forgiveness, her body, your witness: "will you
burn for me?" she cries; her betrayal becomes her tears. Your male
member hardens again? Your flame shines boldly, brightly of lust?
Destruction you feel, as though with one stroke, spent you will be.
The fire in your groin is a furious flame that only she will douse
in an entrance so deep and sweet, familiar and priceless to keep.

Let her hear the sound of your voice.  Describe to her how you feel.
She will listen, shiny folds ever-glistening, where she embeds your
eager rod, rock-hard amid tender new flesh, engraved deeply in you.
Her song of passion and lust: "tell me you burn, feed me your burn",
replenishes yet never will finish.  She's comforted by your raging,
ravaging rod plunging like steel--she keeps you hidden and deep.

Yet she sings such tender love-lies. Her lust you will satisfy.
Her melody lilts and lifts as she sighs: "burn with me. I'll come
for you and show you how", gladly in the midst of a ring, a circle
of fire, bewitched by her lust, she sings her sweet lullaby.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  earthworms and snakes
« Reply #136 on: May 06, 2009, 01:46:51 PM » by ca.leverette
My mom and I learned of earthworms today.
First there was one, then there was two.
The first one I slaughtered--
ran right over him with the car.

I know it's funny I'd kill an earthworm
that way, but Mom and I were alone, and
we thought the earthworms were baby snakes
and that somewhere a mom-snake was hiding
like a wench, waiting to jump out and bite us.

And soon my mom would be left alone with the
snake while I was work, so I had to protect
her--I had to kill the snake--baby or not.
And my car was the only weapon I had.

(I didn't have a husband she could borrow
to shoo them away. Daddy died of cancer
several years ago. He couldn't run the snakes
off. No man in sight for Mom and me.)

After the first one was dead, the second one came.
Appeared out of nowhere right there on the concrete
in the carport, out of the sun, into the shady damp.
I ran out of time to kill it; Mom called animal control.
They came and laughed and kicked the earthworms back
to earth. Mom said "oh, it was so funny" when they
told her "those are only earthworms. They're good for
the soil". (Dammit, I killed an earthworm.)

But this is what I think: the world is full of
wretched, horrible snakes stalking and perched
to kill your mom and carry her off--
     but sometimes they're only earthworms.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  you won't forget
« Reply #137 on: May 06, 2009, 01:49:13 PM » by ca.leverette
You will not forget:
the glance of my intent,
sharp breaths, a whispered laugh,
the heat of my cry in your ear,
the touch of my fingers grazing.

These moments are not:
broken debris drifting on beaches
by the sea on sunless days.
The scent of my desire is a blossom
unfolding, whose symbol remains
the slow discovery of who we are
when we are no longer memories.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  famous last words
« Reply #138 on: May 06, 2009, 01:50:53 PM » by ca.leverette
1. Pardon me, sir. I did not do it on purpose.

Said by: Queen Marie Antoinette after she accidentally stepped on the foot of
her executioner as she went to the guillotine.

2. I can't sleep

Said by: J. M. Barrie, author of Peter Pan

3. I should never have switched from Scotch to Martinis.

Said by: Humphrey Bogart

4. I am about to — or I am going to — die: either expression is correct.

Said by: Dominique Bouhours, famous French grammarian

5. I live!

Said by: Roman Emperor, as he was being murdered by his own soldiers.

6. Dammit…Don't you dare ask God to help me.

Said by: Joan Crawford to her housekeeper who began to pray aloud.

7. I am perplexed. Satan Get Out

Said by: Aleister Crowley - famous occultist

8. Now why did I do that?

Said by: General William Erskine, after he jumped from a window in Lisbon,
Portugal in 1813.

9. Hey, fellas! How about this for a headline for tomorrow's paper? `French
Fries'!

Said by: James French, a convicted murderer, was sentenced to the electric
chair. He shouted these words to members of the press who were to witness his
execution.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #139 on: May 08, 2009, 01:15:09 AM » by ca.leverette
Not a poet
at the moment
just a person.
Not a writer
in the slightest
just a woman
confused, perplexed--
could I really be shocked?
 
What does a woman do
when the man
she thought she knew
finally finds himself, and
reveals himself to you?
 
What does a person do
when the truth hits you
so hard in the face that
the same man who used to
make you cry, because you
cared so much, that when
reality finally smacks
you between the eyes
you don't need to cry
because he's not the man
you thought you knew.
 
He's not all the man who
had the power to hurt you.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #140 on: May 08, 2009, 01:16:17 AM » by ca.leverette
In the Spring, she wore
flaming bursts of begonias,
marquis shaped scarlet clay
to dissipate the deadly
and intrigue the living
     left-behind.
 
In the Summer, she wore
textured coral reef,
leaving tracks, fatigued
     and secluded.
In daylight, she was innocence
     and humility.
On dusky nights, foreboding and dark
she awakened an anticipation--
     the deserted unknown.
 
In the Fall, she wore appropriately,
     the dry and crispy leaf.
Her arrival was not sinister,
but silent-- so lonesome
     in activity.
Whispers were like soft hands
covering her with barren and
     faded metal-stains.
 
When Winter came at last,
she wore glistening ice
in hallowed hexagon diamonds;
pointed shapes of oval;
melting to a vee;
half of what she would be,
     eventually.
Stars, in-freeze, left her
in rows and rows of
frozen blindfold-ease:
     she was draped.
She was property.
The famed un-named
of chain-linked faces,
     her only company.
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #141 on: May 08, 2009, 01:23:10 AM » by ca.leverette
Like a babe
wrenched from the womb,
blinded by the bright,
numb from the noise,
a slap on the ass.
(Do they still do that?)
 
A terroristic flight
for any tiny lass
embibed with fear
security blanket stripped,
flung into the atmosphere.
Cold and callous is this world
flying maelstorm speeds
aimed perfectly--
     straight for me.
 
First rites
in the last stage:
     world-rage!
Hearken the horror!
Don't change the channel
lest you miss the movie
with Michael;  with Jason;
with Candy-Man and Freddie:
     I'm not through yet.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #142 on: May 08, 2009, 01:24:23 AM » by ca.leverette
well, I'll say
'tis quite a play.
that hurts
and I'm not your wife
not even your
extra-poo ex-wife.
sure did cut me too,
like a knife.
 
seems I'm often overly sensitve
gettin kinda confused
feeling kinda bemused.
but this can't be
about you and me.
person-to-person personally
we have no history.
 
so I'll sit
and take you lightly
and listen just a bit
hopin' you don't bite ME.
 
cause everyone seems to know
I don't mind a bite
as long it's accompanied
by a kiss and a smile.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #143 on: May 08, 2009, 01:26:36 AM » by ca.leverette
so, you think you're wise
     to the pain in these lies
but never were you privy
     to the why in this disguise.
 
promises can't be broken
     that's my take, that's my token
paid when the swear was made
     over secrets never spoken.
 
your tune of fluted solitude
     kept me bound and bruised
tightly reigned in disdain--
     hissing piss'd-off pee-s and cues
 
your debut was oh-so-you
     your materialism new
shining-brilliant is your future
     blinding you to your past
     of black and blue.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #144 on: May 08, 2009, 01:28:25 AM » by ca.leverette
An oak tree knows
to plant himself
where sweet waters abound.
 
Moons pull a frothy sea
allowing him to roar
yet let him only
travel so far.
 
Stars of fire hide
till the dark of every night
flames waxing to white-light.
 
Little bodies of hungry babies
don't learn how to die
and neither are the eyes of these
taught how to cry.
 
I know the hands of man
will someday find the lonely
and claim his just reward.
 
In these years of confusion
of pain and disillusion
I've come to understand
were merely preparation
to change and rearrange me
for the tender hands of man.
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #145 on: May 08, 2009, 01:29:19 AM » by ca.leverette
Once, You were Beautiful
 
 
Your serpentine journey began in Eden
where crushed your head under the feet of Man.
 
As Satan, you were chief prosecutor,
in the presence of an angel's heavenly court.
 
The past traveled quickly to the present,
as the Son of Man watched for you--
Your fall! 
Like lightening flashing out of the sky!
 
Still, the war continued, on the Isle of Patmos--
Your role as "Deceiver",
the "Great Dragon".
"Ancient Asp and Serpent".
 
Conquered you were,
and hidden you lived,
through impending passion,
a scorpion's tread-- alive yet dead.
Where are you now, dark and dreadful one?
Do you rule the world, or sink in a mirey abyss::
 
The end reveals who you are, and who you were.
Humanity wonders at how you must tremble!
for once you were beautiful--
 
"Lucifer,
Son of the Morning",
"Day Star,
Son of the Dawn".

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #146 on: May 08, 2009, 01:30:15 AM » by ca.leverette
When I grow up
I will be a business woman
married to a business man
and carry a bumpy briefcase
through tired city streets.
Even my legs will be moody
with sore feet attached
thumping the ground
on an evening of blue-steel
I walk to our home, our bedroom,
hiding anxiety under a pillow
climbing through the crawl-space
between your firm chin
and strong shoulders,
where at last I can breathe.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #147 on: May 08, 2009, 01:31:25 AM » by ca.leverette
Perched on the edge of circumstance
she took a wayward chance.
Tired of promises,
weary of the never-ending dance.
She gave hope one last glance.
 
How could she not,
his voice a bellow?
Hiding truth with lies,
a transparent disguise.
He heard the music flow
from her fearful eyes.
 
     "No one's ever offered.
     No one's ever asked,"
what she really wanted.
What she needed
to make her devotion last,
or take her adoration to task.
 
All her life was one mistake
and everyday she ran away.
She always knew how
but never really knew
an answer to the question
he broke in two:
     "What does it take,
     what's a man gotta do?"
 
She would lift her eyes and look,
peer into him, like a lovely book
with soft beginnings and never-endings--
rowdy romps at midnight spinning,
to face the truth
and steal the winnings.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #148 on: May 08, 2009, 01:48:24 AM » by ca.leverette
Death came creeping 'round my door;
no one I'd seen, ever, so forlorn.
I can't believe she'll be no more--
     fallen asleep
     upon our couch
     the day before.
 
She left my spirit tired and sore:
     when sutures of blue gathered
     wise and lovely hands,
     at last grew weak
and torn.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #149 on: May 08, 2009, 09:23:20 AM » by ca.leverette
Freedom is a song the peaceful sing
taking flight on generous wings
rising above temporal things.
 
Freedom patienly waits
places of rest, she's making
in arms all-ready to take me.
 
She speaks and never questions
answers I know nothing of,
when time is not enough.
 
Somehow she knows
somehow she shows me;
understanding the seldom-said.
 
And with a touch, freedom
cries, such tears I can't forget,
ashamed of asking why.
 
Peace, her guardian never sleeps,
attends a closeness, ever-creeping
soft and drowsy are these hours.
 
Her listless lullaby,
ever-weeping.
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #150 on: May 08, 2009, 09:24:20 AM » by ca.leverette
Tri-sigh
 
 
 
I hear the sigh.
I know
what you really mean.
I see the cartoon.
I watch the play-girl,
and I listen
to the illuminati-glisten.
 
Significant suddenly
is a casual expression.
Unexpected information.
A wise confrontation--
such a capricious
complication
with no structure,
no interruption.
 
I remain quiet,
and wait
for a data-delay.
 
Removing 
troublesome connectivity,
I fasten myself
to the interior
of a silent design.
 
 
We all
fall deeper
than we intended.
 
We all convey
a different way.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #151 on: May 08, 2009, 09:25:26 AM » by ca.leverette
I suppose it's ok
for my heart to cry,
but not up here
no tears here
on my face
where I can see them,
watch them trickle
little streams in lines
parallel--
a scorch with perfect aim
refusing to douse the fire
bursts alone in my chest
worse than pain
burning for freedom,
liberty from muscles
once pumping blood,
but now a vessel
floating, bobbing
in a great lathery sea
from river to river
looking for a harbor
searching for land
hoping for home.
 
 
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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #152 on: May 08, 2009, 09:26:13 AM » by ca.leverette
We become blind to know what is true--
only the deaf hear music of the divine.
When we cannot speak
new languages form and pour forth:
compassion rains justice on the meek
and will not be ignored-- her presence
much greater than mankind.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #153 on: May 08, 2009, 09:27:41 AM » by ca.leverette
"How's your classroom behavior?
What about your grades?
 
"Is your behavior agressive?
(sigh)  How many mistakes today?
 
"Have you been hyperactive?
Is it less severe?  Has it disappeared?
 
"How well did you get along with others?
Your sister?  Teachers?  Any fights with your peers?
 
"It's not that I expect you to perfect ...
(stand still...!  Here... take this pill!) 
It's just that you deserve to be
like all your friends -- you know,
the ones who don't have to take "the pill"."
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #154 on: May 08, 2009, 02:35:18 PM » by ca.leverette
Listen honey, I know you mean well,
and as far as I can tell
you're not a self-serving man
but I'm privy to your plan.
 
Not saying it's a bad one.
It might even be fun,
if emotions were a ferris wheel
and true affection wasn't real.
 
I hear the smoothness in your speech.
I feel the heat within your reach
but this round is not the same,
when the last play wasn't game.
 
***<>^<>***
(Or, maybe....)
***<>^<>***
 
I don't mind losing when I gain...
so watch the rules as they change.
This season you will win-- only
if we're both winners in the end.
 
<Your words must be clear--
not so far away, I can't hear.
When your promises turn to action
I'll give it all ... and even then some.>
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #155 on: May 08, 2009, 02:35:44 PM » by ca.leverette
most powerful of human emotions
love in all it's forms and inspiration
poetry, passion in a letter; or two
words of wisdom for me-- not you.
 
makes hay for a thousand jokes
twiddle-riddle-rhyme goes the sonnet
or a wisecrack in the dawning
after a night of lust and longing.
 
lovers are special, but so are mothers
oh the spectrum special covers
from romance to deep attraction--
never wanted such strong reactions.
 
physical, spiritual, mind and soul
cupid's magic takes circle's toll
so intensely private and personal
yet you tell me it's all universal.
 
write a book as a tribute-- even a rhyme
about solitary minutes of time
the perfect gift would be simple insight
I was yours and you were mine.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  damn
« Reply #156 on: May 08, 2009, 02:36:30 PM » by ca.leverette
Damn
The words you write
are worth more than the fight
I've kept to keep them hid.
 
And if I hid them so well
why does your pen swell
with ink-- the thoughts you tell::
Did you live this hell?
 
Were you there when I wrote
mama's "I love you" note?
She hit my head with a broom!
Damn! I still won't go in that room!
(Or use that fuckin broom!)
 
Were you there those late nights
when mama slept and I cried
and daddy lied
and went my hand reached aside
I felt they'd all died
or maybe I wished they had
but that's bad--
just another secret to hide.
 
So many secrets on walls.
So many men too big and tall.
So many children little and small.
God loves em, and I swear,
if I could, I'd save 'em all.
 
 
Thanks
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #157 on: May 08, 2009, 02:37:07 PM » by ca.leverette
there she was
waiting for me
just a girl
that's all she was.
 
her words went back and forth
and hurt along the way.
no need trying to shield them--
words spoken so clearly.
 
quickly, I covered all the wounds
and emptied the overflow-tears.
nothing else she could do
about those years
 
I knew
the girl couldn't stop
those crayoned words:
     the mind of a child
     she never outgrew.
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #158 on: May 08, 2009, 02:37:37 PM » by ca.leverette
If we are human
we see what we want to see. 
If we choose to understand
nothing at all,
we become devoid of change.
Or, choosing to face the pain--
we announce in declaration:
     we dare not remain the same
     longing to go beyond
     the image of natural man--
     become small
     and enlightened.
In the center of lines crossing,
is a pin-point's find--
and no matter how harsh
     the light,
     we discover who we are.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #159 on: May 08, 2009, 02:38:05 PM » by ca.leverette
There are many people who
believe the the idiom
"religion is the opiate of the masses".
 
The societal world was blown away
by Darwin's theory of eveolution.
Ah!  At last we'd find a way to
make all this fit,
and still be free
and not feel gulity
for doing whatever
we are drawn away
by primordial desires to do.
 
Here's another:
 
I have come to learn first-hand
that when a man strongly
desires to maintain a presence
or sing a different song
with an alien voice
if he is intelligent,
knows how to write
he strategizes--
formulating his own philosophy,
repeats it daily
to as many possible
until eventually he
is destined to fully embrace it.
 
Whether wrong or write
a self-made philosopher
deceives himself,
believing there
can be nothing wrong
with anything he does.
 
Would to God we were all that way.
What chaos and tyranny!

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #160 on: May 08, 2009, 02:38:58 PM » by ca.leverette
If nothing is definite,
if nothing is true for us
in this creative world,
newly formed and blind
one by the other beguiled
so becoming -- we are
infinitely transluscent
 
embellishing freedom
theives of the unknown
relishing the risk; 
archetypes of love undefined,
never taken against our will.
 
Our sight like babes:
    knowing nothing
    trusting all and in
    the bewitching,
    bravely we stay
 
mesmerized by tears,
salt-watery prisoners
free to leave the thirsty
unknown, captivated by
     sweet tasty elixers
     measured and mixed
     bound by the two.
 
Sojourners, we are nomads
born to seek with no direction
     lost children
     refusing defeat.   
 
Fear will not win.
No matter this map:
tattered and worn
matted and smudged
muddy with sadness
 
your mirrored cup
of soverignty like a scroll
opens primitive delusions,
unrevealed till now
drowning in ancient oceans
deep, and in your brightness 
     we watch,
     freedom unfurled:
 
This is our world.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #161 on: May 08, 2009, 02:39:35 PM » by ca.leverette
Sometimes I think I might like to
visit that other world from
whence I'm told 
one breathes in noxious air
for as long as lungs can hold.
 
One thing I can surely do is breathe;
or skip the light fantastic too
and trip until I'm spastic until
I drop the ball ... or the other shoe.
 
In 69 editions of 69 positions
I might translate and illustrate
twisted spoons, crescent moons, and Blake.
Or shall I just copyright the original
 
on a perfect press equivocal, for
whoever comes to me in dreams, from
Freud to Jung and all nocturnal things by
which many hallucinogens spring?
 
In dreams of pink I'll leave a note of
adoration and captivity by
all of you and all your poetry too.
I may thrill you with erotica unforgettable --
 
leaving sultry terrors home alone:
because from knowing secret friends
this child transformed to
a poet-lover's-end.
 
Incantations and melancholy auras
of smoking souls envelope me.
In seeking all absolutes, I'm free.
Remarkable is this atmosphere of
 
inner events centering on men
and women-explicit.
I've watched this narrative develop
in poly-rhythmic fury.
 
I've been in the audience and on
the stage of every jot, line, chapter and page.
I've joined in your evening promenade
whether small-town or brothel-mob --
 
tis a work done simultaneously.
... what of a bar in an unfamiliar time?
Or circumstances spinning on silver dollars
and a dime:  taking different chances
 
dancing different dances --
all as much reality as our imaginations.
If I should join you in your air balloon
of brightly colored tints and hues
 
I'll take care and invite a few
authors of ennui, mosaics of imagery;
waltzing underneath soaring streetlamps
under full moons I'll share my lunacy. 
 
A lover's seer -- our flood-lit bodies; 
fetishes here, sensibilities there
in garters and make-up,
in alcohol and dependency.
 
So once again, in all your sensuality
... perhaps you'll remember me.
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #162 on: May 08, 2009, 02:40:28 PM » by ca.leverette
Where do those times go...
I know they were there
when you were close ,
you were everywhere.
 
Where did your hands lead me
when I felt so small.
You took a part of your world
but you gave me all.
 
Where were you standing
when I heard you say
"you know better,
I'd never treat you that way"?
 
You were alive and I was there
watching you shed different lives.
When the day of dancing came,
     we danced.
During times of risk, we did;
     we took our chance.
 
I don't know who you say this to.
Never will I breathe a different air.
May I merely be a part
     of your world ...
     the wonderful one
     in your dreams.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #163 on: May 08, 2009, 02:51:01 PM » by ca.leverette
Where does time go?
When you are close
you are everywhere.
 
I watch you shed
different personas
like skin.

During days of dancing
let's dance.
When chance arrives
let's risk it all

to be a part of
the wonderful world
in our dreams.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #164 on: May 08, 2009, 03:14:04 PM » by ca.leverette
It takes so much to learn
the true face of another,
so much of this, so much of that.
 
When will the mirror of one
show the facade of the other?
The answer is clear and ever-bright.
 
It happens in reflection
     revealing secrets,
happening in day,
     revealing the night.
 
  but always twisting words we write
     when pridefully reveling in echos
     of black and white 
           black and white
        black and white
painfully
                over and over again.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  orange edit with seeds
« Reply #165 on: May 09, 2009, 07:52:29 AM » by ca.leverette
When I eat
an orange
I'm a girl
biting off the top
feeling the first juice
roll over my tongue;
peel after peel
falls away as the fruit
is exposed and
I squirm
for the first bite.
The nectar runs
down my lips
over my chin
soaking my tee-shirt
and anything near.
I don't care.
I lick it all up.

When we make love
I'm an orange.

I can't wait for you
to peel me showing off
my bright and bold
fruit. No towels needed
as you taste my juice
which runs over your
tongue and lips
onto your fingers
and more;
then you're the orangeâ€"
and the two of us
wrestle like oranges
eager to eat
or be eaten,
each lick a new taste,
each taste a new touch
each touch new

and in the morning
they find us
planted.


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  thoughts like leaves
« Reply #166 on: May 10, 2009, 12:36:37 AM » by ca.leverette
So many miles we've travelled,
I wonder if there is a place we merge
the way two rails of track seem to
come together on the horizon.

Your emptiness once engulfed me
but I can't find it now.
**************************


I can't help but watch you work
the land with your hands
touching the soil with tenderness.
If I were tilled with such harrows
to be turned into hayfields
I would bring you a different Spring.

*******************************

Though we fit like a lilly in her pond
or a stallion with his herd
the dark night passes slowly.
The sky is empty with only a moon.
Without the stars there are
no constellations to guide us.
We should wak in the wood
and rekindle the stars;
striking flint against flint,
setting ablaze all the tinder we can find.

Sparks of fire awaken these fields,
and in our burning we awaken the stars.

***************************
Though you seldom look at me--
really look at me,
your eyes dance with affection.
We elude each other hiding nothing
and everything at the same time.

****************************

Now that we're awake
please come often.

Sometimes I burn like the lust-red wine
that flows through my hips and blood.
My fields are scorched.
You lay waste to my barns
and make me your camp.

You are a river of flame.
In your wake, I am nourished and greedy.
You move in me and I won't let you stop.
Find the hollow of my throat.
Chain me beneath you as I hunger and hold you
waiting for your silent command.
I am an invocation to you.
You respond again and again to the
constant motion of my supplications.

This is what I want but
cannot touch or understand.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  interesting
« Reply #167 on: May 11, 2009, 01:19:52 AM » by ca.leverette
Why are you so interesting?
I dunno. You won't tell.
-Which makes you even more interesting.


Hiroshima


Out the front window
pumpkins, whole thick crops
clearly blown away, nothing left.
Strange smoky faces appear
from smouldering rock.
Golden teeth gleam in wide-open
mouths, gaping like pumpkins
from fields once-green.
 
Singed hair dangles from temples
crossing hollow cheeks,
resting on lips meant for kissing.
Lids pull up and back--
curtains exposing round balls
once slick, now afloat in black holes.
 
Lenses look milliseconds
into atom's brilliant flash--
Hiroshima
and the eyes of a woman.


When You Sand Me


When you sand me this time
could you trim my edges neatly
and scrub a bit more gently
with that rusty scouring pad?
I realize you have important
reasons for everything you do,
and have so few moments
for things you alone know,
but I'm so tired of being shabby
and I don't like looking worn.
 
You tell me you are leaving for awhile
so all these dull-shiny coats will dry,
but a year is just too long.
My tiny closet is dark and lonely
and I can't breathe from all the fumes.
Frankly, I don't understand why you
hide me when you have so much room.
 
One more suggestion please
before you grab your heavy hammer
and go to work on me.
There's one particular spot
where the sander seems lost.
Pressing, pushing and grinding
it's the only sore spot I've got.
You'll wear me so thin
I'll disappear, and never know when.
Not a soul will know I was here then.
 
I'm beginning to believe you are not
honest but I've trusted you for so long,
how would I know if you were wrong?


Willa Cather, American Novelist


She was a woman and dreamer--
her torture, romantic and erotic.
She vowed to show them
they could not bind her--
she would become a man.
 
Alas, how could she know
it would be a woman, fair
for whom she would fall unaware;
how could she know
whether woman or man,
such heavy blows to suffer
tender hearts will not withstand.
 
She wrote of deserts on the earth
and wandered through them in her mind.
She cried of death and darkness
and penned of wars she could not win.
Her public was her lover-- she would defend.
Yet, lies hid deeply undercover, in the end.
 
Why a genius?
Why so different?
So rebellious from the start!
She longed to embrace a world
rejecting her chosen, holy parts.
It seemed she wavered constantly
between the real and obscure,
darkness and light, epitaphs and life.
 
She wrote of love and thick downy coverlets,
warming the poor and cold.
Though she welcomed her untimely demise,
her last breath she took beneath
a deathly shroud the color of coal.
Her battle cry saturates centuries,
this vow she would win:
I will never grow old.



We have meaning.
It gracefully spills over the edge.
Tales sheer and fantastic turn to gold.
Our cup is lovely, transparent and transformed

shiny with luster.
We pour bits of ourselves inside
mixing the mystical with the memorable.
It is a magical meeting, a steamy love potion
spiraling, bubbling, deepening--a healing elixir.

Such is our gentle fire. The juice of divine wisdom
seems to divide us--a balm of renewed revelation
sears through us.
We are the lava of
volcanic mountains with tops merciful, light and lofty.

We dwell among clouds.
Here we are
searching for truth, stumbling upon mortality
as a window opens stained with crimson.
We search for unity through unsuspecting eyes.

We don't see flawless beauty or undiscovered unity.
We can't live in the now knowing the ending will be
the same as the beginning:
the earthly remains
and never transforms the divine.

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #168 on: May 11, 2009, 08:49:37 AM » by silent lotus
I was wholly unprepared
for his enormity
My thoughts
were much too small,
never big enough
to encompass his truth.
 
I searched
for a bridge to cross--
the one of separation
But no one
could take me
near the edge,
where only there,
could I die,
present in the moment.
 
Death, like rain
fell gently back
into an immense ocean,
where brave ones dive deeply
through narrow uncoverings
of what is always there;
where separation is an illusion;
and isolation is only fear.
 
The sea was kind
and without urgency,
no pressing in the moment,
or into worlds of awareness,
where I had work to do,
hidden things to uncover--
 
moments to remember
without going mad
searching for a center,
or an empty space,
flowing and unfolding
ryhymes and reasons
on which to hang my grief--
 
I never knew
and didn't care
about their provision,
or experiencing false
sensations of
effortless activity--
or whatever this
and whatever that,
or whatever happened next,
 
a mere investigation--
the one on the edge
across the bridge,
where he waited in comfort
without falsehood:
I was clarity
and he was balance
as we presented
ourselves simply--
a focus for the sea.



Dear Cherylanne

it has been nice to delve into your "Interesting" journal.

smiles
silent lotus


Death, like rain
fell gently back
into an immense ocean,
where brave ones dive deeply
through narrow uncoverings
of what is always there;
where separation is an illusion;
and isolation is only fear.
 
Logged

  Re: field rabbit
« Reply #169 on: May 11, 2009, 10:18:03 AM » by ca.leverette
Thank you so much for visiting SL. and for your kind words.

cheryl
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #170 on: May 11, 2009, 01:46:11 PM » by Lavonne Westbrooks
Regarding HIROSHIMA

Hiroshima


Out the front window
pumpkins, whole thick crops
clearly blown away, nothing left.
Strange smoky faces appear
from smouldering rock.
Golden teeth gleam in wide-open
mouths, gaping like carved pumpkins
from fields once-green.
 
Singed hair dangles from temples
crossing hollow cheeks,
resting on lips meant for kissing.
Lids pull up and back--
curtains exposing round balls
once slick, now afloat in black holes.
 
Lenses look milliseconds
into atom's brilliant flash--
Hiroshima
and the eyes of a woman.


The carved pumpkin image doesn't fit (for me)
It evokes Halloween which was not celebrated widely in Japan
until more recently. It might work if the poem were being told
from some other perspective bit this is from the perspective of
a Japanese woman (I assume) Otherwise it's very interesting.
Logged

  Re: field rabbit
« Reply #171 on: May 12, 2009, 03:06:14 AM » by ca.leverette
Regarding HIROSHIMA

Hiroshima


Out the front window
pumpkins, whole thick crops
clearly blown away, nothing left.
Strange smoky faces appear
from smouldering rock.
Golden teeth gleam in wide-open
mouths, gaping like carved pumpkins
from fields once-green.
 
Singed hair dangles from temples
crossing hollow cheeks,
resting on lips meant for kissing.
Lids pull up and back--
curtains exposing round balls
once slick, now afloat in black holes.
 
Lenses look milliseconds
into atom's brilliant flash--
Hiroshima
and the eyes of a woman.


The carved pumpkin image doesn't fit (for me)
It evokes Halloween which was not celebrated widely in Japan
until more recently. It might work if the poem were being told
from some other perspective bit this is from the perspective of
a Japanese woman (I assume) Otherwise it's very interesting.

Good point Lavonne.  I think I'll remove 'carved'.  This poem was inspired by a piece written by a Japanese man who looked out his window and saw a woman walking toward him from a burnt pumpkin field.  So I am actually referring to the pumpkin being carved.  He was referring to a field.  So this is a very good point you make.  Thank you so much.

cheryl
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #172 on: May 13, 2009, 05:22:17 AM » by ca.leverette
As well as leaving
an "after-weaving"
defying rationality's
projectile of centrality--
such writing deserves
much circumspect
beyond normal dialect:
     as I suspect
     those who elect,
     like me,
     to see
     through, devoid
     of the formal.
 
No need
for the scholarly
presidential
or a mandate of the chic,
to walk the walk; to talk the talk
on a foundation of Da Vinci's lectern.
 
Mere belief in a receptive source
placing on it's course a stolen kiss
by such lovely spectre.

*************************

A tiny crackle
sparks without a sound
ignited eons ago
sets a world on fire.
Her grievous scream
too harsh for earthly ears;
her sight is your guide.
A strong and brilliant light
on the cusp of night
shades a moon in flight
rekindling all resilence.
 
Truth hides
not in what we see,
but in the blinding silence.

**********************

Enticed by counterfeit influence,
intrigued by a secular world,
a culture suspends and embraces me
 
Gods at work sacrificing truth are exposed
by the spiritual, in in battles of veritus conflict.
 
A chosen one I become an emissary on assignment.
My heritage an archaic casualty in a postmodern world.


******************************************
cancer
ugly and black
sneaks uninvited
into secret places
 
invades at free will
sprawling on couches
sits arrogantly at kitchen
tables, cooking and boiling
among kind and tender
hearts of loved ones.
 
arms and legs like spiders
and webs of anti-nature,
at first painless
that grotesque dark brain:
a thief stealing maps
of bodies who cared for me
dads who carried me
to circuses and at ballgames.
moms who cooked in warm ovens
chocolate pies and cupcakes
brought me cold milk on china trays.
 
We laughed, we smiled,
we loved.
 
strange mutant, obsidious
you are nothing but an alien.
perchance you will steal
my body too
but you cannot--
you will not
take my memories
the tender graces
of my life
will always be mine.
 
You didn't give those
You will never
take them away.

**********************

The mere taste of a raindrop
from an over-flowing sea;
when a star ceases to shine.
And birds no longer sing;
when a lover is puzzled
and the other is puzzling.
 
When a gift glitters like gold,
but wilts a bouquet of flowers;
when promises made
are idle and waylay the hours.
When one tastes manna of paradise,
and only one taste is no surprise--
 
Dear Cupid cries with mournful eyes,
knowing the latch is finally drawn
and snuffed, at last, is the light.

***************************
Fetish Eyes


Collectively
we partner creatively
in front of webcams
under keyboards
on a mission.
Fresh art and fresh skin
exciting eroticism: 
our way to delerium.
 
Commissioned
(we think) by men
our imaginative jaunt is quick
Style is our obsession
our designation
in semi-nude backgrounds
we become architecture
galleries fit completely for
masses of eyes
with heavy lids
bleary but shining

1960 Britian would rustle 
Europe would squeal at our squeak
onto cyber-stages in wetsuits shiny and red
a mere blush away
head to bed
 
Swimcap donned
a smorgasbord green-pea
eel skinned boots
delightfylly peeled
toes make points
sharp and quick:
this matter is not subtle
our totality slick
perverse package in girdles
of gaily frocked modernism
watching the world watch us
through fetish-eyes.

************************
Peach-pink rose:
mouth and vulva
a sultry ooze--
perfectly opens me.
 
Measuring plentifully
proficiently in bloom
for you.
 
Peaked atop the first season
with rigor and reason
at the exact moment
moonlight winks;
sunshine blinks.
 
Orgasms burst in a tandem
a rally in between pairs
at every change
of motion.
 
Kindling juice
birth of a starling

*******************

Life carries a fire
stronger than death
wilder than passion
braver than one soul
true and tender like
a disguised womb of grief.
 
Flames blind brightly
burning paths
extraordinarily clear,
nothing is out of reach.
Unstoppable...almost.
 
These barriers hang about
invading outer limits and beyond
Periscope visions of deeper truths
Not learning how to admit need
without cliched ropes
dangling in the wind
like chimes of reminder
and indifference.
 
Traveling to the dark side
facing the unknown
marching where masks
and drama do not exist
integrated lists illuminate
what some accept
or proudly ignore in pretense
as if they've been here and gone.
 
It's time to be human
complex, without violence
quieted and still.
Wilderness has her way
sending the moon and sun
marked with animal claws
resident at once.
 
Hunted, fighting, dying
a trail of fear, feeling small.
claimed by caves and rivers
territory sacrificed for salvation.
 
Still and tiny as wood mice
engaged on foreign soil
exploring tormented
hidden by hands
 
Concrete dams tumble.
Raw circles on wrists heal
facing the unknown
cowering behind steel
sadness.
 
The compass of destiny
stubbornly points to horizons
directing me
halting feet running
gently forcing open eyes,
big enough to bury masks.
 
No matter how dark the face
hands stretch out to feel.

*************************
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #173 on: May 13, 2009, 07:12:09 AM » by silent lotus

As well as leaving
an "after-weaving"
defying rationality's
projectile of centrality--
such writing deserves
much circumspect
beyond normal dialect:
     as I suspect
     those who elect,
     like me,
     to see
     through, devoid
     of the formal.
 
No need
for the scholarly
presidential
or a mandate of the chic,
to walk the walk; to talk the talk
on a foundation of Da Vinci's lectern.
 
Mere belief in a receptive source
placing on it's course a stolen kiss
by such lovely spectre.

*************************

A tiny crackle
sparks without a sound
ignited eons ago
sets a world on fire.
Her grievous scream
too harsh for earthly ears;
her sight is your guide.
A strong and brilliant light
on the cusp of night
shades a moon in flight
rekindling all resilence.
 
Truth hides
not in what we see,
but in the blinding silence.

**********************

Enticed by counterfeit influence,
intrigued by a secular world,
a culture suspends and embraces me
 
Gods at work sacrificing truth are exposed
by the spiritual, in in battles of veritus conflict.
 
A chosen one I become an emissary on assignment.
My heritage an archaic casualty in a postmodern world.

 


Dear Cherylanne

some very interesting facets here.

a warm smile
silent lotus
Logged

  Re: field rabbit
« Reply #174 on: May 13, 2009, 07:23:54 AM » by ca.leverette
Thank you SL for your encouragement.  I'm such a nut, sometimes.
cheryl



Dear Cherylanne

some very interesting facets here.

a warm smile
silent lotus

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #175 on: May 15, 2009, 11:16:19 PM » by ca.leverette
     When I'm tired of spending Friday nights alone and I'm feeling sorry for myself I think about heaven, where curiosity is a good thing.  Someone special trades lives with me because I'm important and interesting.
     We contemplate like monks and don't argue.  We know everything.  Even nothing is something.  Logical lines appear and bells ring.  Fireflies fall through the sky.  Lights come on. 
     We climb a mountain as high as Mt. Everest and we don't fall. 
     We set prisoners free and erase pain.  Mercy is the medium and no one counts the cost.


************************************

My eyes were open and
Brilliant watching for you
Waiting to sit at your table
Listening for you to rise in
Celebration calling me: 
     Now is your time to live.

Instead, like a furious thunderstorm upon newly tilled soil--
like tempest-flung drapes made with heavy burdens--
truth remains, battered into lies by pelts of hail pummeling time. 
Immediately your power is arrested with no feast of celebration,
     no rising and falling in adoration. 
The time is now, and o so momentary, time will not tarry--
not by ancient divination, or mighty newborn hail--
like minutes wrapped around seconds, neither will I.


*********************************************


Blessed are those who live adrift
around daisies lazy-days in chains,
and tender worlds without a shore.
 
Someday the chains will be amiss
of ever-falling leaves and steely cold and rain
like captured whispers beneath every door.
 
Secrets of first, said lofty kiss
and lovemaking with no shame
never-ever take away always want me more.
 
Shimmery-lust for us, o desert-oasis.
Glean for us anew with shiny name.
You kindred-keep, dear earth,
our world without a shore.


******************************

Uganda


Children with oblivion eyes
darkness inside filling them up
pressing out the world

Sad voices speak
painful for the comfortable
one more day I'll turn my head

Close my eyes, turn up the noise
ignore the sound of darkness
lest I'm discomforted

Black-marbled eyes swim
in oceans of the dead
these are hard years

Eat alone, sleep alone, come home
same apartment, same silence
across dirt and seas

Dark eyes watch 
dead babies walk
with the moon

Float  over my bed
I would leave if not for tiny feet
bleeding scrapes and scars

Brutal war machines
little boys, with bullets for toys
monsters in costumes

Leftover can of ravioli
I turn my head and see Uganda.


*******************************


All these things are love?
Hunger, a driving force,
a memorable psyche,
relationships functioning properly?
 
On the opposite hand,
a self-gathering feeling,
toned by ourselves and others,
an instinct endowed with determination?
 
Nevertheless, it is peculiar
to mankind;  a stagnating dread
or an ambitious activity;
an illusion of the foolish,
a unity creating
one heart and one soul,
a forceful destiny,
reaching from heaven to hell
invading life
at the expense of silence,
and a price for the peaceful.


***************************
 

A quarrel
is nothing more
than an image,
assumptions
that what we see
as the only truth,
tablets of content
directed, projected
on a chosen screen.
 
A man is a liar because
he's believed to be?
God is a fable so that
we might be right?
 
The blind take steps
toward death.
Narrow eyes
see only excellence.
Both gather round
the same table
feeding on darkness
then on light,
sound and sight.
To one the world is night;
to the other, bright.
 
Appears to be lethal
to be right.


*************************
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Dear Sir
« Reply #176 on: May 20, 2009, 01:37:46 AM » by ca.leverette
Dear Sir:
I'm taking a risk
sending this memorandum.
Yet I will anyway.

*********************

You're an amazing sight
A discovery of first rites
A chaotic ceremony
Comfortable and unclothed
 
Long legs sprawled
Hips raised
Straining for control
A slight smile decorates

Your youthful face
Eyes light up like shiny stars
Sparkles remain
As the earth timelessly

Swivels on her axis
In the eastern sky
The sun continues to rise
Chasing his very own heat

Toward the west
The Man in the Moon
Is aloof he chooses
His wardrobe for the night

And you with your charm
Continue to woo
You are a mystery
And a venture to speculate

Time escapes
Endings surprise
And seduction begins:
Lowering Your head

You watch a halo adorned
Wild strawberries
In ringlets, touched by gold
Between your legs
 
Body changes
Like ripples in pools of crystal
She's an animal
Prepared to leap

Prepared to protect
The bounty she feasts on
The limbs of her body are free
Loosening, tightening

Upon you, around you
Over you
She trembles
Thousands of tiny earthquakes

Her only pleasure
She derives from the treasure
Between your legs
Restraint forsaken at last

You end all efforts to pull away
Strong hands deep within
Golden strands
Field of strawberries wild

Gently her face
You pull toward you
Deeply into your cavern
Manipulating her

A creation of your design
Her mouth floods
With sweet wet juice
Gliding your slick rod

Smoothly between
Her full lips like silk
She welcomes you
With moans of mating
 
Her tongue taunts you
With tremors
Rhythmically in tune
With lower parts of you

You cannot stop
She is relentless
You are ceaseless
Raising and lowering

Your pelvis
Your hips
Like gossamer streams
Wind around her

Pushing, pulling
Tugging, plying
Over and over again
Endlessly
 
With your mind you control her
With your lips you extol her
Your explosion rewards her
The release of your body

On the edge of eternity
Your sigh of completion
Your final cry
She listens

Between your legs.


*************************
Nether Clime


You write so simply of this thing
that occurs between us.
A day or two
 
Oh, I think there will be much more
than one day, or even two.
But the choice and the choosing
dare it always and only be, for you.
 
Did you visit the nether clime
crossing over to the other side
the stirring of new life
the beginning of primal sifting?
 
Early, early you sought me
not knowing why
never seeing such halcyon days
upon your heart I would play.
 
Among storm and rain
your world in flight, set alight
your darkness bright
the weather, and the whether not

of your sweet nether clime
May the clime be mine.
carrying crucibles and crosses
crossing forces of nature

divining arcs spark and shine
hot or cold, fair and calm
enveloped in layers of our time.
Let the clime be mine.

Where your sublime care
will indeed suffice
temporal and soulful
vapor refined
 
we'll not search
for another reason or rhyme
in this season of
heaven and nether.


****************************


Your Act of Mercy


If I could, and didn't know that I shouldn't
I would study you under a microscope
and find you are one of a kind.
 
I would take into account the titillating
and necessary research to fulfill my quest
sharpening every skill, list by list.
 
I would lovingly consider your romantic features
examining your tantalizing content selectively
for any areas worn and tired, or neglected
 
Numerous and positive are your references
your performance so comprehensive and selective
that to succeed in this task are many things I lack.
 
Is your trust specific?
Your attention prolific?
Your interest intact?
 
I have a radiant vision of you
I see myself reveling in your growing revelation
in your masculine countenance, and deliverance.
 
That I would be your act of mercy
as your presence stretches with great ease
filling me with your authority

as steady as an eastern sunrise
and fiery superiority.
It stirs my wonder that you would dwell with me

that you are as patient as you are gracious
and your understanding is great
Convict me, inspire me

complete me, and conquer me
I will not study you in your victory
You will instead, discover me.


If the reader peers beyond the veil
and allows his telescope to sail
more than fantasy will be to him
this Tale:
 
Man is a dragon
with frosted wings and eyes of fire&nbsp;
as inThe Piccolomini

Yet he is not the majesty
but bears the fruit
old religion's tree
 
Granted a poet's wisdom
discerning false and pure
round his silent snowy feet

Nymphs plot and fairies meet
never be the breasts of these
such delicate delights&nbsp;

He hides in the smoky sea
his coming is a lowly stream
nymphs laugh, fairies scream
&nbsp; &nbsp; &nbsp;
Let loose your pebbly spring!
Where is your spirit?
Is your godly chase a mirror?

Within these folds
writhes deep a furor!
Nymphs we are, yet fairies seem.

Is your stony sate a dream?
Why must you hide
your steamy dart desire?

Has winter's cold doused your fire?
Circling in a haunting dance
nymphs appear and fairies vanish

All hope entangles circumstance
out of his stormy need he rises
from his heated sea, intense is he

As strong as a volcanic mountain peak
with his might his lust's delight
more than a breast he'll see

This stately King of ocean, be
though his talons be a victor's door
to manly desires and fantastic flights

His claws ignite to fight the ancient wars
dreamless dragons by destiny fight
the cries of fairies, his victory

Nymphs abound, his bounty
spasms of gold his aftermath
no nymph nor fairy dare deny
This dragon-man's lustful path.


*****************************

I wonder
if true love
 
is really true
to you.
 
Does it vanish
like a rabbit
in a hat?
 
I've heard lovers
cry at the indifference of another
 
perhaps in bed
or maybe driving to work instead.
 
Lovers want to believe
that look of hate
on your face
 
or that selfish move you made
was just a mistake
 
but you're already gone
wishing she was the one
 
who played all the games
so you won't have to take the blame.


**********************************


There was, for me, a season when this
world was very callous in her tradition.
Medicine men with voodoo spins,
told me
necessary is this defining transition,
lest your beloved talks, and you refuse to listen.
 


Those who told, still don't know,
without you, and the air you left me to breathe,
life threatened me maliciously with mediocrity.
 
Gray, heavy and distant, no midnight light,
I could not feel or hear to save your drifting life.
You struggled to say words you would never speak.
Yet, I was bound to this world, forbidden to leave.
 
Deeply hidden in ships of wonder
lay secret cargo of war and thunder.
Those days were not for the shallow of breath,
when sea-travelers carried forboding death.
 
Time is long, invisible, and does not belong to me,
but furious was, and is your love, eternal, holy, and free.
Yet the earthly ground will never surround you;
and you will not be swallowed by the sea,
 
Though it may be blasphemy to the ignorant,
you weren't and never will be the burial feast
of an unknown sovereignty,
or the evening spawn
of self-righteous impotency.
 
Only this one you will always be ... my divinity.


**************************************


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  ...
« Reply #177 on: May 21, 2009, 07:05:36 AM » by ca.leverette
********************************************************

Sylvia Plath

Fever 103 deg.
      
      
      Pure? What does it mean?
      The tongues of hell
      Are dull, dull as the triple
      
      Tongues of dull, fat Cerebus
      Who wheezes at the gate.&nbsp; Incapable
      Of licking clean
      
      The aguey tendon, the sin, the sin.
      The tinder cries.
      The indelible smell
      
      Of a snuffed candle!
      Love, love, the low smokes roll
      From me like Isadora's scarves, I'm in a fright
      
      One scarf will catch and anchor in the wheel.
      Such yellow sullen smokes
      Make their own element. They will not rise,
      
      But trundle round the globe
      Choking the aged and the meek,
      The weak
      
      Hothouse baby in its crib,
      The ghastly orchid
      Hanging its hanging garden in the air,
      
      Devilish leopard!
      Radiation turned it white
      And killed it in an hour.
      
      Greasing the bodies of adulterers
      Like Hiroshima ash and eating in.
      The sin. The sin.
      
      Darling, all night
      I have been flickering, off, on, off, on.
      The sheets grow heavy as a lecher's kiss.
      
      Three days. Three nights.
      Lemon water, chicken
      Water, water make me retch.
      
      I am too pure for you or anyone.
      Your body
      Hurts me as the world hurts God.&nbsp; I am a lantern--
      
      My head a moon
      Of Japanese paper, my gold beaten skin
      Infinitely delicate and infinitely expensive.
      
      Does not my heat astound you. And my light.
      All by myself I am a huge camellia
      Glowing and coming and going, flush on flush.
      
      I think I am going up,
      I think I may rise--
      The beads of hot metal fly, and I, love, I
      
      Am a pure acetylene
      Virgin
      Attended by roses,
      
      By kisses, by cherubim,
      By whatever these pink things mean.
      Not you, nor him.
      
      Not him, nor him
      (My selves dissolving, old whore petticoats)--
      To Paradise.


***********************************************************
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Caving In
« Reply #178 on: May 22, 2009, 12:25:03 AM » by ca.leverette
Caving In

There you were,
perched on stone steps,
heavy with hesitation,
intrigued by infatuation,
soliciting invitations ...
and waiting.

I thought
I wanted to run
and climb those heavy steps.
But I became a child instead,
and leapt hungrily in your lap,
facing you, with soft
open-scissored legs,
curling limber arms
entwined about your neck,
spiked english ivy
from the roots up,
tendrils adorning you
the way fresh green vines
entrap the brick and mortar
of strong thick mansions,
till at last stones tumble,
crumbling,
at the lightest whim.

Then
you would be mine,
caving in
at the slightest hint.


***************************************************************

Scorned Moon

The moon was jaded,
shaded and grey, lifeless.
The night was blue, in shingles
shining like new silver,
crying and cryptic
like fresh chrome,
futuristic, frightening.

Luminous and large was your love for me.
In part passion. Less of lust.
But only because of who you were
and who I would become.

You loved me yet you would not own me.
Even when I beseeched you,
"Pierce my ear, that I may serve you.
Pierce my eyes, that I may see.
Pray you, claim me as your slave."

To you, I was transparent.
You knew my heart better than I.
There were no shadows of my turning.
I was always present in your sight.

"You will not allow me to serve you,"
I mourned, moaning,
a babe of malignant pretense.

You would not be moved.

With yellow eyes, gleaming
Like pure, speckled gold you spoke,
"Your soul is free.
Wild is what you long to be.
You hunger to roam carelessly
under a moonless sky,
amidst a heaven with no stars,
where no boundary be.
Your misery drew me
as a shell follows his sea,
but I cannot bind a heart created free".

Head bowed, sad and reverent
walls of grief hummed at me
bouncing among hills of a crippled heart
a tainted tune, a whistler off-key.

In blue-silver darkness, moon scorned,
I waited, recalling times you gathered me
like broken glass ... made love to me.
Your kisses devoured me
preying upon my hunger until I was fed.
Your hands rough like tattered rope
gentle like spun silk opening me
as though I was the tomb I am.
One wrong move would cast my spirit
into canyons glaring at me like steel,
cold and cruel.

Reluctantly,
I didn't ignore your words to me,
"a heart created free".

Lifting my head to a sparkling moon,
I saw faces, heard sounds like voices,
recalled dreams ... sorely awakened.

No fear of dryness and death in the heavens.
No last rites in a far away sky.
No burial for one lost at sea.

My hunger was appeased by the
golden gleam of another; who was many.
My thirst quenched by water in the stream
of a mountain so cold it steamed,
evaporated, along with my sorrow.

Midnight vapors called to me.

Out of capitivity,
my bondage kissed liberty.

I was free.


*****************************************************************
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  ...
« Reply #179 on: May 24, 2009, 02:56:21 PM » by ca.leverette

***********************************************

A strong and tender hand rests somewhere
with slight fingers touching salty tears.
Masculine arms, tenderly extended,
are willing to hold a woman,
though she is more like a child inside,
endlessly she cries and fights.
 
Somewhere, a man with a godly heart&nbsp;
feels and hears my pleas,
though now, this ring of truth
is nothing,
but the depth of shallow.
 
Clothed and warm, soft and worn,
he waits for long days of pulling me close,
embracing, not rejecting,
stains of me.
 
He wishes my echoed cries to be
hollow and free;
in deep, disconcerting tones,
he whispers my name in the dark&nbsp;
not willing I stray too far.
 
Someone, somewhere is making a choice,
listening for a silent voice.
His pulse beats perfectly in time with mine,
like a band of soft-winged seraphim;
a rhythm cherished --
white-hot as pure linen.
 
Quickly he charts his course,
and follows a stranger,
and more unusual voice,
where dwells a woman,
real and inviting
no longer mindless visions.
 
Though nature and man have been unkind,
still, he takes freely from me all that is mine.
He reaches skyward
with eager arms and opened hands.
His body becomes an altar;
his solitary offering.
Gripping life and breath;
at last, his heart opens willingly
 
One life beginning, two spent
one soul again in the end.

*******************************


Sometimes I want to run,
pretend new life has begun,
and every lie deemed worthy of my trust
would not be born of arrogance or lust.
 
I remember
who has the last word;
my vengeance is secured.
He will be
much kinder than me.
Fortunate is he
who escapes my penalty.
 
I laugh, I cry;
toss bitterness aside.
My face, my eyes,
I will never hide
from a mirror gleaming
a new life I still believe;
truths the blind never see,
and those I have touched
each one's sorrow touches me.

What is this thing
that causes me
to forget who I am?
Yet, these moments,
elaborate frames of time
remain etched-ever in my mind,
such soft and gentle tender lines.

I taste and touch,
hear and see
the scent of freshness lost.
But you bring
this loftiness back to me.

I want it this way,
not giving a second thought
to such discovery:
Never have I been this free.

+++++++++++++++++++++++++++++++++++++++



Come walk with me ...
by the waterside.
We will sit on the riverbank,
bask in a deep, bottomless ocean
created and adored
by eons of lonesome souls.

An ocean great and alive,
a mysterious flame of passion,
teeming with purity and pleasure --
consuming us with a sweet,
familiar greed for peace.

We will not see those who pass by,
or feel the ghosts who waver hungrily over us.
Together, our strengths will twist and bind,
as we banish such furious vapors
to a sea of forgotten pain.

We will gaze upon our rippling reflection
with amazement, as we see two become one.
I, the Queen of your asylum;
you, the Prince of our Eden.
I will feed upon your alkahest,
and have dreams of your loveliness.
You will enthrone me
upon your heart of sorrow and need,
as the grief of emptiness
I take from you, replacing it
with my presence, a propitation
of meager but great worth.

Of our travels by the riverbank,
throughout the ages,
lovers will covet the same.
We will immortalize the
joining of our deepest desires,
etched in a shrine with no distance or time,
engraved upon our spirits, joined
to live forever on the pages of our
Utopia, Eternal.

+++++++++++++++++++++++++++++++++


Inspite of all
my disciplined diversions
and my survivalist seclusions
I feel I have hurt you--
never what I
intended to do.
Mayhap I meant
to prevent
being a mat
for your shoe
a toy to employ
or a playmate to use,
but inflicting pain
is never
a job
I wish to do.
Neither did I intend
to stifle your "burst"
or attempt to make a show
of your worst
or rob the glisten
from your shine
or ignore
your plea
to "listen"
casting shadows
of a mere temporal light.
Your absentee-ism
is an emptier space
and not my idea
of a pleasant-er place.
Yes, the tide did change
and my mind rearranged
making room
for the "who" you are now
to me.
And I'm not sure where you fit
or what your plans circumvent
or what purpose
you have in your mind
concerning the "me"
and the "thine".
Nor do I know where to sit
at your table and chair
be it pompous
or humble air--
or of what, who
and when
or if
I should decline
divine or recline
in your corridor
of reason and rhyme.
What shall I say about this?
I have no idea
but it's become very clear
this whole mess
is bothering me
more than a bit.

********************************

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Waiting for you to say
« Reply #180 on: May 25, 2009, 03:33:01 AM » by ca.leverette


******************************

I can't find the answers.
Can't stop the tears.
You're still here.
I sense traces of you
at the messy desk
I imagine you to inhabit.
The cushion of your
favorite chair is still warm.

I don't wonder at the
meaning of it all.
I understand.

There are always excuses to
need you. I could swear
there is an odd wireless
connection floating somewhere
between us. I know you know!
(I hope you know.)

No one sits where you sit--
beside my open window--
I meddle with your mind
waiting for you to say
OK, I hear you
and I'll respond
--somehow.


I'm alone--this bedroom
my field--as silent as
young autumn snow
soft over dawn.
Before I fully awaken
from this dream
I reach for my journal
and write.

******************************************


******************************************
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Candy Store
« Reply #181 on: May 26, 2009, 04:06:12 AM » by ca.leverette
*******************************


I'll be your only candy store.
I have it all and so much more.

He agreed: You are
precisely what I need!.

But I guess he forgot, because
having sealed the deal
I was serving only one
everything under the sun,
and soon my former customers
began to slowly disappear.
Yet I was going broke.
You see, he had no special
need for me --
I was not the only one
after all was said and done.
He was searching high and low
for more than a Candy Store;
for more than just one
with everything under the sun.
I was not his only sugar tree;
not his favored sweets-for-free.
And the treat he failed to see
was the gift I gave for free:
I gave him all of me.
So when I had nothing
left in reserve, and though
my needs were not absurd
I gave too easily.

***************************


***************************

come inside
walk the halls of my mind


woman of silken hands
who am i?
my tear stained heart
your elixir
your aphrodisiac
potion of the ancients

perfection
awesome
you see through me

who are you?
man of steel you appear to be
behind your thin sheathe of iron
a beating, breathing soul

torn, bleeding
for stolen moments
time laments for you
gallows creak
groan
sigh
for the dead

come inside
walk the halls of my mind

when the flood escapes
when the rain falls
rainbows shine in you

when the east wind blows
you are fire, melting the freeze

lust languishes, truth erupts
leaves this valley of sorrow famished
starving for the flesh of you

let me hear you quake
your tremors are a testament
to the canyon in your mind

you can't hide from me
i will ravish your pain
invade your insanity
captivate you
enthrall you
delight you

let me touch your heartbeat
i will be yours

**************************

When I think of my son

in sleep
darkness is light
and moonbeams dance
with the sun
Scurvish rats grow small
and afraid
scattering to mattered holes
where each has his own

in sleep
a mother's tongue doesn't lash
like the dull blade of a butcher's knife
A son's hiding place bursts open
with laughter and smiles
and twinkling eyes
drowning the dross
of mourning

in sleep
dreams are real
life is not
and the sun comes up
in the morning

*****************************

Last night--a dream

We roam the wild
perform tribal dances on reservations with Indians
climb striated rock formations
stumble on the fur of mountain lions.

Weird spires interrupt us
we travel deep ravines--
the land of no intimidation.

Country roads swallow us--
we fall asleep eyes wide at city streetlights
Secretly we laugh searching for smaller towns
to homestead our decadence.

From out of dust (or was it salt marshes?)
we reinvent ourselves.
I wonder if we'll recognize each other
especially since I follow you rolling the countryside.

I can't help but challenge your generosity--
your woodland attraction.
You're the sea I've never seen
mountains I've never climbed
fragrant winds, tropical flowers accompany you
your curious inventions are irresistible--
leading me to a unknown galaxy,
not yet-- but there is a hint of promise, even for that.
Glimpses of a new world captivate me--
I hear your voice.
Paradise delights me when you look in my eyes.

Ice Age glaciers melt as you touch my arm
and lead me through winter storms.
Ravaging my shoreline I'm no more.
Of course, I'm still me, but I am young again,
my past melts like pink marshmallows,
and my future reveals wealth--
not in monetary value but in sights and sounds,
I can't help the longing I feel--
you'll always be here
not just passing through.

***************************
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #182 on: May 27, 2009, 06:36:13 AM » by ca.leverette
Psychoanalysis: An Elegy
by Jack Spicer


What are you thinking about?

I am thinking of an early summer.
I am thinking of wet hills in the rain
Pouring water. Shedding it
Down empty acres of oak and manzanita
Down to the old green brush tangled in the sun,
Greasewood, sage, and spring mustard.
Or the hot wind coming down from Santa Ana
Driving the hills crazy,
A fast wind with a bit of dust in it
Bruising everything and making the seed sweet.
Or down in the city where the peach trees
Are awkward as young horses,
And there are kites caught on the wires
Up above the street lamps,
And the storm drains are all choked with dead branches.

What are you thinking?

I think that I would like to write a poem that is slow as a summer
As slow getting started
As 4th of July somewhere around the middle of the second stanza
After a lot of unusual rain
California seems long in the summer.
I would like to write a poem as long as California
And as slow as a summer.
Do you get me, Doctor? It would have to be as slow
As the very tip of summer.
As slow as the summer seems
On a hot day drinking beer outside Riverside
Or standing in the middle of a white-hot road
Between Bakersfield and Hell
Waiting for Santa Claus.

What are you thinking now?

I’m thinking that she is very much like California.
When she is still her dress is like a roadmap. Highways
Traveling up and down her skin
Long empty highways
With the moon chasing jackrabbits across them
On hot summer nights.
I am thinking that her body could be California
And I a rich Eastern tourist
Lost somewhere between Hell and Texas
Looking at a map of a long, wet, dancing California
That I have never seen.
Send me some penny picture-postcards, lady,
Send them.
One of each breast photographed looking
Like curious national monuments,
One of your body sweeping like a three-lane highway
Twenty-seven miles from a night’s lodging
In the world’s oldest hotel.

What are you thinking?

I am thinking of how many times this poem
Will be repeated. How many summers
Will torture California
Until the damned maps burn
Until the mad cartographer
Falls to the ground and possesses
The sweet thick earth from which he has been hiding.

What are you thinking now?

I am thinking that a poem could go on forever.


**************************************

so, you think you're wise
to the pain in these lies
but never were you privy
to the why in this disguise.

promises can't be broken
that's my take, that's my token
paid when the swear was made
over secrets never spoken.

your tune of fluted solitude
kept me bound and bruised
tightly reigned in disdain--
hissing piss'd-off pee-s and cues

your debut was oh-so-you
your materialism new
shining-brilliant is your future
as it blinds you to your past
of black and blue.

*****************************

Reading minds
in a soft place
my eyes don't close
I see the world

Flashes of storied light
guide dreams, stain notions
Stone memories remain
Gathering guesses

in a pan like fool's gold
I dish them out
over pebbled creek
a watery ping ping ping

rediscovering nuggets
on lonely boring nights
Unfettered gumption
hangs around only so long.

*************************
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Flutter-by Twitch
« Reply #183 on: May 27, 2009, 12:29:30 PM » by ca.leverette
 


Flutter-by Twitch



Fingers touch
     Quick tongue licks
Flutter by me now
          I need this twitch

Tiny swats
          Your sweet lips
Taste all me now
     I want this twitch

Return the favor
     Oh yes I will
You'll beg I stop
          Yet want me still.

Round a lap we go
     Decadent lust
This fanciful show
          'Tis fuck me slow

I'm your tease
          You tantalize me
Tempt to please
     Your death I'll be

Twitches and quakes
     Murmurs and groans
Knots and aches
          A grind-me moan

All these things
          A man to make
I won't ask
     What's mine I'll take

You want me slow
          I'll fuck you fast
I want you hard
     But you won't last

Tease to please
     Dreams are these
Or will I be
          On my knees

Milky and sweet
     You see me now
Your aim is clear
          I need you here

Whisper heat
          Upon my neck
Tell me lies
     Between these thighs

Blow and burst
          Your come I've stirred
You start this, Sir
     With mere a word

Flesh-flight screams
     Flutter-by wings
Quake-quasi switch
          Till both we twitch

This orgasmic space
            With no air
       Lost in a place
Called we don't care.

*******************************

photograph of you


Legs look strong
thighs digging mulch
inviting to come explore
what grows swells
     
between them
not like gentle bud
     fragile petals
blooming blossoming

rather, stong timber
     meant to build
excitement throughout
     silver beam

created to deliver
hunger for fulfilment
     body overflow
     ripeness and you

masculine fragrance
tempts to taste
smooth with lips
      with tongue

     iron with need
     desire seeping
     seed divining
     sense of taste

craving succor of a lover
             want deprived
     emptying out
     filling up

over and over
     in the end
     dividing body
     dividing soul

discovering  devouring
     life of sensuality
erotic spirit created
embibed with your beat
           your rhythm.


(alas,
further you burrow
this moist choice land
fertile from fallow hand
never is sorrow the undertow
notch by notch you probe
forbearing anticipation's reward
fresh and new you seek
every season   never a reason
your hallowed garden
in view recedes
always it will be me.)


more compost writer stuff


Four arms, four legs.
I watched them.
So hot if the sun had a tongue
he'd want to taste one.

I could see clothing
and I could see skin.
Couldn't tell the difference in them.
Wrapping up so fast
and tugging off again.

Tried to see space between stomachs;
there was no way.
But one thing I knew:
there were no secrets amid the two.
No closets, dark and locked.
Only gardens lovely in the damp
behind closed eyelids
of a woman and a man.

These two, both knew
how the perfect grew.
The soil of a great compost heap:
twitching and turning,
tossing and churning
glowing perfection
in each fold and weave.


***************************

no rest for the good in bed


So, who will show us
all this new information--
exactly where and how
to touch for the
maximum sensation?

Shalll we search for a guide
with massive intentions?
Oh, do please illustrate
this extensive orgasm-organism.
Who will we praise

for the new ground we break
watching poor Guiness
make his first mistake?
Give me some frills and clitorology
(Didn't learn that word from watching TV).

Let's be correct with graphic language--
Dammit, I want the whole friggin' package!
Master GQ, where's Spot G, this time?
Chapter one? Or do we sweat through all 69?
Lubricate with honey like a bee with bait, eh?

Anchor that stroke!  Don't you hesitate!
And then everything slips away all at once
cause you didn't use the right speed.
You didn't jam it just right with the proper motion.
Damn near knock me to my knees

when you aim to please me sweetie
don't forget to pass the lotion
with a perfect timely squeeze.
Aww, should we be plain ole
natural-freaky or conjure an event?

You might not love me tomorrow
if your fingers circumvent.
All I want is a simple release
like the ones in my head--

sensuality with ease,
and if you take more than four hours--
tsk-tsk no breaks for the weak--
not even in between.


***********************************


killing the women you know



In those hiding places
where you searched for youth,
did you find tears gleaming,
or golden locks streaming like

the day-in day-out killing
of gnats and dirty flies?
We call it living but you knew,
you knew it was really death,

gnawing at you like worms
in the pit of your stomach.
And then, miraculously
your desire for demise

becomes an image in the
background of your sleeping soul.
White-washed kisses bury you
before your dreams of tender lips

draw near your own fading portrait.
Never did you have a chance to taste it,
to look, and admire your handiwork--
now the cynical grin of a clown laughing

the hysterical gag of a jester watching
grub worms crawl through the vessel of
every woman you ever knew. 
Now, do you see what you've done?

There's no proof you ever existed at all.


*************************************


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  a well impossible to fill
« Reply #184 on: May 28, 2009, 03:43:54 AM » by ca.leverette
***************************


alas! dare we beware?
just to be fair you would
have us watch from near thicket

as you welcome and bask
in the young of a Late Summer Cricket?

nah, tis said and done
those times have laughed with the sun

no more sticks will the promiscuous
prick of a desperado's pen render this one again.


****************************************

On the paths of pleasure and pain,
I have learned it is normal to grow weary.

Scrounging among the souls of others;
searching for piecemeals of kindness,
or morsels of care--
merely bitten and chewed,
lest the vagabonds of this world
are left without hope--
neither are they fit for consumption.

Broken, hungry teeth
gnaw upon each one:
the diamonds we've mined.
Treacherous it is should we gag
risking the loss of our precious gift.

Without pride, and with much pity,
instead, like lost lovers of moonlight
or a sun's ray at bay,
we stretch our empty hands high,
and give thanks.

@@@@@@@@@@@@@@@@@@@@@@

impossible to fill


Sometimes at night my arms are pillows
for my tears bent and broken
like me and I wonder
surely the whole world hears silent pain
like this.
Or is this heaviness the pain of the whole world
carried in my chest so that I will learn
my weariness is nothing compared to the sorrow
of hungry children and crying babies
and a mother with hollow eyes.
Her grief has reached the edge and fallen away,
nowhere else to run no way to pretend
as she gazes into the face of an empty future
where time is no more and minutes mean nothing.
No amount of kindness will heal her wounds.
She knows what she'll never say.
She won't turn away the only salvation offered her.
She is not ungrateful but she lives in a deep dark well
impossible to fill.


^^^^^^^^^^^^^^^^^^^^^^^^^^^

unsatisfied lady


When one drink will not suffice
of the raindrops from an over-flowing sea;
when a star ceases to shine and birds no longer sing;

when a lover is puzzled and the other is puzzling;
when a gift glitters like gold, but wilts a bouquet of roses;

when idle promises are made and waylay the hours;
when one tastes the manna of paradise,
and only one taste is no surprise:

then she who loves like Venus shall cry,
with an Aphrodite's mournful eye,
and her weeping is like the glowing of an ember lost--
then the light is snuffed at dawn as the last latch is drawn.

**************************************************
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Hotel Rudolph
« Reply #185 on: May 29, 2009, 02:30:38 AM » by ca.leverette
Rudy has this thing about sleazy hotels, even though he's a deep
intellectual. Or so he says. Everything's heavy and serious and
predictable. Nothing happens by chance. That's his philosophy.

I guess that's why he always has color film and a tripod for his
cheap camera everytime he calls me from his sleazy hotel, wherever it
might be. I'd never heard of bad taste with style until I met Rudy.
He complains about the way I pluck my eyebrows and tosses me a pair
of ripped-up fishnets in the same breath.

Rudy's friends tell him he could take a picture of a woman's
lips or legs and make a man drool for one or both of them.
"So, am I playin' dead or just rollin' over for you, tonight,
Rudy?"
"Oh, I think I'll just make you wait," he laughed.
"Well, what the hell is new about that?" I said, imagining being
stuck in time and telling secrets behind closed doors.
"I really hate this purple lamp, Rudy," knowing I'd probably
have to pretend it was something useful before the night was over.
Maybe I could straddle it, but that's about it, I thought.
"I've had a revelation, Virginny-girl," he said. I rolled my
eyes.
"Brains and lust. The perfect stress. That's what I need to
shoot for".
"That's what you do, Rudolf," and I was right.

He could take a stark naked librarian, put a pair of old black
rimmed glasses on her, with rims as thick as coke bottles, and make
her look sexy as hell. I had a feeling I might be that librarian
tonight.

Oh well, it beats playin' pool for beer and shots of cheap
tequila till sunrise with men who wouldn't remember my name when the
sun came up, or the curve of my cheek under the shine of a full moon.


*********************************************************
I'll talk.
You'll listen.
No, wait.
I'll talk.
You'll squirm.
Isn't that what you like?
That excited, squirmy feeling?
Pushing, pressing
so close to the edge
but never falling over?
You love that jolt of power
when you've finally broken
the last frazzled nerve,
the nerve that held on,
tried to stay strong
until you snapped it--
busted it wide open
like a broken fire hydrant
gushing profanities
while you smile.

I've changed my mind.
No squrim for you.
No pleasure.


I'll talk.
You'll listen.
Or maybe
we won't talk at all.

******************************************

Blue eyes, green eyes, red she whispered.
Blue eyes, green eyes, spread, she sang.
What a difference between you and me
she said, yet in this garden a monopoly

on all my affection and attention
I simply cannot leave this country!
It is not your imagination
but an impossible probability

for my tenderness to be divided
without being a diminuity, Mon cher dan-cee!
I shall sit in the lap of this garden
imparting sweetness and genteel kisses

and coquetishly refuse all darkness wishes
With soil between my fingers
I will lead you through this garden
in early morning when the air is crisp

and the fragrance of blooms are stirring.
I dearly want my magic to linger
so I shall speak of Freesia to Star Lilies.
The sun plays on my hands as

I lovingly create garden gifts
of buds opening-- so delighted
to live in this small garden.
My fingers coax curving flowers to bloom

under an arc of heavy laden boughs
and I shall not travel beyond
the well-tended beds of this garden.
Oh, such lovely Star Lilies, with

fragrant flesh translucent
Why must there be a day
I watch your petals fall,
one by one.

*********************************

When fields of strawberry turn white and gray
When curls wild blow far away finally free one rainy day
When circles smile round mirrored face where long ago
dimples once then,
will softly show
When from her eyes all tears are torn replaced by trembles
of newly-born remembered still words once wrote forever,
as the stories told
Whispered poems lovely and bold will never with the ages
grow tired and worn, or ever alone
When painful is the longing and times of joining few
When savored is the brightness witnessed by merely two
will dim the soul of many suns the hue to blue as lovers do
As the beginning is the end Life is given, the battle won
Always new, always young.

***********************************

A poet's veil shall be fit for a king
or a flight amid seraphs shallow wing'd
such is this when hope is found
never landing on earth's fallow ground
and must not give birth
to scandles light or sound

A touch forever sings
is but a tremor--terror will not bring
Trust is lovely as the willow
is wound upon a man who is not proud
of the great he does astound
and the poor his soul willfully surrounds.

*****************************************

Senses


Taste the fear of letting go and run.
There are things you need to know.
Smell the sweetness of depth:
floating tears I've wept

to the surface, leaping continually
a writer and his pen a novel of depth
you never-end knowing when the dance begins
competition always wins roses without thorns

Strides in shoes never worn upon floors of glass, in reflection
where will be my last beseech: Will you dance with me?
One more time, a spin In ballerina shoes, my ballet
On her axis, a ball, a Princess' Ball--dear wheel of crystal, take-away.

Recall moments of sight and love more, ever-blind.
Feeling this force open and close where trickling sorrows show.
I drink of thirst, inside this cup.
Merciful be and know tempered, this loosened rope,

tarries softly round your neck
symphonies played in every key
Ballets of a Princess tenderly performed soulfully by me,
for you alone to see.

************************************************

I flew in with the north wind to find you and
there you stood waiting for me.

Seeing you was like looking in a mirror for the first time.
Your hands were mine. My thoughts were yours.
You were strong.
I was so weak.
But you passed me by.
Maybe you were blinded by
the shiny blue-diamonds glistening on my cheek.

****************************************************
I hate 4:22 am and I've only had a couple hours sleep. I read poetry. Want to write it but the only honest thing I could write right now would be sad and depressing for me and very boring for a reader.

I'm told I can change my thought processes so I won't be so depressed. But I don't think they understand. There are things I need to take care of and I haven't done them yet. Things I need to think about and resolve. But I can't because it hurts too much.

And right now I need to stop this honest writing because facing the truth hurts so much more than doing such a simple thing should hurt.

********************
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #186 on: May 29, 2009, 07:47:31 AM » by Dax






8)


— no, no, no, no! This reader is far from bored. Why presume the worst about me, you, and others. This is talk fatal. Each entry, every word, all experience, is grist for the mill. Stay behind the camera and focus. This is not a second-rate show. The aim is to respect yourself — once We sense you've this nailed, which seperates you from Ms. Jo-blo and a Knight with the Cosies, then the earlier you realise Heaven was invented as a fairy story for day-dreamers caught in a shit storm of reality. Step it up, C. Grap this sucker by the worts!

Eg:   I'd never heard of bad taste with style until I met Rudy (nothing wrong with this. But ... a chance missed?)
       
        When passing a moral look down - for a writer such situations are a golden opportunity:

        You never knew what good taste and a smile was worth until run into Rudy.  (Stand alone comment/para "invites" all kinds of things.

This is you job as a material witness from now on. Try to think of life as a trial. Then allow your characters an EQUAL place -  no exceptions. We all bleed, fear, and die. No writer has the lux to be tied to a soap on a rope lifestyle of denial — period. And I don't care where the shit comes from. We all deal with it the best way we can. Honest.


— luv you —


ciao



dr
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Talk Fatal
« Reply #187 on: May 29, 2009, 09:09:47 AM » by ca.leverette
I'm not prepared for his enormity.
My thoughts are so small.

He takes me to the edge
and drops me over

where I have work to do
problems to analyze

the hidden to uncover
moments to remember

empty space to breathe
tears to run from

whatever this is
whatever that

or whatever happens next
a place to be myself
before I die

**********************************


*************************************

 Net surfer hypnotized bug eyed cyber
-curious world traveler lay over mode
I see hear works of art
wooden turned writing instruments
original Native art paintings
-oracles to me

learn how lace is created
visit a lighthouse where

voice bytes surround me
walk on sandy beaches

tumble among grains of sand
I am greedy

each pixel presents to me
gifts from the sea.


****************************

She is so morbid and writes such dark poetry
they whispered and wondered
what she was really like

behind purple papyrus walls
and queer quiet quills
spinning and lurking
staring and searching
for the eyes of her critics
counting the stones they threw

and throwing them back
into cracked monotonous mirrors
shattering glass
and chants of Gregorian Monks:

fingers like flies
pointing like pins
but never peering
between the blood
and the brain
of a purple rose.

*********************************
I have no favorite color.
I have no favorite number
and to consider such,
is a sin against the other.

But 'twould be
rude of me
not to be polite
so I shall grant this challenge
a winner's best fight.

My effort is a zero
in colors black and white.
As if crazed
or in a daze
(either one will do)
I remember
lifeless days--
like watching TV
without tint, hue
and light.

Surrounded by
another view
were brand-new
TeeVees in color--
everyone but me.
Mine was monotone gray
and repetitve
black
and white
-- white
and black.

Sights and sounds
and lovely forest scents
meant nothing:
nature -- what was that?
Just something to remind me
the world isn't flat?

Dear Christopher Columbus
should history be true
and you the true explorer
and he was really you,
you were wrong about that
because my world was
colorless and empty,
and no numbers ryhyme with "that"
which is a take-away 360--
a lumpless circumference,
never nice and round.

Yet somewhere there is someone
much greater than me, who
changed my life with grace
and taught me truth in-terlaced
and dappled brightly
infinitely and numerous
in swirled and curling mercy.

***************************

Twenty-four Blackbirds
burning fuel in the sky.
4 & 20 thrown-back-hippies
throwin' back 'n gettin' high.
Scores o' plenty masked men
marching off to war
dressed in wings and feathers
and mama's Sunday's best.
General's and kings
discussing death,
weapons of warfare
'n gleams of lust and zest:
Which one should we use?
Doubtin' U-2 will pass the test,
as the Dragon Lady silently
deciminated
all the rest.

**************************

the ground was soft
where children played
scribbled flowers grew
in bright crayon colors

sloppy, loopy petals
long stems curling
up trees through
hide-and-seek bushes

freshy plowed,
big fertile playground
tended by a care-taker
(much like me)

with shiny grass clippers
not really caring
how a plant should look.
seeds of ideas in darkness

(I saw them) beneath lush green
growing wild in all directions
you see,
the sun never stops shining.

heavy clouds must free the rain.
the care-less care-taker
snipped sprout without thought
trimmed roses with preoccupied hands.

curling petals, enchanting seeds
lost courage, so intruded upon
they were.
bright crayoned flowers turned blue

falling asleep with neglect
soft soil hardened rock-like, stony
wild weeds grew high:
a playground overgrown.

I vowed I would keep the ground tender
pulling up the roots of dark faces and words.
sights blurring, sounds murmuring
complained of stuffy smells all around

surrounding them
but the language ...
I could not understand.
a playground abandoned

ground solid from long summer days
painted pale, the color of mountain stone.
searching for cool dampness
where once was my resting place,

the bubbly stream in my mind
must have lost her way
forgetting tenderness of clay
the airy space of life

where children used to play.

*********************************


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  tapped and tasted (words)
« Reply #188 on: June 02, 2009, 03:22:25 AM » by ca.leverette
Tapped and tasted, in words


touch
see
watch
open secretly

time's eternal place
moment's grace
surprised to see
unveiled treasure

hidden gift received
with gentility
child-like
refined

beneath a touch
redesigned
mythical alchemy
naiveté

courageous vulnerability
divining arbitrarily
silence
a tender caress

the deeper affection goes
the more you wish to know
aromatic myrrh
exuding allure

essence of a Balsam tree
crush softly
fragrant leaf
beneath garments

of blossomed lace
lovely fruit of one
sliced into
releases a glistening bud

delicate pearl above
hunger of healthy wood
surrendering to all commands
nourishment freely given

tapped and tasted
by sweet demands
preserved within
forgiving hands

~~~~~~~~~~~~~~~~~~~~~


Sharing Hiding Places


In a low and secret place
I'll be there to meet you
when tower hands strike twelve
look for me in the valley hidden

between your cavalier mind
your belt of vail
your sheath and dagger
unlock the chains circling about

around your eyes of understanding
rattle the knob of curiosity
on every door and examine
impestuously all your keys

divine sybarlitic latitude
by longitudinal luxury
when you arrive
you'll find me.

~~~~~~~~~~~~~~~~~
II.


When maidens prepare for sleep
turning back crisp linen
and soft downy quilted
coverlets, trimmed in lace;

when knights strap boots
with never-ending patience
and don heavy leather
inside shiny armour

behind mirrors nondescript
and unpronounced
messages are hidden and read,
before the last wick is blown afar, in the night

alas, only the surly sender of such delights
and the receiver, enraptured
will understand the encrypted mystery.
~~~~~~~~~~~~~~~~~~~~~~~~~
III.Old Wine


You cannot pour new wine
into an old wine skin
lest the skin be ripped to shreds
along with your head, dear Knight.

So do not bring me old wine
disguised as new
for I am familiar with 100 proof
and the leather I present

is gifted with nothing less
than common sense
and nothing more than ships at bay
never washed ashore

And as you roam about your land
of hungry women
and tawdry lads
don't hide from one

what the other knows
lest your hidden-ness be shown
and give your mighty truth
a captain's blarney blow

Listen to the words of "dear"
yet do not merely listen
you must earnestly hear--
as I do far, as I do near

your words winding round any slipper
under the light of lamps in streets
where restless ladies walk
in and out, and of the night

Tis games you want
tis games we'll play
not saving them for rainy days
but bouncing them off your lazy head

dazed in fortitude like lead
bouncing and brawling
crying and crawling
scream and squalling

invisible and appealing
in more than a million ways
I will go on throughout
such courtly days

entertained by kindly kings
and the romantic notions
of erotic knights who notice me and mine
with welcomed binary binocular eyes.

~~~~~~~~~~~~~~~~~~~~~~~~~~

Self- knowledge



What are your limits?
How far will you go?
Will you let your mind wander?
Dwell on your wildest fantasy?

Your darkest dream?
Are they much the same?
Have you ever hungered
for an uncontrollable flame

a feverish, sexual heat?
(Forgive me: overlook the appearance
of arrogance allow me to be honest)
I've hungered for the flame

I want my mind to submit
Cast me on the water
Return me in the midst of a flood
esoteric and exotic

Only an erotic fire
or an orgasmic fury
will rule an unquenchable well:
every thought, every move

A soul haunts my dreams
He willingly reads all of me
His desire and his will
is to learn my fullest capabilities

He knows me as well
as I know him
Will he keep in step?
Watching him will be

of great interest to me
waiting to see what he does
to maintain my stride.
Truthfully much better

for him I will be
if there is no lag in time
not in this venture
Although I am not

deeply concerned
As many see but never feel
if he truly wishes
he will learn the vastness

of my understanding
the depth of my thoughts
which seem courageous
insatiable much of the time

Or maybe just bold
Who knows?
Who can tell
with no boundaries

no limits
My only offering
is all of me
everything

I have nothing to lose
He will however
have the world to gain
Pleasurable pain may be involved

Our experience will be worth it
a journey of the sensual
always desired, always more to gain

Even in his sleep of such dangerous
divine adventures he dares only to dream
~~~~~~~~~~~~~~~~~~~~~~~~~~


What Goes On
by Stephen Dunn



After the affair and the moving out,
after the destructive revivifying passion,
we watched her life quiet

into a new one, her lover more and more
on its periphery. She spent many nights
alone, happy for the narcosis

of the television. When she got cancer
she kept it to herself until she couldn't
keep it from anyone. The chemo debilitated
and saved her, and one day

her husband asked her to come back —
his wife, who after all had only fallen
in love as anyone might
who hadn't been in love in a while —

and he held her, so different now,
so thin, her hair just partially
grown back. He held her like a new woman

and what she felt
felt almost as good as love had,
and each of them called it love
because precision didn't matter anymore.

And we who'd been part of it,
often rejoicing with one
and consoling the other,

we who had seen her truly alive
and then merely alive,
what could we do but revise
our phone book, our hearts,

offer a little toast to what goes on.


~~~~~~~~~~~~~~~~~~~~~~~~

On the paths of pleasure and pain
I have learned it is normal
to grow weary.

Scrounging among the souls of others
searching for piecemeals of kindness,
or morsels of care--
merely bitten and chewed,
lest the vagabonds of this world
are left without hope--
not fit for consumption.

Broken, hungry teeth
gnaw upon each one:
the diamonds we've mined.
Treacherous it is
should we gag
risking the loss of our precious gift.

Without pride, and with much pity,
instead, like lost lovers of moonlight
or a sun's ray at bay,
we stretch our empty hands high,
and give thanks.

~~~~~~~~~~~~~~~~~~~~~~

Influenced by Jung

There is a sense of rightness in the mating of true souls.
Intensity. Passion. Devotion. Strength. Affirmation.
Accomodating the needs of the other is more than natural.
It is the focus of one true soul for another;
a sensitivity to the wishes of the belov'd.
In this cohesiveness a creation of themselves as two,
and an assurance of one, declares the truest of lovers.
Two in one of two.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #189 on: June 02, 2009, 07:40:01 AM » by Dax







— some exceptional material C.
Thank you.

— polite notice —

Please remember
to credit snaps if at all
possible, no littering

— this, then, entitles
any soon to be proactive
thought police to
lifelong vacations abroad
— so to speak.

Also, do you intend to
publish this material
some time in the future

— consider doing so
redux is a good thing

— so is restructuring
v. destructuring.

And keep on top of pests
'see how the garden grows'

Well done, my pleasure.


ciao



ricardo reyes-dax









.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #190 on: June 02, 2009, 08:22:32 AM » by ca.leverette






— some exceptional material C.
Thank you.

— polite notice —

Please remember
to credit snaps if at all
possible, no littering

— this, then, entitles
any soon to be proactive
thought police to
lifelong vacations abroad
— so to speak.

Also, do you intend to
publish this material
some time in the future

— consider doing so
redux is a good thing

— so is restructuring
v. destructuring.

And keep on top of pests
'see how the garden grows'

Well done, my pleasure.


ciao



ricardo reyes-dax









.

Hi Tomas.  You are such an encouragement.  Your last note moved me to write a poem  &  I have you to thank for the title.

Regarding art & photography, I should credit the artist when possible.  I'm terrible about that.  I usually think no one is looking anyway, but that's still not right.  All of the sketches of me are by Drew Johnson, an artist for Dell.  I'm thinking maybe I should delete some this art and photography, since you mentioned it, until I know who the artists are.

Regarding publishing, I may publish someday if I continue to do well with my writing.  I won't use any art except for Drew's.  He's told me I can do whatever I want to with his portraits since I'm the subject, unless I start making money, ha!  I doubt that will happen.

Regarding destructing and restructuring--good point.  I'll work on that.

Thanks again for looking and reading, hope you have a good day,
cheryl
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #191 on: June 02, 2009, 09:43:29 AM » by Dax









Thank you, C.

You will make a fine writer and excel in a poetry community.

To be sure!

*


— as we have a few new faces
here and to internet poetry postings
we should remember the eyes of the world
Creation even, may befall us in a heartbeat — 




dr









.
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“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  on the prowl
« Reply #192 on: June 02, 2009, 01:28:05 PM » by ca.leverette
tigress on the prowl
     circling her prey
          in a sultry saunter
     waiting for the moment--
     hungrily eyes the small
          frolicking in steam
          encircled by slight barriers:
     she knows the strength of her scent
     the power of her sensuality--
          boundaries are a trivial annoyance

she pounces
     and devours:
sultry tigress
is fat and lazy     

curls into herself
     satisfied
     she purrs, mews
          softly roars
          growls tenderly
licks her paws
cleans her shiny fur
contented
triumphant:
     she naps
     dreams of
     her erotic reign
          now, everyone knows
          who's Queen of the Jungle



@@@@@@@@@@@@@@@@@@@@


Trapeze artists we are
dressed in brilliance
bright colors
blinding light
Transparently thin
is the line we walk
invisible to us
but seen by all
We are poets--
trapeze artists
never looking down

******************

a riddle


All the ones are now undone:
     they've all turned to twos.
I can't stand ones all alone
     or children with no shoes.

There was little I could do
     for empties with no shoes--
most of them left by me:
     not all;
but more than just a few.


**********************

eyes never lie
lens never sin
spinning until
the bending ends

cloudy veil
approaching storm
funnel winds
hurricanes

amalgom alloy
uranium rains
smoky mushroom chain
atomic reaction reigns

stone and mortar
Berlin Wall
blood flows
children of Jehovah

Father, Son, and Holy Ghost
true or false
black on white
     it wasn't so long ago

#################

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  bitter branches
« Reply #193 on: June 03, 2009, 03:30:11 AM » by ca.leverette
I don't care
that you are not who you say you are
or that you conspire to out-shine every star.

Simplicity is a dignity:
     my contrast to transparent sanity.

Your universe is full of lovers
and there you are spewing sperm
on every patch of soil and tar.

I'm not afraid of who you are
or what you see through bitter branches
and papered-leaves
--your jilted weeping tree.

Ignoring you from the start
I play my harp in tune with your heart
your timeless fork and silent scars.

Traumatized, you are so tired and twisted.
I remain simplistic.

You continue to hide
and I refuse discernment.
I don't need to travel far
to find you
no matter where you are.

**********************

What He Taught Me


I remember loud demands
from behind a saintly pulpit
where lived a selfish man

                   Ma shook
and called him preacher
a thick, black book
gripped in her hands

Quoting doctrine only he believed
even nature laughed--
     every lofty leaf
     on every sturdy tree

I outgrew his drama--
     his solemn words
     and my chains:
they served him in vain

I wouldn't listen to his voice--
     the destiny he planned for me
There was a better one
filled with childish prophecies

The master who wasn't--
railed against the earth and silence
                    lighting old firewood
                    dry and bitter

He threw
     sharp stones
among
  the innocent

Now, at night he weeps
I know because he told me so

     The divine doctor
     did not teach me kindness but:
          those who drive a wedge
          among the young
          will lie down in darkness
That is what he taught me.


************************

the Gray of Life


Rain falls like a funeral
of broken glass

Paralyzed chips clink
       a colorless stall

Crushing sounds with perfect aim
               where each one lands

Mornings are dark
nights are lost
liquid dreams float

Notes of a dirge
     drain pipes
     of a great organ

Shattered cathedral--
     delicate crystal bell
     a dull song

Stars are diamonds
     tinkling iron

Music falls like angels
     tombs of sorrow
     mistaken for
     many tomorrows

     much too gray
     for today


*******************

the 3rd Cancer


cancer ugly and black
sneaks uninvited
into secret places

invades at free will
sprawling on couches
sits arrogantly at kitchen
tables, cooking and boiling
among the kind and tender

arms and legs like spiders
webs of anti-nature
at first painless,
that grotesque dark brain:
a thief stealing maps
of bodies who cared for me

a dad who carried me
to circuses and at ballgames
my mom cooking in warm ovens
chocolate pies and cupcakes
she brought me cold milk
on china trays

     (we laugh
     we smile)     

strange mutant--obsidious
you are nothing but an alien
all I've done is write this poem
I really want to scream
as loud as hell at you
I don't care if this poem is good
I don't care what people think

perchance you will steal
my body too
but you can't--you won't
take my memories
my life will always be
                      mine.

          what you didn't give
           you can't take away

************************


my poem of the day:


Lady Lazarus     
by Sylvia Plath 
 
I have done it again.
One year in every ten
I manage it--

A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot

A paperweight,
My face a featureless, fine
Jew linen.

Peel off the napkin
O my enemy.
Do I terrify?--

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.
What a trash
To annihilate each decade.

What a million filaments.
The peanut-crunching crowd
Shoves in to see

Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies

These are my hands
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.

The second time I meant
To last it out and not come back at all.
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else.
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.

It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical

Comeback in broad day
To the same place, the same face, the same brute
Amused shout:

'A miracle!'
That knocks me out.
There is a charge

For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.

And there is a charge, a very large charge
For a word or a touch
Or a bit of blood

Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.

I am your opus,
I am your valuable,
The pure gold baby

That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--

A cake of soap,
A wedding ring,
A gold filling.

Herr God, Herr Lucifer
Beware
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.

23-29 October 1962


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #194 on: June 03, 2009, 06:29:02 PM » by Dax









fantastic, c

Very good. Well done.

ciao

dr









.
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“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  damn it's tha fo-jizzle
« Reply #195 on: June 04, 2009, 03:50:43 AM » by ca.leverette
I want your full attention
you wanna fuck-connection

I wanna make you holla'
you wanna pop your colla'

I wanna fiz' affection
you wanna fuck-connection

I want your full attention 2
you want me to fuck-fuck you

if you do it
I'll do it

if I do it
you'll do it

who will be the big one
who will be the brave one
to go first

damn
it's the fo-jizzle


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #196 on: June 04, 2009, 07:53:49 AM » by Stirling L.
Just thought I'd slip in and say...

fo shizzle, I be feelin dis shit
Logged

  Re: field rabbit
« Reply #197 on: June 04, 2009, 11:55:23 AM » by ca.leverette
Just thought I'd slip in and say...

fo shizzle, I be feelin dis shit

Hey Stirling, thanks for the comment.  I'm too timid to post it anywhere else.  Seems I'm always puttin' my foot in my mouth.

Thanks again,
cheryl
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #198 on: June 04, 2009, 01:39:00 PM » by ca.leverette
I don't mind losing when I gain
watch the rules as they change
this season you will win
if both are winners in the end

Your words must be clear
not far away--I can't hear.
when your promises turn to action
I'll give it all and then some


************************

If only all had been new
     the ring, the tone
     all had sparkled--
     the crystal diamond
     his voice had been here--
     he had been here

the girl was good
her excitement real
ghostly steel shattered
     a diamond
penance done
     a trade for golden power
she understood
 
she was his
     she was good
gingerly embers glow
     letting go








Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #199 on: June 05, 2009, 08:30:06 AM » by ca.leverette
The Rules::

1. In this structure
of wood and stone
called home,
always be cheerful,
even when I feel alone.
(Mythical is the wishbone.)

2. Never confront "him"
if empty cans fill the garbage bin.

3. Always check on Mom
when she's depressed.

4. Never mention my feelings to anyone;
especially outside this empty-nest.

5. Don't ever tell what I see in this place,
lest they turn away, disgraced.

6. Always be in control,
even when I'm scared to death.
....

I awake in a strange land ....

Called Fantasia by Ancient's hand.
You are here to meet me,
welcoming me into your presence.
Every dream, we're allowed to share.
Visions and triumphs are with us there.

We play like children, comfortably.
"Shall we dance?" you ask, amused.
Comfortably aloof, toward you
I make my move, seeking intimacy.
You openly accept me, desiring unity.

In Fantasia's delightful land --
amid tastes and scents of morning dew,
boldly, we conduct our dance
through the view of a rainbow's hue.
Everything we want, we say and do.

"I remember
when first you touched me;
'Your skin is so soft',
you whispered lightly.
Sitting very close,
you listened with interest,
hearing all I had to say.
I felt important,
much like a dream ...
in the day."

Soon it came time
to say goodbye.
The Land of Fantasia
melted
from my mind.

*******************

Lust for you
dissolves any major
(or minor)
thoughts of attack--
... cruelty or unkindness.

Estranged from weapons of defense:
willingly, I submit;
openly reduced.

The only warfare I know
is the violent need
to touch you with ecstacy
much like a hand-grenade.

I wait ...
wondering when
your trip-finger will slip inside
my trigger, disengaged.

************************

When freezing ceases
the chill of frozen drops
When snowing stops
and streets are clear
windshields wipe without a smear
Focus twinkles -- little star
on what was never here
and who we really are.

************************

Life patiently waits
one more day
when winds of fall
call her away.
Changing, rearranging
like leaves in fall,
she pauses, listening
for her windy call.

The bright of sun
keeps her head above,
and her view sky-high.
Dimensions demand,
designs multiply,
as the language of letters,
and the rumbling of numbers
dare life with a windy sky,
to believe in the blue and
green of the sea.

"Teach me",
she pleads of scattered leaves,
"to jump like a wave,
to climb like a tree",
demanding dimensions
racing the sky:
"show me the wind
and call me away".

Life waits on the wind
and so do I.

******************

They were told she had nothing to say,
round corner, she disappeared.
Small children in streets watched her leave,
"What crystal tears--
her head covered by Veil.
In Black she looked very sad ...
instead she smiled.
Thought she was a ghost, we did",
voices of little ones chimed.
"bright-eyed, one of 'our kind'".

Grown-ups feigned deep concern.
"Did she leave with anyone?"

"No one, but she wasn't alone."

"No more of this!"
overly-adult was the crowd.
"This mystery each must solve on his own!"

Out of nowhere,
appeared a man like a shroud.
Open-faced, bright as the sun:
"I spoke with Lady of Veil.
She talked of her own private hell.
Her pain would not let her tell
of the truth, and sights in her eyes."

"Sensuality her feminity,
with speech crystal clear as her tears.
Simple and true, her words,
patterns weaved, I cannot forget."

"Please help me", she said.
"I am lost living not
without you.
Broken, I sink deep where none will abide;
to regions dark as the night".

He felt peace and was not confused;
her face, not recognized.
Speaking nothing, she awaited reply,
In her waiting, how severely she sighed,
asking one last time,
"Please help me", she cried.

Unfathomable she was,
emptied and fulfilling, both at the same time
with layers and layers of life.

He became lost in her bottomless need,
until he shook and returned to himself.
When he awoke she was gone from his side.

He could not deny her, then.
He knew but would not tell.
and could not survive her obsidious Veil.

Looking toward home,
the sun was at rest in the sky.
To the west, he continued his ride.

"Please help me",
he heard her say.
But he had so much to do ...
the ending of days coming soon.

*****************************

So this is it:
the end ...
a small movement.
We waited;
a childless one
expecting death's arrival
from life.
Bytes dying as lying bites.
Nothing is left but a curse,
and the absence of your face.

**************************






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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #200 on: June 05, 2009, 10:44:41 AM » by Dax







I don't admire much
here, then, 1043 (13.203 per day)
is you
              — I love you

I love the way you never bull
and write shit, lust after outrage

              — desire
              is what you say
likewise
              the smell of fish 
              — defunct

talk of truth is cheap
— less, even
the failure of forgiveness
— reveals
              grotesque
              odds of deception




dr









.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #201 on: June 05, 2009, 05:47:30 PM » by ca.leverette






I don't admire much
here, then, 1043 (13.203 per day)
is you
              — I love you

I love the way you never bull
and write shit, lust after outrage

              — desire
              is what you say
likewise
              the smell of fish 
              — defunct

talk of truth is cheap
— less, even
the failure of forgiveness
— reveals
              grotesque
              odds of deception




dr









.

Tomas, you know one of the reasons you like what I write is because you understand it.  I'm wondering if I should be concerned about you.  lol

Not really.  I love it knowing that someone is out there reading AND commenting.  I know others read now and then but they choose not to say anything.

You do.  And I love you to death for it.

sincerely,
cheryl
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  deviation lines
« Reply #202 on: June 05, 2009, 09:14:06 PM » by ca.leverette
Stillness
is more audible
than any sound,
not tinny
like so many sounds.

Silence
is full, rich and insistent,
demanding listeners,
suggesting to the foolish,
those who won't listen:
refusal of wise counsel

Silence
seems to know everything;
a prodigal,
traipsing thoughtlessly
... taking for granted
the goodness in life.

Maybe
it's nature's prompting;
taking care of us,
yet being abused as well.

Perhaps
small streams,
bubbly brooks,
traveling far
have many secrets to tell.

At the same time
nourishing the land,
the soil
as they journey.

Maybe
it's the earth.
Simple and eternal things,
rejecting the glitter of
this temporary life
returning to home,
a lasting home.

Silence
asks an easily
avoidable question:
will you return
and inherit the earth?

Whispers are
the only sound we hear:
our own answer.

***********************

Finger puppets audition
to shake hands with the gov'.
Buffing the helmet
and arming the cannon.
Spankin' the monkey
in the beaver brush.

Jill is off
to tickle the tack
paddling her pink canoe.
Unlike most Jacks she knew
Jill was looking for more
than a screw.

Duff peckerwood
dressed in eel-skin
Slayer of piccolo players
for ne'er a mere firkytoodle.

***************************

Celebration
was miles away from home,
but a friendly union is worth it.

Along the way,
I met Soldier,
only by coincidence.

Flying he was;
puzzled by friendly silence,
he determined he must
accompany me.
"I don't understand your
eagerness"
he said,
"but I do understand you are
traveling from one place
to another".

After I could not
be quiet any longer,
knowing I must ask him or die:
"Of course I'm going
somewhere.
If I were not eager,
I wouldn't go.
What is so hard to
understand?"

Soldier's answer irritated me:
"If your friend is truly special,
miles cannot separate you.
Why aren't you already there?"

I did not have an answer.
Only a thought.

After delivering me safely
to my destination in between,
I answered him,
"My friend has grown.
He was once little;
not grown up at all.
I suppose he is now
very close to adulthood".

Soldier turned
and gazed at me
with gleaming eyes,
the deep of green.

"So now, Sir Soldier,
what is so hard to understand?"
persistent, I was, for an answer.

"Think about that, "
he smiled curiously,
and peered at me
through his telescope
of iron and glass.

********************

Some places smell of cookies and warm milk.
Children feel welcome, Mom plump with confection.

Eyes from ivory towers peep with perfection
living in fear -- the jewel: simplistic revelation.

Crumpled aged hands tell stories innumerable
halting and helping, never making a sound:
beauty in sacrifice, wrinkled, dry and arid
provide arrogant young even more ground.

There is a sense of "you" living between
who you are and what you've seen.
There are lies waiting captivation one time:
lacking vision, unaware, your cross halts --
you've found your own deviation line.

********************************

To understand perhaps we should request an image,
a vision at work in the background?

Those who've gone before us preach of grasping life;
the phenomenon which so easily confuses us.
But only after considering visages of breath offered them --
the living, from the beginning.

The greatest sacrifices are not painful, but adventurous,
challenging even the lifeless to awaken as new newborns bursting
from the womb with a war cry of freedom.

Innocent indifference? Or the opposite of man's search for himself?

There is a constancy, a continuity in looking out and up,
two by two; not in one gazing at another like a mirror:
nothing more than a reflection of himself.

So then, at the moment we are lost in another we become
completey possessed of ourselves. Such is the phenomenon.

**********************

Near the home of my great-grandmother is a house just beyond the edge of the meadow, a cottage no larger than a mountain cabin, built of rock without mortar, and stones shaped so perfectly a thread could not pass between them.

No glass on the windows and no door; carpets of leaves and straw cover the floor.&nbsp; No stove or cabinets. Not even a bed, as if the inhabitant does not eat or sleep. Warmth and gentleness safely abide and I cannot resist it.

Benches and table are near the window, a sparkling view of bright green-leaved trees, a vast stretching
meadow, and a valley spread below, perfectly placed with perfect depth: neither sorrow or drought could sustain.

When I visit, I pretend to know the Lady of the House. She rejected society, after a furious battle for change.
Some lost, some won. She learned. A helper -- she does not harm. Never a parasite -- she is always healing.
She imagines deliverance of humanity from civilisation; from intelligent, intellectual sophistication; all meant to be gifts. Yet like ravaging forests into deserts, we are trapped by greed and lack of vision.

She dreams of rescuing mankind from himself, and handing him to Love.

************************

A quarrel is nothing more
than an image, assumptions
that what we see as the only truth,
tablets of content directed, projected
on a chosen screen.

A man is a liar because he's believed to be?
God is a fable so that we might be right?

The blind take steps toward death.
Narrow eyes see only excellence.
Both gather round the same table
feeding on darkness then on light,
sound and sight.
To one the world is night;
to the other, bright.

Appears to be lethal to be right.


On the banks of a little lake in Texas I felt my first kiss.
Many before a swollen lip but not like this.

Jim Morrison lit my fire, strange things moved inside
me, kept me a flutter. Had no idea
what that was melting like butter,
or why, all of a sudden, I felt so shy,

What a night that night under a Texas sky.

In the backseat of his brother's Ford,
Ronnie had plenty of cheap liquor aboard.
Three bottles made me giggly and squirmy.
S'pose it helped Ronnie keep me loose and easy,
and I'm sure (though I can't recall
at all) he was quite pleasin.

Dude's brother seemed a bit worried,
kept asking me 'bout my Daddy.
Did he know where I was?
Wouldn't they be waiting at home?

And Ronnie --
"Dammit man, leave us alone!"

My eyes, back and forth in my head.
Words slurred, my tongue was dead.
Ronnie's brother must've had a working plan.
Cause I forgot about all those strange feelins,
all that deep-as-my-stomach kissing.

Thought instead about a back door slam.
Cause I knew when he got through,
that be where I'd land.
Couldn't get my mind off my Daddy's big hand.

The night was short, kisses were long,
so went the birth of my favorite song.

Never, will I forget that first kiss,
or Morrison moaning about some
strange funeral pyre.

Lord knows, I'd still take a tap on the ass
one last time to let the Doors and Jim
light this smoldering fire.


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  aubade: quietly in the background
« Reply #203 on: June 07, 2009, 08:50:51 AM » by ca.leverette
quietly in the background


                               early morning
you enter this tiny closet of a world
(my life) through an old wooden door
swelling and shrinking
when the weather changes
                  a place few go
               
 walking through like wind blows
I don't wonder the breeze is you
      genuine as stone under foot
              
             outrageous and stirring
                     testing inventions
(let me be your experiment)
    colour from flesh
     sound from bone
a thousand drumbeats in your hand

           mixing story and invention
I won't look for you in high places
      cool streams or mountaintops
(yet in difficulty I find you)

here in this place fantasy lingers
         
          quietly           
                   in the background
                      your music plays



Never Misled


It's true
she's a beauty in red
Her dress bunched up
all around her in a heap
still young and lovely

A little weary of this
I sigh and turn my head
nonchalantly
so matter of factly
such an apathetic stare

I'm just me
an empty bed
waiting for the dead
Or maybe I'm lonely
looking for a mere tiny space

a pleasant place
to lay this pounding head
So forgiving am I
so forlorn
I give up

Darkness fails me again
another sleep-search
I'm on the rise
Seems like I'm always roaming
chasing a shelter of wood

a square box called home
Gentle, kind ripples
rush swiftly by me
soft and giving
But like time

won't slow down
when I've lost my way
If only I could
I would come to you
Even though math

carefully calculated
science with her formulas
even though old wives tales
say I shouldn't
I would anyway

Calculations keep correcting
over and over again
Formulas continue
weaving perfection
tight as a drum-skin

But there will only be
one you one me one we
I watch you beckon
the young beauty in red
knowing she will turn her head

and walk away from you
just as she said

But me I was never misled.



You may have whatever you desire

make sure of your offer if offering
be kind though secrets they be
I'd ask these questions if it were me
when you look and see beauty
do you look with desire or curiosity

have you watched closely
flesh fair sparkling in sunlight
have you gazed with intent
appearance of movement
though with you still

has the shine, the fresh
the amber glow warming seem
you could taste the scent
yet never touch
when you make love what do you see

searching each limb do you see mystery
feeling awkward will you comfort the
orgasmic contortions, an arching back
toward you a primal plea
do you hear a loveliness in a voiceless moan

knowing desire come closer
be near the restless beating
wanting more never having enough
do you feel ecstasy in a grimace
a thin line of pleasure

only you can bring
will you balance pain hidden and deep
with pleasure so vibrant any minute
the universe will open
when bodies are at rest

faces peaceful
will you stay
have you ever felt so utterly at one
you couldn't distinguish or separate
beauty though she sleeps

when you look for a moment
will you see a light in the eye
tenderness in the body
are you awestruck
amazed by what only you see

are you in complete wonder at the how
the why the curiosity
whatever desired, have
when giving these things
sated she will be



Bewitched By A Lullaby
(remove all the silliness--still almost comedy)

who has bewitched you my friend
your mask is darkened and seared
your brow deep furrows haunt
light of hope has left your eyes

a mind dull and dreary with fear
yes this burn you speak of
how fiery scorching flame
your steamy torch once your pride

now concealed his prowess you hide
a dam of lust has broken
steamy and out of control
you endlessly ache of desire

a prison you cannot escape
tightly locked is always this way
much time passed you speak
hungrily you reach to touch

grasping for fullness and depth
vast and heated hot flesh
slick firm waiting
picture now in your mind

one who beguiles you with time
like the coil of a snake unwind
wrapping  draping  tempting taking
all of you coming inside

writhing unsettled and longing
the core of passion you ride
in desperation an ache quakes
red gold churns garden's snake

a flame you don't know
you can't think
come together let's drink
sighing softly as death sings

your senses have loosened
your body is free fire consumed
you are blind never to see
all offered freely

sweet ripe flesh you need
no mouth or tongue will redeem
invoked whispered your name
reveal how you feel

burn slick steel
breasts flash forgiveness
embody your witness
will you burn

cry this betrayal with tears
your male member hardens like sin
your flame shines brightly of lust
are you feeling floating destruction

as though with one stroke
finished spent you would be
fire in your groin a furious flame
surely at last be doused

enter deep and sweet
familiar and priceless to keep
hear the sound of your voice
describe just how you feel

listen folds shiny and glistening
embed your rod hard and eager
a rock amid tender new flesh
engrave yourself deeply

hear a song of passion and lust
tell me do you burn
pray feed burial burn
replenished yet never will finish

comforted now with your raging
ravaging rod you plunge like steel
keep hidden and deep
sing such tender love lies

lust complete satisfies
melody lilting lifting such sighs
burn now come gladly show how
you bewitched with lust

midst a ring a circle of fire
singing a sweet lullaby



poem of the day:

Aubade: Some Peaches, After Storm     
by Carl Phillips 

 
So that each
is its own, now--each has fallen, blond stillness.
Closer, above them,
the damselflies pass as they would over water,
if the fruit were water,
or as bees would, if they weren't
somewhere else, had the fruit found
already a point more steep
in rot, as soon it must, if
none shall lift it from the grass whose damp only
softens further those parts where flesh
goes soft.

There are those
whom no amount of patience looks likely
to improve ever, I always said, meaning
gift is random,
assigned here,
here withheld--almost always
correctly
as it's turned out: how your hands clear
easily the wreckage;
how you stand--like a building for a time condemned,
then deemed historic. Yes. You
will be saved.






Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  dancing
« Reply #204 on: June 08, 2009, 03:36:13 PM » by ca.leverette
a body dances

hearing music
bereft of beauty
a body responds
in odd ways, gracious
circles and turns
whips and whirls

each hand an instrument
arms a courier
of worship

feet expressions of praise
Pegasus-winged
freely gliding on milky clouds
of yesterdays, of years
of sorrow, of tears

gifts now bestowed
hear the song
view the worship
watch this glory
                         as a body dances




we walk among wood
ca.leverette 06/2002


be my shroud
my piece of humanity
cover me when I am exposed
disclose me with your hands illusory and distant
wrap yourself around me with your muscle and tendon
ease this hard knot bound by flesh

in reconciliation we are ancient
bone and marrow from the birth of man
always hungry never full
forever lost we can't find who we were at birth

fear is a circle
we meet in the center of our beginning
our Alpha renews us
Gilead's balm at every touch

an end that should be but never is
our Omega lives in moments of time
with no distance between man and woman
bursting with flames warmed with life
fire melts ice and once again

beyond a third dimension
we build mountains from sand
we walk among wood
plant trees of oak
forests of maple
with seeds too small to see
yet each a progeny

from dust we are birthed
tossed and flung through the atmosphere
never touching the earth




sea chant


dare a man search
where few men have looked
few have touched
among the tender sandstone
swirling and swollen
he finds a dam

an anchor weightless
lowers and drops
whales cry without despair
lighthouse ancient chimes
an unknown directive
rumbling ships hum
with no entrance

amidst the swell
powers exchange
one loses both gain

when at last a brave man is unfettered
and covered in moist intimacy
textures transform
sea animals chant of instinct
the courageous and his birth



This need I have
to be touched

2003

is just that yet more a hunger
a longing for invasion
to be captured and overcome
to be so hard-pressed
I am furious
I don't desire
to control extravagance

weary of doubt
ever-analyzing my senses
must there always be hesitation
fear of my actions
ashamed of greedy passion
I want to forget who I am
or if I exist at all

there is a valley in me
at the longing of another
I wake up just as the earth splits
at the entrance of her lover I open

best born of earth
fusing fiery and terrible invitations
lovers quake
to fill empty ravines
veiled or exposed

mysterious fusion
dark and timeless
earth collides with flesh--
I know something
fire consumes flesh
scatters heart and bone
heat ignited
by enigmas and flames

mysteries must be solved
separated from the earth
torn, she is only dust

so this need I have
this hunger to be touched
never dies
lingers in spirit
fingertips a requiem

earth grieves--
she doesn't comply





Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  don't go
« Reply #205 on: June 09, 2009, 07:47:39 AM » by ca.leverette
one last breath

faces darken
make love to a broken heart
streams of salty sorrow
in heaves
gasping
for a last breath of you

images
real
unreal
your voice surreal calling me
walls bleed
a painful plea
promise of no
my cry an echo
hollow death
... one last breath
... one last breath

so tired of fading rainbows
ornaments of gold lack-luster
shining
sparkling
... you hide
silent sigh
no solace
hidden treasure of grief
storms gather
tidal tyranny
your finale

morning moisture
ever-mourning
eros soft
vulnerable
stiffens to belabored steel
behind the dam we built
allow me this final plea
my last breath you breathe

bare and stark
these hallways
love that hides
tell-tale tide
ground into pieces of me
my breath this plea
breathing into me
your soul
ebbs and flows
shadows echo
... don't go
... don't go




oversolitary


would marlowe say of me
she's grown into some sickness
by being oversolitary?

listen, i will tell you he is right.
sickness happens that way.

i have been alone too long
i felt a pain i couldn't bear
i had to hide somewhere
but in that place i was alone
and from my lonliness i became sick.

i hid from the world
not sure of anything
what is real or only my imagination
everything i thought was real
became a lie

i believed lies for a long time
longer than i remember
i can't remember when it began
i trust God it will end.

no one can penetrate these walls
if someone has tried sincerely i didn't know
i haven't seen a true love or care on this earth
i've only seen the desire of men
blind to the pain i'm hidden in.

am i selfish
i can't see truth because i will only see
what i can remember?

no i don't think so
i think very few men walk the earth
who could love a girl like me.




mourning cloak


streams
valleys deep
flow down my face

like death

disfigured tears
each a corpse
alive once, breath
war's aftermath

i can't remove the dust
from my eyes
where the gullies once laid

shrapnel, sharp
with painful dull edges
continues to prod and pry

subterfuge clothes me
in the blackest grief
a cloak of mourning
longs to let me sleep

into the night so deeply
seducing me so sweetly
rocking me

convoluted tones
a funeral pyre

yet i cannot follow
the sound of pain.



out of darkness
beckons your light

how can one be so good
embody excitement taboo?

you offer a hand
allow me your soul
if you free me from sin
will you take me again?

the ache of between
a demand to be touched
wet and slick you slip in
you cannot be
a mere voice in the wind



she sleeps


o the girl she dare not ask
for more than you be givin'
she know better
than to wake you
from your quiet haven

upon her head rest a hand
heavy laden with pain
she know not of
but she take and she give
all she know

all she hear you say
like tiny birds sing
she know better
she know better

she hear the voice deep inside
tellin' her which way to turn
scoldin' her if she don't learn
she will rest to stay safe 'n alive

she cry them hot tears
and they do run down soft cheeks
sting they will but she is silent
(she won't make that mistake again)

all she hear you say
like a virgin in a swing
she know better
she know better

....

O, if you stand so tall,
hear the song of the child.
Don't turn your ear,
but listen as she cries
for only one tender hand.

Touch her gently,
softly, don't be rough.
She's just a babe.
That's all she wants to be,
but someone came
and took the silence away.

She knew better, but she cried.
She loved you, still she cried.

When you look at her
smile, and tell her sweetly
you've been with the Angels
and they spoke of her ...
how much they love her
and watch over her night and day.
She will see Heaven.

She's just a babe, but she cries.
She sees the sun, still she cries.

Let her rest now.
Don't disturb the quiet
of the babe asleep.
She learns of Angels.



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  rocks tumble
« Reply #206 on: June 13, 2009, 06:07:33 AM » by ca.leverette
rocks tumble
from this mountain

fingers like granite
reach inside

smothered
soft, a dare
to wrestle

stones
fallen lava
molten hot
skim across cool streams

we pummel
drilling, tapping
veins groan

measure
the earth
as she
in anticipation
awaits
coupling
closure



this room


on lonely nights
a crowd's nearby

silence is in this room

on sunny days
clouds pass this way

shadows wear gloom

in the calm of storm
even air is warm

all is safe and still
waits on a passing chill
drifting through

what would you say
if she told you today
she heard gentle words
chase the silence away

would she be right
if she told you tonight
she watched the bright
shift the shadows light

will you think it wise
hearing moans and sighs
from a fire rise

cold is what she finds
a forlorn child
maimed
mesmerized
staring with lonely eyes

sorrow lies

living in yesterdays
searching for a face
fancies instead a mask

she's afraid to ask
which one to wear

she doesn't care
to hear you say
she lost her way
in this room
the first time



Sometimes
I hear the voice of angels
telling me
what I wish to hear.

Other times
demons whistle at me

hide from me
what I need to know.

What I want
is to touch
and taste grace
and know
I am always loved.





Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  collision
« Reply #207 on: June 14, 2009, 11:41:03 AM » by ca.leverette
colliding with
something new
magic is morning
weightless is will
darkness dull

foot shook of anchor
heaviness floats
opposiing the past
and the expectation of

flipping
switching channels
a search for light



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  identification
« Reply #208 on: June 15, 2009, 01:27:35 AM » by ca.leverette

I read the poem to you
to me, to the air
I cried and cried and cried
myself to sleep.  Then
I woke up
and wrote this poem

so there will be a memory
something written about
all that salt and water
identification with the hurt
the poor, the forgotten
was I writing about myself?


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #209 on: June 15, 2009, 07:34:13 AM » by Dax





Thank you, C

— exciting stuff, continual
good sign, Very good.

(plz swap abv 218 sctns abt-fac)



d





.
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“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #210 on: June 15, 2009, 10:07:13 AM » by ca.leverette




Thank you, C

— exciting stuff, continual
good sign, Very good.

(plz swap abv 218 sctns abt-fac)



d





.

'tis done.

Thank YOU, d.

cheryl

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  hotel room
« Reply #211 on: June 18, 2009, 12:01:43 AM » by ca.leverette
escape route
steep steps
tiny telescopic door
no peep show here
air conditioning
static tv tnt hbo remote
no adult movies
semi sofa oval coffee table
king sized bed
one person
phone/internet jack
microwave/fridge empty
shower one speed
drain one speed slow
personal bathwater
four walls two wall
hangings swans water
no phones ring
no door knocks
silence and air
loneliness and fear
don't tell
anyone
been here before

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #212 on: June 18, 2009, 12:51:49 AM » by Rick Stansberger
escape route
steep steps
tiny telescopic door
no peep show here
air conditioning
static tv tnt hbo remote
no adult movies
semi sofa oval coffee table
king sized bed
one person
phone/internet jack
microwave/fridge empty
shower one speed
drain one speed slow
personal bathwater
four walls two wall
hangings swans water
no phones ring
no door knocks
silence and air
loneliness and fear
hotel don't tell
anyone
been here before


[/quote

There's a lot of sparking and snapping of intelligence in the poems you have here.  The one above I liked in particular because everythign seems to work together for a solid effect.

Rick
Logged

Rick's fifth book is out:  Gizmo--love, loss and the passion to know--in the first part of the last century.

  Re: field rabbit
« Reply #213 on: June 18, 2009, 04:25:28 AM » by Dax










will the real 007 sit down with V8
and paint it black, she was beautiful
too, M

— from M with love, old
faces filled with boils, cabbage
and pain no one ever sees —


— murdered like most, not by KGB
but sorrow, that one day she would
outlive the past and realise all this
all the shallow crap we swallow
willingly subdue, went for nothing



dr




Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  needing people
« Reply #214 on: June 20, 2009, 12:01:32 AM » by ca.leverette
there is one thing about people you love.  they provoke you.  they provoke you to cry and feel needy and admit your need.  maybe they don't even know they do it or mean to do.  so it's not really them.  it's your love for them.  or maybe need for them to talk to you.  to be there for you when no one else is.  this is something about love and need that i don't like.  even though crying and admitting anger and need might be good for me, i don't like being angry and i don't like being needy.  i don't like crying either.  but sometimes it's all i have.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  light before darkness
« Reply #215 on: June 25, 2009, 02:46:29 AM » by ca.leverette
turtle
sometimes I'm a turtle
flipped on a wobbly, round shell
no backbone, helpless
legs thrashing, arms waving
wrestling empty space
fighting air



Red Pearl

"Woman, you can't hear my stomach churn?
Once again you've let my dinner burn!

"When you don't listen to what I've said,
You will learn to sit on a pearl-spanked red!

"Prepare the wench," I heard Him say.
I was not yet familiar with His wondrous ways.

"Teach this wild woman wrong from right.
Even if perchance it takes all night!"

O, I was such a wicked woman child.
What a scened He'd make should He see this smile.




I once knew a man who lived by chance.
No, not your usual impractical dance.
All it took was the sun to encourage him.
A tender bush or weed he'd love to trim .

He seldom knew of sensitive nods
(Innocent peaks at his rambling rod -
Desiring to see what everyone knew).
If only they knew what he could do!
Cloud a faithful lover's eye with tears
Or laugh at the shock of ignorant ears.

He longed to dance and so he did.
He longed to be the authentic "him".
He longed to comfort hurt and shame
Mixing and measuring name by name.
Giving solace to both vain and slain
His generous breast absorbing the pain
The timid, shy, the fearful and insane.

Many things such a man may deny
But never temptation; his only lie.
He claimed his golden pot was real.
Of it's wholeness his desire to feel
Never revealing the truths concealed.

"I'm OK", he was known to say,
"I'll prove to you I'm really this way".
Planning and plotting his runaway
Not knowing he would forever wait
Mapping his route and never escape.




Big Mac Attack

heavy traffic
Big Mac in front
Big Mac in back
smiling at me

out of nowhere
surprise sonic snap
not a boom
more like a loud pop
4th of July firecracker, black cat

and from this snap
tire-rubber flying round me
vehicles swirling surround me
Big Mac in front swerving
slowing down for me

in my rear view mirror i see
Big Mac in back, bound for me
faster than the speed of ground
nothing more deadly than this sound
tires screech long and loud

get back Mac, please
don't slaughter me

red and white bright lights
all suddenly appear
amid this furious sphere
panic attack, i don't belong here

feet and legs grow heavy
hands and knuckles grow numb
my chest caves in; I'm coming undone
eyes flood with fear
can't see for the tears
but i have to steer
like a vise, i grip the wheel

slowly and surely i glide
saved from highway suicide
off a speedy freeway
i press on the brake
cramped fingers let loose
arms curl round my chest

on a fated steering wheel
my poor head i rest

crying like a motherless child
crash escaped, i realize
i cry and cry
and don't know why

seems like

I've been crying this way
a day as long as a year

there's more to this
than just these tears

finally stress
took me to the test
tried to be strong
gave it my best
anxious over time
and all the rest

yet this i can say
without a doubt
Big Mac Attack
how well i know you now

and you're not a damn hamburger.




what a joy is to arrive
dude has come alive
a perfect place to thrive
man and his pen survive

perhaps
not given a chance
to be much of a boy-toy
dude's a helluva poem-boy



the girl wonders why
she likes him so much
and she wants to shout it
from a mountain top

that he believes in her
when she can't
believe in herself

and he always wants
more and better
and wants her
to be better too

she misses him
sometimes
and wonders why
because he's real
and strong and deep
and even she
can't understand it
and won't even try
to explain it too

she really likes him,
knows that she can't own it
and knows that only God
could know that too.


11/07

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #216 on: June 25, 2009, 03:34:13 AM » by Dax








I drive a dump truck, Cheryl, a big red one 10/4. They call me the hapless pagan who lives in a leaky mushroom soup cabin deep in the forest — a lost cause. I just love the fiery music and wilderness. The dance will kill me one day — excellent woman and a raw spin of her flower, bueno, bueno!



Dax







.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #217 on: June 25, 2009, 03:41:15 AM » by ca.leverette








I drive a dump truck, Cheryl, a big red one 10/4. They call me the hapless pagan who lives in a leaky mushroom soup cabin deep in the forest — a lost cause. I just love the fiery music and the wilderness. The dance will kill me one day — excellent woman and a raw spin of her flower, bueno, bueno!



Dax







.

I know you don't want or need much.
I got wireless internet tonight after work.

cheryl


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #218 on: June 25, 2009, 03:44:09 AM » by ca.leverette












will the real 007 sit down with V8
and paint it black, she was beautiful
too, M

— from M with love, old
faces filled with boils, cabbage
and pain no one ever sees —


— murdered like most, not by KGB
but sorrow, that one day she would
outlive the past and realise all this
all the shallow crap we swallow
willingly subdue, went for nothing



dr






I was born on Marilyn's birthday. She's probably my favorite actress of all time. Thanks so much for posting this,
cheryl

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #219 on: June 25, 2009, 07:21:05 AM » by Dax








costa "take all of it" pravda reflections, snaps


the show ends too early, we sat and drank and

drum up their karma by ju-ju stones and Jezebel

not wanting to be cut by the blade which ends

when the mask falls and the devil they wished for

is nothing more than the same guy they cheat on

such nonsense is a lot cooler and that ain't no lie

look at it upside, downside, her side and my side

if you want it . . . take it . . . take all of it

it's you, Jezebel

  I've lost it, all of it

     it's no good wishing

           it's not worth livin, ain't worth dyin


dr








.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #220 on: June 25, 2009, 07:34:03 AM » by ca.leverette







costa "take all of it" pravda reflections, snaps


the show ends too early, we sat and drank and

drum up their karma by ju-ju stones and Jezebel

not wanting to be cut by the blade which ends

when the mask falls and the devil they wished for

is nothing more than the same guy they cheat on

such nonsense is a lot cooler and that ain't no lie

look at it upside, downside, her side and my side

if you want it . . . take it . . . take all of it

it's you, Jezebel

  I've lost it, all of it

     it's no good wishing

           it's not worth livin, ain't worth dyin


dr








.

I understand part of this but not all.  Yet I don't think you're meant to be understood, just felt.

cheryl
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #221 on: June 25, 2009, 08:47:49 AM » by Dax








              This odyssy is a mystery to me too.

Well my nuts in a sling would just about do it any day of the week
but there again, at my age I go for what ever comes down Offa's Dyke
I wear black and so get to slip away with the rest of the world-weary
frontrunners and listen hard for the cock to crow three times before
bed and a brutal regime & cleaner kicks-in c 10am come rain or shine
then, maybe, I get to suck my delta force lifestyle up a Virgin straw
for a few hours more and have some testosterone driven moron cattleprod
a sweet old Cuban into submission, so I get to make statements & music
about the lowest common denominators in a privileged package deal
that's why God got me the big cahoonas. I love you honey, too. Honest.


Daxiwax















.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  space-swapping (notes)
« Reply #222 on: June 25, 2009, 08:48:55 AM » by ca.leverette
Might 'swell prop this'n up a bit two since it appears I'm here alone.

Space-swapping
« Reply #22 on: June 18, 2009, 12:57:02 AM » by cherylanne

Quote from: Rick Stansberger on June 17, 2009, 11:56:22 PM
I like how Sleeper shows up to mediate between you and your emotions.

Rick


Yes! That's exactly it, Rick.

Thanks,
cheryl


« Reply #21 on: June 17, 2009, 11:56:22 PM » by Rick Stansberger

I like how Sleeper shows up to mediate between you and your emotions.

RickReply | Reply with quote
Reply #20 on: June 17, 2009, 11:34:21 PM » by cherylanne

Quote from: Tom Riordan on June 17, 2009, 06:22:07 AM
Is there an alternative for either "dread" or "fear" are makes them slightly more distinct?


Good point, Tom. Dread is dread, but anxiety is a truer emotion here than fear.

Thanks,

--------------------------------------------------------------------------------

Quote from: Marc-Andre Germain on June 17, 2009, 01:27:23 AM
Cheryl, I came back for another look. Here's a quick idea:

Away from mom
dread no longer
drains me

Two new emotions
move in.

Guilt is too true.
Fear keeps me in

Gosh, with a little work, I could turn this into a double-dactyl
Not too sure it would be fitting though...

Mark


Thank you Mark. I don't know what to do with this poem but I know it's in there somewhere.

Have at it.


« Reply #18 on: June 17, 2009, 06:22:07 AM » by Tom Riordan

Is there an alternative for either "dread" or "fear" are makes them slightly more distinct?Reply


« Reply #17 on: June 17, 2009, 01:27:23 AM » by Marc-Andre Germain

Cheryl, I came back for another look. Here's a quick idea:

Away from mom
dread no longer
drains me

Two new emotions
move in.

Guilt is too true.
Fear keeps me in

Gosh, with a little work, I could turn this into a double-dactyl&nbsp; Not too sure it would be fitting though...



Quote from: Lynn Doiron on June 16, 2009, 12:32:13 PM
I wondered about Sleeper, too. Is "Sleeper" like sleep? or that tranquil time when the mind settles down and you can hear an internal voice advising? The way 'Sleeper' comes at the onset of a line, it reads as if a person, or a third named emotion ... it's ambiguous as to meaning, but that's not always a bad thing.

Also wondered about swapping places between S3 and S4, placing the guilt and fear in closer proximity to the previous stanza and then moving on to the 'cramped' and not making deals ... [just a thought]

ld


Lynn, the stanzas could be rearranged. Was a previous thought but for some reason didn't go with it. I think it would work now.

A 'sleeper' is someone or something that is present but not visible or quiet, like one asleep. In this poem the 'sleeper' is a 4th emotion that keeps me hopeful, positive, but is much quieter than I wish it was.

As always, thanks for your help,
cherylReply | Reply with quote | Modify | Remove

--------------------------------------------------------------------------------
« Reply #15 on: June 16, 2009, 12:32:13 PM » by Lynn Doiron

Quote from: cherylanne on June 13, 2009, 11:43:37 PM
Away from mom
dread no longer
drains me

Wouldn't you know it?
Two new emotions
move in.

It's a bit cramped.
I'm not making deals.

Guilt is too true.
Fear keeps me in
and I just moved out.

Sleeper says
take your time.
The new two
will heal


Quote from: rashmi on June 16, 2009, 01:59:05 AM
the title does throw some light but only some


R, in this case I used the title to lighten things a little--once again not wanting to be too heavy. I tried to think of a title that would shed light which is a cool device, but couldn't think of one.

Thanks again
«Quote from: rashmi on June 16, 2009, 01:57:28 AM
very intriguing!

somehow i feel the answer is in:

'Guilt is too true.
Fear keeps me in
and I just moved out.'

but i can't be sure & then there is the sleeper along with the two

the two who? an explanation would be very considerate to dispel the suspense

Rashmi, I've changed 'ones' to 'emotions' per Lynn's reply. Does that clear things up at all?

Thanks

« Reply #12 on: June 16, 2009, 03:05:24 AM » by cherylanne

Quote from: Lynn Doiron on June 16, 2009, 12:26:06 AM
what if you replace 'ones' [which for me signals 'moms'] with 'emotion' [which would then echo back to the emotion of 'dread']?


Lynn, I had emotion in the original but thought it was too obvious.

My mind works so strange sometimes.

Thanks, I'll change it.

 

the title does throw some light but only someReply | Reply with quote
--------------------------------------------------------------------------------

« Reply #10 on: June 16, 2009, 01:57:28 AM » by rashmi

very intriguing!

somehow i feel the answer is in:

'Guilt is too true.
Fear keeps me in
and I just moved out.'

but i can't be sure & then there is the sleeper along with the two

the two who? an explanation would be very considerate to dispel the suspense



--------------------------------------------------------------------------------
« Reply #9 on: June 16, 2009, 12:26:06 AM » by Lynn Doiron

what if you replace 'ones' [which for me signals 'moms'] with 'emotion' [which would then echo back to the emotion of 'dread']?


 Re: Space-swapping
« Reply #6 on: June 15, 2009, 12:49:08 PM » by cherylanne

Quote from: Lawrence Gladeview on June 15, 2009, 09:26:38 AM
cheryl i thought this to be pretty humorous knowing exactly the peculiarities of roommate living. such a great people watching forum isn't it? observing their things and conjuring stories in our heads about their past lives and what's to come. you have a period ending in line 1 of s3 that seems a touch out of place with punctuation throughout. i like the "i just moved in", but i don't know how i feel on the parentheses, perhaps italics? will be back for more reads, like the progression in this too. -lawrence


Lg, I'm appreciating these comments so much. I haven't said much, just wondering how this poem really reads. It's so funny thinking we can write something and the reader will, of course, know exactly what we're talking about. But then, I may not know what you mean by 'roommates' either.

Thanks again for looking in and for your comments,
-------------------------------------------------------------------------------
« Reply #5 on: June 15, 2009, 12:44:06 PM » by cherylanne

Quote from: Tom Riordan on June 14, 2009, 11:43:25 AM
Cheryl, reminds me of the "The Cat in the Hat Comes Back". Such is life. Keep cleaning, keep you fingers crossed for Cat Z: though who is Z? The grim reaper??
How many poets got their first lesson is metrics there! Tom


Thanks, Tom. I only wish my life were as whimsical and comical and well-written as a Dr. Seuss story.

Appreciating your comments,
cherylReply | Reply with quote | Modify | Remove

Quote from: Marc-Andre Germain on June 14, 2009, 09:00:45 AM
Cheryl,

Interesting piece, I love the well-crafted bare honesty in this. Thanks for sharing

Mark


Thank you Mark. Well-crafted, I don't know, but bare honesty--right on the nose.

Thanks once more for your delightful knack of paying attention to the poor. (o woe is me.)

cherylReply | Reply with quote | Modify | Remove
Report to moderator« Reply #1 on: June 14, 2009, 09:00:45 AM » by Marc-Andre Germain

Cheryl,

Interesting piece, I love the well-crafted bare honesty in this. Thanks for sharing

MarkReply | Reply with quote

« on: June 13, 2009, 11:43:37 PM » by cherylanne

Away from mom
dread no longer
drains me

Wouldn't you know it?
Two new emotions
move in.

Guilt is too true.
Anxiety keeps me in
and I just moved out.

It's a bit cramped.
I'm not making deals.

Sleeper says
take your time.
The new two
will heal


--------------------------------------------------------------------------------

More interesting thoughts:

dread no longer
drains me
away from mom

wouldn't you know it
two new emotions
move in

more is a bit stuffy
no deals
to move out

true I fear
the locks
long links of guilt

Sleeper says
chain will heal
bide your time



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #223 on: June 25, 2009, 08:55:37 AM » by ca.leverette







              This odyssy is a mystery to me too.

Well my nuts in a sling would just about do it any day of the week
but there again, at my age I go for what ever comes down Offa's Dyke
I wear black and so get to slip away with the rest of the world-weary
frontrunners and listen hard for the cock to crow three times before
bed and a brutal regime & cleaner kicks-in c 10am come rain or shine
then, maybe, I get to suck my delta force lifestyle up a Virgin straw
for a few hours more and have some testosterone driven moron cattleprod
a sweet old Cuban into submission, so I get to make statements & music
about the lowest common denominators in a privileged package deal
that's why God got me the big cahoonas. I love you honey, too. Honest.


Daxiwax















.


Wow.  You are funny.

lol

cheryl
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  black silk
« Reply #224 on: June 26, 2009, 08:13:40 PM » by ca.leverette
shackled black silk

tears don't speak
when you don't redeem
what you wound
blood cleanses
in the aftermath
buried by the undertow
by rejection

rising on finality's wings
resurrection is colorless
silk flies



property draped in rows
of chain-link fence
never will the year pass by
without a shiver spent

in spring day waits
begonias burst in flame
scarlet clay is deadly and
summer is marquis shaped

coral reef left behind
tracks innocent leaves
for light years in humility
and fall is fatigued seclusion

dusty nights wake up
the infamous dry crispy leaf
at a sinister refusal to leave
as lonesome hands cover faded

metal stains and ice diamonds
winter is a hexagon pointed
shaped in ovals to a vee
half of all that ice should be





i watch you through stained glass
eyes bulging head cocked
venom spews from your mouth
glass cracks
sharp jagged slivers tear tissues
in a tint of crimson

i watch you through stained glass
walk out a dusty shade
crystal sparkles across my cheeks

i watch you through stained glass
arms flailing knees buckling
under a hand laid
upon my head




there is a strange goodness
in the need for for expression
the greater the grief
the broader the vision
the more prolific the pain
the greater the need to articulate
 
artist without a pen
dancer without a dance
here lies the truth
between mystery and chance
 
struggling with rhyme
reason and prose
out of the depths
language and beauty
will rise



A ribbon tied across the door


I need to talk to you
need to tell you something
     beans need snapping
     garden needs tilling
     tomatoes need picking


about little girls, red curls
swirls around your finger
long legs, freckles
mumbly peg, hot heads

kids grow up, they still cry
your babies have babies now

one night you'll blink
away oak trees and hay
no need to set the table
and no dirty dishes
 
sit here awhile
watch the sunset
soon will be a moon
stars fall for wishes

you're so busy
time is short, but
there's a lifetime
on this porch




gypsy-shy at twilight


street corner dance
shy at twilight
watch a storm
fall from the sky
solve a riddle
forget this life
leave your gold
at rainbow's end
make enemies
lose friends
 
out of darkness
they lunge
pummel
again and again
she asks where
she asks who
too many times
to remember when
 
evil smiles
you silly dark one
you silly dunce
shy little girls have
to know why


her body feels
new and used
thin face
dark eyes

unveil the glitter
from your disguise
no good to tempt
me with your lies
why did you make
me feel at home
leave me in the
shadows to roam


truth gleams
like a tiger's eye
dark little girls
always shy
every twilight
never sure why
 
boldness stalks
furious by day
upright face
little ones
can't escape
never the same
     
she's only shy at twilight
darkness loves little girls
who have to know why


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #225 on: June 27, 2009, 04:09:28 AM » by Dax









she "tells" me everything

exceptional stuff, cheryl
never lose heart, step
by step, tango, baile!


ciao


daxiwax





.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #226 on: June 27, 2009, 01:00:56 PM » by Scott Douglas

gypsy-shy at twilight


street corner dance
shy at twilight
watch a storm
fall from the sky
solve a riddle
forget this life
leave your gold
at rainbow's end
make enemies
lose friends
 
out of darkness
they lunge
pummel
again and again
she asks where
she asks who
too many times
to remember when
 
evil smiles
you silly dark one
you silly dunce
shy little girls have
to know why


her body feels
new and used
thin face
dark eyes

unveil the glitter
from your disguise
no good to tempt
me with your lies
why did you make
me feel at home
leave me in the
shadows to roam


truth gleams
like a tiger's eye
dark little girls
always shy
every twilight
never sure why
 
boldness stalks
furious by day
upright face
little ones
can't escape
never the same
     
she's only shy at twilight
darkness loves little girls
who have to know why




I really like this one, not that
I don't like all your stuff, but ...
Logged

  Re: field rabbit
« Reply #227 on: June 27, 2009, 01:04:35 PM » by ca.leverette
I really like this one, not that
I don't like all your stuff, but ...

lol  s'ok Scott.  I understand.  you don't have to like all my stuff, or even pretend you do.  if you did I'd think you were crazy.

And thank you very much for telling me you like this poem.  It doesn't bother me much either, but I've been wrong more times than right.

: )

cheryl
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  every night my fingers
« Reply #228 on: June 28, 2009, 07:27:08 AM » by ca.leverette
Every night, my fingers and hands travel through a big
red book, "Webster's New World Dictionary" (Third College
Edition--I suppose there are more but I have grown accustomed
to the third one.  Many times I don't find the right words,
but many times I do.) 

My eyes spy a clef note, so cleverly drawn, and I know
this poem must signal a beginning and indicate where or
how high or how low I will take you, now that you are
captured by a hollow place inside me.

Dilate upon a thought with me, and we shall be like
a pair of electron multipliers escalating a subject
like the eggs of fish, or a mysterious courtesan dressed
fastiduously from her hip bones and pelvis, up and over
her swelling sternum, and down again.  You see where I
will take you?  Always the same erotic place, it seems.

But, I am sure that courtesans read dictionaries and play
music (after all, red is scarlet, and scarlet is red, and
clefts are loved by men of all ages). 

Therefore, deeply do I apologize for my words and my mental
images.  Innocent, I am, for I do not know what provokes me,
or overtakes me, but I will gladly share my hands, my eyes,
and all my books with you on any day.




He would have barely
broken the skin
had it not been
for the subtle yielding,
the soft passing
through the cracks
with sinewy edges.
 
 
     (She hated him--
          and could think
          of no one else.
     She wanted to kill him,
          and could not get him
          out of her mind.)
 
 
His hands were fierce
and harsh and perfect.
She imagined him
to be genuine
with a monologue of
superiority--  and she
digested him as easily
as a wailing train
sings the blues.
 
 
     (It was the pleasure and the
          excruciating pain at the same
          time--  an erotic moment
     of Master and Mistress;
          of brute and whore--  when
          the moment stops right before
          the rip of tender flesh.)
 
 
The scene was almost sacred--
a delicate deception with
layers folding in and out.
And if they had not carefully
revealed the seams,
no one would have known--
no one would have cared
about those moments--
when he barely broke the skin.
 
 
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #229 on: June 28, 2009, 12:42:02 PM » by ca.leverette
sun-rays
 
sun, shooting rays
through my window
thankful I'm able
in detail, to describe them
don't want this to be
quaint, little prose
about babies, puppies, daisies
though there are places for that
 
let this be what it is
about some things being true
like sunshine after rain
like rainbows after a storm
like joy in the morning
after a cold night of tears
like the saying "this too shall pass"
I'm so tired of hearing but know now
the worn-out cliche is true
 
let this be about the darkest night
the weakest hope, the saltiest tear
about dreams disappearing like a vapor
about shoulders sagging, chests heaving
about strangers invading a foreign, but familiar land
about finding things that aren't mine in that
close, tight space I call my own
like pieces, left by refugees, alienated
from their countrymen, lost
 
and about that one sun-ray
slipping through a shallow layer
of the deepest pain--
a slight yellow thread sewn in mourning cloth
so thick and black, worn and used--
like watching rays of sun gently,
through my window.



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  "Fields of Athenry"
« Reply #230 on: June 29, 2009, 05:00:27 AM » by ca.leverette
song lyrics written by Pete St. John

By a lonely prison wall,
I heard a young girl calling:
"Michael, they have taken you away,
For you stole Trevelyn's corn,
So the young might see the morn.
Now a prison ship lies waiting in the bay."

Low lie the fields of Athenry
Where once we watched the small free birds fly
Our love was on the wing
We had dreams and songs to sing
It's so lonely round the fields of Athenry.

By a lonely prison wall,
I heard a young man calling
"Nothing matters, Mary, when you're free
Against the famine and the crown,
I rebelled, they cut me down.
Now you must raise our child with dignity."

Low lie the fields of Athenry
Where once we watched the small free birds fly
Our love was on the wing
We had dreams and songs to sing
It's so lonely round the fields of Athenry.

By a lonely harbour wall,
She watched the last star falling
As the prison ship sailed out against the sky
For she lived to hope and pray
For her love in Botany Bay
It's so lonely round the fields of Athenry.

Low lie the fields of Athenry
Where once we watched the small free birds fly
Our love was on the wing
We had dreams and songs to sing
It's so lonely round the fields of Athenry.



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  "Veronica Guerin"
« Reply #231 on: June 29, 2009, 01:15:23 PM » by ca.leverette
Last night I watched the movie 'Veronica Guerin'.  Irish countryside is so beautiful, the Irish are a fascinating folk, as well as the portrayal of living in this movie.  So captivating and so raw, it was hard for me to sleep afterwards, as if I don't already have insomnia.  The violence is some of the most realistic I've seen and I hate stuff like that, yet I couldn't turn away.  Veronica Guerin was made of stuff I don't have.  I can't imagine being so devoted to a cause bigger than myself to the point I would sacrifice the safety of my own son.  I'm just not that brave or faithful or whatever it takes to do that.  But I have nothing but admiration for this woman and how she changed Ireland by her sacrifice.


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  ...
« Reply #232 on: July 04, 2009, 03:26:24 AM » by ca.leverette




Slowly the book was on fire, and so was I.
You were the reader. I, the listener.
I listened with a coy ear and responded
with electric current. I knew the two
wouldn't fuse--that they would either
detract or explode, but not in ugly pieces
of death, but in white cotton, pale blue
flannel, and pink linen. Pieces of purity,
primal masculinity, frothy with femininity,
white would swirl with the blue and the
pink like mother of pearl, and we would
float like sea shells do.










Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  'inner child'
« Reply #233 on: July 05, 2009, 08:14:16 AM » by ca.leverette
inner child


I don't know why she cries.
I just know she does.

Adults loom around her
and cast dark shadows on her drawings.

She sucks her thumb.

She remembers
Japan
curls like corkscrews
a little boy who laughed
and played but never
stays for long.

Someone is watching her.
Someone is always watching her.

She runs away.

She runs free
unencumbered by clothes
playing in her own skin.
A finger points
and she's ashamed.

The boys next door
kill Flossy, her kitten
and hide her body
in the bushes.
Searching and crying
for days, she can't
forget it.
Flossy's babies died
with her.

She loves the beach
playing in the water.
Adults are close by
staring, in a panic.
She stays on the shore
and watches the water
come in and slide away.

In the sand, she draws
cookie-cutter people.
She wonders what they
think of her
why their faces are like
groping hands.

How can words burn like lightening?

She hides her ears
and pretends not to hear
hides her eyes
pretends not to see

I don't know why she cries.
I just know she does.







(When she's angry I call her Faye.)


French Onion Dip sits in the fridge
for days. Watery yellow stuff
floats on top. I throw it away--
damn dip is demented.

Meanwhile, Faye has to take a cab
to the beauty shop because I'm at work
and I can't take her.
By the time I'm home
she's forgotten why I didn't take her.
She just remembers I didn't.

Faye looks at me with her stern
eye and a dash of dementia.

I wouldn't eat that demented
dip even if we had any.
Faye is still angry about the cab
and now she's angry about the
rotten dip too.

Maybe I should dig it out of the
trash and feed it to her.

I'm a crazy, mean woman--
this is shit is driving me mad.

I've never purposely wanted to
hurt a living soul in my life.


She keeps talking and talking
Open-fisted I pound my ears
stop stop stop, don't don't don't


She finds pleasure in the drama.
She feels powerless.
My contentment is the only thing
she can destroy.

As quickly as I can
I get away from the sound of her
out of her vision
until the next time
demons rule
her tiny box of a world.




This ache for union is like a lost child
an ache for freedom from a pulsating whine--
stigmata of the endless and needy.

Bent at the wrist, my fist aims
for my chest prepared to plunge
and squeeze the arteries until blood
spurts and lays pain to rest.

Ferry tales never told
remain on the dock
awaiting the non-arrival
of a white night.




hollow feeling


i hate this hollow feeling
an emptiness so deep
words will not do
pain echoes through
the halls of a dark place
grief resounds off
the walls of a prison
memories so sharp
shards of broken metal
turning, torn, tearing
the last remains of tenderness
crying colorless rainbows
pictures black and white
forms null, figures void
leaving dreams of dying
from the numbness of a pit
that never ends
i hate this hollow feeling



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  scolded
« Reply #234 on: July 06, 2009, 10:53:37 AM » by ca.leverette
I very often feel like I've been scolded, but not sure why, since almost all of what I say or do on the internet is never deeply serious, and certainly never meant to hurt or offend, or even irritate.  Sometimes I'd rather just not say anything at all.  I feel it's best to withdraw and let the agitated mull over what has been said or done.  Like now.

The internet is real, in the sense that it exists.  But for God sakes, don't take everything so seriously.  Everyone in the world is not watching every little thing you do, as if the earth's axis were tipped on your every jot, dot, and line.

Chill out.


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #235 on: July 06, 2009, 11:33:05 AM » by Dax








I say
really cheap shit, fukit.


I know the feeling, but since you put it much better (and kinder) shall we move to the top of the coop.

I've a proposal.

How about you and yours truly starting a workspace, others can join us whenever they need to wash there feet. This would be free and open, just like Ward Churchill and any public baths want.

What do you say, Cheryl — but keep it windows live (civilised) — no rush. I like straight sex and can keep my hands to myself — promise. Touch my stuff and you're dead .  .  .  let's shit sum. Talk to me, fast.

sincerely


daxiwax
.


pS you need to get off the dial




ciao

Dax 
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #236 on: July 06, 2009, 03:08:02 PM » by ca.leverette
I'm up for anything.  Just explain further what you want and/or how you want to do it.

There are some things I should keep to myself and away from public view.  I'm deleting 3 posts right now because of that.  I also need to be fully awake before I post for the public.  I don't drink but groggy-sleep postings are as if I was drunk sometimes.



Per info from a reader at another website::  I was not aware there's an actual 'don't tell motel' so I'm deleting that line, the post, and posting it here.

don't tell
anyone
been here before

Rudy was

tiny telescopic door
peep show
air conditioning
static tv tnt hbo remote
adult movies
semi sofa oval coffee table
king sized bed
two people
maybe three
phone/internet jack
microwave/pizza rolls
fridge/cheap beer
shower one speed
slow speed drain
personal bathwater
four walls two hangings
swans float swans dive

no phones ring
no door knocks

silence and stale air

steep steps
escape route
don't tell




This is about my mother.  She can't help it because she's crazy.


(When she's angry I call her Faye.)


French Onion Dip sits in the fridge
for days. Watery yellow stuff
floats on top. I throw it away--
damn dip is demented.

Meanwhile, Faye has to take a cab
to the beauty shop
because I'm at work.
I can't be her limousine driver today.
By the time I'm home
she's forgotten why I didn't take her.
She just remembers I didn't.

Faye looks at me
(her stern eye
with a dash of dementia)

I wouldn't eat
that damn demented dip
to save my life.

Faye is angry about the cab
She's angry about rotten dip
Maybe I should dig it out of the
trash and feed it to her.

I'm a crazy, mean woman--
this shit is driving me mad.

I've never purposely wanted to
hurt a living soul in my life.

She keeps talking and talking
Open-fisted I pound my ears
stop stop stop, don't don't don't

She finds pleasure in the drama.
She feels powerless.
My contentment is the only thing
she can destroy.

Quickly, I leave
the scene of the accident
the trauma
away
from the sound of her
out of her vision
until the next time
demons rule
her tiny box of a world.



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #237 on: July 07, 2009, 05:18:43 PM » by Dax









come back, cheryl
talk to me
this is opera dear
(the stuff before soaps)
I wish there
over there
a corner seller
would bend a flower
in your hair, pink
makes people think
I wonder
where, I wish
to wander there
a singer of songs







.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #238 on: July 09, 2009, 12:16:25 PM » by ca.leverette








come back, cheryl
talk to me
this is opera dear
(the stuff before soaps)
I wish there
over there
a corner seller
would bend a flower
in your hair, pink
makes people think
I wonder
where, I wish
to wander there
a singer of songs







.

I get so tired of myself sometimes;  embarrassed by the things I write and say, and even in that I still sound like the world revolves around me, but actually I know much better--the opposite, in fact.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #239 on: July 09, 2009, 12:55:43 PM » by Dax








:-X
shame is bull-shite
you have a world
every heartbeat makes a difference
tell me how you fare
the feel of night at break of day
the shape of an egg a chicken never lays
you're you and the world can go fuck itself
welcome back to the thug hut
 :)


tommy english



.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #240 on: July 09, 2009, 01:32:40 PM » by ca.leverette
O no.  I might have a world but I don't have a life.  I just work.
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  death in Paris
« Reply #241 on: July 10, 2009, 06:29:49 PM » by ca.leverette

His death is sudden
Overcome, Paris,
in all her sovereignty
dies as well, unable
to withstand such ennui

Where was her gratis?
Where was mine?

Bittersweet royalty
the queen of romance
and I, scribe of sorrow
share baguette tears

raising golden leafed flutes
filled with champagne
notes clinking in secret
between the great

and the celebrated
refusing to give in
to hollow sounds of
walls and ceilings

streets and dreams
embracing faint realities
in human form and
sparkling neon lights




Checklist
(to CherylAnne)


Nostrils, flared
dilated eyes,
rouged pears,
damp thighs,
apricot cleft,
anemone clasp,
musk-rose whiff,
jolting gasp.


(Sir William: drbill007)



Blessed are those who live adrift
around daisies, lazy daze and chains
and tender worlds without a shore

Someday the chains will be amiss
of falling leaves and steely cold and rain
like captured whispers beneath every door

Secrets of first, said lofty kiss
and lovemaking with no shame
never take away and always want more

Shimmer lust for us, o disirtis oasis
Glean for us anew with shiny name
Ye kindred keep dear earth
our world without a shore



What Pollyanna and I have in common


I'm not Pollyanna. I just wish I was.
Everything about Pollyanna is innocent.
Only parts of me are innocent.
You can feel me but you can't touch me.
But it's not my fault.

I'm sweet as honey and
I can cuss like a sailor if I want to.
I seldom want to.

If you don't like me, it ruins my day.
My eyes can be as clear as glass
but they will cloud in a twinkling.
I search souls.

Pollyanna never says fuck.
I say what I mean.
But, I don't mean what I say.

Pollyanna isn't real.
She's a human fairy tale.
Her emotions are ornaments for sale.

I'm not easily impressed
and you can't buy me--
no matter what you show me
or who you know.
No interviews, no discounts.

I won't be put on display
but, yeah, I'll be your baby today.
Beware, my thoughts aren't always
pure and clean.

On Sundays Pollyanna goes to church.
Pollyanna is a Sunday School verse.
I can't remember the books and numbers.
I study and try to memorize
every one of them
but I come up short--
short term memory loss
short attention span.
I forget the words every time.

Pollyanna might be in church when she should be
but at least I know where I'm going when I die.


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  whispers from everywhere
« Reply #242 on: July 11, 2009, 08:44:26 PM » by ca.leverette
whispers come in silence
from everywhere
you ask to meet me there
reaching for kindling
you bite and burn
I won't let go
waiting for a passing cry
watching the sky turn
ocean blue, delving deep
sparkles a reflection of you
shadows run
disguised, hiding
a blind man scorches
my outstretched hand
struggle, search
surrender renderings
the soule of man




what i want


to kiss your face
every place
til there's no trace
my lips don't touch
around the edges
til you come undone
I'll hold the pieces
everything
til there's no space or time
no limits
no lines to draw



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #243 on: July 11, 2009, 08:50:53 PM » by Dax







— beautiful, cheryl
quite so

d





.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #244 on: July 11, 2009, 08:55:30 PM » by ca.leverette






— beautiful, cheryl
quite so

d





.

Hi there, d.  Thank you.  You're an awesome friend.

c
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  it was you (saturday night)
« Reply #245 on: July 11, 2009, 09:03:00 PM » by ca.leverette


bush burning brightly
speak of eternal things
iridescent kaleidescope
splash the rainbow

rescue a stranger
from city streets

blinding landslide
snow cascades
a mountainside

open an ancient window
touch grief and heal





chill


oasis in the desert
cool stream
dry dusty land
rainfall parched

thirsty man
vapors of moisture
rushing waterfall
hostage captured

white-foamy river runs
to sea absorbed
by a crystal ocean
will I be free

free-falling chill
downpour release
arid red land anhydrous
pay a high price to enter

dry as smoke valley of silver
shines a mirror
reflects an image
in the distance





magical heat
if your ethereal heaven
waits to receive human hearts
tarry not over a carnal earth

burning with baser desire
perhaps opportunity comes
take note this delight
as she strikes mankind

and begets wonder
mere intention
of the chaste it is
and rustles of the impassioned

your trembles won't save you now
you are a man
if it be for lack of empty hands
no solitary vapor

of fulfillment in sight
be merciful to your race
leave it there
where divinity cannot stand

with proper assumption
I know each one
and I understand
you're not left out



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Cherry Garcia
« Reply #246 on: July 15, 2009, 02:36:10 AM » by ca.leverette


well I am just tired
just tired of it
you are worse than a woman
the way you swing back and forth
between this and that
and that, coming from a woman

I don't know what provokes you
I do know what provokes me
to write this silly stuff
it's the ache in my chest
and I don't even know you
I don't even think you're cute

well cute maybe
but swag?
don't know about that
but back to women

you're in touch with your feminine side I bet
the last time I went out with a man like that
I couldn't kiss him with force
or passion, without wine in my belly
I liked him so much
he was my best friend
but the lust just wasn't there

and o boy do I need that lust
so even though I lust after parts of you
I doubt I would lust after the you you

and that is exactly how I'll reconcile your rejection
your preference of others over me
your ability to turn me inside out
and then treat me as if I don't exist

that, and Cherry Garcia ice cream
will do the trick



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #247 on: July 15, 2009, 03:32:03 AM » by Dax









try a duck
or hang from the end
of a 1000k-cycle
pre-set
to "medium-fast spin"
the wait (weight?)
is unbearable, almost
but then
that's the juice
I shit you not, no
let's not go there
not into trix-domina
(syntax - fuck face)
or real hormonal bitch
shit
I want ladders and legs
toolbelts
(minus all the clean-up)
an impossible task
you get waja pay for
till the lights go on
brother, or maybe
it was Bugis St—
man was that (?)
boy a run ashore
or what!
then shit happened
I met the Head
Honcho
of Chase Manhattan
I was no more
a kid, just
able to kill a joint
he was married, snaps
teens, whole square
yards of Rockwell
(whoever he was)
stateside
out there, Singapore
streets, boozie
mosquito fills pass
we went to the Hilton
pool, what came over
was lust, he gave
everything, money
— even met Dino
too wild, strange now
how men get away
just like that
— warlike
about everything!


d

 



.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #248 on: July 15, 2009, 04:23:02 AM » by ca.leverette








try a duck
or hang from the end
of a 1000k-cycle
pre-set
to "medium-fast spin"
the wait (weight?)
is unbearable, almost
but then
that's the juice
I shit you not, no
let's not go there
not into trix-domina
(syntax - fuck face)
or real hormonal bitch
shit
I want ladders and legs
toolbelts
(minus all the clean-up)
an impossible task
you get waja pay for
till the lights go on
brother, or maybe
it was Bugis St—
man was that (?)
boy a run ashore
or what!
then shit happened
I met the Head
Honcho
of Chase Manhattan
I was no more
a kid, just
able to kill a joint
he was married, snaps
teens, whole square
yards of Rockwell
(whoever he was)
stateside
out there, Singapore
streets, boozie
mosquito fills pass
we went to the Hilton
pool, what came over
was lust, he gave
everything, money
— even met Dino
too wild, strange now
how men get away
just like that
— warlike
about everything!


d

 



.

wow.  that's some interesting shit, d.  is it true?  (as if you'd really tell me).  ; )
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #249 on: July 15, 2009, 05:06:36 AM » by Dax






I told you
a million times

my job is done

the rest, wicked judge
is up to you!!

what dýou feel
or not think?
you know
Shakespeare
speake-type shit

— transfer, saw

it fell and you found
a penny, but  
you make it yours
that's the magic

some
in the know, call those
not in the know, worse
(with a lame-lip smirk)
no one knows, yet

save only them
(Gee-wiz Judge Dread)
wot is right and
wot is wrong

might
I

then, be nothing
(FUCKING PLEASE)

save
this witches curse
slow
to
burn
among such pleasant smiles
agreed

for
Sunday, they claim
is their treat

my genitals
by the way
will taste twice as nice


d






.


Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #250 on: July 15, 2009, 11:51:51 AM » by ca.leverette





I told you
a million times

my job is done

the rest, wicked judge
is up to you!!

what dýou feel
or not think?
you know
Shakespeare
speake-type shit

— transfer, saw

it fell and you found
a penny, but  
you make it yours
that's the magic

some
in the know, call those
not in the know, worse
(with a lame-lip smirk)
no one knows, yet

save only them
(Gee-wiz Judge Dread)
wot is right and
wot is wrong

might
I

then, be nothing
(FUCKING PLEASE)

save
this witches curse
slow
to
burn
among such pleasant smiles
agreed

for
Sunday, they claim
is their treat

my genitals
by the way
will taste twice as nice


d






.




Well heavely daze. 

witches, genitals and toolbelts
judges, smirks, and please
what am I to think
this groggy mind took a sleep
and dreamed the strangest dreams
only to read another one
but they tell me this is real

:::::::::::::::::::::::::::::::::::::::::::::::::::::::

Good grief I can't see I'm going back to bed
wake me up if you don't hear from me soon
see what you do to me?

****

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #251 on: July 15, 2009, 12:34:31 PM » by Dax




wake up and smell the coffee!
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  fortunate is the man
« Reply #252 on: July 17, 2009, 04:25:56 AM » by ca.leverette
art and photography compliments of tymeprose©, equality hosting, and spurgeon






every woman has an entrance
her place of need
at some point
her mind loses control

her body takes over
throbbing begins
she knows who's voice
spoke perfect words

who's fingers wrote
magic phrases
only she reveals at will
she's worth every ounce

of a man's pleasure
she deserves all the work
a man is willing to give
to please her

she knows all these
feelings and thoughts
are natural and good
true and right

she's born with erotica
written all over her exotica
created to make love like an angel
with the heart of a tigress

shaped and formed to mate
like an innocent lioness
what she doesn't know is why
she feels dirty or ashamed

or so damn good and so damn guilty
at the same time, the same instant
she's a paradox and she loves it
sometimes she hates it

a dichotomy thrives inside her
expressing her needs in one place
--an enigma
and she's excited about it

the unknown makes her hot
she has to find a lonely spot
have as many orgasms
as she can stand

she knows how deep
how hard, how long
how fast, how slick
how strong she really wants it

when her body's on the edge
of spontaneous combustion
if she doesn't do something soon
she knows how empty her soul is

what she needs to carry her through
how hungry she is
and fortunate is the man
who feeds her








Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  of pretense and chains
« Reply #253 on: July 18, 2009, 09:12:56 PM » by ca.leverette

dancers
as if by accident
drop the pretense
as bister-darkened

eyes stare from
underneath plumage
the darts of a
nocturnal bird watch

her illusion is extraordinary
no one stops
to ask why
as if she were nothing more

than an owl or a sparrow
deaf to human vowels
from midnight till dawn
moonlight spreads

wanes, and drops
in the eastern sky
circles form among the stars
like circles on the earth

and capture the bird
with chains
parting her kness
dancers peer with flames

warming her thighs
to see the depth inside
she chases the
summer moonlight

finds the heat
feels the earth
grow warm beneath
her feet, moving beyond

the midnight parlay
dropping her chains
beneath a winter sun


around his feet
she slinks with ease
to please him
favor for favor
 
her soft fur
with a purr
gently against him
around his knees

she's made it this far
her goal up-sizes
above and between
his thighs
 
travels up each leg
the right
then the left
mankind's curse

woman's breach
devoured with trust
and dignity
the lust lovers must
 
under intimate cover
makes her way
no games no tricks
just a cat and a prick



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #254 on: July 19, 2009, 02:26:50 AM » by Dax









I love the no good flower in bed but great up against a wall kind of atmosphere of these now, you must not neglect them and pay attention to the lay of touch upon a dress, merry-go-round the folds, and not so — learn too to ply distance and random nearness, words, a cheek, no, not the lips, not yet. I want to look at the snow on the mountains — leitmotif such as this help our setup no end — hard and soft, try a piece with non explicit plus phallus, best on trains or women in public hallways that know that look and still deny they do.

x [/tt




.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #255 on: July 19, 2009, 04:04:16 AM » by silent lotus
dear Cherlyanne

there is a very youthful voice here
that delves in and out
of mystery

and shares an insight
beyond its age


thank you

silent lotus
Logged

  innocence on the run
« Reply #256 on: July 20, 2009, 05:28:21 AM » by ca.leverette
wisdom says
     this road is not for you
     you will not make it through


innocence is on the run
so I chase the pain
and toss it out
locked against
the pounding at the door

driving toward the shoreline
washing with the tide
fierceness spills the summer
bathed in percoid heat
 
wisdom says
     such fierceness doesn't last
     and is never safe


boats leave the shore
landing one day late
behind the shifting sun


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  monday morning blues
« Reply #257 on: July 20, 2009, 10:31:03 AM » by ca.leverette

Curled in a ball
with the lights off
I wait
until the ripples smooth
from the stone you skipped
across my placid sea
as delicate as glass
breaking
 
and I wonder if I have
any foundation at all.


one poured out
plundered
by the law of reciprocity
 
at finest
highest meeting
ultimate goal
a gleam in the eye of vulnerability
an ache drawn from the deep
of passion's bounty
an avalanche of need at last
consuming humanity's greed
 
and giving over
to a fantastic scheme
succumbing to the fancy
of reality only in dreams
and so will accompany
the lost joining




Between two
was a ribbon of unborn stars
mutely shining
 
Between two
stretched a hapless strand
of lively wire
 
and though glances never met
unborn stars became flashes
wild and electric
 
meandered
a wispy cloud
tinseled wings of silver down
crossing an azure sky
in shapes like arab horses
or the profile of a prophet
nodding yes and sighing
 
drink the desert wind
soar
liquid filters through
as sunlight pour
over like glass
in shades of hands
golden strands
 
Now the story changes
while fog dresses her castle
with an invisible wand
waving spells
of forgotten nights
returning to her place
unveiled by dreams
a sorceress in delight
upon a sheeted bed of white
exotic cotton and virgin silk
with pillows placed
among her charms
a gift restored for empty arms
 
Her tone is not so pure
her hands, less demure
Her shoulders are bare
her kiss well defined
perfectly designed
and waiting there
Her lips beckon
in a fleeting taste
 
There is no certain time
no ticking of a magic rhyme
no more counting hours
when candle rays
once were wild
and electric were the days


shine between them, ribbon of stars
hapless strand of lively wire
flash wild and electric
wispy clouds are meandering
like profiles of the famous
nodding yes and sighing

drink desert wind, misty vapor
let liquid filter through
and sunlight pour like glass
tinsel clouds will shed silver
-down across the sky
in shapes like arab horses

but fog, it seems, must return
dressing castles, changing stories
wands waving forgotten things
reviving places, unveiling dreams

bed of white, almost pure
exotic is the cotton
virgin is the silk
where pillows lay like charms

inviting tone, almost pure
hands less demure
shoulders bare, kiss defined
designed for waiting there

uncertain of the time
counting hours lost
ticking magic rhymes
when magnet rays scatter
and electric are the days

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  beggar
« Reply #258 on: July 21, 2009, 03:46:53 AM » by ca.leverette


your hands sing
and cry
as you run to rescue
 
the street
called impoverished
lost and wandering
through watery passages
drinking life
 
perished beyond paper vision
reflecting sunlight
willing and hidden
 
regret
your script of endurance
surrendering to pain
never asking why


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #259 on: July 21, 2009, 04:33:37 AM » by Dax








hi cheryl


why not omit attachment
which is at odds with the curry
— beautiful piece/s!

ciao

pS do you ever read e-mail




Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  who wins this fight
« Reply #260 on: July 22, 2009, 02:10:32 AM » by ca.leverette
d, thanks so much for your kind observations.&nbsp; as always, very astute and on point.
c



take heed
ageless eyes
and eager lines
 
shining moon
through glassy pane
abreast foamy silver way
crest of moon beam spray

distant dreams
won't endure for long

fierce white gleam
adolescent melody
rhyme in deep refrain

night rises softly
marked stars trim a dark sky
God knows it won't be me
who wins this fight



head won't hit
the pillow tonight
lay it down softly
don't disturb the tears
no tears

hear the whisper
make your point
sharp puncture

joy wounds
no tears




Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #261 on: July 22, 2009, 02:45:38 AM » by Dax


I know th feeling



d


.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  tuesday
« Reply #262 on: July 22, 2009, 12:34:54 PM » by ca.leverette


inside is a place
restraint hides fantasy
bronze eyes watch
pretending and prying
unashamed
beware
unable to resist fire



wooden door opens
grandfather's clock

anxious until midnight
blueback rendezvous
waiting
 
twelve and twenty-four
hours-- (can't endure anymore)
door locks between
writing on the wall
and misinterpretation

wounds don't heal
or sate vengeance



I.
beyond an open door
night creeps around
the chill of an empty hearth
whimpering softly



Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #263 on: July 23, 2009, 02:41:41 AM » by ca.leverette


I.

night searches
beyond an open door
--creeps around
a chilling empty hearth
whimpers softly



II.
oblivious to wailing winds
scented pine and pitch
crackling bits of kindling
resurrect a frozen fireside



III.
exorcised cold seeps out--
breath of reddened dreams
dusted youthful glow
never leaving an ashen taste
or a sign of fallen embers
on those who come and go



IV.
lace patterns unfold
smoke and cinders spin
and decorate the air
like lovers


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #264 on: July 23, 2009, 03:05:19 AM » by Dax








— cool, cheryl
unsure among the ruins

ciao


d





.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  dorothy parker is right
« Reply #265 on: July 24, 2009, 07:04:32 PM » by ca.leverette
Early 2007

Lady, lady, should you meet
One whose ways are all discreet,
One who murmurs that his wife
Is the lodestar of his life,
One who keeps assuring you
That he never was untrue,
Never loved another one ...
Lady, lady, better run!
--Dorothy Parker (1893-1967)
 
(I would much rather a married man tell me:  yes I've been untrue to my wife and I can't or won't make such promises to you than to tell me yes I've been unfaithful but I know I could be true if I really wanted to and with the right woman should she be you.)

I read a very sad poem from a man who was bemoaning his marriage, and how responsibility had stolen the time, yet now it was too late.  It was not his poem full of silly self-pity that surprised me.  It was the reactions from women.  Oh, they felt so sorry for him-- the poem was sad it brought tears to each eye, to which he told them Oh yes, this poem has touched them all and even caused one to clutch her breast!  I thought dear God he's playing them like a fiddle and loving every minute of it.  Can't they see his game?  And why does the scoundrel speak as if he has no shame?

But then I realized, there is some reason why he's so bold--he's been rewarded for every lie he's told, and all along, he will be this way, wandering blind never knowing night from day, but it's right he should live this plight.  For more than one he'll give up the fight.  All that's left for me to do is be thankful I realized in time.




Ophelia's Song
by William Shakespeare (1564-1616) 

...
He is dead and gone, lady, 
  He is dead and gone; 
At his head a grass-green turf, 
  At his heels a stone. 
White his shroud as the mountain snow, 
  Larded with sweet flowers, 
Which bewept to the grave did go 
  With true-love showers.




Michelangelo's Seizure


When it happened, finally,
on the preparation bridge,
where he had stood all morning
grinding the pigments, grooming
his brush-tips to a fine point
so that he could thread Eve's hair
like a serpent down her back,
his head rocked forward on the bell-chain
of his spine, the catwalks
rattling as he fell, a paint-
bowl splattering the ceiling,
then spinning like a dying bird,
to the chapel floor, frightening
the assistant who—trained
in such matters—huffed up
the footbridge to wedge
the handle of a wooden brush
between the mouse-trap of the teeth,
to keep the master from biting off
his tongue. Did the choir-box
fill with angels? Did the master
feel the beast rising up in him
to devour the pearl of heaven
at the center of his brain? If you
were that assistant, kneeling
next to the stampeded body,
smelling the quicklime in the air,
the boiled milk of plaster, seeing him
tangled in the body's vines, voiceless,
strained, would you call it rapture?
The assistant didn't either, didn't even
consider it, or think to pray,
but sat watching as the spirit clattered
back inside of him, like a chandelier
lowered from a ceiling—
and when it was over, he thought
he heard the artist curse softly
as he surfaced, a small word, violent,
so that when the master walked outside
to get some air, the boy sat atop
the scaffolding, eating his orange
and letting the fruit peels fall,
like drips of flame, feeling freer
in a way, almost glad. Outside,
it was fall, the city proud
with chimneys. Ragged, clouds
of plaster in his beard, his mouth
hollow, aching like an empty purse,
Michelangelo could still hear
the tortured voices on the ceiling
calling out for completion,
amputated, each face shadowed
with his own, which he would paint,
one morning, with the witchcraft
hushed inside his veins,
onto the flayed skin of St.
Bartholomew, crumpled, fierce,
with two dead bugs crushed
into the paint, like that bit of terror,
he would think, sealed inside
of everything He makes. Now
he lifted his fingers to his lips,
to the wasp's nest of his mouth,
and withdrew, with the ease of spitting
out an apple stem, a tiny splinter
of wood that had sunk into his tongue.


By Steve Gehrke
University of Illinois Press




the recipe is simple
mix until the texture
of black mud
eat with fingers

turn the fire up
hear the blaze hit
smell the sizzle
listen for poppin sound

let the water run
twist and turn
like ocean sand
and if you've never

seen the water flow
you'll know what it means
and if you've never seen a river
you'll know what one is

when the warning dial turns
and you feel the burn
for the first time




workshop rejects

wear red silk he said
show me what I can't see

invisible blindfold
hypnotizing fire ball
the sun sets
beyond a window pane
as if balancing on the horizon

think of everything
already taken from you

his dark silhouette stares
squints toward her
and a back-drop of light

but for now
enjoy your freedom

splotches on the front
of a red silk blouse
she unbuttons
the crimson weave
falls off her shoulders
hangs loosely
held up by nothing
but willingness



night searches
beyond an open door
creeps around
an empty hearth

oblivious to nocturnal winds
scented pine and pitch
crackling bits of kindling
resurrect a frozen fireside

reddened dreams breathe
dust of youthful glow
no ashen taste
or fallen embers

lace patterns unfold
smoke and cinders spin
clutch the night air                     
like lovers



Mr. Ouspensky says
the modern ant is feminine

a mere function of the bed
(my God, he'd die for it)

and even though his nest
is pro-technological

he won't see your finger
'less plunged in his face

he is devolution
however, the

primitive Australian bull ant
has preserved his masculinity

sees whole bodies
responds to movement

an evolutionary force
abandons his nest

at the least
inconvenience



we were brave
we were ferocious
slaying snakelets
and scaring the neighbors

queen leviathan
rising from her pit
had given birth
it was our fate
to save the 'hood

shoot, ma is only 86
I'm lurking 'round
the edge of
half centuries--
we've got it made

grass snakes,
corals and kings
beware

slayed the first
neophyte
with my car tires

when the second one
appeared 
out of nowhere
on concrete
in the carport
from sunlight
to shady damp
ma panicked
     hoist a hoe
     grab a broom
     wield a rake

it's obvious we will
give up our naps
to save the planet

hatchlings from
every bed and nest
within garden tool range
slither out to visit the sun

time to bring in the big dogs:
     Animal Control
     those proud men
     in flashy gray uniforms
(brave but deceived--
we would never tell)
    'ma'am, earthworms are healthy'

     chubby and fat
     long and slimy
parade of snakes
disguised as earthworms
return to soil




Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  fly
« Reply #266 on: July 27, 2009, 12:08:19 AM » by ca.leverette
reo speedwagon (condensed lyrics)

I've been around
I've been up and down
But I just can't get any relief
I've swallowed my pride
I've lived and lied

Peeling the years away
And we can't relive it
I believe it's time for me to fly

I'm tired of holding on
To a feeling I know is gone
I do believe that I've had enough

I've had enough of the falseness
Of a worn out relation
Enough of the jealousy
And the intoleration
I believe it's time for me to fly

Time for me to fly
I've got to set myself free
Time for me to fly
And that's just how it's got to be
It hurts to say goodbye
But it's time for me to fly

Don't you know
It's time for me to fly



(original twisted graphic)

tip your hat, pop your collar
pour your gin, twist your lime
I'm not playing tag
-you can't touch

you can chase, you can follow
but I'm not your leader
hide and seek this is not
what you need you won't find
in a lost and found closet

late night phone calls
digi-rotica mean nothing
erased soon by
windows xp and hotmail
along with your msn
nickname on messenger

no more bedtime stories
or whispers good night
go find your real mom
it won't be my hand
rocking your cradle

mix your own drink
this time lime isn't twisted
it's gin


Beyond the sham, the smile
the glam, the unmentioned
and the intellect distinction
-there's no time for rearranging

when the tide changes
and the roadblock, the ache
moves out of the way
blood dries, words disappear--
nothing's left but a dull pen

pain sculpts a new character
you and I know the shape of the other
and why we couldn't focus on anything else

surfacing behind the glitter
we meet halfway, convinced of innocence
remembering masks and streamers
and the season we were almost fooled.



Pelvis pulsating in perfect rhythm
with a macho crotch grab,
glittered glove on one hand,
white socks and patten leather;
a gangsta look with flashing eyes--

there's no impetus, no energy
like the intensity of his foot work--
knock-kneed, ankles twisted,
feet turning in and out;&nbsp; jumping,
stamping, fingers splayed
and body bent with a jazz effect--

it was for you, Billy Jean
MJ walked on the moon

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #267 on: August 03, 2009, 03:52:41 PM » by ca.leverette
She arrives like LA
bourbon hidden
behind her back

Leather boots, tight
jeans, tall bamboo
heady and lean

Obscure gestures
muddy speech 
clear in the bayou

In a full tilt defense
her synaptic sashay
escapes foreign hands

Wary and wired
like a soldier's attention
near daybreak

Transfixed and off limits
she's trapped by
her own propaganda



a field withers
fuzz of dandelions
flies in every direction

nothing's left that isn't black and hard
my brain is stony ground
sick of pretense

don't dare say
this is easy

don't placate me
let rock swallow rock
let stone meet stone

this is vile
so say it

hideous so let it be
don't speak of what could've been
above all don't tell me
it was a only a misunderstanding



I meet this lady on Tuesday
     (well I think she's a lady
     though she looks like a man
     maybe even she doesn't know
     what she is
     underneath those clothes):

she says
     people say
     'that's a man'
     inside this scraggly robe

she remembers the baby she carried
     when he was born
     he had 12 heartbeats
     weighed 12 pounds
she was on Thorazine
3 times a day
     no wonder I've been transformed

her son was murdered in Little Rock
she has all the scars to prove it
     they threw his body in the sewer
     and the sewer blew up
     I guess he showed them
     in the end



his eyes
sultry smudged
irises ochre

lashes
a quarter moon

damp hair shines
the color of soft coal
tints creamed coffee

salted sweet lips
in thick offerings
play a Latino tune
on her resistance

her eyes
bruised violet
irises dim

milky skin
petals in dogwood
lace against satin
pillows feather
thrown

her body moves
like ferns curl
reckless throbs
pass over
a vacant
creek bed

he's young and dark
she, a pale shade older
whispers

break dry ground
awaken roots
knotty with tradition

sing for me
your melody
of another time



book is on fire
and so am I
You are the reader
and I, a coy ear responding
with electric current
We never fuse
in darkness, but
in pieces of purity
white cotton
blue flannel
and pink linen
like mother of pearl

He calls me to his sleazy hotel
Am I playin' dead or just rollin' over for you?
He laughs and makes me wait
I'm stuck in time telling secrets
behind closed doors

Rudy has a revelation
I roll my eyes
Brains and lust
The perfect stress
I pluck my eyebrows
He complains
Tosses a pair of ripped-up fishnets
to me in the same breath

The purple lamp
I hate it
Pretend it's something useful
Straddle it maybe

Bad taste with style
Rudy's a deep intellectual
Has a thing about sleazy hotels
Color film tripod cheap camera
Takes pictures of women's
lips legs men drool
Stark naked librarian
Black glasses thick rims
Coke bottle lenses
Rudy makes her look sexy as hell

I might be that librarian tonight

Beats playin pool for beer
Shots of cheap tequila till sunrise
Men who won't remember my
name or the curve of my calf

been sitting in this one place
reading poetry on the net
till my right foot fell asleep
underneath me and I can
hear fly bellies bubbling

in my head
started on Bukowski couldn't
stop now I think I think like
him my God don't let me
plagiarize him he's just so

fucking real
not afraid to tell us he's
drunk and horny all the time

if I don't stop I might start
hanging out windows by
my heels drinking beer

and catcalling
no wonder everyone likes
him so much

Perpetua, lower your ladder
of bronze, that I may escape
when days are beyond me
and the whippoorwill
no longer sings.

Perpetua, lend your linen
that I may cover my breasts
as you hid yours--shame 
in shadow's cloth, and on
days of mockery, I may feel
strength of innocence.

Perpetua, pour your pitcher
that I may drink;  that I may
touch the cold hard slickness
and no longer be rough
but smooth.


--------------------------------------------------------------------------------

Extravagant (or extraneous??) thoughts:


Perpetua, lower your ladder
of bronze.  I will escape
when days are beyond me

Perpetua, lend your linen.
I will cloak my bosom
as you hid yours too
and on days of mockery
so shall I smart wrongs
abreast innocence.

Perpetua, pour your pitcher.
I will drink, touch the cold
slick hardness--I wish not
to be roughshod honed, but
in accord with womanhood:
     pathos and passions--stir



my writing is a stun gun--
     one good shot
     
          pain is a show horse

your images are sparkling epiphanies
   never forgotten
          raw eggs
          rotten tomatoes
          the stench never goes away

(what I've been hiding all along):
     I fall asleep feeling
          like a war criminal
            standing there naked
          the cold water is fierce
            hatred in the hose-spray
            as it turns on me
sometimes
     I wake up the same way

Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #268 on: August 08, 2009, 01:53:48 PM » by ca.leverette
tumble the rampart
-though lips aren't walls;  tongues need
seasoning;  looking
back won't turn men to salt, and
gravity doesn't
always lead one to the other

tear down the bastion
-water runs slow and long, moves
and turns like sand on
an ocean floor--and though you've
seen a river, you'll
know where one goes, and though you've
seen a creek flow, you'll
know exactly what a stream
means



Blood trail, red as skin
of apples, flows from seedlings
ripe with Adam.  Masked

libertine and the
statuesque are covered in
dust of Eloah's

children.  The blind are
dismayed by bright red, but the
wise drink wine from cups.



a woman poured out
plundered by the law of
reciprocity
at her finest--meeting her
goal, a gleam in the
eye of vulnerability

ache from the deep, drawn
of war's bounty, avalanche
at last consumes her
 
giving over to
a fantastic scheme
succumbing to the fancy
of accompaniment
in the lost joining of two



Eager lines exult his ride
   --through glassy pane
   I watch the horseman

He looks my way with ageless eyes
           as if his dreams are distant
               yet how fierce the gleam

   My adolescent melody rises with the night
--a firey shine abreast the foamy silver way
                 --it crests the moon beam spray

As kindled stars trim the sky
                        God knows
          I won't win this fight


His kiss is
the rough earth.
His eyes are a dark storm:
He hands me
a  fiery yellow umbrella
wrapped in a blue cellophane sky--
How will a red umbrella
protect me from rain
when in
his goodbye gift
I feel every tear?

His kiss is slightly rough
like the earth.
He hands me
a red and yellow umbrella
the color of fire,
wrapped in cellophane,
blue like the sky--
his goodbye gift.

His eyes are a dark storm:
I don't know why he
gives me this present.
How will a red umbrella
protect me from rain
when
I feel every tear?


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #269 on: August 08, 2009, 02:08:46 PM » by Dax








thank you, cheryl
some stunning stuff

d
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #270 on: August 08, 2009, 03:42:28 PM » by ca.leverette






thank you, cheryl
some stunning stuff

d

[/quote]


Thanks Dax.  These are poems I removed from submit & workshop.  Can't win 'em all.

cheryl
Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #271 on: August 15, 2009, 01:28:15 AM » by ca.leverette








Purple Rose Series


Tall trees take flight in green-winged pride
Eagerness washes away with time
exulting paper worlds of melodious ride
blending the windblown with sublime.
 
Crest alone the sun-drenched way
Dance the foam, far from home in light
abreast this surging turquoise way
adorned by the lime-silvered flight.
 
The wood, the trees, a field, the sky
are partnered on this festive sea
Alone, yet linked you fly
each in element, running to the seen.
 
Unblemished love never offered
Words unfrayed move without flaw
A plan perfected soars with you
await mortality, should she intrude.




When the rising moon dons silver
making ready for evening
there is a woman,
queen of the sky
among shadows, though they lie.
 
In the priceless field of manhood;
in winter and summer where you've stood
a voyeur alone, you watch her dress
in her gowns, new and old--
before silver and always gold.
 
Where in some faraway ocean
a tree is planted in the sky
and at last you will climb;
you will see, though earthbound
for a while.
 
On that day of your wrenching,
the past will break and you will soar
to your field in the sky.
 
As for me
I will scatter dreams
as stars in any sky--
like your stellar trees
ever-born of the sea.




Up here, somewhere on jasper peaks
Trees in shadow-lengths shall grow
With care-filled steps
Could track, could go
Lured by pleasant ridges round
Clad in film, clad in clouds, so thin
Seduced by many signals
The worthy and forgiven seek
to blend with the beauty of the meek
A powerless wait, a powerful sate.
In my mind, the musty clears away
And leaves a shine on all a'given day





You've been disarmed
Can't help such charm
Drawn with delicate arms
Sharp as a lightning flash
Yet never leaves a jagged gash
It may burn a searing pain
But beloved is the gain
And the quivering wound
Which shall remain, a heal too soon





To win is the aim
Mountain, climb again
Here comes a need fulfilled
Cry to all, voices stilled
Hear a heart, hear pain
'Tis well, the scar remains
A reminder of that hidden hand
All dispersed, such silver strands




Drawing closer to the bull's eye
Live among the stars
The directive
From any man's perspective
Is to leave him restless
Within the context
Without the message




Determination would not wilt her pen.
He was King; she must let him win.
When taking aim at a member of royalty,
one's pursuit is with much difficulty.

She could not proceed through usual legalities;
normal channels, justifiably.
Attracting attention,
her haste was not reasonable, nor the remedy.

She bemoaned the inaccessibility
of a cosmos, proper and orderly;
such was the only way
to end her agony.
 
His attraction she loved.
His attention, she, the center of.
Yet whether royalty or loyalty
she could not let him win in the end

condoning social sin,
pardoning precocious whims,
giving in once again.
She couldn't pretend delightfully,

to be his chosen, sacrificially.
But most of all, she willed nevermore
to endure her appearance
as his fortunate victim.




She was provocative,
deep and delightful.
He was an artist
surpassing the form.

When there was no light
in which he could work
she would go to him
and provide a subject

for his hidden canvas
and his paltry palette.
Sometimes she was
a circus act,

walking a tight-rope.
Other times
she was a clown,
because in that dark

under-the-earth place
his whole life assumed
the character
of imprisonment.





Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #272 on: August 15, 2009, 01:44:53 AM » by Dax










we just grew


ciao, ciao




.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  joyce perseroff::the hardness scale
« Reply #273 on: August 17, 2009, 05:49:53 AM » by ca.leverette




Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  ...
« Reply #274 on: August 20, 2009, 04:04:36 AM » by ca.leverette
john-john says
come home with me
i nod
nuh-uh

at his crib
with a tatoo kit:
jar of body frosting
     apple seed flavor
paintbrush
     reusable
three stencils:
     rose bulb
     roman snail
     caviar
i paint
my poison
under his
umbelico erotico
and
eat my words
the
second time






Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  o my. found it.Boston Comment(links to articles on 'denaturing poetry')
« Reply #275 on: September 15, 2009, 11:52:58 PM » by ca.leverette
i'll just post these links here in case someone is offended--you can just be mad at me--although i'm not really sure what my thoughts are. duh.


http://www.webdelsol.com/LITARTS/Boston_Comment/bostonc1.htm

http://www.webdelsol.com/LITARTS/Boston_Comment/bostonc2.htm

http://www.webdelsol.com/LITARTS/Boston_Comment/bostonc3.htm

http://www.webdelsol.com/LITARTS/Boston_Comment/bostonc4.htm

http://www.webdelsol.com/LITARTS/Boston_Comment/bostonc5.htm

anyway, the # in the link just changes all the way to 9.  i think that's simple enough.  and i even think it will work.

: )

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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #276 on: September 16, 2009, 07:18:52 AM » by milner place
Thanks for these links, Cheryl. Fascinating.

My own two penneth is that it matters only to academics whether something is or is not poetry or prose. To other readers what matters is the effect of the writing, not what it is called. Don't let them fool us by arguments like those old bishops in discussion of how many angels could be got onto the head of a pin. No doubt, in the 'name of literature' they would denounce me as a heretic. So what?

Cheers

milner
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'Caminante, no hay camino,
se hace camino al andar'
- Antonio Machado

Latest book 'naked invitation' $15 or Ł10, p&p inc milnerplace@msn.com

  Re: field rabbit
« Reply #277 on: September 17, 2009, 12:44:41 AM » by ca.leverette
Thanks for these links, Cheryl. Fascinating.

My own two penneth is that it matters only to academics whether something is or is not poetry or prose. To other readers what matters is the effect of the writing, not what it is called. Don't let them fool us by arguments like those old bishops in discussion of how many angels could be got onto the head of a pin. No doubt, in the 'name of literature' they would denounce me as a heretic. So what?

Cheers

milner

hey milner, sorry it took me so long to reply.  i was hoping someone would read this besides me.  i thought it was interesting too, but not in a terribly convincing, mind-shifting way, if you know what i mean.  and heretic is a bit strong for you milner, in the biblical way, but renegade works great for all us literary heathens.

you know, i was thinking about the name of this website-- 'Poetry Circle' -- so simple and innocent.  not anything at all like we really are.  lol 

well OK, i better just speak for myself  ; )

cheryl
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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #278 on: September 17, 2009, 06:59:33 AM » by milner place
I've also wondered at the name 'Poetry Circle', Cheryl, which can give the impression of a closed and cosy group. But that's counteracted by the use of 'forum', an open market place, or such-like, very public, and, in current usage, can mean an open discussion. That's our strength.

Cheers

milner
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'Caminante, no hay camino,
se hace camino al andar'
- Antonio Machado

Latest book 'naked invitation' $15 or Ł10, p&p inc milnerplace@msn.com

  Re: field rabbit
« Reply #279 on: September 17, 2009, 08:19:39 PM » by ca.leverette
I've also wondered at the name 'Poetry Circle', Cheryl, which can give the impression of a closed and cosy group. But that's counteracted by the use of 'forum', an open market place, or such-like, very public, and, in current usage, can mean an open discussion. That's our strength.

Cheers

milner

yes, and you know what i really love, and have really come to appreciate, is that the writers, poets, editors here are just nice people, you know?  i have yet to understand why some put up with the fallacy that genius must come with snobbery.  it's just not true at all.

and here i am talking as if we're all geniuses.  lol   well, undoubtedly some of us are, and probably not even the ones we think of.

thanks again for ruminating with me,
cheryl


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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #280 on: September 20, 2009, 09:29:39 AM » by ca.leverette


These fields you ride are mine
         though there are others
              'Tis a pity you return
 because you've no place to go

    Should you enjoy, take care of them
               They've grown and changed

             You travelled here
                    on my back--
now you're here at my side
                         a parasite
            hoping to stay alive

     You ask so many questions
               I answer every one:
              a horse won't learn--
a stallion is stubborn at show--
 perhaps a muzzle is appropos


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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  dickinson or buk?
« Reply #281 on: September 21, 2009, 07:15:46 AM » by ca.leverette
I have ten minutes to write so I'll make use of it.

Emily Dickinson was such an awesome poet, but I think maybe she really is sort of a 'woman's' poet.  Kinda like reading Bukowski then writing a poem about fuckin whores and pukin beer.  Not that men are the only ones that do that, but those two poets really are sort of at opposite ends of the spectrum. 

Be cool to research the similarities and write about it.  Dickinson Vs. Bukowski  Friday night in Ring 3 $300 presented by HBO.  First of all, the Buk lovers wouldn't even read it probably.  Emily's fans probably would, and there are enough of us out there.  Hmmmm....

Actually the reason I mention Emily is because after reading her poetry for about two hours one night, I felt very 'safe' writing and posting the poem below.  She understood me!  I wasn't the only one to have ever been so anxious of myself and life that I couldn't even speak.  But ultimately, there's a time and place for everything.

It wasn't until after Emily's death that a relative discovered most of her writing hidden away in her bedroom.  She wrote all of that amazing, intelligent, deep, clever poetry and never really cared who read it--except Wordsworth of course.

And he's another story altogether.




once a child is lost
not in death
but to state
            he is property
like cattle or farm land
with rows of corn
or broken ground
a chainlink fence
divides him

     and is always
     human to me




once, i lost a child
not to death
but to the state
he was property
like cattle or farm land
with rows of corn
or broken ground
a chainlink fence
divided him in half

he was always
human to me

in fragments
of dark and light
(no way such hours
would pass as time)
i learned psychosis
is a reality/isn't a choice

my stomach heaves
at the memories
not enough room
in my throat for air
or for bile to rise

i couldn't say the words
of my son's captivity
afraid of terror vivid as death
a burn in hell gurgle
of freakish sounds for mercy
for 'let me die'
for 'stop the pain'
to be ignored

cursed sharp points
jabbing and snapping
to let grief out

the only one
until i read
a sonnet's death
if i make a prison
of this human cave
walls will tell 
i am visible




WORD is dead
     When it is said,
     Some say.
     I say it just
     Begins to live   
     That day....
     In cave if I presumed to hide,
     The walls began to tell;
     Creation seemed a mighty crack
     To make me visible. -Emily Dickinson


once a child is lost
not in death
but to state
             he's property
like cattle or farm land
with rows of corn
or broken ground
chainlink fence
divides him

     always human
                to me

    fragments dark and light
       (no way such hours
       could pass as time)
psychosis is reality/never a choice

stomach heaving memories
not enough room in my throat
for rising bile or air to breathe

               couldn't say the words
                               of captivity
cursed sharp points
jabbing and snapping
to let grief out

i am visible



WORD is dead
     When it is said,
     Some say.
     I say it just
     Begins to live   
     That day....
     In cave if I presumed to hide,
     The walls began to tell;
     Creation seemed a mighty crack
     To make me visible. -Emily Dickinson


once a child is lost
not in death
but to state
             he's property
like cattle or farm land
with rows of corn
or broken ground
chainlink fence
divides him

     always human
                to me

    fragments dark and light
       (no way such hours
       could pass as time)
psychosis is reality/never a choice

stomach heaving memories
not enough room in my throat
for rising bile or air to breathe

               couldn't say the words
                               of captivity
cursed sharp points
jabbing and snapping
to let grief out

human cave or prisoner
walls tell i am visible


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #282 on: September 22, 2009, 06:13:30 PM » by ca.leverette
This is just between you and me.

After reading milner's reply to Larry's discussion, I think I had an intelligent thought.&nbsp; Maybe it would be better for me to learn not to be ashamed of personal poems and learn not to take them so seriously, rather than posting a poem, dying of embarrassment, then deleting it off the face of the earth in complete, dramatic and utter humiliation.

No matter what, I will not delete a single poem from this website until I really don't care at all about what happens, and maybe never again.&nbsp; This is day two of my resolution.

I will not care...I will not care...I do not care...I do not care....&nbsp;

Have I lost my mind?&nbsp; Most likely.

Now I think I'll look for a pretty picture.

Weird things to think about.





I Cannot Live Without You
by Emily Dickinson


I CANNOT live with you,
It would be life,
And life is over there
Behind the shelf

The sexton keeps the key to,
Putting up
Our life, his porcelain,
Like a cup

Discarded of the housewife,
Quaint or broken;
A newer Sevres pleases,
Old ones crack.

I could not die with you,
For one must wait
To shut the other's gaze down, --
You could not.


And I, could I stand by
And see you freeze,
Without my right of frost,
Death's privilege?


Nor could I rise with you,
Because your face
Would put out Jesus',
That new grace

Glow plain and foreign
On my homesick eye,
Except that you, than he
Shone closer by.

They'd judge us -- how?
For you served Heaven, you know,
Or sought to;
I could not,

Because you saturated sight,
And I had no more eyes
For sordid excellence
As Paradise.

And were you lost, I would be,
Though my name
Rang loudest
On the heavenly fame.

And were you saved,
And I condemned to be
Where you were not,
That self were hell to me.

So we must keep apart,
You there, I here,
With just the door ajar
That oceans are,
And prayer,

And that pale sustenance,
Despair!
 



 

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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Big Wigs of Poetry Circle
« Reply #283 on: September 29, 2009, 10:56:26 PM » by ca.leverette


--------------------------------------------------------------------------------
ACT ONE:

--------------------------------------------------------------------------------


It was just the other day--the PC big wigs
and I are prowling the site in our sleek
impressive turn-of-the-phrase IambicMobile.

Irish-dewd is there for the ride,
Irish-dudette, Sassy-sheep, Tha-man-mil
with his side-kick-step-lower-JY
(who is forever hiding but never missing anything)
Quiet-man, Tantalizing-tights, Ed-pic
(always picks the best ones), and Ed-pac
(rumor is they call him pac cause he's always packin'
and o my goodness! it's a big one), and me.

     At the onset of this event
     I was without a ticket
     but I cried a british fortnight
     and one appeared on my flat screen
     --after I'd purged myself of all poetic
     devices (as prescribed by Tha-man-mil
     while JY took notes).

As always, I want to sit between Irish-dewd
and Quiet-man but Irish-dudette is too young
and fast for me. 

Tantalizing-tights says

Irish-dudette's issues are tanta-mount to
the bling-bling-bagpipes she totes
which is why her music is always beautiful.

Tanta-t has a special way
of making everyone feel better.

At such point an argument ensues:
Irish-dewd suggests enthusiastically

let's do a drive-by pick-through of the
discarded rejects pile.

to which Ed-pac and Ed-pic holla

Hell no!  No way!  I gots me at least
one there meself, ya damn BlueCap-Irish-prick!

Irish-dewd replies with a laugh
waking Quiet-man from hibernation
at which time Q cleverly slings a few
under-written sarcastic phrases
between the three and all become
magically peaceful again.

At just the right time, we round
the spiral of Journalese Boredwalk.
Suddenly Q becomes seized with
a frightening memory

to which Sassy-sheep responds
semi-dramatically:

What's wrong? What's wrong?

Q is word-up:
 
I dreamed we picked up a
freaky looking bunch of gypsies,
poets, and musicians right here at this
corner and ended up just like them!

It was a nightmare, right?

Well, maybe not a nightmare.  Could
be a bland dream.

But, after reading some recent posts,
it's becoming a nightmare quickly.

at which time I, who up until
this point, have been my silent-self,
respond in meter with the moment:

wicked tramps and thieves, eh?


Q nods very mysteriously, quite confused
and (sort of) amused:  Well...?


Oh...yeah, yeah.  Nightmare,
Big Q.  Go back to sleep.


at which time...he does.



--------------------------------------------------------------------------------

--------------------------------------------------------------------------------

--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #1 on: September 19, 2009, 02:12:42 PM » by Tom Riordan
Just leave your notes somewhere that the forensic literati will be able find them, Cheryl, so too many grad students' lives won't be wasted figuring out who's who and why's why after PC becomes world-beating. Tom
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--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #2 on: September 19, 2009, 02:44:10 PM » by ca.leverette
huh?  world-beating?  what's that?

forensic literati?  now that's a good one.  the second act is on you.  ha!

thanks for checkin' it out, T.

(i do hope it's obvious there's not a jot or tittle of malice here.)




   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #3 on: September 19, 2009, 02:46:25 PM » by ca.leverette
Quote from: Tom Riordan on September 19, 2009, 02:12:42 PM
Just leave your notes somewhere that the forensic literati will be able find them, Cheryl, so too many grad students' lives won't be wasted figuring out who's who and why's why after PC becomes world-beating. Tom


but to do that i'd have to know who's paranoid or overly-sensitive.  the good-humored will know who they are.


'--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #4 on: September 19, 2009, 03:00:23 PM » by Lavonne Westbrooks
Bring it on!
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--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #5 on: September 19, 2009, 03:16:45 PM » by ca.leverette
Quote from: Lavonne Westbrooks on September 19, 2009, 03:00:23 PM
Bring it on!


now what does that mean?  listen here, sassy, this is not Raw Saturday Night Smack-Down at the Garden.

lol

thanks for the look lavonne.  so you're writing act three?

cheryl

--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #6 on: September 19, 2009, 03:42:35 PM » by StellaR



cheryl ..
your latest posts are magic

Stella

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“Logical argument is what destroys poetry because poetry is beyond logic.” Robert Graves

--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #7 on: September 19, 2009, 04:01:12 PM » by ca.leverette
Quote from: StellaR on September 19, 2009, 03:42:35 PM


cheryl ..
your latest posts are magic

Stella



Stella!  You have no idea what your words mean to me.  Thank you so much.

cheryl


--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #8 on: September 20, 2009, 06:49:45 AM » by Ken Robson
Cherylanne--right on the snoot to boot!

                            ken
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Poetry is an act of mischief.

             Theodore Roethke

--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #9 on: September 20, 2009, 08:11:44 AM » by ca.leverette
Quote from: Ken Robson on September 20, 2009, 06:49:45 AM
Cherylanne--right on the snoot to boot!

                            ken


Do you really think so?  lol   It was fun & meant to come off that way.  I hope it does.

Thanks again, Ken.
cheryl
--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #10 on: September 20, 2009, 06:52:47 PM » by silent lotus
dear Cherly

looking forward to getting tickets
to the first dress rehearsal !

do PC editors get preferential seating ?


smiles
silent lotus
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--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #11 on: September 20, 2009, 07:05:38 PM » by Lavonne Westbrooks
Front Row
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--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #12 on: September 20, 2009, 07:14:03 PM » by jamesthomashoward
Great fun, cherylanne. I frustratingly couldn't work out who everyone was though! care to provide a key?

I can see Tom, Milner, LV, John Yamrus...

james
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Cough.

--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #13 on: September 21, 2009, 04:13:29 AM » by ca.leverette
Quote from: silent lotus on September 20, 2009, 06:52:47 PM
dear Cherly

looking forward to getting tickets
to the first dress rehearsal !

do PC editors get preferential seating ?


smiles
silent lotus


SL, so glad you responded this way.  Actually the big wigs were offered front row tickets but everyone of them with the exception of Lavonne insisted that the rest of us have them.  ; )

LOL Lavonne, thanks so much for popping in on this now and then.  Let's me know I'm still ok.

james, I'm hesitant to give it ALL away but the clues are in the name, of course.  For instance there's a beautiful (inside and out) poet here who's blog title references 'tights'.

But now I'll be honest.  I am not a manipulative person (not sure I know how) but when it comes to writing I will tend to do just about anything, so I might just string-along anyone interested so this post won't die too quickly.  haha

Hardly seems fair, eh.  But poop, I'm desperate.  For attention.  ; )

Thanks for reading, james.
cheryl


--------------------------------------------------------------------------------
   Re: The Big Wigs of PoetryCircle (invitation to a play)
« Reply #14 on: September 22, 2009, 07:10:54 AM » by ca.leverette
Ok, jamesthomashoward, and anyone else who's curious, regarding Quiet Man::  who's the most prominent, but says the very very very least of any editor?
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©ca.leverette2009♥



never thought
you would leave me here
alone
         waiting on notes of music
-transportation to another world
hoping songs of a stranger
might reveal ecstasy

behind closed eyes
is there another existence
where hands speak emotion
     right palm
     three movements forward
     slightly
     both hands leveled
     midair
     banter

pain for beauty
for loss
for longing



they said it was a bile duct
said it was a kidney
i don't need a doctor
to tell me you are distant

took you to the e.r.
not a homeless shelter
all those other mothers
had brand new cadillacs

won't call my brother
or irritate my sister
i do need a kind word
on days when you're resistant

don't need no glory
or government assistance
i'm just a daughter
in search of your affection



Tennyson's affect

It little avails a silent one
in this calm frame
amid these arid spaces
coupled with a missing beau
I deal and share disparate rules
unto my untamed blood
that hides, and taunts
and takes, and will not comply.

contemporary:

It doesn't do much good
a woman who lives a quiet
and calm life amid empty spaces
coupled with a missing beau
to teach and be mindful of
rules and morality
when her untamed blood
will not comply.



untamed blood (an exercise)
« on: Today at 09:55:14 PM » by ca.leverette
This is better (more my voice):


contemporary:

It doesn't do much good
a woman who lives a quiet
and calm life amid empty spaces
coupled with a missing beau
to teach and be mindful of
rules and morality
when her untamed blood
will not comply.


--------------------------------------------------------------------------------

Tennyson's effect:

It little avails a silent one
in this calm frame
amid these arid spaces
coupled with a missing beau
I deal and share disparate rules
unto my untamed blood
that hides, and taunts
and takes, and will not comply.


--------------------------------------------------------------------------------

(after reading Alfred Lord Tennyson--a practice)

Tennyson speaks of giving his life for a people who don't know him.

Mine is about taking time to rule my nature, when my nature refuses
to comply.


--------------------------------------------------------------------------------

I dunno if I should post this.  Who cares what I practice?
Ok I'm breaking my rule and deleting due to how boring
this might be and really is not the right place)
Now, I'm going away to the garden to eat worms
while dressed in sackcloth and ashes




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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #284 on: September 30, 2009, 10:44:55 AM » by Jill Winkowski
Highly entertaining.
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"FOR God's sake hold your tongue, and let me love ;" John Donne, The Canonization

  Re: field rabbit
« Reply #285 on: October 03, 2009, 03:14:58 PM » by ca.leverette
Highly entertaining.

Hi JILL!  Geeze, so sorry to miss your comment when you left it.  I'm not unappreciative, I promise.  Thanks so much for the stop by and the reply.

cheryl



Playing with apparitions and conjured
 visions, she falls asleep in shallow'd grave,
     awakens alone, eyes of hollow'd tombs. 

No eulogiz'd lamenting crowd;  no bells
tolling.  Black shrouded graveclothes lifted by
           the crooked fingered undertaker, who

taunts her darkly with his haunting riddles: 
'What quiddity you have is fantasy', 
                   and this kindly given epitaph: 

'Nuts and bolts are concrete certainly, but
forty winks won't discern tacks of brass'.



like fear in a lullaby
the way is laid, sometimes
     with traps and robbers

children, alike and different
same dust, I'm told
each from a different mold
     'nary a duplication

eyes carry burdens
a smile speaks comfort
     everything's alright



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©ca.leverette2009♥

'All that we see or seem is but a dream within a dream.' -Edgar Allan Poe

--------------------------------------------------------------------------------
   Re: stones in a feather bed
« Reply #1 on: Today at 09:56:45 AM » by Tom Riordan
Quote from: ca.leverette on Today at 06:01:33 AM
like stones in a feather bed
or fear in a lullaby
the way is laid, sometimes
     with traps and robbers

children, alike and different
same dust, I'm told
each from a different mold
     'nary a duplication

eyes carry burdens
a smile speaks comfort
     everything's all right

Some beautiful writing, Cheryl. Ny nit (The Princess and the Nit) is title/L1. Seems out of character with child focus of the rest of poem, as I read it. Possible "pea" somehow in feather bed, but I must say the whole holds together well if it begins "fear in a lullaby." But there may be a layer to the whole poem (The Princess and the Egg) that is just going over my head.
You capture something about the inner life of children, or how we see it anyway, beautifully. Tom
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   Re: traps and robbers
« Reply #2 on: Today at 10:22:12 AM » by ca.leverette
Quote from: Tom Riordan on Today at 09:56:45 AM
Some beautiful writing, Cheryl. Ny nit (The Princess and the Nit) is title/L1. Seems out of character with child focus of the rest of poem, as I read it. Possible "pea" somehow in feather bed, but I must say the whole holds together well if it begins "fear in a lullaby." But there may be a layer to the whole poem (The Princess and the Egg) that is just going over my head.
You capture something about the inner life of children, or how we see it anyway, beautifully. Tom


Tom, thanks so much.  I really thought this was just my silliness, but at least I'm not the only one.  The penultimate should always be 'everything's alright'.

cheryl


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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #286 on: October 11, 2009, 10:16:33 AM » by ca.leverette
It's more than a memory
looking through Mrs. Piccadillo's window,
her arm across my chest:

the woman is pretty
in a wild, peculiar way
eyes drawn like almonds
face heart-shaped
hair like creamed honey
dressed in a flowered shift
out-of-date and too big
for her thin body
and no underwear.
Dead granddaddy's
mustard sweater
covers her pointed shoulders.

Barefoot in the cold
she sits atop a tall ladder,
upside down v
-shaped part of the roof
over her head
-a letter L in the center.

She pounds the cement
driveway
with a wooden stick
the only useful part broken off.

Her left arm waves like a fanatic.
     Devil, I know you're out there!
     You can't have my babies!
     Can't have 'em!


Inside, are two small children
one just five
the other, barely born.



monday
high again, three lines
snort or smoke?
dope on a silver boat

tuesday
commercials
no way that guy's not high
one day we'll find out the truth
whole generation of geniuses
fucked up

wednesday
conscience is a wheel
spikes turn around inside

thursday
do another line
football season
listen to the tops pop
everyone drinks beer
eats fried bologna sandwiches
bump bump white line

friday
sick feeling
phenergan, anti-acid tabs
can't eat, hands shake
make mistakes
two in the living room
watching 'new jack city'
dealing drugs
 
saturday
paranoid, chest hurts
throat jumps, neck-spiders
hide the dope in the bathroom
in a shell, who will tell
mumble the truth
can't remember it

sunday
should be in church
cross a threshold
voice says, 'stop,
this has meaning'
what has meaning?
think i missed it
even on sunday

(poem before death)

world looks funny, cock-eyed
insane, triple-sec dehydrated
ammonia fumes slightly bent
hydrogen fueled twisted octagons
soar through an anhydrous sky
tongues lap over each other
shaped like crooked teeth indentions
flapping and slapping in faces
eyes like crocus
earth waxes crystal
quite bright at midnight

(heart stops)

it finally happens
i cave in
give up the fight
that's what my 'loved ones' cry
my placebo friends yelp
like dogs and say the same
gathered at a pot-luck reunion
in a park, feasting on my formaldehyde
some in white and pale white
others in gray and tainted gray
laughter explodes
sling me in brick, i say
life spins 'round anyway

(death-chuckles at the funeral parlor)

'she always loved poetry'
'yeah, a few limericks will do' :

calling curly crack pot
wonder if she eats snot
go shop for tissue, we must
gag when snot turns to crust
would rather kiss alot than not

one day walking home
crosses a long hair all alone
she screams and yells
falls for the pony tail
rides all the way home

he's not really tired at all
in fact, both have a ball
happy and free for awhile
till he winks, gives her a smile
she comes when he calls

come everyone, join the fun
look at the webs we've spun
if you forget from line to line
which ones should, never should rhyme
relax, still won't know when you're done
when you're done

(after-dinner-fun at home of the dead)
'what-it's-like-to-be-dead' poem

spin like a top
faster and higher
the sun is a merry-go-round
and i'm riding

time is deceitful
doesn't have hands
and won't stand still
wings fly toward the heat
this road is so frigging long
and i'm tired of traveling
just spinning in circles
no clock tells the truth
today

i'm dead, they eat tables,
and tables of food
the bar in the kitchen
is on overload
hadn't had this much
company in years

no after dinner mints?
those were limericks
of course not
and there's no after dinner
they just keep eating, the pigs




a baffling prick
in my bed of roses
-a wrestler in flannel

life intoxicates
as you do me
like Samuel Adams Utopias

let me go
before i'm ready
-your turnstile attraction


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #287 on: October 11, 2009, 10:31:31 AM » by ca.leverette
Seems like I've been gone forever.  Feels like I've forgotten how to write well or comment appropriately.  I suppose I always take the low road when it comes to my own self assessments.  And yet I have these visions of southern poetry with illustrations and portraits.  Not every poet has an illustrator.  I do.  I feel like I have a lap full of gold and no where to spend it.  Or maybe I don't how.  Or maybe I lack motivation.  Surely it's not ambition. 

What is that anyway?  All I've ever wanted to do was write.



sea divides
those that thirst
walk through

sea re-joins
the un
-quenchable
remain




Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Gweneth Lewis: Making Something Out of Nothing
« Reply #288 on: October 15, 2009, 04:37:36 AM » by ca.leverette
HOW TO KNIT A POEM

The whole thing starts with a single knot
and needles. A word and pen. Tie a loop
in nothing. Look at it. Cast on, repeat

the procedure till you have a line
that you can work with.
It’s a pattern made of relation alone,

my patience, my rhythm, till empty bights
create a fabric that can be worn,
if you’re lucky and practised. It’s never too late

to pick up dropped stitches, each hole a clue
to something that might be bothering you,
though I link mine with ribbons and pretend

I meant them to happen. I make a net
of meaning that I carry round
portable, to work on sound

in trains and terrible waiting rooms.
It’s thought in action. It redeems
odd corners of disposable time,

making them fashion. It’s the kind of work
that keeps you together. The neck’s too tight,
but tell me honestly: How do I look?   

© 2007, the BBC
From: How to Knit a Poem
Publisher: BBC Radio 4, London, 2007


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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #289 on: October 19, 2009, 07:11:26 PM » by ca.leverette


He tells me: 'I opened a door
so you could express yourself.&nbsp;
The damage was already done'.

Suddenly, odd things become
important like roses and youth.

He ignores drops of blood
falling from from tear ducts
like shiny red pearls.&nbsp;
I ignore his scowl.

Reveling in pain, he confuses solstice
with searing; complains about heat passing by.
His eyes are muddy as forbidden soil
a hard poison of nightmares and betrayal
rambling about lofty visions and silky dreams.

But bones break
sinews lengthen
revenge deepens.

And always, after the cracking:
'What does it feel like to break?'
he asks. I tell him: 'First, the melting--
volcanoes erupt inside dividing all the petrified
parts in search of the last hard rock
clinging to sanity and passion'.

He waits for the finish, but there's no ending.
I'll never rest: 'Sorry, the riddle is Universal
and you've been chosen to solve it'.
He beams proudly.

Eyelids fall like iron curtains.


--------------------------------------------------------------------------------
Cheryl,
This is a powerful beginning.&nbsp; IMO it needs
trimming as some of it is repetitive.
You could eliminate S1 for starters.
The last two stanza's are very strong.
Some of the in-between, I think only
serve to clutter the poem.
An excellent theme here that you
can work into a great poem.

MarionReply | Reply with quote
Report to moderator&nbsp; &nbsp;Logged


It aint easy to be simple.

--------------------------------------------------------------------------------
&nbsp; &nbsp;Re: Could've been a nightmare
« Reply #2 on: Today at 10:26:43 AM » by ca.leverette

Quote from: Marion Alice Poirier on Today at 10:22:21 AM
Cheryl,
This is a powerful beginning.&nbsp; IMO it needs
trimming as some of it is repetitive.
You could eliminate S1 for starters.
The last two stanza's are very strong.
Some of the in-between, I think only
serve to clutter the poem.
An excellent theme here that you
can work into a great poem.

Marion


Thanks Marion, tis done.

You mean you actually see the theme?

cherylReply | Reply with quote | Modify | Remove
Report to moderator&nbsp; &nbsp;76.125.96.153


Quote from: ca.leverette on Today at 10:01:24 AM
He tells me he 'opened
a door' for me 'to express
myself--the damage was
already done'.

Suddenly, odd things become
important like roses and youth.

He ignores drops of blood falling
from from tear ducts like shiny
red pearls.&nbsp; I ignore his scowl--
cloaking his face dramatically
like a shroud.&nbsp; Bones break,
sinews lengthen, revenge
deepens.

Reveling in pain, he confuses solstice
with searing and complains about heat
passing by.&nbsp; His eyes are muddy
as forbidden soil, a hard poison
of nightmares and betrayal.

He rambles on about lofty visions
and silky dreams as I lay in fragments.
The cracking and snapping stops
and he wants to know what it's like
for me--to experience brokenness.

'What does it feel like to break?'
he asks.&nbsp; I tell him, 'After
the melting, volcanoes erupt
inside, dividing all the petrified
parts in a search for the last
hard rock clinging to sanity
and passion'.

He waits for the finish, but
there's no ending.&nbsp; I'll never rest.&nbsp;
'Sorry, the riddle is Universal
and you've been chosen to solve
it.'&nbsp; He beams proudly.

Eyelids fall like iron curtains.

Lots of strong images in here, Cheryl. The "I'll never rest" a great high point. I don't get the value of some of the repetition, like the triple repeat here:

&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; ..I lay in fragments.
The cracking and snapping stops

and he wants to know what it's like
for me--to experience brokenness.

'What does it feel like to break?'
he asks.

Again you're reminding me of Lucinda Williams - one of my favorite (song-) writers. TomReply | Reply with quote
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--------------------------------------------------------------------------------
&nbsp; &nbsp;Re: Could've been a nightmare
« Reply #4 on: Today at 01:48:36 PM » by ca.leverette

Quote from: Tom Riordan on Today at 10:53:07 AM
Lots of strong images in here, Cheryl. The "I'll never rest" a great high point. I don't get the value of some of the repetition, like the triple repeat here:

&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; ..I lay in fragments.
The cracking and snapping stops

and he wants to know what it's like
for me--to experience brokenness.

'What does it feel like to break?'
he asks.

Again you're reminding me of Lucinda Williams - one of my favorite (song-) writers. Tom


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Sweaterpointing
« Reply #290 on: October 25, 2009, 09:50:12 AM » by ca.leverette


 'sweaterpointing'--d.e.h.

my sweater points at you
   hope you feel the prick

      hips sway your way
thighs easy on the eyes
 are heaven in the hand

i cock my head
bat dark long lashes

your eyes grow large

as other things
begin to swell


and if you're in denial
or just can't face
                 this poem is over             
here's an
alternate ending:
                  it wasn't my fault
         blame it on the sweater




Flight Record::Operation Alpha/Omega

(prompt:  Tom's 'Badland Guardian')


Day One:
Whirling clime, clustered clouds
I'm small on a mountain top
watching humans fly with man made wings
flesh and bone are brave;  wings, beautiful
I hear rushing noise--great mechanism like a large fan
steel blades blow wind and power
keep the courageous alight
glide through the day, glow at night
First development of written language
Solar atmosphere:  darkness follows light
Questions:  Does everyone fly?
Answers:    None

Day Two:
Transportation to another world
here there's intellectual engagement
I see both birth and destination of flyers
With abnormal burn patterns, terrain
is hard dry mud, dusty, nondescript
Atmosphere:  light follows light
Questions:  How many watchers?
Answers:    None

Day Three:
Man in awe appears at my side
I'm shouting at him, he can't hear
He gapes at me, glances this way
looks right through human flesh (mine)
A second man appears
His question stuns:  is this prison, the camps?
Clear verbal language is developed
Atmosphere:  darkness follows darkness
Questions:  Does humanity disappear?
Answers:    None

Day Three:
I begin fashioning wings
Charting my course, design a direction
prepare ground for take off
Measure depth and length
There are concave electrical distractions
floating scrap metal slices impact other pieces
sounds like cathedral bells
Musical cognizance arrives
Atmosphere:  light follows sound
Receive first message:  prepare for end
Questions:  Is this real?
Answers:    None

Day Four:
I'm flying heavenward
toward my destination
I lengthen arms, stretch fingers
experience freedom, auto-liberty
Empathy is installed
I see and understand suffering
in creatures below, appearing as ants
Light kindles in real time, delivered
Colors inherently mix, also delivered
At once, the mundane is overcome
Fear is deciminated
Atmosphere:  light follows darkness
Questions:  Will it last?
Answers:    None
       
Final Day:
What appears to be an alien flight
heads toward mate-ship
like the lightening of visual drums
or deployed solar arrays
Mate ship enhances discovery
and study of oral history
Atmosphere:  sound follows color
        We have seen the beginning
              Will prepare for the end

   Transformation successful
Silence has been significant:
                    Armies gather



--------------------------------------------------------------------------------

     I can't help. You did what
     you did, the chips fell
     where they fell,
     and things go on, no?
          -T.Riordan Gaucho


--------------------------------------------------------------------------------

O wise Shepherd!
Thou hast herded the swine and the cow
Thou hast mounted and been mounted

Thy harp hast strummed Thy mottled tune
Thou hast gathered sheep
Thou hast slapped the flank
Poked the hole

Thou hast hung Thy strap
Round necks of unbridled maidens
Thou hast pricked Betsy the milk-cow
Goaded Lily, the tender lamb
O Cowboy! do not leave Thy flock just now!

All-seeing Vaquero!
Thou hast wrangled with wolves
Protected thy herds, punched the bull
Busted the fox, tormentor of hens

Thou art surely a Rough Rider!
Thy great range a vast field
Where thou hast bred with the best
And still so many left!

O Buckaroo! lay not down Thy handy horn
Thou canst rest! 
Thy cattle and sheep,
Thy hens and bulls
In adoring suspense, await only Thee.

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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Saturday
« Reply #291 on: October 31, 2009, 09:24:35 AM » by ca.leverette


--------------------------------------------------------------------------------
   Hoodoo Eyes
« on: October 25, 2009, 03:39:46 AM » by ca.leverette

--------------------------------------------------------------------------------

beguiled
by our own fantasies
we become architecture

peel-away eel skin
swimcaps in green pea
wetsuits shiny and red

totally slick
on our way to delirium
fresh art and fresh skin

our audience a gallery
the shine and glitter
of hoodoo eyes

 

--------------------------------------------------------------------------------



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'My dad kept his maggots alive and warm under his lower lip....he kept silent and looked into the river, worked his tongue, like a thought, behind the bait.' - Raymond Carver, 'Bobber'

--------------------------------------------------------------------------------
   Re: Latex Gallery
« Reply #1 on: October 25, 2009, 09:13:23 AM » by ca.leverette
Suppose this little poem will be a good introduction to the project I started in workshop.
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'My dad kept his maggots alive and warm under his lower lip....he kept silent and looked into the river, worked his tongue, like a thought, behind the bait.' - Raymond Carver, 'Bobber'

--------------------------------------------------------------------------------
   Re: Latex Gallery
« Reply #2 on: October 25, 2009, 03:36:05 PM » by joseph lofgren
Love it. Beautiful. I was tugged along with the creative process of your mind.
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   Re: Latex Gallery
« Reply #3 on: October 25, 2009, 04:29:09 PM » by ca.leverette
Quote from: joseph lofgren on October 25, 2009, 03:36:05 PM
Love it. Beautiful. I was tugged along with the creative process of your mind.


Wow, thank you so much Mr. Lofgren.  Much appreciated!

cherylanne


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'My dad kept his maggots alive and warm under his lower lip....he kept silent and looked into the river, worked his tongue, like a thought, behind the bait.' - Raymond Carver, 'Bobber'

--------------------------------------------------------------------------------
   Re: Latex Gallery
« Reply #4 on: October 25, 2009, 08:08:44 PM » by Tom Riordan
Quote from: ca.leverette on October 25, 2009, 03:39:46 AM

--------------------------------------------------------------------------------

creative partners, we are
in front of webcams
under keyboards
fresh art and fresh skin

on our way to delirium
peeling away eel skin boots
we make points sharp and quick
wearing swimcaps

in smorgasbord green pea
wetsuits shiny and red, totally slick
we squeak and squeal
onto our cyberstage

seminudes in the background
architecture we've become
galleries of shining eyes, bleary lids
a mere blush away

head to bed
watching the world
watch us
through fetish-eyes

Not sure what to focus on in this poem, Cheryl. I read it, it reads fine, but nothing comes out and grabs me, then it's over. -Tom
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   Re: Latex Gallery
« Reply #5 on: October 25, 2009, 08:37:53 PM » by ca.leverette
OK well, this sounds like a good way for me to learn something. 

The focus should be on 'we've become architecture', or a stage set.  A cyber drama on a cyber  stage with 'we' the characters center stage to a captive audience--each other, and anyone else obsessed with cyber culture.  The cyber stage separates drama from real life;  acting as a door or portal to another world, a way of escaping real time.  Normally the audience comes to the stage--here the stage is computer screens and web cams.

Well, explaining that helps me a little, I'll see what I can change.  But please advise me if you have any other thoughts.

cheryl


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'My dad kept his maggots alive and warm under his lower lip....he kept silent and looked into the river, worked his tongue, like a thought, behind the bait.' - Raymond Carver, 'Bobber'

--------------------------------------------------------------------------------
   Re: Latex Gallery
« Reply #6 on: October 25, 2009, 09:21:41 PM » by ca.leverette
Quote from: ca.leverette on October 25, 2009, 03:39:46 AM

--------------------------------------------------------------------------------

our portal to another world
escaping real life in real time
beguiled by our own fantasies
we become architecture

seting the stage
a cyber-compromise
in front of webcams
under keyboards

we make points
sharp and quick
in peel-away eel skin
and bizarre costumes

swimcaps in green pea
wetsuits shiny and red
totally slick
on our way to delirium

fresh art and fresh skin
our audience is a gallery
of shine and glitter
under bleary lids

watching us
with fetish-eyes
 

--------------------------------------------------------------------------------


Ok, I think I may have cleaned that up a bit.  Hope it makes more sense and sounds better.  Please lemme know, Tom, anyone.

cheryl

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'My dad kept his maggots alive and warm under his lower lip....he kept silent and looked into the river, worked his tongue, like a thought, behind the bait.' - Raymond Carver, 'Bobber'

--------------------------------------------------------------------------------
   Re: Become Architecture
« Reply #7 on: October 26, 2009, 09:25:05 AM » by Tom Riordan
Quote from: ca.leverette on October 25, 2009, 03:39:46 AM

--------------------------------------------------------------------------------

our portal to another world
escaping real life in real time
beguiled by our own fantasies
we become architecture

seting the stage
a cyber-compromise
in front of webcams
under keyboards

we make points
sharp and quick
in peel-away eel skin
and bizarre costumes

swimcaps in green pea
wetsuits shiny and red
totally slick
on our way to delirium

fresh art and fresh skin
our audience is a gallery
of shine and glitter
under bleary lids

watching us
with fetish-eyes
 

--------------------------------------------------------------------------------

There's definitely more stuff in this version that is hitting home, for me, Cheryl. The L4 idea that we lend ourselves to be architecture for other people's fantasies is quite eloquent. The eel-wetsuits-delerium sequence nice, because of the shadow of "aquarium". Calling the practitioner's mind "a gallery/of shine and glitter/under bleary lids" also eloquent. Tom
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--------------------------------------------------------------------------------
   Aquarium Eyes
« Reply #8 on: October 26, 2009, 05:33:58 PM » by ca.leverette
Quote from: Tom Riordan on October 26, 2009, 09:25:05 AM
There's definitely more stuff in this version that is hitting home, for me, Cheryl. The L4 idea that we lend ourselves to be architecture for other people's fantasies is quite eloquent. The eel-wetsuits-delerium sequence nice, because of the shadow of "aquarium". Calling the practitioner's mind "a gallery/of shine and glitter/under bleary lids" also eloquent. Tom


Thanks Tom.  I like the 'aquarium' idea & didn't realize the poem was leaning that way.  Thanks for that.  Just to see how it works, I deleted alot of lines.

will see what happens and if it works,
cheryl




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'My dad kept his maggots alive and warm under his lower lip....he kept silent and looked into the river, worked his tongue, like a thought, behind the bait.' - Raymond Carver, 'Bobber'

--------------------------------------------------------------------------------
   Re: Become Architecture
« Reply #9 on: October 26, 2009, 05:39:27 PM » by Tom Riordan
Quote from: ca.leverette on October 25, 2009, 03:39:46 AM

--------------------------------------------------------------------------------

beguiled
by our own fantasies
we become architecture

peel-away eel skin
swimcaps in green pea
wetsuits shiny and red

totally slick
on our way to delirium
fresh art and fresh skin

our audience is a gallery
watching us
with fetish-eyes
 

--------------------------------------------------------------------------------

I like the short, Cheryl. In last S, you could say that the new L3 an improvement, but the new L2? Tom

our audience is a gallery
watching us
with fetish-eyes

our audience is a gallery
of shine and glitter
under bleary lids

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--------------------------------------------------------------------------------
   Re: Hoodoo Eyes
« Reply #10 on: October 26, 2009, 07:40:38 PM » by ca.leverette
Tom, this is confusing.  I just now saw this reply.  I think you may have commented while I was in the middle of changing things--sometimes it takes me forever. 

I can see how your idea might be the best.  audience indicates eyes & watching.  maybe 'gallery' too.  but I also remembered you saying once (this is not the first time I've submitted this poem, but this time better I hope) that you were fond of the word fetish.  Thought there might be a good reason, so I looked the word up & found out it also means 'charm, amulet, magic and hoodoo' -- love that word, although I may not need it.  I'll try it.

But can always nix the last stanza

What do you think?

cheryl


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--------------------------------------------------------------------------------
   Re: Hoodoo Eyes
« Reply #11 on: October 26, 2009, 07:45:19 PM » by ca.leverette
now changed to last line.  darnit.  this may be one of 'kill your darling' things, eh?

well I can do it.

cheryl
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--------------------------------------------------------------------------------
   Re: Hoodoo Eyes
« Reply #12 on: October 27, 2009, 01:33:23 AM » by joseph lofgren
where's the original? I am coming into this after originally posting, and I'd like to see the versions in question!

Joe
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   Re: Hoodoo Eyes
« Reply #13 on: October 27, 2009, 01:36:05 AM » by joseph lofgren
Oh. I see. You took away your beautiful rhythm! It sounds more like someone's idea of your poem, which is a different poem entirely. A different version...there was a beautiful organic nature to the first post...and I mean it as no disrespect to Tom, but rather as an illustration that women write quite differently than men.

Joe


Good. I often suggest polishing - at the expense of the original voice. Tom
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   Re: Hoodoo Eyes
« Reply #16 on: October 29, 2009, 12:53:42 PM » by ca.leverette
oops after all that forgot to change it.  Thanks Tom, for the reminder.  Your 'polishing' suggestions have never failed me, as far as I'm concerned.

Sounded funny though, just ending with 'hoodoo eyes'.  So I added a couple of words.  Hope this is ok too.

cheryl

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--------------------------------------------------------------------------------
   Re: Hoodoo Eyes
« Reply #17 on: October 29, 2009, 01:23:57 PM » by Christopher Dallas
I had to look up "hoodoo eyes."
I've heard the phrase here and there over the years but never bothered to look it up.
Maybe I heard it in song lyrics from the 70's. Maybe Jimi Hendrix and Voodoo Child.
By definition, "hoodoo" is Haitian/Caribbean witchcraft and can mean either "bad luck" or "healing."
In one of your versions, I associated "hoodoo eyes" with being sucked into a monochrome monitor - a now very-much retro presentation. I work with people who were born after VGA displays.
Monochrome is now steampunk or retro.

There is a large risk in writing about technology or pop-culture. Technology is especially volatile because of its exponential growth. What you write about today may be incomprehensible in months. I say this as an IT engineer and devotee.

Rent the movie Escape From New York. I recall watching it at the time (1981) and marveling over the presentation of a "3D topographical display" in the protagonists airplane.

Three examples to live by when writing about SciFi or technology: Star Wars IV (the original 1977), Alien (1979) and 2001: A Space Odyssey (1968). These three movies have survived time and technology because of the focus of the story. The creators ran with the premise that technology was there, that it was merely a tool/vehicle and there was something greater going on.

This is why your faithful readers have seen/not seen what you intended. We have perspectives based on age and exposure.

I like monochrome green, eel skin (electric), swimming, slick, semi-nudes (cyberpunk), architecture (the Net), shiny hoodoo eyes,  and fetish. You have engaging concepts. You might throw in a "construct", "node" or "trace".

If you find cyberspace and Film Noir interesting, give William Gibson a read. he's considered the father of cyberpunk and his novels may give you direction. He's written quite a bit on romance/interaction in this stage setting.
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   Re: Hoodoo Eyes
« Reply #18 on: October 29, 2009, 01:43:29 PM » by ca.leverette
Chris, your suggestions are invaluable, as always.  I removed 'cyber', web cams, 'keyboard', and changed to a sort of 'aquarium' venue. 

I love the words you mentioned, but not sure where to go from here, regarding your remarks.

 


Before you tell me what I've done wrong;  allow me
to apologize.  Please, consider justice and listen.  My defense
is that my inner eye is blurry with worry--conjunctive apparitions, surprise evidence against my crime, which is always to appease you, and to relieve your anxiety, your comfort my distraction--the door I attend.  Allegiance
to you guards my inhibitions, for with too many words, I'm profound

yet a voice unlike satiny satire is savory, proper for
your demands, flawlessly insane, suspicious, clandestine--
an astounding inner dialogue, forbidden surplus society
disdains--I'm adverse to fit in, ascertaining my innocence
an affinity for seclusion, agony a cruel and gazing crony
in elaborate fabrications of factions which impute mutiny on
my bounty, a perception I defend, with your stalwart security
unfolding with openhand, here's my guilt and propitiation.

I know what you're thinking.  Before the mountain moves
remember my mind is opportune to accept your oration; you
marshal these thoughts of verbal ruminations within your
mosque of magic and macabre.  Do consider my ascension.



--------------------------------------------------------------------------------

Before you tell me what I've done wrong;  allow me
to apologize.  Oh, end this atrocity!  Herein prepared
is an explanation of my actions before I knew my
own behavior.  Please, consider justice and listen.

My defense is that my inner eye is blurry with worry--
conjunctive apparitions appear, their emergence
surprising evidence against my crime, which is
always to appease you, and to relieve your anxiety

I become antisocial, paradoxical as it seems, you'd be
better without me.  Your comfort is my distraction--
the door I attend.  Allegiance to you guards my
inhibitions, for with too many words, I'm profound,

yet a voice unlike satiny satire is savory, proper for
your demands, flawlessly insane, suspicious, clandestine--
an astounding inner dialogue, forbidden surplus society
disdains--I'm adverse to fit in, ascertaining my innocence

an affinity for seclusion, agony a cruel and gazing crony
in elaborate fabrications of factions which impute mutiny on
my bounty, a perception I defend, with your stalwart security
unfolding with openhand, here's my guilt and propitiation.

I know what you're thinking.  Before the mountain moves
remember my mind is opportune to accept your oration; you
marshal these thoughts of verbal ruminations within your
mosque of magic and macabre.  Do consider my ascension.



Some of us stoop
by exposing flaws.

Some stoop
with a hi-five
a good ole boy
because we can.

Some levitate
in silence.


Logged

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Woman with One Eye
« Reply #292 on: November 01, 2009, 10:29:08 AM » by ca.leverette


Last night
I dreamt
of a very sad woman
with one solemn eye.

When she cries
each tear
is a different face.
Yet the woman
has no face.

Instead, she has
many arms and hands
many legs and feet
spread out and swirling
in different directions.

She feels lost--
doesn't know
who she is.
After all
she has no face.

Her hands
reach up to heaven.
She feels pleasant now
even lovely to look at.

But she doesn't care.



"A dinner which ends without cheese is like a beautiful woman with only one eye."
Jean-Anthelme Brillat-Savarin (1755-1826)






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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #293 on: November 01, 2009, 05:56:31 PM » by ca.leverette


Social networking crisis:

at 9:30 pm, next Friday
I'll be with a man
in a hot tub
surrounded by the scent
of Honeysuckle tendrils

hanging so low from Solar Panels
that we can suck the sticky sweet
honeydew from the stamen
as we pull it gently from the pistil

along with frosty
Champagne glasses
of Pinot Meunier
and huge, ripe strawberries
dipped in rich, thick chocolate.

The last time I was in a Jacuzzi
I pressed all the buttons
gripped all the knobs
played in the froth and bubbles
and felt the hard spray
of hot water on my skin.

I've never been with a man
alone in a hot tub before.



Crisis passed.


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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #294 on: November 04, 2009, 02:13:43 PM » by ca.leverette


This is halloween
I'm not scared
Are you scared
There are spirits out there
that wish we were all scared
but if we show them we're
not, we'll win one more time.




--------------------------------------------------------------------------------

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Sir, I admit your gen'ral rule that every poet is a fool: but you yourself may serve to show it that every fool is not a poet. - Alexander Pope

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&nbsp; &nbsp;Re: Mean Peeps
« Reply #1 on: October 31, 2009, 07:56:32 PM » by david haase
Raven hair and ruby lips
Sparks fly from her finger tips
Echoed voices in the night
She�s a restless spirit on an endless flight
Wooo hooo witchy woman, see how
High she flies
Woo hoo witchy woman she got
The moon in her eye
She held me spellbound in the night
Dancing shadows and firelight
Crazy laughter in another
Room and she drove herself to madness
With a silver spoon
Woo hoo witchy woman see how high she flies
Woo hoo witchy woman she got the moon in her eye
Well I know you want a lover,
Let me tell your brother, she�s been sleeping
In the devil�s bed.
And there�s some rumors going round
Someone�s underground
She can rock you in the nighttime
�til your skin turns red
Woo hoo witchy woman
See how high she flies
Woo hoo witchy woman
She got the moon in her eye


- The Eagles

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Writing poitry is like having cranberrylemonjuice dysentery when the hemmorhoids are in full bloom.&nbsp;

-troutparadigm

--------------------------------------------------------------------------------
&nbsp; &nbsp;Re: Mean Peeps
« Reply #2 on: October 31, 2009, 08:07:53 PM » by Tom Riordan
There are spirits out there - really like that line, Cheryl. Would like to hear more about them. Tom
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&nbsp; &nbsp;Re: Mean Peeps
« Reply #3 on: October 31, 2009, 08:28:48 PM » by ca.leverette
Quote from: Tom Riordan on October 31, 2009, 08:07:53 PM
There are spirits out there - really like that line, Cheryl. Would like to hear more about them. Tom


Would you really?&nbsp; What would you like to know, cause I can sure tell you about them.&nbsp; Cut my teeth on good and evil.&nbsp; And I suppose I know a little theology as well.



&nbsp; &nbsp;Re: Mean Peeps
« Reply #5 on: October 31, 2009, 09:01:38 PM » by ca.leverette
http://www.youtube.com/watch?v=ai8_eIWV-FY (The video's owner prevents external embedding) (External Embedding Disabled)


well I'm very upset that the external embedding is disabled & determined to fix it but I guess it needs the Holy Ghost cause it won't behave.

http://www.youtube.com/watch?v=ymh1o09vRWE (The video's owner prevents external embedding) (External Embedding Disabled)
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Sir, I admit your gen'ral rule that every poet is a fool: but you yourself may serve to show it that every fool is not a poet. - Alexander Pope

--------------------------------------------------------------------------------
&nbsp; &nbsp;Re: Mean Peeps
« Reply #6 on: October 31, 2009, 09:24:35 PM » by ca.leverette
Quote from: Tom Riordan on October 31, 2009, 08:07:53 PM
There are spirits out there - really like that line, Cheryl. Would like to hear more about them. Tom


C.S.Lewis (Chronicles of Narnia)::

"if the universe is so bad, or even half so bad, how on earth did human beings ever come to attribute it to the activity of a wise and good Creator? […] The spectacle of the universe as revealed by experience can never have been ground for religion: it must always have been something in spite of which religion, acquired from a different source, was held". But, where should we look for the sources?

The "experience of the Numinous", a special kind of fear which excites awe, exemplified by, but not limited to, fear of the dead, yet going beyond mere dread or danger, is the first source; the other is the moral experience; and both "cannot be the result of inference from the visible universe" for nothing in the visible universe suggests them.

 


at first look
she caught him
unaware
spells

she caught him
unaware
at first look
and one

look since
she caught him
unaware

twice

she caught him
unaware
at first look


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   Re: 1/2 found poem I got tired of trying to write
« Reply #1 on: November 03, 2009, 03:07:32 PM » by ca.leverette
Tom, now you're famous.  Someone has 'found' your poem and tried to write one just like it.


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--------------------------------------------------------------------------------
   Re: 1/2 found poem I got tired of trying to write
« Reply #2 on: November 03, 2009, 04:25:29 PM » by Tom Riordan
For some reason I got this vision of this poem, and mine, and hundreds more similar, walking the earth on two feet like penguins or something, just repeating themselves obliviously.
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   Re: 1/2 found poem I got tired of trying to write
« Reply #3 on: November 03, 2009, 04:34:38 PM » by ca.leverette
Quote from: Tom Riordan on November 03, 2009, 04:25:29 PM
For some reason I got this vision of this poem, and mine, and hundreds more similar, walking the earth on two feet like penguins or something, just repeating themselves obliviously.


Laughing out loud, for real, here.  This reply is hysterical.  Awesome.  hahahahahaha

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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  After Death, the Living
« Reply #295 on: November 14, 2009, 09:52:08 AM » by ca.leverette


When Daddy died, I was speechless,
and sad.&nbsp; I saw the birth of babies,
and tiny humans yet in the womb.

Those short eternal glimpses contained
all the different ways I'd looked at life--
and none of them included death.&nbsp;

Daddy was strong and his presence
grew bright;&nbsp; and at the perfect time,
revealed my unknowing--
that the living are made complete
in death.



speechless and sad
I saw babies
alive and dead

so many ways
to look at life
so many ways to die


--------------------------------------------------------------------------------

Like this stylistic departure, Cheryl. L1 refers to both dad in title or I in L2. Not sure what I think of L5. It has punch because it's terse and in voice and direct, on the one hand, but on the other hand I wonder if there isn't a more specific image that will make the whole poem unfold more. Tom
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&nbsp; &nbsp;Re: when my dad died
« Reply #2 on: Today at 05:25:19 PM » by Lavonne Westbrooks
Perhaps this needs expanding.

Look at this set of poems from the Front Page Archive for ideas:

http://www.poetrycircle.com/index.php/topic,6040.0.html



Lavonne, Adrienne's poems are powerful.&nbsp; Can't get anywhere near that.&nbsp; I do remember the day I saw those images, though.&nbsp; Adrienne wrote her poems 4 years later.&nbsp; My Dad has also been gone 4 years now.

Brainstorm:&nbsp; A day or two after my dad's funeral, I was searching images on the computer.&nbsp; For some reason I came across a beautiful picture of a fetus, tiny but perfectly formed.&nbsp; The post was about abortion and reasons not to.&nbsp; Most of the time I avoid images like that.&nbsp; But my mind was raw and my thoughts on life and death.

From there, my imagination took over.&nbsp; I could easily view tiny babies who had been aborted and those who had not.&nbsp; All I could think about was life, and how my dad's death represented life as much as the birth of those tiny babies.&nbsp;

My dad's death had completely changed my view of life and death.&nbsp; I wasn't afraid anymore to face the possiblity or the horror of the death of an innocent baby, because even in the death of an innocent, there is life



you travel through your day
as if days were slick tunnels
custom designed for you

casually, you drop by
offering me a pail of water
I can dangle my feet in,
with water so warm
it never freezes

all of it,
a causeway
for stimulation

from nothing more
than a two-fingered
pull of my wrist--

the risk
in knowing you

once the truth erupts
between us
the risk
will be yours


--------------------------------------------------------------------------------

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--------------------------------------------------------------------------------
&nbsp; &nbsp;Re: Your Cause and Effect
« Reply #1 on: November 05, 2009, 03:52:45 PM » by Tom Riordan
Cheryl, I like that "two-fingered/pull of my wrist". S4 hard to navigate, and don't get the slick tunnel having a canyon in it in S6. Like first and last 2 lines of last S -- turning the tables threatwise. Tom


At the train station restaurant:

     Are you ready to order, ma'am?

Not really.  When I order, I'll have to eat
and when I finish it will be time to leave.
I'd like to sit awhile longer.

     So, you have enjoyed your stay?

Yes, I have.  It was unexpected.
Last night I received a letter
telling me
I'd be leaving today. 
I'll be given directions
on my way out.

     How will you know which way is out
     if you don't know where you're going?

Men and women come and go here
all the time.  Some remembered
for the good they've done.  Some
for the harm, and others
who are forgotten. 
I'd rather be forgotten
than remembered for harm.

When I arrived, I was very ill.
The only tools I had were words.
I'm out of words.  I'm well now,
and it's departure time.

     Oh, here's a gift for you
     from the management.
     I'd almost forgotten.

The ruby with sharp edges
at each corner, lay perfectly
in her palm.

Now, I know where I'm going,
she whispered,
and left silently
through the back door,
without disturbing others
enjoying
the cuisine of a lifetime.


--------------------------------------------------------------------------------

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--------------------------------------------------------------------------------
   Re: Leaving the Train Station
« Reply #1 on: October 31, 2009, 06:12:43 PM » by Tom Riordan
Oh, I'd like to see the movie of this! Be a great short scene, like people do for auditions. Tom
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   Re: Leaving the Train Station
« Reply #2 on: October 31, 2009, 06:16:55 PM » by david haase
gulp

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Writing poitry is like having cranberrylemonjuice dysentery when the hemmorhoids are in full bloom. 

-troutparadigm

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"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." ~ Robert Frost

  Re: field rabbit
« Reply #296 on: November 14, 2009, 10:47:31 AM » by cherylleverette


   Re: what you loved all along
« Reply #1 on: November 13, 2009, 01:24:43 AM » by cheryl.a.leverette
something about this not right.  removed the first stanza, too simplistic and really not needed.  hope this helps.

cheryl
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'A man has only one escape from his old self:  to see a different self in the mirror of a woman's eyes.' - Clare Boothe Luce, 'The Women'

--------------------------------------------------------------------------------
   Re: αfяαіd ı мıssεđ ıŧ
« Reply #2 on: November 13, 2009, 07:01:07 AM » by maggie flanagan-wilkie
Cheryl, 

What if you started this from another place?

Maggie

our nonsense
is complicating complicated

or

the nonesense between us
is complicated

our nonesense
is complicated

it comes from knowing
each other so long

in different ways
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   Re: afraid i missed it
« Reply #3 on: November 13, 2009, 08:05:07 AM » by cheryl.a.leverette
Quote from: maggie flanagan-wilkie on November 13, 2009, 07:01:07 AM
Cheryl, 

What if you started this from another place?

Maggie

our nonsense
is complicating complicated

or

the nonesense between us
is complicated

our nonesense
is complicated

it comes from knowing
each other so long

in different ways


Thanks Maggie, another good idea.  Hope it works. 

Very appreciative of the time you take.

Sincerely,
cheryl


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'A man has only one escape from his old self:  to see a different self in the mirror of a woman's eyes.' - Clare Boothe Luce, 'The Women'

--------------------------------------------------------------------------------
   Re: afraid i missed it
« Reply #4 on: November 13, 2009, 10:26:47 AM » by Tom Riordan
Certainly a good read, Cheryl. There are these complicated contradictions at work, the complex sparks vs. the idea that the spark is gone, the comfort vs. that anxiety. Is there a way to let the contradictions be a bit more on the surface without losing their subtlety? Maybe not. Tom

on the outskirts
of your villa

we sit.

two-fisted suns
sink behind
unnamed mountains--

collect the day
and me


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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  the Lord says
« Reply #297 on: December 16, 2009, 01:00:54 PM » by cherylleverette




in a dream:
when the enemy attacks
don't fight back
or defend yourself
as children do
 
instead,
don't be afraid

like a child
cast yourself on Me:
I will be your defense


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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #298 on: December 26, 2009, 03:08:04 PM » by cherylleverette


consider this:
that by being yourself
the good and the bad
you make a commitment
sign a contract 
meet the needs of others
with fear, distraction
aloofness, obscurity
 
never reading
commitments and promises
that are not there
into words or thoughts

it's not your issue
not your problem
but is an issue
for the one
who misunderstood 

dare i say
you're not the first
there are lines we cross
but they don't appear
until the crossing 
 
now it's time for bravery
in accepting
the courage to live
and what it means
for me
but only me 
never responsible
for anyone else 

consider
there are other people
in the world who realize it, too
whether or not our emotions
allow us to admit it 

deep inside
we know it well



tears--first notice holidays
  are here, not about how
         much money spent
              or gifts received

  such days are about you
    and you, and not being
                   judgemental

 not about blinking lights
or bright streams of holly

Christmas falls unreasonably
 lopsided, knowing what will
                             happen

           the cruel are kind
proud fathers ask for help   
    the hungry sit at tables
   lost mothers love babies

       not adding much
to the joyful greetings
  unwelcomed feelings
         will be accepted


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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #299 on: January 09, 2010, 02:30:15 PM » by cherylleverette
Sometimes I wonder
what the hell
I'm doing. 
I don't understand

why people
are so friggin scared
for other people
to be happy,

like it's some kind
of great dastardly sin
if something
a little superficial

makes someone happy. 
Everyone does it. 
If anyone thinks he
/she doesn't,

she/he's in denial. 
And maybe
he and she are
just full of envy.



In a dress faded blue,
bare legs and men's shoes
unlaced, and loose

she stands near
what keeps her alive
with a promise of tending-
the whiskey pyramid

Grey birds sing
in this swamp
Not dead fowl
on a plate

more like monitory
melodies locked away

Wood and metal
smoke and steam
shimmy and shake
on the ground
near the flock

Jaded a leathery
is this picture
of a girl with a lock
in her grip, on a cage
near catbird throats
and the tree
where a rope hangs

What is and what is not,
all are invisible
like vapors
bound by the chirr
of her welcome song

(copy -- final now
in submit)


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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #300 on: January 22, 2010, 04:35:48 PM » by cherylleverette


She asks him for a language
before the east wind blew
when the earth was clay

Both begin without caution
subtle, impossible to hurt

guarding the relationship
like it's sacred

She asks:
     What separated us?
     We woke up one day

     built different cities

     Time wasn't silk
     winding around us
     anymore

     But now
     I've found you,
     anam cara

     When we taste fear
     we know the other is near

     It's more frightening
     to live without your face




a long time ago
before the world breathed
or east wind blew
when the earth was mostly clay
 
she didn't look for him
he was beside her
both creating habits

she asked him
for a new language
he took her to other worlds

both entered without caution
he's subtle, she's genteel

impossible to hurt him,
sighs and tears
were major events
for her 

battles were seldom
with quick endings

guarding the relationship
like it was sacred


something odd separates them
one day, in the time before--
like a chord with a note off-key

she asks him:

     why?  what 
     divides us, anam cara?

     as if we woke up one day
     and built different cities
     dismembered what was one

     we hide from memories
     and mourn the loss of the other
         
     time isn't smooth silk
     winding around us anymore [/i]

she promises:

     i will find you, anam cara.
     even if we taste fear
     we've already touched it
     
     then we'll know     
     the other one is near
     
      it's frightening
     to look in your eyes, anam cara     
     but it's more frightening to
     live without your face at all[/i]


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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #301 on: January 27, 2010, 08:17:15 AM » by cherylleverette
Clang! Clang!

Wooden swing
hangs by iron links

bangs skeleton metal
of a swing set

Wind propels leaves
like tumbleweeds

Sun doesn't shine
but waits

for a young woman
in ragged blue jeans

Storyteller, she is
of ghosts and pinafores
 
along back roads
south of Town Vu Mountain

beyond the lake--entrails
of Tater Black Road



Pa's Little Girl


Baby girl
so small she
stands up
in the car seat

beside Pa
at the wheel.

Her chubby little arm
wraps halfway round
his neck, like a split
peach, partly open.

Blond curls on her head
like lashes angel-white
 
With a ruffle through
them, that's what
Pa says

when

he takes her places

his voice like a whisper
down a long dark hallway.

She tries to remember
strange places

but a deep well
opens

swallows the thought

before she can
wheel the pail up
and peer inside.



Justis

Knowin' things
is hard on little girls.

It's Monday night
way past my bedtime.
I watch Mama lean on the stranger.
She can't stand up by herself.
Her hand's over her mouth
cause she thinks she's whisperin':

'Justis!(that's my name, Justis)
 'Bring my drink!'

Stranger yells.
Mama giggles. She don't care.
Daddy yells ever' time he walks
in the door--

supper ain't never on the table,
toys all over da floor,
ain't no room in the 'frig'rater
fo' his beer.

Daddy thinks I don't know
how he spent my birthday money.
Mama thinks I don't know
she sleeps with a stranger
when Daddy's not home.

She think I don't know why
she sucks smoke through a straw
or why her eyes glitter like a yard animal
and Honey don't know
dat I know
he's a stranger.

I'm so tired.
Like a grownup, I'm tired.
Knowin' things
is hard on little girls.

Rosie, a black lady from downtown
comes to see us ever' other Thursday.
She blind and she can't count.



She don't see my dirty face,
she don't look in our cabinets,
she don't know her numbers
or she'd be countin' dem beer cans.

But Daddy's smart.
He drank all them beers in one night.

Way I figure it
the world ain't real
most of the time

like plays at school
when Teacher gives ever'body
a diff'rent name
and funny clothes.
Ever'one pretends
dey someone
dey ain't.

Tell you a secret--
when sirens squeal
and doctors come--
doze nights are special,

even if someone
be broken or bleedin',
doctors ain't blind
and they can count.

They see my dirty face.
They know we ain't got
no mac'roni and cheese,
or baloney, or root beer.

And I'm tellin' ya',
no star in the sky shines
like them doctors
in them white overalls,
even when it's me
that does da screamin'
to get 'em here.

Knowin' things
is hard on little girls.



Callie

Callie's comfortable here--
this little pool hall
is like her castle,
where she reigns.

Fats Dill, the manager
gropes his groin,
She's good for business.
Fats thinks about the business
he'd like to make
with the little wench, himself.
Women want her too.
So, no problems there.

After all, Callie is fair--
pleasing the un-pleasured,
but she's never satisfied.

It's Saturday night--
A challenge is what I need,
for a change.
Callie eyes a cocky pale-boy
with dagger brown eyes
pretending reluctant interest.
So there's the city boy
lost in the mountains.
She heard about him
during supper at Mama Rue's
house, downtown.
Hey there,
she whispers, her lips
wet, and buried in his neck.

He smiles, ready to prove
something. He doesn't
know what yet.
Do I know you?

Electricity flickers--
his confidence pisses Callie off,
the attraction between them
is too easy.

You don't know me yet
but you will.
What's your name, pale-boy?,

Her body closes in on him
like a spell, as she slightly
moves the tasty parts of her.

Um mm...just call me Bo.
(Sakes alive, she even smells
like sex.) Bo decides he needs
to find out why, real soon.

Callie grabs a dark velvet bag
Mama Rue and the young widow-girls
gave her, outlined in gold beads
and red sequins filled with steamy
potions and invisible secrets,

and leads pale-boy
up the black walnut staircase.



His first encounter with her
is coincidence. Dogs bark,
then footsteps in the dark.
He squints through the door
as her slight figure passes
under the streetlight.

She hears a rocking chair squeak, ,
pivots her head to the left
and peers toward an odd man
staring at her from a sway-back porch
under a dusky screen.
Point-blank, her eyes catch him
between tangles, dark and thick.

Everyday at dawn he's waiting for her.
Twilight vigils make sure he doesn't miss her.
Smoke rises from his cigarette and curls
toward the spotlight where she appears.

He cares very little about anything,
but he worries about the streetlamp:
If the electricity goes out,
I may never see her again.

Where has she been and
where the hell does she go?
He considers the direction she
comes from and drives his old Chevy
to The Gentleman's Club.

He understands her cynical stare
and odd hours of walking home alone.
Like him, she doesn't care if she lives
or dies. She's a stripper--crotch-grabbing life
with shady dollar bills and cryptic looks
through a fog of scraggly black.
 
Before the sun comes up,
his eyes and ears are ready
his smile is smug with relief:
I'm not like other men.
Don't give a damn about the whore.

Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  one favorite
« Reply #302 on: January 30, 2010, 05:56:00 PM » by cherylleverette



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #303 on: January 30, 2010, 06:01:02 PM » by cherylleverette


Falling Into You
by Celine Dion

And in your eyes I see ribbons of color
I see us inside of each other
I feel my unconscious merge with yours
And I hear a voice say, "What's his is hers"

I'm falling into you (falling into you)
This dream could come true
And it feels so good falling into you

I was afraid to let you in here
Now I have learned love can't be made in to fear
The walls begin to tumble down
And I can't even see the ground

I'm falling into you (falling into you)
This dream could come true
And it feels so good falling into you

Falling like a leaf, falling like a star
Finding a belief, falling where you are

Catch me, don't let me drop!
Love me, don't ever stop!

So close your eyes and let me kiss you
And while you sleep I will miss you

Oh I'm falling into you
This dream could come true
And it feels so good falling into you

Falling like a leaf, falling like a star, oh
Finding a belief, falling where you are

Falling into you
Falling into you
Falling into you



a better version:

Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #304 on: February 05, 2010, 06:39:14 PM » by cherylleverette


secrets can't be
manufactured
or made to order
an act of will
or command

aren't works
but fruit
growing in prepared,
suitable, congenial soil
crocus and snowdrops
grow in spring

secret societies
thoughts, words
fill imaginations

through yearnings
and songs of defeat
societies are quietly born
being together much

found is a fountain
sure is the river

(w/tks to J.H.Jowen)

Prayer:  Teach me to find
the secret of life.


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #305 on: February 07, 2010, 11:07:26 PM » by Rick Stansberger
The sounds in Clang!  Clang! are gorgeous, full of wind and autumn.

Rick
Logged

Rick's fifth book is out:  Gizmo--love, loss and the passion to know--in the first part of the last century.

  Re: field rabbit
« Reply #306 on: February 08, 2010, 01:55:18 PM » by cherylleverette
The sounds in Clang!  Clang! are gorgeous, full of wind and autumn.

Rick

Rick, thanks so much.  That poem is sort of an intro to a book I was pretending I could write.  A book of poems.  Portraits of people.  I think you have especially liked at least one of them -- immigrant bucket, Carla, and then you liked Briony but you thought there should be more.  And of course there is.  You just have to manage the flood.

Thanks again,
cheryl
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  snowed in again
« Reply #307 on: February 08, 2010, 04:46:31 PM » by cherylleverette

I can't believe it
snowed in again
with my mother
well it wouldn't
be so bad
but I live with her
and I'm a grown woman
with no one to call
no one to talk to
but the journalese board
and of all things
no one's posting.
I'm full of sarcasm.
See all the italics?
That's me, being sarcastic.

Law and Order's not even good.
I've seen every rerun ever made,
I think.  Mom's watching Dr. Phil
with teenager's screaming and crying.

I wonder what my mom thinks
of Dr. Phil's parenting skills
because hers were nothing like his.
I always wonder that.
Maybe she thinks he's speaking
a foreign language
or maybe she's going,
That's right, Dr. Phil,
you tell 'em.  Take it from
an old broad like me. 
You're wise beyond
your years."

except Mama
would never say
broad, because
she isn't a broad.

She's a Bible-totin'
Southern Baptist
raised her kids
in the Bible-belt
with a white leather
upholstery belt.

My dad knew how
to put clothes on furniture
so he made this belt
especially for our rear-ends.

Funny thing, I only
remember two whippin's.
One when I was in third grade
and my arm was broke.
I held that caste up
like a shield and pretended
to be scared.

Really, I just thought
it was funny, backed
into that corner
by my mom
swingin' a white leather belt.
Wonder if she even saw
the caste.

The other time
was when my dad
was chasin' me around
the house, but I think
he used his own belt
and I don't think he
ever caught me

or that spankin'
was just so horrible
my mind has gone blank
over it.

I've wasted about 10 minutes
and what have I talked about?
Being a kid and gettin' spankin's.
Good grief.

Probably 'cause here I sit
right under my mother's wing
like a chick under a hen.
Good grief
good grief
good grief


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #308 on: February 08, 2010, 08:35:30 PM » by Rick Stansberger
lol!  Grownup hell is to be stuck with a parent again.  I'm laughing on the outside, cringing on the inside, and thanking ALL the gods mine are 1668 beautiful miles away.
Logged

Rick's fifth book is out:  Gizmo--love, loss and the passion to know--in the first part of the last century.

  Re: field rabbit
« Reply #309 on: February 08, 2010, 09:00:16 PM » by cherylleverette
lol!  Grownup hell is to be stuck with a parent again.  I'm laughing on the outside, cringing on the inside, and thanking ALL the gods mine are 1668 beautiful miles away.

Thanks Rick.  I don't need to be here.  But I don't know how she'd live without me.  The problem is she doesn't realize that or won't admit it, so she treats me like a child and monitors everything I do.  It wouldn't matter how much money I paid her, she's gonna make me pay for something all the time, and half the time she forgets what and when I paid, or when I do anything to help.  I don't know what to do.  But I do know as long as she thinks she doesn't need me, that's my way out, and my brother and sister can take of the rest.  My time is up.

Now, I know you didn't wanna hear all that, but right before I read this we were in a discussion about hanging pictures.  She says she doesn't want holes in her wall, but my god, they are all over the house!  I swear!

Anyway, thanks for commiserating as much as your able, and thanks for the reply.

cheryl
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #310 on: February 17, 2010, 10:10:07 AM » by cherylleverette


a bit melancholy this morning
even Fleetwood and Buckingham
seem sad and nostalgic
sort of a warning of what's reality
and what's not

I have 20 minutes left to write
and it's best that I don't


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #311 on: February 23, 2010, 09:29:44 AM » by cherylleverette
just commented on every poem at top of submit page
that I hadn't before
unusual for me

got lonesome and went to second page
still there were poems I knew
where are all the strange poets?
where are all the strange poems?
new poets, new poems!!  the crowd screams,

yet there's something comforting about familiar
about routine

been practicing it
going to bed at the same time every night
falling asleep more easily

I'm so old to learn this
but this is the way it is
when you're not responsible to anyone
for the time you hit the sack
you do whatever you want
and sometimes it's not the same

but I see as I write this
I do have a responsibility to myself

maybe I should take a survey
and see if all poets and writers
go to bed at the same time
every night

there's something to be said for familiarity
for the lack of change

my mom says I don't like change
that I don't adapt well
and if that's true
I've been in rebellion
against myself

no wonder I cry easily
I'm mad at myself


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #312 on: February 24, 2010, 07:34:50 AM » by cherylleverette
B'ar Kenny

B'ar Kenny believes himself a Jesuit
a true follower of Jesus

born 'Bear' someone
took out the 'e'
put in an apostrophe
looks better that way

down Tater Eye Road in Town Vu
a woman sits cross legged
on her bed
head in hands

tear-wet her hair hangs
down her face
over protruding cheekbones
where circles grow black
as the house she can't leave

she's been sick for weeks now

Wednesday-late B'ar Kenny
in his walk around the lake
hears crying through her window
he knocks softly on the door

'come in,' she whispers
knows he's B'ar Kenny
the Jesuit, from stories she's heard:
how B'ar, on lonely evenings
appears like a ghost to the weary
how he lays his big bear hands
on pale skin and prays



Whiskey Pyramid

In a dress faded blue,
bare legs and mens shoes
unlaced, and loose

she stands near
what keeps her alive--
a whiskey pyramid

Grey birds sing
in the swamp
where the pyramid lives

Not dead fowl
on a plate--more like
melodies locked away

Wood and metal
smoke and steam
shimmy,

and shake
on the ground
near the flock

The girl grips a lock
on the cage 'round
the catbird throats

on the tree where
hangs a rope, and the chirr
of her welcome song



Cherry Red


his business
supplies rock bands
with flashy stage-lighting

ten thousand on two gigs
he makes a few dollars

in the long haul
she becomes a part of him
loses herself and a good credit report
along the way

'round '91, with no bad debt
man and wife build a new home
he nurtures a successful career
she gives up her future

in '98, she drives
a new cherry-red Mitsubishi Eclipse
tallest spoiler she's ever seen
she deserves a bright little sports car
he buys it for her

he knows she's
thinking of leaving him



At the train station restaurant:

'Are you ready to order, ma'am?'

Not really. When I order, I'll have to eat
and when I finish it will be time to leave.
I'd like to sit awhile longer.

'So, you've enjoyed your stay?'

Yes, I have. It was unexpected.
Last night I received a letter
telling me
I'd be leaving today.
I'll be given directions
on my way out.

'How will you know which way is out
if you don't know where you're going?'

Men and women come and go here
all the time. Some remembered
for the good they've done. Some
for the harm, and others
who are forgotten.
I'd rather be forgotten
than remembered for harm.
When I arrived, I was very ill.
The only tools I had were words.
I'm out of words. I'm well now,
and it's departure time.

'Oh, here's a gift for you
from the management.
I'd almost forgotten.'

The ruby with sharp edges
at each corner, lay perfectly
in her palm.

Now, I know where I'm going,
she whispered,
and left silently
through the back door,
without disturbing others
enjoying the cuisine.



It's more than a memory
looking through Mrs. Piccadillo's window,
her arm across my chest:

the woman is pretty
in a wild, peculiar way
eyes drawn like almonds
face heart-shaped
hair like creamed honey
dressed in a flowered shift
out-of-date and too big
for her thin body
and no underwear.
Dead granddaddy's
mustard sweater
covers her pointed shoulders.

Barefoot in the cold
she sits atop a tall ladder,
upside down v
-shaped part of the roof
over her head
-a letter L in the center.

She pounds the cement
driveway
with a wooden stick
the only useful part broken off.

Her left arm waves like a fanatic.
Devil, I know you're out there!
You can't have my babies!
Can't have 'em!

Inside, are two small children
one just five
the other, barely born.



Left me
waiting on notes of music
-transportation to another world
hoping songs of a stranger
might reveal ecstasy

behind closed eyes
is there another existence
where hands speak emotion
right palm
three movements forward
slightly
both hands leveled
midair
banter

pain for beauty
for loss
for longing


--------------------------------------------------------------------------------

They said it was a bile duct
said it was a kidney
i don't need a doctor
to tell me you are distant

took you to the e.r.
not a homeless shelter
all those other mothers
had brand new cadillacs

won't call my brother
or irritate my sister
i do need a kind word
on days when you're resistant

don't need no glory
or government assistance
i'm just a daughter
in search of your affection


--------------------------------------------------------------------------------

Our nonsense
is complicated

comes
from knowing each other
in different ways,

i suppose


in line at
Gran Torino

thought i felt
an electric throb

a cinematic leap
from

your quiet hunger
to mine


i worry
i'm too relaxed

i don't flirt with you
like i used to--

maybe i'm
not cute anymore
(hid my flirt-shirt
in the bottom drawer)


but
what if

those
things

are what
you love

about
me
most?


--------------------------------------------------------------------------------

Playing with apparitions and conjured
 visions, she falls asleep in shallow'd grave,
awakens alone, eyes of hollow'd tombs.;

No eulogiz'd lamenting crowd; no bells
tolling. Black shrouded graveclothes lifted by
the crooked fingered undertaker, who

taunts her darkly with his haunting riddles:
'What quiddity you have is fantasy',
and this kindly given epitaph:

'Nuts and bolts are concrete certainly, but
forty winks won't discern tacks of brass'.


--------------------------------------------------------------------------------

Like fear in a lullaby
the way is laid, sometimes
with traps and robbers

children, alike and different
same dust, I'm told
each from a different mold
'nary a duplication

eyes carry burdens
a smile speaks comfort
everything's alright


--------------------------------------------------------------------------------

monday
high again, three lines
snort or smoke?
dope on a silver boat

tuesday
commercials
no way that guy's not high
one day we'll find out the truth
whole generation of geniuses
fucked up

wednesday
conscience is a wheel
spikes turn around inside

thursday
do another line
football season
listen to the tops pop
everyone drinks beer
eats fried bologna sandwiches
bump bump white line

friday
sick feeling
phenergan, anti-acid tabs
can't eat, hands shake
make mistakes
two in the living room
watching 'new jack city'
dealing drugs
 
saturday
paranoid, chest hurts
throat jumps, neck-spiders
hide the dope in the bathroom
in a shell, who will tell
mumble the truth
can't remember it

sunday
should be in church
cross a threshold
voice says, 'stop,
this has meaning'
what has meaning?
think i missed it
even on sunday

(poem before death)

world looks funny, cock-eyed
insane, triple-sec dehydrated
ammonia fumes slightly bent
hydrogen fueled twisted octagons
soar through an anhydrous sky
tongues lap over each other
shaped like crooked teeth indentions
flapping and slapping in faces
eyes like crocus
earth waxes crystal
quite bright at midnight

(heart stops)

it finally happens
i cave in
give up the fight
that's what my 'loved ones' cry
my placebo friends yelp
like dogs and say the same
gathered at a pot-luck reunion
in a park, feasting on my formaldehyde
some in white and pale white
others in gray and tainted gray
laughter explodes
sling me in brick, i say
life spins 'round anyway

(death-chuckles at the funeral parlor)

'she always loved poetry'
'yeah, a few limericks will do' :

calling curly crack pot
wonder if she eats snot
go shop for tissue, we must
gag when snot turns to crust
would rather kiss alot than not

one day walking home
crosses a long hair all alone
she screams and yells
falls for the pony tail
rides all the way home

he's not really tired at all
in fact, both have a ball
happy and free for awhile
till he winks, gives her a smile
she comes when he calls

come everyone, join the fun
look at the webs we've spun
if you forget from line to line
which ones should, never should rhyme
relax, still won't know when you're done
when you're done

(after-dinner-fun at home of the dead)
'what-it's-like-to-be-dead' poem

spin like a top
faster and higher
the sun is a merry-go-round
and i'm riding

time is deceitful
doesn't have hands
and won't stand still
wings fly toward the heat
this road is so frigging long
and i'm tired of traveling
just spinning in circles
no clock tells the truth
today

i'm dead, they eat tables,
and tables of food
the bar in the kitchen
is on overload
hadn't had this much
company in years

no after dinner mints?
those were limericks
of course not
and there's no after dinner
they just keep eating, the pigs


--------------------------------------------------------------------------------

Baffling prick
in my bed of roses
-a wrestler in flannel

life intoxicates
as you do me
like Samuel Adams Utopias

let me go
before i'm ready
-your turnstile attraction


--------------------------------------------------------------------------------

He tells me: 'I opened a door
so you could express yourself.
The damage was already done'.

Suddenly, odd things become
important like roses and youth.

He ignores drops of blood
falling from from tear ducts
like shiny red pearls.
I ignore his scowl.

Reveling in pain, he confuses solstice
with searing; complains about heat passing by.
His eyes are muddy as forbidden soil
a hard poison of nightmares and betrayal
rambling about lofty visions and silky dreams.

But bones break
sinews lengthen
revenge deepens.

And always, after the cracking:
'What does it feel like to break?'
he asks. I tell him: 'First, the melting--
volcanoes erupt inside dividing all the petrified
parts in search of the last hard rock
clinging to sanity and passion'.

He waits for the finish, but there's no ending.
I'll never rest: 'Sorry, the riddle is Universal
and you've been chosen to solve it'.
He beams proudly.

Eyelids fall like iron curtains.



'sweaterpointing'--d.e.h.

my sweater points at you
hope you feel the prick

hips sway your way
thighs easy on the eyes
are heaven in the hand

I cock my head
bat dark long lashes

Your eyes grow large

as other things
begin to swell


If you're in denial
or just can't face
this poem is over
here's an
alternate ending:
it wasn't my fault
blame it on the sweater



Flight Record::Operation Alpha/Omega

(prompt: Tom's 'Badland Guardian')

Day One:
Whirling clime, clustered clouds
I'm small on a mountain top
watching humans fly with man made wings
flesh and bone are brave; wings, beautiful
I hear rushing noise--great mechanism like a large fan
steel blades blow wind and power
keep the courageous alight
glide through the day, glow at night
First development of written language
Solar atmosphere: darkness follows light
Questions: Does everyone fly?
Answers: None

Day Two:
Transportation to another world
here there's intellectual engagement
I see both birth and destination of flyers
With abnormal burn patterns, terrain
is hard dry mud, dusty, nondescript
Atmosphere: light follows light
Questions: How many watchers?
Answers: None

Day Three:
Man in awe appears at my side
I'm shouting at him, he can't hear
He gapes at me, glances this way
looks right through human flesh (mine)
A second man appears
His question stuns: is this prison, the camps?
Clear verbal language is developed
Atmosphere: darkness follows darkness
Questions: Does humanity disappear?
Answers: None

Day Three:
I begin fashioning wings
Charting my course, design a direction
prepare ground for take off
Measure depth and length
There are concave electrical distractions
floating scrap metal slices impact other pieces
sounds like cathedral bells
Musical cognizance arrives
Atmosphere: light follows sound
Receive first message: prepare for end
Questions: Is this real?
Answers: None

Day Four:
I'm flying heavenward
toward my destination
I lengthen arms, stretch fingers
experience freedom, auto-liberty
Empathy is installed
I see and understand suffering
in creatures below, appearing as ants
Light kindles in real time, delivered
Colors inherently mix, also delivered
At once, the mundane is overcome
Fear is deciminated
Atmosphere: light follows darkness
Questions: Will it last?
Answers: None

Final Day:
What appears to be an alien flight
heads toward mate-ship
like the lightening of visual drums
or deployed solar arrays
Mate ship enhances discovery
and study of oral history
Atmosphere: sound follows color
We have seen the beginning
Will prepare for the end

Transformation successful
Silence has been significant:
Armies gather


--------------------------------------------------------------------------------

O wise Shepherd!
Thou hast herded the swine and the cow
Thou hast mounted and been mounted

Thy harp hast strummed Thy mottled tune
Thou hast gathered sheep
Thou hast slapped the flank
Poked the hole

Thou hast hung Thy strap
Round necks of unbridled maidens
Thou hast pricked Betsy the milk-cow
Goaded Lily, the tender lamb
O Cowboy! do not leave Thy flock just now!

All-seeing Vaquero!
Thou hast wrangled with wolves
Protected thy herds, punched the bull
Busted the fox, tormentor of hens

Thou art surely a Rough Rider!
Thy great range a vast field
Where thou hast bred with the best
And still so many left!

O Buckaroo! lay not down Thy handy horn
Thou canst rest!
Thy cattle and sheep,
Thy hens and bulls
In adoring suspense, await only Thee.


--------------------------------------------------------------------------------

beguiled
by our own fantasies
we become architecture

peel-away eel skin
swimcaps in green pea
wetsuits shiny and red

totally slick
on our way to delirium
fresh art and fresh skin

our audience a gallery
the shine and glitter
of hoodoo eyes


--------------------------------------------------------------------------------

Before you tell me what I've done wrong; allow me
to apologize. Please, consider justice and listen. My defense
is that my inner eye is blurry with worry--conjunctive apparitions,
surprise evidence against my crime, which is always to appease
you, and to relieve your anxiety, your comfort my distraction--
the door I attend. Allegiance to you guards my inhibitions,
for with too many words, I'm profound

yet a voice unlike satiny satire is savory, proper for
your demands, flawlessly insane, suspicious, clandestine--
an astounding inner dialogue, forbidden surplus society
disdains--I'm adverse to fit in, ascertaining my innocence
an affinity for seclusion, agony a cruel and gazing crony
in elaborate fabrications of factions which impute mutiny on
my bounty, a perception I defend, with your stalwart security
unfolding with openhand, here's my guilt and propitiation.

I know what you're thinking. Before the mountain moves
remember my mind is opportune to accept your oration; you
marshal these thoughts of verbal ruminations within your
mosque of magic and macabre. Do consider my ascension.


--------------------------------------------------------------------------------

Some of us stoop
by exposing flaws.

Some stoop
with a hi-five
a good ole boy
because we can.

Some levitate
in silence.


--------------------------------------------------------------------------------

Social networking crisis:

at 9:30 pm, next Friday
I'll be with a man
in a hot tub
surrounded by the scent
of Honeysuckle tendrils

hanging so low from Solar Panels
that we can suck the sticky sweet
honeydew from the stamen
as we pull it gently from the pistil

along with frosty
Champagne glasses
of Pinot Meunier
and huge, ripe strawberries
dipped in rich, thick chocolate.

The last time I was in a Jacuzzi
I pressed all the buttons
gripped all the knobs
played in the froth and bubbles
and felt the hard spray
of hot water on my skin.

I've never been with a man
alone in a hot tub before.



Crisis passed.


--------------------------------------------------------------------------------

This is halloween
I'm not scared
Are you scared
There are spirits out there
wishing we were all scared
but if we show them we're
not, we'll win one more time.


--------------------------------------------------------------------------------

List Poem

with your silvery-white angel's hair
with your curls natural as an apple skinned
with your lips the shade of your shoes
with your nails the color of your handbag
with your math skills like Einstein
with monetary generosity a discount
with your proper snub at the proper time
with your memory vanishing...vanishing
with your greatest need, denial


--------------------------------------------------------------------------------

When Daddy died, I was speechless,
and sad. I saw the birth of babies,
and tiny humans yet in the womb.

Those short eternal glimpses contained
all the different ways I'd looked at life--
and none of them included death.

Daddy was strong and his presence
grew bright; and at the perfect time,
revealed my unknowing--
that the living are made complete
in death.


--------------------------------------------------------------------------------

you travel through your day
as if days were slick tunnels
custom designed for you

casually, you drop by
offering me a pail of water
I can dangle my feet in,
with water so warm
it never freezes

all of it,
a causeway
for stimulation

from nothing more
than a two-fingered
pull of my wrist--

the risk
in knowing you

once the truth erupts
between us
the risk
will be yours



I meet this lady on Tuesday
(well I think she's a lady
though she looks like a man
maybe even she doesn't know
what she is
underneath those clothes):

she says
people say
'that's a man'
inside this scraggly robe

she remembers the baby she carried
when he was born
he had 12 heartbeats
weighed 12 pounds
she was on Thorazine
3 times a day
no wonder I've been transformed

her son was murdered in Little Rock
she has all the scars to prove it
they threw his body in the sewer
and the sewer blew up
I guess he showed them
in the end


--------------------------------------------------------------------------------

Curled in a ball
with the lights off
I wait
until the ripples smooth
from the stone you skipped
across my placid sea
as delicate as glass
breaking
 
and I wonder if I have
any foundation at all.


--------------------------------------------------------------------------------

head won't hit
the pillow tonight
lay it down softly
don't disturb the tears
no tears

hear the whisper
make your point
sharp puncture

joy wounds
no tears


--------------------------------------------------------------------------------

wooden door opens
grandfather's clock

anxious until midnight
blueback rendezvous
waiting
 
twelve and twenty-four
hours-- (can't endure anymore)
door locks between
writing on the wall
and misinterpretation

wounds don't heal
or sate vengeance


--------------------------------------------------------------------------------

wear red silk he said
show me what I can't see

invisible blindfold
hypnotizing fire ball
the sun sets
beyond a window pane
as if balancing on the horizon

think of everything
already taken from you

his dark silhouette stares
squints toward her
and a back-drop of light

but for now
enjoy your freedom

splotches on the front
of a red silk blouse
she unbuttons
the crimson weave
falls off her shoulders
hangs loosely
held up by nothing
but willingness


--------------------------------------------------------------------------------

john-john says
come home with me
i nod
nuh-uh

at his crib
with a tatoo kit:
jar of body frosting
apple seed flavor
paintbrush
reusable
three stencils:
rose bulb
roman snail
caviar
i paint
my poison
under his
umbelico erotico
and
eat my words
the
second time


--------------------------------------------------------------------------------

These fields you ride are mine
though there are others
'Tis a pity you return
 because you've no place to go

Should you enjoy, take care of them
They've grown and changed

You travelled here
 on my back--
now you're here at my side
a parasite
 hoping to stay alive

You ask so many questions
I answer every one:
 a horse won't learn--
a stallion is stubborn at show--
 perhaps a muzzle is appropos


--------------------------------------------------------------------------------

tip your hat, pop your collar
pour your gin, twist your lime
I'm not playing tag
-you can't touch

you can chase, you can follow
but I'm not your leader
hide and seek this is not
what you need you won't find
in a lost and found closet

late night phone calls
digi-rotica mean nothing
erased soon by
windows xp and hotmail
along with your msn
nickname on messenger

no more bedtime stories
or whispers good night
go find your real mom
it won't be my hand
rocking your cradle

mix your own drink
this time lime isn't twisted
it's gin


--------------------------------------------------------------------------------

She arrives like LA
bourbon hidden
behind her back

Leather boots, tight
jeans, tall bamboo
heady and lean

Obscure gestures
muddy speech
clear in the bayou

In a full tilt defense
her synaptic sashay
escapes foreign hands

Wary and wired
like a soldier's attention
near daybreak

Transfixed and off limits
she's trapped by
her own propaganda


--------------------------------------------------------------------------------

She arrives like LA
bourbon hidden
behind her back

Leather boots, tight
jeans, tall bamboo
heady and lean

Obscure gestures
muddy speech
clear in the bayou

In a full tilt defense
her synaptic sashay
escapes foreign hands

Wary and wired
like a soldier's attention
near daybreak

Transfixed and off limits
she's trapped by
her own propaganda


--------------------------------------------------------------------------------

a field withers
fuzz of dandelions
flies in every direction

nothing's left that isn't black and hard
my brain is stony ground
sick of pretense

don't dare say
this is easy

don't placate me
let rock swallow rock
let stone meet stone

this is vile
so say it

hideous so let it be
don't speak of what could've been
above all don't tell me
it was a only a misunderstanding


--------------------------------------------------------------------------------

we were brave
we were ferocious
slaying snakelets
and scaring the neighbors

queen leviathan
rising from her pit
had given birth
it was our fate
to save the 'hood

shoot, ma is only 86
I'm lurking 'round
the edge of
half centuries--
we've got it made

grass snakes,
corals and kings
beware

slayed the first
neophyte
with my car tires

when the second one
appeared
out of nowhere
on concrete
in the carport
from sunlight
to shady damp
ma panicked
hoist a hoe
grab a broom
wield a rake

it's obvious we will
give up our naps
to save the planet

hatchlings from
every bed and nest
within garden tool range
slither out to visit the sun

time to bring in the big dogs:
Animal Control
those proud men
in flashy gray uniforms
(brave but deceived--
we would never tell)
'ma'am, earthworms are healthy'

chubby and fat
long and slimy
parade of snakes
disguised as earthworms
return to soil



feed us,
and with kisses like licks
we're on your trail
for a taste
of your skin

if you love us
we break in humiliation
and toss pride to the trees
like a Frisbee.


--------------------------------------------------------------------------------

two and three:

play with us, pet us
rub us, please us

we'll sulk
and whimper
when we don't win
your attention

play with us
and we'll never replace
our favorite bone


--------------------------------------------------------------------------------


spent three days
with my son at his house
in the woods

slept on a downy pillow
and feather mattress

between flannel sheets

with a pattern of
little cowboys and horses

never felt
so cared for


--------------------------------------------------------------------------------

he talks to me
like I understand
what he's saying

he stamps his initials
on the freckle of my
left ass cheek

then, of all things
he comes inside me
with his arms stretched out
like Christ on the Cross

gathers up my insides
tears them all apart

superglues them back together
and writes comfort
on my nerve endings


--------------------------------------------------------------------------------

Each morning,
I bend
in front of the mirror
to make sure
my cleavage
is neither deep
nor available.

               A woman may be mindful of rules
               and well acquainted with morality...

Three turns
in front of the floor length
assure 
all pantylines
are concealed.

               but for a woman who lives a quiet life
               amid empty spaces, coupled
               with a missing beau--
               such things do little good
               for one
               with untamed blood.

Three gold bobby pins
match my hair,
place curls
atop my crown.



Dusty Lightbulb (unedited)     

In 1998, she drove a new, cherry-red Mitsubishi Eclipse with the tallest spoiler she'd ever seen.  She wanted it because maybe for once she thought she deserved a bright little sports car.  He bought it for her because he knew his wife was thinking about leaving him.  He'd do anything to keep her there ... under his thumb.
 
     In 1984 he invested in his own business of supplying rock bands with flashy stage-lighting.  Using ten thousand dollars worth of equipment on a couple of gigs, he made a few dollars;  too busy using bright lights on his own gigs.  In the long haul, all she seemed to gain was more of him, less of her, and destroyed credit.  Both had better salaries than most of their friends.  But they were broke and had nothing to show for a hard day's work.
 
     In 1991, after seven years of sweating blood and sleepless nights, she produced a flawless credit report.  Now, proud husband and wife felt they deserved a new home.  He built it with the knowledge he gleaned in his successful career -- the one he nurtured as she gave up visions of a future she could call her own.
 
     Under the dimming of his own bright lights, he could still sing as well as anyone famous -- played guitar and piano by ear.  He knew it too, complaining constantly how much better he was than whoever he was listening to ... never knowing music has a heart and soul.  One thing he didn't know was, if you don't have it, you can't fake it.
 
     Church crowds were good to him, seldom witnessing such talent:  ooooooing and ahhhhhing at the tall, good-lookin' rock singer-wannabe-turned gospel singer ... like a cutout cardboard movie star.  So many pesters fell for his cheerful disposition, his good looks, and his strong voice, he began to believe he was "anointed" and "opened the heavens" when he praised and worship a God he only knew by name.  At least that's how his wife felt.  Guilt nipped at her heart when her little boy and girl wondered how Daddy could be so religious and drink four six packs of cheap beer every night.
 
     "Trust me", he would always tell her when the look in a woman's eye didn't seem quite right, "you're too jealous and paranoid.  I can't help it if women like me".  So, she did.  It would almost be her death sentence.
 
     Years later she trusted a fine piano player and singer -- her best friend.  She'd met her in church, and worshiped God to the lovely and veiled music of her husband and her best friend.
 
     In the minds of every one but his wife, and behind closed doors,  at feigned meetings he called "practice", this starry-eyed husband and his wife's best friend fell in love; or believed they did.  When all was said and done, hate ruled and destruction conquered. 
 
     One self-centered ego exposed the other, but the damage and desolation would neither be healed or repaired.  No recompense for two families shattered by pride, and exciting chemicals soaring through the veins of two adults bored with life and commitment.
 
     The little red Mitsubishi and the new house they'd built together didn't mean much to her anymore -- the one who'd struggled to do was right, for the happiness and contentment of her broken family.
 
     In 2005 she would survive the death of a marriage, and her father, after taking care of his cancer riddled body.  She knows, now, where the term "empty nest syndrome" came from.  Her heart aches everyday for the years of failure she can't forget, and can't forgive herself for.  There are short moments she doesn't feel alone, until the phone rings and reminds her that she watches over her mom, now in her eighties, can't remember much of anything, and "what was it you told me about what's-her-name yesterday?  Or was it last week ...".  But she will always love her Mom.  She understands her so much better now.
 
     Only one lamp is on out of the three lights still working in her apartment.  It's not that she can't afford little things like electricity or tissue paper.  She just doesn't care.  She stares at the dust gathering on thin, dull glass, and knows why bright, flashy lights don't mean a thing, when in the end all that remains is one light bulb ... dusty with neglect.
 
 
cl 2005


--------------------------------------------------------------------------------

--------------------------------------------------------------------------------

"I'll be your only candy store.
     I have it all and so much more."
He agreed: 
     "You are
     precisely what I need!".
But I guess he forgot, because
having sealed the deal
I was serving only one
everything under the sun,
and soon my former customers
began to slowly disappear.
Yet I was going broke.
You see, he had no special
need for me --
I was not the only one
after all was said and done.
He was searching high and low
for more than a Candy Store;
for more than just one
with everything under the sun.
I was not his only sugar tree;
not his favored sweets-for-free.
And the treat he failed to see
was the gift I gave for free:
I was giving him all of me.
So when I had nothing
left in reserve, and though
my needs were not absurd
I came too easily
for the customer who agreed
he would buy from only me.
 
 
cl 2004
unedited



storm rising
waking you at midnight
wet and tired with sweat
watered-down for me
you are my salty-sea
 
lightning bolt
striking from behind
sending climactic moments
electric spoken words
in color for you to see
 
eyes peeping
shadows long and weeping
where you hide your
needs beyond repair
on your knees in disarray
waiting to hear you say
you want me anyway
 
ears hearing
thoughts interferring
with your life
the way it should be
and i can't disregard it
that i own a place
and mine is the face
in your reality



--------------------------------------------------------------------------------

and the brass couplet
around her slender neck
wouldn't, couldn't compare
to the shine of fantasies
entwined around her tender
soule like a golden rope
weaving its way
through a millenium


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #313 on: February 24, 2010, 07:56:00 AM » by cherylleverette


--------------------------------------------------------------------------------

'Well hell girl.  I wish for once you'd wear something that makes me figure what I'll do for you, instead of to you.'

'Huh?'   Callie glances down at her almost too thin body, covered threadbare in black, and green the color of what Spearmint gum tastes like.  She looks back up at Zee.

'Gawd, I hate clothes, old man, and you know I'm gonna wear as little as possible, long as I can get a way with it.'

'Ppffftttt....'   Zee grips his tongue between his lips and teeth, like a whistler. 

'Tee shirt's as thin as grandpa's hanky, and green lace underwear?  Shit, don't play innocent with me'.

'...been a bad week.  Besides, doing to and doing for, ain't much different between friends, eh?.'  She smiled wishing she could love the young man she called 'old man'.  But, like Aunt Tooney says, when you can't love someone, you just can't.  That's all there is to it.

'Yeah I know.     How 'bout we do a little something downright odd tonight?  Something kinda like all them books you read.  Maybe give you something real to write about,'  Zee winks.

'Somethin real like really real?'   He's so sweet, she thought.  And goodness, he makes love like a redwinged eagle on top a polecat. 

'Okay.  What cha got in mind?  And why'd you bring that fancy-lookin suitcase, hot stuff?  It's too flat for sleepin clothes, underwear and a razor.  Soap-on-a-rope?'  Callie giggles just a little.

'Oh, just stuff.'

Callie's heart beats loudly in her ears     and skips        and skips again.

Like a backwoods boy careful with a butterfly, Zee opens the leather briefcase and pulls out silk scarves and candles.  Scents of wood, rain and Town Vu Lake on cool mornings, fill her bedroom--fragrance the perfect weight, in colors that stead'ly occupy a woman's mind.

Callie remembers a story she read, of late, to Zee, about a woman all tied up in silk, by a man in a suit, like a long tall glass o'water poured out:
ankles and wrists
pleasure or pain
in shock or dream?


Trance-like, Zee transforms. 

Maybe it's a shadow from the candlelight hypnotizing me like one of grandma's voodoo love spells, Callie thinks to herself.

Zee plugs in a brand new CD player shaped a half-circle.  Instantly Callie hears music mysterious and mystical, at the same time;  kinda like an Indian chief might sing to his bride--soft but masculine voices murmuring lazy lyrics.

'This music reminds me of the secrets you tell, Callie:
candle wax drips
in one hard spill

one long lick
(over and...)

rhythm beats
and rhyme

repeats itself
(...over again).' 




impatience
barks, roars, screams
hurts like lashes under her skin
feelings tightly strung

pride wounds with
a price to pay

there's no worm
in her apple
when the bickering's over

she scoops empty
holes out of his insides
with her hands
he runs through her fingers
like water

when the lashes
soften, she carefully
gives them to him
her price is fair when
trust is there


--------------------------------------------------------------------------------

This is like your own genre you're inventing, Cheryl, these dark love scenarios where the individuals have been partly freeze-dried out and what's left are golem performing their lovemotions in front of them. Something compelling and illicit about them.


--------------------------------------------------------------------------------

your "love" poems, if you want to call them that, never ever fall into the "i love him, he doesn't love me, boo-hoo" type of crap one usually sees.  these are dark and different.  certainly worth exploring further.
jy
p.s.  look up the 1920 Expressionist film by Paul Wegener...The Golem.  that's the golem that comes to mind when someone mentions Golem. 


--------------------------------------------------------------------------------


--------------------------------------------------------------------------------

--------------------------------------------------------------------------------

Briony starts her walk
down the long dark road
away from home for good,
Uncle Tom's Cabin tucked
under her forearm
against her hip.

She knows what it means
to feel the evil presence
of someone even when
he's not around.

She knows you don't
have to be black
to feel it and
you don't have to be
Harriet Beecher Stowe
to write about it.


--------------------------------------------------------------------------------

--------------------------------------------------------------------------------
A young girl's life
is changing
because
she stayed up
all night
and read Uncle Tom's Cabin.
There she was,
inside that book.

Briony has one maxim:
the bad will always be bad
the good will always be good.
She doesn't know
if someone else said it.
She's saying it now.

Mistaking comfort
for infatuation,
she married
an angry distant man
like her father.
He felt warm
when he held her.

He mistook it too,
but backwards.
When she didn't
know it, he did.

There are details
of control
and domination,
submission
and degradation.
All of them
are Briony.

Yet don't divide
her into parts or groups.

The maxim, with
no limits, exceptions
or qualifications,
gives her hope.
The example is Briony.

No one is like her.
Her Sunday School teacher
tried to teach her
but she never believed it.

Such things were just
someone being nice
to someone poor
in need of everything.

Back then even the best
couldn't make disadvantaged
look like advantaged.

Now she believes it.



I'm losing time
in the underworld
with stairwells flying
up down, I revel
in landscape

when the elevator
falls thirteen floors
I lose my footing
in hollow echos
of a another life

toting baggage
and veneer decor
in iron trunks
and steel cages

I'm an empty coin purse
like the books I borrow
for nothing
a pretense of artistry
in bands of violins
gypsy's gypsum jewelry

a still life smitten
like icebergs on the dock
the bay is melted
I land among the living
my blood is at peace
and warm


--------------------------------------------------------------------------------

There are times

There are times
a person can't

There are times
a person can't
write a poem
 
There are times
a person can't
write a poem
because the truth






will slip out.


--------------------------------------------------------------------------------

There's something about
lying down on Downy fresh sheets
breathing in lavender and baby lotion
rockin' on with Rhiannon and Mick Fleetwood
the same guy who rocked you through
cleaning house after a good workout
to the latest Sexercise DVD

then here comes that pain
on your lower right side

your breathing isn't
slowing fast enough

you take your pulse
and it's 110

and then there's....


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #314 on: March 05, 2010, 07:28:06 AM » by cherylleverette


it seems hard
waiting to dance

where's the dancer now?

if tried again
would I remember how?

when is the bow and fall
from the choices made?

no one tells me
what to do

hard to dance the right dance
listening for familiar tapping
the tick-tocking of chimes

I remember how



instructions for remembering how (by tiko)

remove the
shards from
your hands
your neck
your torso
your ears

soothe with
the warmed
wax of
bees

and decanted
wine

feel the
dance
pull

through your
loins
and fingers

the dimples
in your
hind

slide
slide
slide

into the
dance

written by ~tiko~



Decanting

older, red wine needs decanting
so does a woman
if she is older

sediment, grape skins, enzymes
need to settle to the bottom
of the decanter, then you
pour from the top layer

a woman needs to settle
then you may have her very best

can see why decanted wine
is good for a bruised soul
it's pure and it breathes

wounded femininty
needs room to heal
to breathe, to taste the air


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #315 on: March 06, 2010, 03:23:19 AM » by cherylleverette


reading some old poems tonight, I couldn't find a word redeemable.  don't even know where I came up with all that abstract nonsense.  how could people even stand to read my writing.  maybe they didn't.

my brother came over tonight
we talked from eight to one

helped him with art
for his album cover

he was impressed

I was more impressed
with his peacefulness


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  "Sound and Sense" Perrine
« Reply #316 on: March 06, 2010, 04:23:08 PM » by cherylleverette
chapter one, what is poetry?

poetry analyzes and synthesizes experiences.  functionally it organizes and concentrates allowing the reader to not only hear about the experience but participate in it.  Poetry does not always have a moral and is not always beautiful.


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #317 on: March 07, 2010, 12:54:50 AM » by cherylleverette
my sister drones on and on
I love her
I don't understand her

All I do is give a 'yeah'
once in awhile, and alot
of 'uh huh's

Learned that's what
is accepted and will
slip right into her ears
and through her brain

For the life of me,
I don't understand her.


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #318 on: March 07, 2010, 09:28:52 AM » by cherylleverette
Another Sunday morning and I don't feel like doing anything but writing.  I really need a hobby--something I can do with my hands anytime.

So, what do you think?
Am I a casino coin?
A lottery ticket
worth cashing in?
Is my fruit
worth shaking
the tree?

I tried to bring you a tree
but the seedling never burst
and grew.

I'm winnings for someone.
But he has to buy so many cards
to get to me.


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #319 on: March 07, 2010, 09:47:33 AM » by silent lotus

my sister drones on and on
I love her
I don't understand her

All I do is give a 'yeah'
once in awhile, and alot
of 'uh huh's

Learned that's what
is accepted and will
slip right into her ears
and through her brain

For the life of me,
I don't understand her.



dear Cheryl

so much unsaid that says so much !

very very nice

silent lotus
Logged

  Re: field rabbit
« Reply #320 on: March 07, 2010, 12:04:54 PM » by cherylleverette
dear Cheryl

so much unsaid that says so much !

very very nice

silent lotus


Hey silent, thank you very much.  Maybe I should submit it soon.  What do you think?  I really didn't think anyone would enjoy it because it's so subjective.

Thanks again,
cheryl
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #321 on: March 07, 2010, 12:30:26 PM » by silent lotus

Hey silent, thank you very much.  Maybe I should submit it soon.  What do you think?  I really didn't think anyone would enjoy it because it's so subjective.

Thanks again,
cheryl

dear Cheryl

submitting has to do with SHARING

it is the world you are speaking to .....not just a small group of editorial red ink pens

subjective....objective....introspective.. extraterrestrial  ...what ever ....you are entitled
to put it out there .....without worry !

i even reply in BLUE

miles of smiles
silent lotus
Logged

  Re: field rabbit
« Reply #322 on: March 10, 2010, 07:16:20 AM » by cherylleverette









Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #323 on: March 11, 2010, 07:31:34 AM » by cherylleverette


I visit at lunchtime
when no one's available

What does that mean?
That everyone else
either has an interesting lunch partner
or something very exciting
to do on break

like answer long and romantic
text messages, or listen to short
and seductive voice mail
and answer it too

buy, sell, and trade on WallStreet
or book the next flight to Hawaii
or Dallas. Let's see, there's nothing left

is there?  And what does all that
say about me?  It says either
you have no life, Chica
or be glad your life is plain and simple.



when I think of Jewish culture
I first think way back in Old Testament days
--lots of rocks

not stones casted
but flying through the air

when I think of a Jewish person now
I think of Hitler and burning bodies
and I'm always very sad

then I think of a face speaking wisdom
some kind of cool hat
with an old school black coat
and curly cues for sideburns

next I think of New York
with groups of them living in alleys
(which is probably not true,
they probably have nice homes)

my Optometrist is a Jewish man
he wears one of those neat little round caps
that fits close to his head
he loves to talk about Jewish religion

we always philosophize belief-systems
he's never dogmatic
but very kind and open-minded

I never think about people
who are stingy with money
or about a nation of people
who deserve to be extracted

This is one time
I like my way of thinking
except for the 'Hitler' part
and he doesn't deserve
quotes ' ' either



she wears a padded bra
one size too big
but it works--
she'd rather wear
a white, thin flat one
but her clothes fit better

her waist is trim enough
a line curves
and leads a man
straight to her rounded
bottom shaped like
an upside down heart

she should've been born
with Orphan Annie red curls
instead of hair
mousey and bland

my brother says
women who are
intellectual geeks
aren't his type

looking out at him
through squinted eyes
and my lips pursed,
sarcastic words come out
the left side of my mouth
I tell him I don't think
men like intellectual
geeks at all



is like
bridesmaid dresses
to single women

is like
only his lover there
to a slain soldier

is like
lark and sparrow's coo
to winter's grey

driving home
falling down asleep

falling down
waking up alone



envious ears hear recorded whales
on a wrinkled bed in an empty house
weary of a silent world, she listens

the soft blanket beneath her discomfits
she looks at warm faces on the wall
and like a rain shower, she cries



Dear Angelo,

It's so nice to finally meet you
after all our years of correspondence.
I thought you'd never make it here
but you did, and now it's my job
to prepare you for the days ahead.

We've much work to do.

Today I'd like you to carry me
in your shirt pocket (if you don't
have one, pants pocket will do)
and allow me to see
how you travel through your day. 

I won't have the pleasure
of seeing you fall out of bed
and stumble to the bathroom,
but if you dress very quickly,
I'll make myself comfortable
in the twinkling of an eye.

Will you have coffee and read
the newspaper or will you grab
a hat and coat and go out
the door?  These are the things
I need to know.  I must warn you. 
Training may be necessary
to acclimate you to this way of life.

I'll be looking for your blacks
and your whites.  Do you have
any?  Or are most of your ideas
gray, or that ugly color humans
call eggshell?  A few ideas dancing
and tumbling over one another
is one thing.  But to have no
black and whites at all -- well,
at our very best, we'll need
to do some refurbishing.

It's my solemn promise not to touch
your philosophies.  I only wish to
teach you wise separation.

Write me if you wish, Angelo.
After all, this has been our only
course of speech for decades.
As I travel in your pocket, know
that it's right for me to be here,
and that it's never wrong
to ask for guidance.

Yours always,
one who vies for the soundness
of your soul,
Angeline

another afterreading
'The Screwtape Letters'
by C.S. Lewis



My Dearest Angelo,


You've done well and learnt all your lessons.  'Tis time now to teach you a little about spiritual direction.  It's so very different here.

Here there is a battle in the air constantly.  Disengaging voices will try to convince you all the very worst will happen to you.  They'll do so in such a way as to manipulate your enjoyment of today to worry of tomorrow.

The key to this element of emotional disaster is to focus on what you're doing, not where you're going soon, or where you'll be. 

You will learn that here simplicity rules the game.

Saying thus, I'll let you study the above and apply it to your daily skills.  You'll need it shortly.


Sincerely,
your adoring Angeline



just for one fleeting night
he dreams a dream
in which the dream wears
no contraceptive

he did it out of rebellion
to the strange man
in the blue baseball cap
who isn't throwing
little round white balls
with seams in them

but is throwing
superlative android
cycle circles
he makes out of paper mache
printed images of himself
wearing goatee and moustache
with seven curly cues

to advise him when he's in
the clunker business or
when he throws a strike

strikes abound but tom t
wonders why he doesn't
send a dream full of goats
instead he sends him monkeys

in flocks with wings
hearts protruding and beating
with stickpins and more paper mache
printouts of himself and his
unprotected rhymster-hands

the brain under the blue cap
does and says what he wishes
and writes it too

while those in the gallery
wear question marks
upon unprotected heads
and tom-t has more than anyone
because after all
this is his unprotected dream


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #324 on: March 12, 2010, 08:05:24 AM » by cherylleverette


sometimes
is a greyscale image
black and white TV

hope is a color
seeps under the door
into the street
like a bath full of water
filled with human blood

greyscale image
black and white TV
is life sometimes



passion of red
climbs through
my window at night
searches through my bed
the dreams I dream
aren't kind,
but selfish
and never satisfied



my oatmeal is lumpy
there's not enough milk
in it

your absence
is way too obvious
with the presence
of someone I
can't think about

today there's
no dope to smoke
no coke to snort
not that I would anyway
but it sounds cool, man

there are the little blue pills
then there's the dark turquois-ish
pills like bills in an old man's
pocket book 
fresh and new
but waiting to be spent
at the last minute



part one

'morning baby.

     part two

hi baby.

     part three

'night baby.


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  stats from an insomniac
« Reply #325 on: March 13, 2010, 12:48:51 AM » by cherylleverette


for my confusion, and because I can't sleep:

Editors Picks - 1st page
women- 4
men - 25
(editors picks are editors picks--can't/won't complain)

Submit 1st page

women - 7
men - 21

new members
or peeps I don't
know well for
some reason - 8 (not bad
considering there are 28 posts)

Now I must take care of business
or I have no right to bitch.  Besides,
I'm really not sure who to bitch at.
And adding a second thought I'm
not really sure who can do what.
We submit what we submit.


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #326 on: March 13, 2010, 07:42:15 PM » by cherylleverette


what do you sound like?
do you have an accent?
north, south, midwestern?
do you have a deep voice
or is it high and nasally?

do you laugh alot?
do you smile alot?
is eye contact easy for you?
are you one of those men
who's cuddly like a bear
or are you thin and bony
so that if I hugged you
my hands and arms
would go right through?

are you effeminate?
slightly?
more than slightly?
or are you rough and tough
like Magnum P.I. and
Clark Gable?
are you a gentleman?
if I made a fool of myself
would you pretend I didn't?

I could go on,
but I've given you enough
to think about,
haven't I?


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Oh, Babe
« Reply #327 on: March 27, 2010, 10:07:31 PM » by cherylleverette


When we were 13 it was fun
and soooo serious to 'dedicate'
songs to our boyfriends--
the world hinged on those memoriams
and so did a young girl's emotions.
I'm posting this with thoughts and fun
for/to my fav virtual lover (esp. italics ;) );
may I never forget him and what he's
done for (and to) me:


Music: Elton John
Lyrics: Bernie Taupin

I can feel the time closing in
I can feel the years crawling through my skin
And if I doubt myself I can count on the rain
To cover the tears of this aging game
But I can count on you to play your part
I don't miss a beat of your animal heart
And when you push from behind I know I can
Cover a mountain with the palm of my hand
And oh babe, you can make history young again
You could rewrite,
you could decide
The things that should or shouldn't have been
You could look at me in the scheme of things
Oh babe, you could make history young again
I can watch the weeks sweeping by
I can recollect the hearts hanging out to dry
When the world shuts down I can touch my fears
I can hear lost youth ringing in my ears
But I lost nothing when I gained you
You just blew me away with yesterdays news
When you run your fingers down my spine
It's like throwing a switch on the hands of time
Ancient minds, ancient lives

Got a way of coming around
If I knew then what I know now

I'd make it back to you somehow





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #328 on: March 28, 2010, 06:00:46 PM » by cherylleverette
What happened to just being
a southern mama who loves
her kids and cooks fried chicken,
mashed potatoes and gravy on
Sunday for her family? 

Would you still love me?
I'm so busy pleasing incredible
invisibles, I don't know
what for anymore.

Latest visit to rehab was harder
than the first.  All I thought about
was what the hell was I gonna do
with this crazy silent explosion inside
me from sunup to sundown

and dreams about men who love
me with all my issues, and boy do
I have 'em, but see, you got me
started on me again.

Let me cry to Elton John love songs and leave
messages on your voice mail that are full of
poor lonesome me shit, because chill'ens

I still daydream barbecues, ballgames,
and Christmas with all my grandbabies.
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  is there a way
« Reply #329 on: April 25, 2010, 12:09:24 AM » by cherylleverette


how do I write about need
without you telling me
it's been said before?

how do I write about
empty moist open ridges
without sounding crude?

is there a way to say
I need your hardness
to enter my moist sweetness
where I would grip you
with concern and desire
a way no woman has
said it before

to say I need something
to ease the ache
to betray the need
for just a little while

to dry the tears
that fall like summer rain
the ache in my chest
like a breaking of some
unearthly thing

say it, say it
there is no way
I can say it
and you will feel it too


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #330 on: April 29, 2010, 02:51:24 AM » by cherylleverette





invite my interest

somewhere with
someone I am
deserving

I'm not a pendulum
but I am

an imposition
pressure
the mix

one leads
to one
to one

puzzles matter
willingness
freedom

I think we're heading
in the right direction
now that the embargo
is lifted.










Some days go well.
Some nights I can't sleep.
Seems it should be
that I can't sleep
the night the days go bad
instead it's the other way around.

My name is all on the front page,
all under Stella's nice poem.
I've written so much,
replied so much.
Stella's gonna wonder who's
poem got posted on the front page,
mine or hers.
Maggie will know though.
I think she posted it.

There is something to this writing thing.
It makes me feel better, like I'm really alve,
I don't just think I am, or better yet,
someone else knows me besides myself.

Friday night I'm going out to a barbecue.
They're coming to pick me up.
That's how bad they want me to go.
I'm afraid I'm afraid.
They knew that.
They knew that I'd try to back out.
Now I can't.
They're coming to get me.

I wonder what will happen.
I'll probably have a good time
and forget about my mom for a few hours
then feel guilty.

Right now I feel guilty about the clicking noise
my fingers are making on the keyboard.
I'm probably keeping her awake.

Good night, dear friend.
I know you're out there.






Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #331 on: April 30, 2010, 12:12:41 AM » by cherylleverette
what if I really wrote what I think in this little white box?  would jay kick me out of poetry circle?  no probably not.  he's probably seen alot of weird things in his day.  someone else might try to kick me out though.  someone straight-laced with a pinched face.

this is my white box.  not yours.  I can put whatever I want here.  how many degrees of freedom is that?

I wish I could write a lullabye.  if I could I would lull myself to sleep.
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #332 on: April 30, 2010, 04:30:49 PM » by cherylleverette
I'm just this shiny faced square.
Never posed for Playboy
or cracked a whip.
Read a few Playgirls
when I was younger
Learned all penises
aren't the same.

I've never had a threesome
Came close one time
I wasn't paying attention
I've never swallowed sperm
And I know that gives me
a low score on my sex card
But I can't swallow oysters either
or boiled okra

There's one thing I have done
that most women don't experience
but I'm not telling you what it is
Seems to offend women
Let's just say it was a blast

I've had two babies naturally
Screamed all the way through
Stayed pissed off 'cause they
wouldn't let me go home midlabor

Breast fed both babies too
An awesome experience
The bond is beyond anything speakable
My tits didn't get saggy either
Don't believe that lie
Mine just got bigger
Made me a real woman, ha

I've never climbed a mountain
Went on an deep sea diving excursion though
Had underwater vertigo
Closest to death I've ever been
JB was even mad at me over that
I couldn't help it
But at least I knew not to
have sex with him after that

Some things just have to be tested
and we don't know it until
the test is all over with
and if we're still alive
we passed the test
even though we feel like failures

Speaking of, I've never failed a test
Not that I can remember
Wait, a few pregnancy tests, hiv
and shit like that

See how I always come back around to sex
And don't think I don't know that
I realize my brain is really a sex organ in disguise
But I gave up trying to hide it along time ago
and I feel better now.

See, I told you this is my damn little white box



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #333 on: May 02, 2010, 11:26:23 PM » by cherylleverette


there's a skrunch in my stomach
when I see your name
or read something you've written
I always like it better
when I can readily understand it
but especially when I can put myself in it
when I can pretend it's written to me
or about me
or about something that concerns me

when I first arrived
I was inebriated by you
and your words
the way you spoke to the world
everyday
it was like a string of little stories
a diary with a secret key
that I would hide away
bring it out and open it up
to read at special times

being here with you is like
visiting another world
or being insane and it's ok
well, I don't know
I just know it's ok
I know I'm not doing anything wrong

at first I was confused
I couldn't understand
how you could love so many people
I didn't understand how you could
be so masculine and so tender
at the same time

you seldom do anything wrong
always say things in a kind way
I know I will never lose you
as a friend

sometimes I wonder
if you lived next door
if I could come over
after work
and you would stay up
all night with me

I wonder if your eyes would invite me
to be real
if you would accept me for who I am
I wonder if I would want to impress you
I wonder if you would teach me not
to lie


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #334 on: May 04, 2010, 12:08:00 AM » by cherylleverette




there is something I want badly
I would have to work hard, hard
to get it.  it would change my life,
just the becoming and the getting
of it would deliver me to a different
plane of living, a different quality

why won't I make the simple sacrifices
why do I stay in a shell
I could take my money and step out tomorrow
begin a whole new life
why don't I do it

what happens to grown ups
when they're ashamed
the life they live
is not the one they planned
they don't have a home
surrounded by family
instead they have rooms
where they hide hour to hour
walking like a ghost from room
to room, opening and closing doors

and why can't I, yes me,
make the demons leave me alone
I've allowed them to feel much
too comfortable with me
playing games, running me ragged
at last leading me to break down
where it all comes like an avalanche

and I'm so tired of needing rescue
I have to, I have to rescue myself this time
all by myself







Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #335 on: May 04, 2010, 12:35:27 PM » by cherylleverette





sometimes I seem so out of sync
sometimes I feel out of sync
and know why
it's the times I seem out of sync
that worry me



it's odd
I fight all the time for simplicity
for life to be uncomplicated
wishing there were no inconsistencies
that everything made sense
or at least wishing I didn't care
that everything, that most things
don't make sense

and then

the minute I don't understand something complex
I feel stupid

what the hell is wrong with me, anyway?



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #336 on: May 05, 2010, 11:14:43 AM » by cherylleverette




there's a wild kitten running
won't let anyone pet her
or tell her she's a sweet kitty
someone rolled her over
kicked in the chest
she's chased up a weeping
willow tree mewing crying
like babies do
needing rescue

there's a cross-eyed bitch
roaming in heat
her paw's out ruffling feathers
causing problems
doesn't like kitten much
she'll get used to her

there's a spider
spun a web
not mine, a stranger
put her here

there's a snow leopard
comfortable, splendid
learned to stand
on her back legs
whispers 'you're ok'

rounded up captured
all wild animals
thrown in a wire cage
trap door slammed

kitten calms down
next to white leopard
makes her bed, sleeps
bitch settles down
survives and shuts up
spider dies





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #337 on: May 05, 2010, 03:35:58 PM » by cherylleverette





sun breaks through clouds
so cliche so true
song tells me
cries of a broken heart
are 'better than a hallelujah'
sometimes'





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #338 on: May 06, 2010, 01:41:44 PM » by cherylleverette






sometimes
I understand why
I have no lover
or why
no relationship
steps one foot
in front of the other

when I'm jealous
of what is only attention
I withdraw and give up

not wanting anymore
of the pain
of hurt feelings
of the threat of loss





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #339 on: May 07, 2010, 12:01:45 AM » by cherylleverette




she's a rural countryside
grey on a wintry day
her pallet is dark and desolate
creating images
of flat fields
in boundaries
tall solemn timber
with barren branches

dusk is a trembling lyric
an empty farmhouse
with glass windows
sings to her
like a lone wolf howling
strange hypnotic strings
the wind through hollow pine

streams scarce of water
line her hands
as she turns her palms
constantly in transit
outside and inward
inside and outward
reaching




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #340 on: May 07, 2010, 07:56:15 AM » by silent lotus

I'll talk.
You'll listen.
No, wait.
I'll talk.
You'll squirm.
Isn't that what you like?
That excited, squirmy feeling?
Pushing, pressing
so close to the edge
but never falling over?
You love that jolt of power
when you've finally broken
the last frazzled nerve,
the nerve that held on,
tried to stay strong
until you snapped it--
busted it wide open
like a broken fire hydrant
gushing profanities
while you smile.

I've changed my mind.
No squrim for you.
No pleasure.


I'll talk.
You'll listen.
Or maybe
we won't talk at all.




dear Cheryl

definitely something worth saying here !

Enjoyed.

silent lotus
Logged

  Re: field rabbit
« Reply #341 on: May 07, 2010, 09:33:48 AM » by cherylleverette

dear Cheryl

definitely something worth saying here !

Enjoyed.

silent lotus


Thanks silent, for pulling this out of the angst river.  I see I've misspelled squirm once.  Glad you enjoyed.

Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #342 on: May 07, 2010, 09:55:43 AM » by silent lotus

Thanks silent, for pulling this out of the angst river. 

I see I've misspelled squirm once.  Glad you enjoyed.



spelling is such an over rated hobby !
Logged

  Re: field rabbit
« Reply #343 on: May 07, 2010, 10:31:06 AM » by cherylleverette
spelling is such an over rated hobby !

ha!  I only wish.  Actually I love spelling and puncuation, grammar junk like that.  'Course doesn't mean I'm good at it.  thanks for coming back.           cheryl
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #344 on: May 08, 2010, 08:05:20 AM » by cherylleverette





you're in control
of what happens
here, what happens
between us

                        (I like that)

I'll always do what
you tell me to do

never humiliate or
debase you
never scream and
holler at you

when my emotions
are out of control
you're in control

     sometimes verbal
     happenings are
     reflections of what
     might happen in
     the physical

that's exciting
                         (I need that)
the excitement
and the control





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #345 on: May 08, 2010, 08:42:59 AM » by cherylleverette


The Bad Day






sometimes I feel
too small to fit in
your big world

I look back
at the tidbits
you were throwing

my sight was warped
I thought they were
huge chunks of cake

like you've been
leaving crumbs
in a path back to you
but you were
just messy









go ahead
tear down the house you built
and you were the sole builder

when I was tired or lazy
or afraid in the dark
without a flashlight
you were building walls
hammering nails

when levels fell lost in the dust
you manufactured a plumb line
from pure silk

now you're like a madman
poking holes in styrofoam
pulling out nails
tearing down walls

I refuse to clean up
what was you
so I'm dialing numbers
with cloudy eyes
searching for
a maintenance crew




eyes red, lashes leaky
fists arthritic holding
on, letting go

the narrator
is not perfect

though her verses
are cranky and artless
they're prettier than stanzas
and strong as ever

veins, arteries are broken
need a stitch and a plug
as they travel to breasts
heaving, ho-ing

poking you face-wise
at the mention
of your bloody bone

until it all dries up like air
and you come home
for repairs, not by duty
but by the duly fix-its
she deserves





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #346 on: May 08, 2010, 09:03:26 AM » by silent lotus


sometimes I feel
too small to fit in
your big world

I look back
at the tidbits
you were throwing

my sight was warped
I thought they were
huge chunks of cake

like you've been
leaving crumbs
in a path back to you
but you were
just messy







brings back the feel of Piece Of My Heart  by Janis Joplin

and that is a compliment !
Logged

  Re: field rabbit
« Reply #347 on: May 08, 2010, 09:34:23 AM » by cherylleverette

brings back the feel of Piece Of My Heart  by Janis Joplin

and that is a compliment !


thanks so much, silent.  you're bringing back hope for my 'journalese' by your visits here.  thanks!!


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #348 on: May 09, 2010, 07:54:53 PM » by cherylleverette





listening to Yamrus,
someone named Rod,
Plath and Hardon's (?!)
even there on Epic Rites
blogger radio

love the idea of a blogger
on internet radio
love hearing poets read

even though I'm truly
enjoying these poets read
and appreciate what they're
saying and how they say it

(good grief what accents!!
they would die laughing at
my southern one)

I do wonder why they feel
this driving sense
to define poetry

what's odd is that poetry by
writers like what I'm hearing
frees me to write

just like I am right now
and as they read poetry
I keep writing
and feel good about it

I love it

so in a sense
the war they're fighting
is good for peeps like me

it just seems odd that
rather than say

'poetry is whoever you are,
whatever you think,
however you feel,
just put it to paper'


they want to divide
writing in categories of
what 'real' poetry is

irony?  I know it can't
be hypocrisy
no, it just can't be

all I ask is
please don't tell me
to be myself
and then slap
me in the mouth
when I am






Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #349 on: May 09, 2010, 09:05:16 PM » by silent lotus





listening to Yamrus,
someone named Rod,
Plath and Hardon's (?!)
even there on Epic Rites
blogger radio

love the idea of a blogger
on internet radio
love hearing poets read

even though I'm truly
enjoying these poets read
and appreciate what they're
saying and how they say it

(good grief what accents!!
they would die laughing at
my southern one)

I do wonder why they feel
this driving sense
to define poetry

what's odd is that poetry by
writers like what I'm hearing
frees me to write

just like I am right now
and as they read poetry
I keep writing
and feel good about it

I love it

so in a sense
the war they're fighting
is good for peeps like me

it just seems odd that
rather than say

'poetry is whoever you are,
whatever you think,
however you feel,
just put it to paper'


they want to divide
writing in categories of
what 'real' poetry is

irony?  I know it can't
be hypocrisy
no, it just can't be

all I ask is
please don't tell me
to be myself
and then slap
me in the mouth
when I am







dear Cheryl

wonderful ending
actually it is a tender beginning !

smiles
silent lotus
Logged

  Re: field rabbit
« Reply #350 on: May 09, 2010, 11:09:54 PM » by cherylleverette
dear Cheryl

wonderful ending
actually it is a tender beginning !

smiles
silent lotus


thanks again, sir silent lotus.  ;)

Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #351 on: May 10, 2010, 12:51:30 AM » by JohnL
Hey Cheryl! Great poem!   Hey I guess we can both be glad that Judy didn't write mom a poem.

John
Logged

  Re: field rabbit
« Reply #352 on: May 10, 2010, 10:50:12 AM » by cherylleverette
Ha!  Hey John.  Thanks for stopping by.  No Judy doesn't write poems.  She makes cds.  By the way, where's yours??   lol              cheryl
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #353 on: May 10, 2010, 04:35:59 PM » by cherylleverette





there is such a thing as
unconditional love;  you
don't have to experience
it to make it so

but how would we know
what's unconditional if we
didn't test the conditions

how would there be
true friendship if we
didn't push the limits

how would we know
what is real if we didn't
test reality;  in this world
we can never know what
is imagination or what is
in our hands;  what's a
trade;  what's a gift

we don't know what's
happening over there
no one knows what's
happening over here

you've never seen my limits
of forgiveness;  you've never
needed forgiveness as far
as I can see, which isn't very
far far far is so far away

everyday is fill in the blanks
day, and that's not just one
blank, there are a gaggle of
blanks, most just ignored

for the sake of need, I need
you and I won't let go easily
I may show my allegiance in
secret ways or I may just

shout it from the rooftops
I've forgiven much darker
than anything you can do
in this place;  I've forgotten

enough dimness, enough
confusion to make your head
swim, and I keep turning my
head because that's who I am

what about you?  have you
forgiven until you forget who
you are?  have you believed
your own words or just typed
them here for me to read

is it all just a daydream
or is just too real to believe?





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #354 on: May 10, 2010, 05:19:07 PM » by JohnL
Very funny! I think I'll write her a little note to encourage her "poetic" side.

John
Logged

  Re: field rabbit
« Reply #355 on: May 10, 2010, 11:28:50 PM » by cherylleverette
Very funny! I think I'll write her a little note to encourage her "poetic" side.

John

Well someone should write her note.  Neither one of us has talked to her in years.  Not that she cares all that much.                    cheryl

Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #356 on: May 11, 2010, 06:56:07 AM » by cherylleverette





you keep using next
like I imagine a line waiting for me
well I'm needy and I do look
I watch, but you meet that need
whether you like it or not
so you can just leave next
out of our vocabulary











please don't
hurt me today








I'm tired, woke up tired
alone, couldn't, can't sleep
kept waking up, and if you
want to sing poor lonesome
you
to me well then
fuck you too










I need to hear from you today
need to hear you forgive me
need to hear acceptance,
invitation, forgiveness in your tone
I don't want to wince anymore








my lover lives
2 million miles away
and my best friend
lives inside him





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #357 on: May 11, 2010, 10:48:59 AM » by cherylleverette


Word of the Day: formidable



You are the one for me
For me, for me, formidable
You are my love very
Very, very, vritable
Et je voudrais pouvoir un jour enfin te le dire,
Te l'crire,
Dans la langue de Shakespeare

My Daisy, Daisy,
Daisy, dsirable
Je suis malheureux
D'avoir si peu
De mots
T'offrir en cadeau

Darling I love you, love you
Darling I want you
Et puis c'est peu prs tout
You are the one for me
For me, for me, formidable

You are the one for me
For me, for me, formidable
But how can you see me,
See me, see me, si minable
Je ferais mieux d'aller choisir mon vocabulaire
Pour te plaire
Dans la langue de Molire

Toi, tes eyes, ton nose,
Tes lips adorables
Tu n'as pas compris
Tant pis
Ne t'en fais pas et..
Viens tombe dans mes bras

Darling I love you, love you
Darling I want you
Et puis le reste on s'en fout
You are the one for me
For me, for me, formidable

Je me demande mme
Pourquoi je t'aime
Toi qui te moque de moi et de tout
Avec ton air canaille,
Canaille, canaille,
How can I love you




More Like Falling In Love
Jason Gray
 
Give me rules, I will break them
Show me lines, I will cross them
I need more than a truth to believe
I need a truth that lives, moves, and breathes
To sweep me off my feet, it’s gotta be

More like falling in love than something to believe in
More like losing my heart than giving my allegiance
Caught up, called out, come take a look at me now
It’s like I’m falling, oh
It’s like I’m falling in love

Give me words, I’ll misuse them
Obligations, I’ll misplace them
‘Cause all religion ever made of me
Was just a sinner with a stone tied to my feet
It never set me free, it’s gotta be

Deeper and deeper
It was love that made me a believer
In more than a name, a faith, a creed
Falling in love with Jesus brought the change in me, it’s gotta be

Songwriter: Jason Gray

















Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #358 on: May 12, 2010, 10:16:59 AM » by cherylleverette





sometimes I feel like
there's another person
inside me who wants to talk

she's a young woman
from long ago
uneducated and
somewhat plain
but only in the sense
that she knows no better

not in the sense
that's she's not full
of things to say
in a different way
than I say them

I only need to picture her
in a different light
from a different angle
in a different situation
than I've ever been it

yet how can she not be me
and be me at the same time

the things she experiences
are foreign to me
and most of them worse
but not worse than I can imagine

after all, she's my imagination


*****


in this place
she's almost always accepted
so she'll stay for awhile
and I'll let her talk now and then

if she becomes too shocking
I'm sure someone will let me know


*****

in many ways she's like me
when she loves, she loves strongly
faithfully, and devotedly

she's hurt easily but
forgives easily

there are those around her
who try to control her
but she resists
not even knowing
that's she's trying to become
the person she's meant to be





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #359 on: May 13, 2010, 11:38:37 PM » by cherylleverette





awards ceremony


the room is decorated
like hollywood
marilyn monroe is there
her cardboard self

palm trees
are bigger than skyscrapers
colored lights are beautiful
like christmas for the rich

mylar cutouts
hang from the ceiling
gold, black, red
shapes like flying stars
and decadent snowflakes

these kids can't settle down
yet good behavior is high

everyone wants an award
all are dressed for it
in cheap prom dresses
and sunday best
silver and crimson ties
half-tuxedos, half-jeans

young outnumber old
like we're at the wrong party
but when plaques are handed-out
oldies play 'this magic moment'
swoop down and swipe the bounty





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #360 on: May 14, 2010, 10:49:01 PM » by cherylleverette




inside the black box


stuck my hand in plenty of black boxes
had all my fingers bit off
all at once
head snapping was a daily thing

don't know why I stuck around
it had to be attraction, excitement
I'm not this lonely woman in love with love
but in love with like

it's more important to me
to like and enjoy someone
than it is for me to be overwhelmingly
in love

first like, second admire, then love
respect also enters the picture somewhere
it's one thing to be physically attracted to someone
it's another to have respect

once I decided to be totally myself
with my ex-husband
won't say what I did
because now it's embarrassing

it was very intimate
he couldn't handle it or didn't like it
he brushed me off
after that I never tried to be close to him

it's very hurtful to reject someone when
they've opened up to you
especially if you're married to them
and you're all they have

will never do that to anyone
made a decision to never hurt
anyone like that
rather just keep things very simple
rather just like you very much

then there would be no dying
sighing crying if you didn't love me





know why a friend drinks vodka
and takes Xanax like candy
know why another one is
addicted to isolation

loneliness;  yes, loneliness.
it's that simple
that hard
that painful

not the kind of loneliness
when you're alone
the kind when you can be surrounded
by lovers and still feel lonely

friend #1 stays in her bedroom
in her big house, watches TV
and calls peeps on the phone
irritating them until they wish
she'd lose her list of digits

friend #2 blames all her hurt
on someone else
therefore if she can avoid the world
she won't get hurt again
not knowing the hurt's inside her

don't know what my number is
but when I dread falling asleep
it sure feels like it's coming



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #361 on: May 15, 2010, 07:21:41 AM » by cherylleverette



sure hasn't been much going on around here lately
have 15 minutes so I'll write
that will do absolutely nothing for the drought






the type of mind it takes
to solve crimes is the same
mind involved in espionage
and is also a mind involved
in unnatural delusions

intelligence and unintelligence?
Hitler was more paranoid schizophrenic
than he was genius or charisimo
if you're not insane when you join the CIA
you are when they send you on assignment

learned these things watching TV
the television in my bedroom is very simple
old fashioned, not a new hi-def machine
suppose I could buy one with a huge flat screen
but personally, I actually like plain jane

especially when I'm deluged with delusions
solving crimes and deciphering spy rings




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #362 on: May 16, 2010, 10:50:26 AM » by cherylleverette




watering my dahlias and petunias this morning
the novas are waving and one yells at me angrily

'how dare you accuse us of not living forever?'

didn't know dahlias could read minds
didn't know they could talk either but hell
I'm up for kibitz

'please, let me explain'

in a meteor moment
the flowers are still as stone

'ok, this is the way it is 
there is very little permanance
life in the green is delicate
death comes so quickly

'do you remember the electrical storm we had
Thursday night, 3 am, my time?
the next morning you're wilted
bowed and beaten
hard rain's more than you can bear

'the thought enters my mind
I'm a failure with flowering plants
even you with your ancient name
won't stick around forever

'but look at you!
Friday you're struggling
Saturday watered with cool water
from a lovely pail you look just fine

'you survived!' 

the smallest fiery dahlia pipes up
in a cute sweet voice

'hey I could use some extra attention
my leaves feel weak
my petals are lonely

'the truth doesn't matter
it's how I feel, you know

'surely somewhere in that great big mind of yours
you can come up with something
for a bud like me
nothing more than undergrowth'

with a kneel and kiss the little dahlia
immediately rises to meet my lips
what soft petals dahlias have!
it took me so long to kneel and bend
so long to be intimate with my underlings

if we're on stage in the front yard
if we're open to the public
neighbors laughing at me petal and
leaf-kissing I won't care

poor things, they aren't just some bland engineering effort
or some crazy-slash-comical machine with no feelings




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #363 on: May 17, 2010, 10:39:43 AM » by cherylleverette




'some things just have to be tested'

if you vote for me
and I vote for you
don't we cancel
each other's vote
which means me
and my endeavors
are really nothing
you and yours are
more than much
but maybe not as
much as you think
maybe you only
care to be no
more than what
you are; maybe
you get off lucky
much of your
platform is brilliant
some of it is
magnificent; 
you are a different
bird;  better than
the average bear
boo-boo's short
but I feel like I
know the cute
little fella intimately


***


a lady pounds on the door like a madwoman
a man stumbles to the door finally awakened
they embrace the length of a furlong
all the neighbors are watching
wishing they were the man and woman


***


watch the sea wash details to shore,
so far a dogbone, canine collar,
bandana, teacup, dead flowers,
two bent license plates destinies apart


***


there's a comedy scene taking place
like 'I Love Lucy' on vacation in a motel
on the way to California;  a train rolls by;
the bed, not nailed down, shakes like bones,
rivets across the floor;  so much drama
over a cheap motel room and a bed 
 





this blank space is filled,
as frustration like paint
is poured from a cup
of boredom



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #364 on: May 17, 2010, 03:28:07 PM » by cherylleverette




if I had a megaphone for a mouth
and you had super sonic eardrums
I would yell, what the hell are you
talking about?  a note is just not
enough.  you don't like those
anyway.  the last thing I ever
want to do is push you away
or suck you up and eat you alive.

you're like water poured in my
hand.  if I had two hands reaching
out you would be like a cross-
country runner with a beard
and a mission to go farther

a black box appeared on my porch
with a dark note from you inside with
gold print;  your writing was lovely
filigree calligraphy warning me to
stay away.  you have some sort of
disease?  you are the devil personified?
is that why you are fascinated with
him?  you are a cruel man looking
for whom you can destroy?  you're
a hungry bear rumaging through a
a family picnic eating the family instead?

you make me cry and I don't know why.
I feel rejected and I don't know why.
you don't have room for me and I don't
know why.  I don't want your handkerchief.
I need your beach towel.  I don't want
your hate, your anger, your heat;  not
the kind filled with icebox resignations.

yes, no;  no, yes;  what what what???
what are we asking?  what are we asking?



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #365 on: May 18, 2010, 08:54:44 AM » by cherylleverette



Miss Lavendar was my second grade teacher.
I thought she was very pretty as little girls
do, but I thought her name was perfect for
her and made her even prettier.  'Lavendar,
Lavendar, Lavendar' I would whisper.

When my brother was in fifth grade he had
Miss Lavendar as a teacher too.  During that
year she was married, and became Mrs. Tate.

My brother told me recently he remembers
having a huge crush on Miss Lavendar.  He
and a couple of his friends became angry that
their 'crush' would get married.

He says he still doesn't understand how boys
that age could be so attached to a woman so
much older than them that they would become
angry.  He doesn't understand where those
feelings came from, and he doesn't know how
he finally resolved them, but he remembers
they were definitely real.





suddenly it happen
as if she turns her head
her view changes

frenzied eyes
in a truss of curls and amber
it's all about carnal knowledge

this is not the plan
a welcomed change




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #366 on: May 19, 2010, 01:56:49 PM » by cherylleverette



Where the bones are buried
(as told to me by Bernice)



Bernice joins North Metro Medical center straight out of university to start her nursing career.  She comes with high hopes and a narrow mind, not believing in angels, ghosts, or spirits.

North Metro expands in 1970.  Bernice is promoted to night shift house supervisor in 1973.  Her hardest job is finding drugs in the pharmacy or materials in supply rooms where the area is always dark and back in a corner somewhere with weird noises.  On especially lonely nights she imagines some drug addict strangling her with a number eighteen French catheter.  Her visions aren't far from the truth.  Evil spirits lurk waiting for young supervisors.

Bernice is the second daughter of the seventh daughter of a French fortune teller.  She learns she inherited the trait.  Doubters laugh and believers ask questions, so Bernice keeps her secrets.  When she does tell a fortune she laughs saying "it's all in fun".  But North Metro spirits know differently.

cont....





 
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #367 on: May 20, 2010, 12:02:20 PM » by cherylleverette




Bernice feels the presence of a good spirit sometimes, as she walks the dark halls on rounds just after midnight.  The ghost is a cool wind as she walks through it, always standing near the the room of a very ill person.  Bernice visits the patient and speaks as kindly as she can to the sick, or to the family.  She knew dying time was near.  She returns to the front desk and alerts the charge nurse "There will be a death tonight.  Please be ready".

The good spirit's very helpful to Bernice;  she counts on the apparition to warn her of events to come.  One night a new nurse comes to Bernice crying and afraid and asks Bernice, "Who's the lady in room 118?".  Bernice tells her there's no one registered for 118.  The young nurse recounts the events:  "I saw a woman walk into room 118 without clothes.  I took a clean gown to her, but when I arrived she was gone".  Bernice puts her arm around the new nurse and finds out she's originally from Haiti.  So...then she knows the helpful spirit has found a soul she can trust as well as Bernice.

cont....



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #368 on: May 20, 2010, 01:19:57 PM » by cherylleverette





new from old


stems grow
kisses planted
in a secret place
around the rim
of many things

words tug and ply
I can't want you
more than now

cool lust
enfolds me
divines my conceit
encircles the earth
halts her spin

swallows me whole
makes me new







I really tried
to be as good
as everyone else

but when the dirt
and water shook
from the pan
no gold was there

most of the time
there's something left to do
something left to try
a way to figure out
where I went wrong

there's nothng this time
except self-pity
or whatever the ache is
with a new name
or maybe it's old failure

how does a person
react when no one knows
how to save a life?

someone was there
beside me
strong and good
he'll be ok

thank goodness for
pain that sets us straight
tells us the truth
thank goodness
for good men



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #369 on: May 21, 2010, 07:17:28 AM » by cherylleverette




where the bones are buried
(conclusion)



North Metro continues to expand through late fall, when a construction crew tears out a large part of the west end.  One morning, Bernice is at work by 2:30 am.  She walks a detour around the west end for several hours toward the critical care unit.  She crosses over the workers tapes and makes a spooky run through the old hall. 

Just as she's approaching room 118, she sees her, the young woman, standing in the doorway wearing a white flowing robe.  Her long dark hair falls past her waist.  She's holding a very tiny baby.  Death came too early.  A tear slides down her cheek as she fades away, Bernice watching her, transfixed.

"Why does the spirit stay here and why does she try to help me?" Bernice wonders.  In flashes she remembers stories the old nurses told of the beautiful young girl who came into North Metro in hard labor.  She waited too long to come and she was covered in blood, screaming and screaming, "Save my baby, save my baby!" until at last, she died.

When leaves turn brown and red, and the weather cools, the young woman's spirit walks the halls of North Metro carrying her child.  On rainy nights when the wind blows through, just after midnight you'll see her in the hall or standing behind a bed in a dark room.  You only need fear if your heart is cold and you don't believe.




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #370 on: May 21, 2010, 10:41:16 AM » by cherylleverette




I have built a city here
Half with pride and half with fear
Just wanted a safer place to hide
I don’t want to be safe tonight

I need You like a hurricane
Thunder crashing, wind and rain
To tear my walls down
I’m only Yours now
I need you like a burning flame
A wild fire untamed
To burn these walls down
I’m only Yours now

I am Yours and You are mine
You know far better than I
And if destruction’s what I need
Then I’ll receive it Lord from Thee

And it’s Your eye in the storm
Watching over me
And it’s Your eye in the storm
Wanting only good for me
And if You are the war
Let me be the casualty
‘Til I’m Yours alone
I am only Yours
I am Yours alone, Lord

Come be my hurricane


Jimmy Needham






This might hurt, it's not safe
But I know that I've gotta make a change
I don't care if I break,
At least I'll be feeling something
'Cause just okay is not enough
Help me fight through the nothingness of life

I don't wanna go through the motions
I don't wanna go one more day
without Your all consuming passion inside of me
I don't wanna spend my whole life asking,
"What if I had given everything,
instead of going through the motions?"

No regrets, not this time
I'm gonna let my heart defeat my mind
Let Your love make me whole
I think I'm finally feeling something

take me all the way


Matthew West




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #371 on: May 22, 2010, 10:06:28 PM » by cherylleverette



trying to slide away
like water slowly slips
over the counter edge
and drops

I'm trying to leave you
like you told me to
but I can't leave the
only one I know
to be true





purity isn't found only
in newborn babes
truth can be found
in good men and women

when they find each other
neither one of them
should allow anything
to separate them





dear God, I've never been one
to make desperate prayers public

but I'm telling you, I'm begging you
for truth and purity in myself

begging you to let me see it
in anyone, anyone around me

I'm beseeching you
for integrity
on all sides






growing to die
dying to grow






he loves
he lives
he was
he is
always gonna' be

be always there
for me



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #372 on: May 23, 2010, 01:17:28 PM » by cherylleverette



if you were my lover
and I was yours
we could take a long
romantic walk on a
secret path through
the Ozark Mountains

I could pretend someone
wanted to answer
all my questions

you could pretend
someone wanted
to listen

you'd be an ancient oak tree
I'd be an acorn falling
off of you and landing
in the shade at your feet



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #373 on: May 24, 2010, 11:21:30 AM » by cherylleverette



both come to watch
and be watched
neither can help innocence
or is it necessary seduction?

is it the two of them
or what surrounds them?
somehow she loses rough diamonds
he's losing something too
is it unavoidable or is it criminal?

both stir more than gin and tonic
or crown on smooth, cold rocks
one makes the other want to live
lighting more than fire

holding on is like
clutching obscurity

both graze shadows
to keep things safe
and halt disappearing acts





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #374 on: May 24, 2010, 03:12:07 PM » by R. L. Crowther
eyes red, lashes leaky
fists arthritic holding
on, letting go

the narrator
is not perfect

though her verses
are cranky and artless
they're prettier than stanzas
and strong as ever

veins, arteries are broken
need a stitch and a plug
as they travel to breasts
heaving, ho-ing

poking you face-wise
at the mention
of your bloody bone

until it all dries up like air
and you come home
for repairs, not by duty
but by the duly fix-its
she deserves


...so what's wrong with this? I think it is fine. It has some nice images. It can be worked with. What do you mean you haven't written anything good enough lately?!
Logged

  Re: field rabbit
« Reply #375 on: May 24, 2010, 03:28:07 PM » by R. L. Crowther
Miss Lavendar was my second grade teacher.
I thought she was very pretty as little girls
do, but I thought her name was perfect for
her and made her even prettier.  'Lavendar,
Lavendar, Lavendar' I would whisper.

When my brother was in fifth grade he had
Miss Lavendar as a teacher too.  During that
year she was married, and became Mrs. Tate.

My brother told me recently he remembers
having a huge crush on Miss Lavendar.  He
and a couple of his friends became angry that
their 'crush' would get married.

He says he still doesn't understand how boys
that age could be so attached to a woman so
much older than them that they would become
angry.  He doesn't understand where those
feelings came from, and he doesn't know how
he finally resolved them, but he remembers
they were definitely real.

The Miss Lavender story is a good story, too. It needs something to elevate it some, but basically it is a good kernel. I had a crush on my high school choir director--two of them, in fact. One for the 10th and 11th grades-who left to get married--and her replacement in my senior year. OK, so I'm fickle, but I could relate to the story just the same.  The language is a little flat, but I think the content is something that could also be worked with. So, I argue there are two pieces that could be decent to good (at least two, and I've only quickly scanned the last two pages of the journal).
Logged

  Re: field rabbit
« Reply #376 on: May 24, 2010, 03:28:57 PM » by cherylleverette
eyes red, lashes leaky
fists arthritic holding
on, letting go

the narrator
is not perfect

though her verses
are cranky and artless
they're prettier than stanzas
and strong as ever

veins, arteries are broken
need a stitch and a plug
as they travel to breasts
heaving, ho-ing

poking you face-wise
at the mention
of your bloody bone

until it all dries up like air
and you come home
for repairs, not by duty
but by the duly fix-its
she deserves


...so what's wrong with this? I think it is fine. It has some nice images. It can be worked with. What do you mean you haven't written anything good enough lately?!

hey richard (just kiddin) BOB, thank you for taking a look.  I actually posted this in workshop and it went nowhere.  Forgot what I posted it as.  If I didn't I will though.  And it will all be on you.  lol

Thanks,
cheryl

Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #377 on: May 24, 2010, 03:31:52 PM » by cherylleverette
Miss Lavendar was my second grade teacher.
I thought she was very pretty as little girls
do, but I thought her name was perfect for
her and made her even prettier.  'Lavendar,
Lavendar, Lavendar' I would whisper.

When my brother was in fifth grade he had
Miss Lavendar as a teacher too.  During that
year she was married, and became Mrs. Tate.

My brother told me recently he remembers
having a huge crush on Miss Lavendar.  He
and a couple of his friends became angry that
their 'crush' would get married.

He says he still doesn't understand how boys
that age could be so attached to a woman so
much older than them that they would become
angry.  He doesn't understand where those
feelings came from, and he doesn't know how
he finally resolved them, but he remembers
they were definitely real.

The Miss Lavender story is a good story, too. It needs something to elevate it some, but basically it is a good kernel. I had a crush on my high school choir director--two of them, in fact. One for the 10th and 11th grades-who left to get married--and her replacement in my senior year. OK, so I'm fickle, but I could relate to the story just the same.  The language is a little flat, but I think the content is something that could also be worked with. So, I argue there are two pieces that could be decent to good (at least two, and I've only quickly scanned the last two pages of the journal).

Thanks again, Bob.  This one hasn't been posted I know but I'll least tell you why I didn't.  I write all these little 'character' poems, you know and well, they just don't get a good reception here, maybe just by one or two persons.  I'm thinkin' maybe readers are tired of me and my little characters.

Thanks once again.  You might be gettin' somewhere.

cheryl
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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #378 on: May 24, 2010, 03:39:38 PM » by R. L. Crowther
Hmm. Little characters have this tendency to turn into big characters with a little (OK, sometimes a lot) of work. Joyce is almost nothing but character. Don't give up on your characters. Make them live.
Logged

  Re: field rabbit
« Reply #379 on: May 25, 2010, 04:56:02 AM » by cherylleverette
Hmm. Little characters have this tendency to turn into big characters with a little (OK, sometimes a lot) of work. Joyce is almost nothing but character. Don't give up on your characters. Make them live.

Bob, thanks.  Sounds like I need to read Joyce.  Thanks for another reply and more encouragement.    cheryl

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #380 on: May 25, 2010, 05:00:27 AM » by cherylleverette



this mother-daughter attachment
is confusing to me
she's sullen and the whole house
seems dark and strange
maybe it's the house
her home is part of her
if she's dark
this place where she sleeps
and walks and rambles
is dark

I want to cut the cord
and run
but I can't do that
I just can't do that
to her

there were times I needed her
and she was here
now she needs me




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #381 on: May 25, 2010, 06:02:27 AM » by R. L. Crowther
Bob, thanks.  Sounds like I need to read Joyce.  Thanks for another reply and more encouragement.    cheryl



I wonder if I was thinking of Henry James, though...lol Guess you'll have to read both to find out.
Logged

  Re: field rabbit
« Reply #382 on: May 25, 2010, 06:12:00 AM » by R. L. Crowther



this mother-daughter attachment
is confusing to me
she's sullen and the whole house
seems dark and strange
maybe it's the house
her home is part of her
if she's dark
this place where she sleeps
and walks and rambles
is dark

I want to cut the cord
and run
but I can't do that
I just can't do that
to her

there were times I needed her
and she was here
now she needs me





To me the interesting comparison is the dark house with the darkening mind of your mother. If you could somehow transition from the dark house to the dark mind as if they were the same thing, maybe that would be more dramatic? And maybe you could be or have dark thoughts--about cutting the cords, about the situation, about happiness/unhappiness in general--rather than being so specific about what those dark thoughts might be. I'm just trying to imagine ways to inject more drama and still retain the sense of personal conflict you want.
Logged

  Re: field rabbit
« Reply #383 on: May 26, 2010, 11:25:13 AM » by cherylleverette




I need you and
I can't stay away

even if I never
touch your face
I need you

and if touch is
what you need
we can fix that
I'm free to make
my own choices

I am my dirt hugged
dahlias and you are
the water I pour
from a lovely pail

you are the running
shoes and the baseball
cap I wear when I
take my daily walk

you are the cotton bag
I carry covered in musical
notes filled with pens
and pencils and sketch
pads when I sit under
the trees and draw
and you are the shade

I need you everyday
and I can't stay away



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #384 on: May 26, 2010, 11:27:49 AM » by cherylleverette
To me the interesting comparison is the dark house with the darkening mind of your mother. If you could somehow transition from the dark house to the dark mind as if they were the same thing, maybe that would be more dramatic? And maybe you could be or have dark thoughts--about cutting the cords, about the situation, about happiness/unhappiness in general--rather than being so specific about what those dark thoughts might be. I'm just trying to imagine ways to inject more drama and still retain the sense of personal conflict you want.

Bob, thanks for these comments.  If I wanted to do what you suggest, I could probably do it eventually, because what you suggest is what happens.  If that makes sense.  I suppose I'm afraid of the darkness.  That it will become even more real and eat me alive if I dwell on it or try to put it into words or write it on the page.  This darkness that surrounds her sometimes is frightening and hurtful.

Thanks again,
cheryl


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #385 on: May 26, 2010, 12:59:00 PM » by R. L. Crowther
Bob, thanks for these comments.  If I wanted to do what you suggest, I could probably do it eventually, because what you suggest is what happens.  If that makes sense.  I suppose I'm afraid of the darkness.  That it will become even more real and eat me alive if I dwell on it or try to put it into words or write it on the page.  This darkness that surrounds her sometimes is frightening and hurtful.

Thanks again,
cheryl




Makes pefect sense to me. Like the Great Nothing that is swallowing up Fantasia in The Neverending Story. But you can use your imagination and words to fight back, at least in some sense. Maybe you can't prevent your mother from falling in, but you can come to grips with it.

This was Monday's Poem of the Day from poets.org - maybe you saw it already:

My Father Remembers Blue Zebras
by Judy Halebsky

He remembers that he lost his wallet

he knows about the rainshadow
and the string of islands off the coast of Vancouver


               
               oboeru      to remember
                                     also means to learn


I try to keep track of what he put where
the small green car we called Cricket
the second time he got drafted
and Aunt Nina’s husband, he's a nice guy but he's a fascist

he's asking me again
where do you live
oh, you're in school, what do you study


how far off coast do you have to go
to be sheltered from the rain

that's wonderful  Dad says, that's wonderful

Logged

  Re: field rabbit
« Reply #386 on: May 26, 2010, 01:45:30 PM » by cherylleverette
Makes pefect sense to me. Like the Great Nothing that is swallowing up Fantasia in The Neverending Story. But you can use your imagination and words to fight back, at least in some sense. Maybe you can't prevent your mother from falling in, but you can come to grips with it.

This was Monday's Poem of the Day from poets.org - maybe you saw it already:

My Father Remembers Blue Zebras
by Judy Halebsky

He remembers that he lost his wallet

he knows about the rainshadow
and the string of islands off the coast of Vancouver


               
               oboeru      to remember
                                     also means to learn


I try to keep track of what he put where
the small green car we called Cricket
the second time he got drafted
and Aunt Nina’s husband, he's a nice guy but he's a fascist

he's asking me again
where do you live
oh, you're in school, what do you study


how far off coast do you have to go
to be sheltered from the rain

that's wonderful  Dad says, that's wonderful



Wow.  Now that's really cool -- that the subject of a poem I could actually (almost but not quite as good) write would be that well liked.  Gives me hope.  Maybe I should write about my mother and this experience more often.

Thanks,
cheryl

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #387 on: May 27, 2010, 12:01:07 AM » by cherylleverette



when the music fades
all is stripped away
and I simply come

longin' just to bring
something that's of worth
that will bless your heart

I'll bring you more than a song
for a song in itself
is not what you have required

you search much deeper within
through the ways things appear
you're looking into my heart....


matt redman



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #388 on: May 27, 2010, 12:25:34 AM » by Matt Masley
loved this story right up until the explanation stanza. 
stands great alone, don't change it much (if you do)
drop that whole explanation thing.  useless and over-explains where it needn't to.
loved it.

the_fool
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  Re: field rabbit
« Reply #389 on: May 27, 2010, 07:23:12 AM » by cherylleverette
loved this story right up until the explanation stanza. 
stands great alone, don't change it much (if you do)
drop that whole explanation thing.  useless and over-explains where it needn't to.
loved it.

the_fool

Matt, thanks for reading and the comment.  However, I'm lost regarding what 'story' you're talking about.  If you mean the very last one, that's a favorite (meaningful to me) excerpt from a song written by Matt Redman.  Nevertheless, whatever you're talking about, I appreciate the visit.                 cheryl

Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #390 on: May 27, 2010, 09:01:11 AM » by cherylleverette




In your ocean, I'm ankle deep
I feel the waves crashin' on my feet
It's like I know where I need to be
But I can't figure out

Just how much air I will need to breathe
When your tide rushes over me
There's only one way to figure out
Will you let me drown

this is my desire
Consume me like a fire, 'cause I just want something beautiful
To touch me, I know that I'm in reach
'Cause I am down on my knees.
I'm waiting for something beautiful

And the water is rising quick
And for years I was scared of it
We can't be sure when it will subside
So I won't leave your side.

In a daydream, I couldn't live like this.
I wouldn't stop until I found something beautiful.
When I wake up, I know I will have
No, I still won't have what I need.


Needtobreathe





God loves a lullaby
In a mothers tears in the dead of night
Better than a Hallelujah sometimes.
God loves the drunkards cry,
The soldiers plea not to let him die

We pour out our miseries
God just hears a melody
Beautiful the mess we are
The honest cries of breaking hearts

The woman holding on for life,
The dying man giving up the fight
The tears of shame for what's been done,
The silence when the words won't come
Are better than a Hallelujah



Amy Grant





So you thought you had to keep this up
All the work that you do
So we think that you're good
And you can't believe it's not enough
All the walls you built up
Are just glass on the outside

Afraid to let your secrets out
Everything that you hide
Can come crashing through the door now
But too scared to face all your fear
So you hide but you find
That the shame won't disappear

So let it fall down
There's freedom waiting in the sound
When you let your walls fall to the ground
We're here now

Sparks will fly as grace collides
With the dark inside of us
So please don't fight
This coming light
Let this blood come cover us
His blood can cover us

This is where the healing begins
This is where the healing starts
When you come to where you're broken within
The light meets the dark
 


Tenth Avenue North






How long must I pray, must I pray to You?
How long must I wait, must I wait for You?
How long 'til I see Your face, see You shining through?
I'm on my knees, begging You to notice me.
I'm on my knees, Father will you turn to me?

One tear in the dropping rain,
One voice in the sea of pain
Could the maker of the stars
Hear the sound of my breakin' heart?
One light, that's all I am
Right now I can barely stand
If You're everything You say You are
Won't You come close and hold my heart

I've been so afraid, afraid to close my eyes
So much can slip away before I say goodbye.
But if there's no other way, I'm done asking why.
Cuz I'm on my knees, begging You to turn to me
I'm on my knees, Father will you run to me?

So many questions without answers, Your promises remain
I can't sleep but I'll take my chances to hear You call my name.



Tenth Avenue North






My life has led me down the road that’s so uncertain
And now I am left alone and I am broken,
Tryin’ to find my way, tryin’ to find the faith that’s gone

This time, I know that you are holding all the answers
I’m tired of losing hope and taking chances,
On roads that never seem,
To be the ones that bring me home

My life has led me down this path that’s ever winding
Through every twist and turn I’m always finding,
That I am lost again
Tell me when this road will ever end
Give me a revelation,
Show me what to do
Cause I’ve been tryin’ to find my way,
I haven’t got a clue
Tell me should I stay here,
Or do I need to move
Give me a revelation
I’ve got nothing without You

I don’t know where I can turn
Tell me when will I learn
Won’t You show me where I need to go
Let me follow Your lead,
I know that it’s the only way that I can get back home





Third Day



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #391 on: May 30, 2010, 03:38:02 PM » by cherylleverette



You can go
You can start all over again
You can try to find a way to make another day go by
You can hide
Hold all your feelings inside
You can try to carry on when all you want to do is cry

And maybe someday
We'll figure all this out
Try to put an end to all our doubt
Try to find a way to make things better now and
Maybe someday we'll live our lives out loud
We'll be better off somehow
Someday

Now wait
And try to find another mistake
If you throw it all away then maybe you can change your mind
You can run, oh
And when everything is over and done
You can shine a little light on everything around you
Man it's good to be someone

And I don't want to wait
I just want to know
I just want to hear you tell me so
Give it to me straight
Tell it to me slow

Cause maybe someday
We'll figure all this out
We'll put an end to all our doubt
Try to find a way to just feel better now and
Maybe someday we'll live our lives out loud
We'll be better off somehow
Someday

Cause sometimes we don't really notice
Just how good it can get
So maybe we should start all over
Start all over again



Rob Thomas




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #392 on: May 31, 2010, 11:49:41 AM » by cherylleverette



For the first time since I joined PoetryCircle I feel I'm missing something.  When I read poems on the first page of submit I'm searching for words when I try to comment.  Something special is either missing in me or in them, or both.  And not all of them, of course.  

I admit I'm experiencing a dry spell in my writing.  Nothing seems to work, to click.  Maybe I'm projecting my own drought onto other poems, but I don't think that's entirely it.  Seldom are the times I can find very few poems I'm impressed with. usually there are more than I can handle, and I wish I had more time and more words to express how good I think the writing is.  

I don't claim to know the answer or I wouldn't be writing this in journalese.  If I thought I knew the remedy I'd be brave and express my concerns in discussions.  But I'm not brave about this issue, so I'd rather talk about my concerns here, where my clandestine efforts will be read by only a few, and in turn maybe shed some light on this dilemma, whether it's all mine or partly mine.

Lately I've visited another poetry website I used to frequent but there's so much quibbling, arguing, purposeless criticism, and negativity there, that I have no desire to post there.  I'd rather not cast what pearls I have, if any, before swine.  Swine is a hard word, and it's not that bad.  It's just that I'd rather not take the chance since the place seems a little cliquish as it is, and I'm not in the clique.

I do know one thing -- the old saying, if you have nothing good to say, say nothing at all.  So I'll say nothing.  At all.  Nothing.

Now, I'll take a walk and clear my mind, and come back to this.  Or I may say Nothing At All.



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  field rabbit
« Reply #393 on: May 31, 2010, 01:51:04 PM » by Michelle Beth Cronk
It happens sometimes - everything seems to cycle that way.   Riding it out is what I usually do.  :)

Also good to go back to old pages in submit & read for awhile.
Logged

  Re: field rabbit
« Reply #394 on: June 04, 2010, 02:39:59 PM » by cherylleverette
It happens sometimes - everything seems to cycle that way.   Riding it out is what I usually do.  :)

Also good to go back to old pages in submit & read for awhile.


Beth, thanks very much for replying to my pitiful post.  I'm in a terrible mood and I should never take it out on anyone, even in the slightest appearance.  Thanks for your patient and wise reply.

cheryl







   the past is playing with my head          
   failure knocks me down again        
   I'm reminded of the wrong          
   I have said and done          
   that devil just won't let me forget          
              
   In this life          
   I know what I've been          
   But here in your arms        
   I know what I am          
              
   I'm forgiven          
   And I don't have to carry          
   The weight of who I've been          
   Cause I'm forgiven          
              
   My mistakes are running through my mind          
   I'll relive my days, in          
   the middle of the night          
   When I struggle with my pain,          
   wrestle with my pride          
   Sometimes I feel alone, and I cry          
              
   When I don't fit in and I don't          
   feel like I belong anywhere          
   When I don't measure up to much in this life          
   I'm a treasure in the          
   arms of Christ



Sanctus Real






climbing the high



climbing the high
is gold and mellow
her eye is good for the sun
wounds won't bleed

the follow down is hard--
as deep through the core
as a drill will go

black is so dark
the measuring hand
turns round the color wheel
360 degrees past peak to gray
grey as dove feathers through
a book of fairy tales

jagged fingers crawl to safety
the last third of the evening
til the moon hits morning

x stitches and stick pins
attach useless pokers to
palms of round flesh
with fresh blisters
the nonshade of black--
these wounds bleed

afternoons trimmed in
clapping hands sell out



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #395 on: June 05, 2010, 08:51:31 AM » by cherylleverette



let's get serious
(but not too serious)
and put a gold band
around this thing
with the biggest diamond
we can afford

let's make a vow
commit to something
so when we go different ways
I'll know you're coming back

there's only one element
the contract must demand
let's keep it simple
we must, we must not
take ourselves too seriously

sensitive people are actually
mislead and cry about this shit

by the way, I'm on my way
to pick up my new Blackberry
so I can take this joint to work
with me.  would you rather have
a Nokia?  all I know is the phone
must be smart, unlike you and I.

oh, and I surfed the internet
last night for other forums
we can join.  wow!!  I was so
impressed!  there's so much
out there!  we can have our
piece of cake and fork it too.

we can eat the apple and not
die on the poison seeds.  look
in the mirror see all of our many
selves, and still be the most
beautiful one.  see, there
really is recognizable
beauty in simplicity







All day
Staring at the ceiling
Making friends with shadows on my wall
All night
Hearing voices telling me
That I should get some sleep
Because tomorrow might be good for something
Hold on
I'm feeling like I'm headed for a
Breakdown
I don't know why
I'm not crazy, I'm just a little unwell
I know, right now you can't tell
But stay awhile and maybe then you'll see
A different side of me
I'm not crazy, I'm just a little impaired
I know, right now you don't care
But soon enough you're gonna think of me
And how I used to be
Me
Talking to myself in public
Dodging glances on the train
I know
I know they've all been talking 'bout me
I can hear them whisper
And it makes me think there must be something wrong
With me
Out of all the hours thinking
Somehow
I've lost my mind
I'm not crazy, I'm just a little unwell
I know, right now you can't tell
But stay awhile and maybe then you'll see
A different side of me
I'm not crazy, I'm just a little impaired
I know right now you don't care
But soon enough you're gonna think of me
And how I used to be
I been talking in my sleep
Pretty soon they'll come to get me
Yeah, they're taking me away
I'm not crazy, I'm just a little unwell
I know, right now you can't tell
But stay awhile and maybe then you'll see
A different side of me
I'm not crazy I'm just a little impaired
I know, right now you don't care
But soon enough you're gonna think of me
And how I used to be
Hey, how I used to be
How I used to be, yeah
Well I'm just a little unwell
How I used to be
How I used to be


Matchbox 20






She never mentions the word addiction
In certain company
Yes, she'll tell you she's an orphan
After you meet her family

She paints her eyes as black as night now,
Pulls those shades down tight
Yes, she gives a smile when the pain comes,
The pain gonna make everything alright

Says, she talks to angels,
They call her out by her name
Oh yeah, she talks to angels,
Says they call her out by her name

She keeps a lock of hair in her pocket
She wears a cross around her neck
Yes, the hair is from a little boy,
And the cross is someone she has not met, not yet

Says she talks to angels,
Says they all know her name
Oh yeah, she talks to angels,
Says they call her out by her name

She don't know no lover,
None that I ever seen,
And to her that ain't nothing
But to me, It means, means everything.

She paints those eyes as black as night now
She pulls those shades down tight
Oh yeah, there a smile when the pain comes,
The pain gonna make everything alright, alright yeah

She talks to angels,
Says they call her out her name
Oh yeah-eah-eah, angels
Call her out by her name
Oh-ooh-oh-oh, angels
They call her out by her name
Oh-oh, She talks to angels
They call her out
Yeah-eah-eah, call her out
Don't you know that they call her out by her name?



Black Crowes











Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #396 on: June 07, 2010, 04:23:14 AM » by cherylleverette




I dyed my curly hair
strawberry blonde
it was one of those days
a hair away from peroxide blonde

wearing a swirling white dress
singing happy birthday, mr. president
I'm not worried you won't like it
I've come to know your unconditional

acceptance of me, although my
experience is, there are always conditions
however, I don't think yours have to do
with hair color;  besides I can always

change it.  we can always change things
like hair styles and warm clothing, or where
we take vacation, but there are things
I've tried to change, in rebellion or in fear,

like where I belong
the shade under which I rest
the wings under which I fly
my mind wanders so often

there's no need for my body to wander too
one would never find the other
in the ancient days of masters and slaves
you would be my master, I, your slave

in the kinky days of domination and submission
you would dominate and I submit
those fantasies are exciting, though short-lived
maybe our pens and our voices should explore

them more often, and learn what we're made of
meanwhile, I rest in a strange security brooding
a quarter's way around the world--so far, the
most faithful kind, if not only in my mind

yet a wiser voice tells me
'if it exists, if it's me, it's real'  
bring me the man who's
promise is greater





strawberry blonde a.k.a. redhead

Throughout history, redheads have been feared and revered, loathed and adored, degraded and exalted. No other single human trait has provoked such a dichotomy of emotions in such a large number of fellow humans. It is as boiling is to freezing or despair is to hope. It is as hate is to love.


Historically, prejudice and suspicion has always greeted the redhead, along with the belief that they were fiery and hot-tempered. This image - wrong or not - most likely stems from the fact that the Scots, with their high percentage of red haired people, are descended from the Celts, notoriously violent warriers. It is this perception that spawned many strange and fantastical beliefs and ideas about red hair.




The Greeks, not to be outdone (the Greeks were never to be outdone as they were sore losers and it really got their sacrificial goat), believed that redheads would turn into vampires following their death. Aristotle - philosopher, student of Plato, teacher of Alexander the Great, and all-around smart guy and occasional ass - described redheads as being emotionally un-housebroken. I don't know what that means but whadda ya say you and I step outside, Tots?



Russian tradition declares that red hair is both a sign of a fiery temper and craziness, and a proverb warns, "There was never a saint with red hair. Indeed, red hair figures in the bible, The word Adam is supposedly the Hebrew word for 'red' or 'ruddy', and Judas - poster boy tor tratorious - is often portrayed with red hair as is Mary Magdalene. King David is thought to have been a redhead, and some even believe the 'mark of cain' to actually be red hair.




Red On the Head, Fire In the Bed

Red hair was thought to be a mark of a beastly sexual desire and moral degeneration. See? I told you it's not all bad. It is a common belief that redheads are highly sexed. Jonathon Swift satirized this redhead stereotype in Gulliver's Travels, part 4, A Voyage to the Country of the Houyhnhnms, when he wrote: "It is observed that the red-haired of both sexes are more libidinous and mischievous than the rest, whom yet they much exceed in strength and activity." As Austin Powers might observe, Oh, yeah, baby!




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #397 on: June 07, 2010, 12:37:04 PM » by cherylleverette


a smart woman
prepares her weapons
cleans her guns
counts her ammunition
she is always ready
to avoid war
by winning it


retaliation



go ahead
eat her up
until you're full
let her pulp,
authentically
exotic,
run down
the corners
of your mouth
in the way
of portraits
and poems

I hope
her juice
is bitter





I hear the gunshot
and the gates fly open

it's time to move
out of the way

a stampede of
one comes





don't fault me
for my jealousy

I play fair

I warned you


**


when you parlay
please don't parade
your wares of lust
center stage

no one will
ever know
I care

you will look like
an old fool



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #398 on: June 08, 2010, 12:18:50 AM » by cherylleverette






I wish we could order our dreams
like we buy DVD's.  I would order
one with you as the leading man,
me as the leading woman.  If we
didn't care so much about our
partnership in writing, we would
be consumed with knowing and
understanding the other.




my first dream would be about physical love
but we would talk alot too.  you would see
that I'm shy, and you would take your time
explaining every little detail.  by the time
you are ready to kiss me, I am beside my
self with excitement, just what you need.






my second dream would be more about
you and what you need and enjoy.  you
won't let me back out of efforts I make
that seem to fail, and you don't even
seem to notice my mistakes and clumsiness




the third dream is one plus two and equals
you.  you as a perfect lover, with confidence.








when she/I write like this I am such an adolescent....


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #399 on: June 12, 2010, 07:00:48 PM » by cherylleverette




life moves slow
and I don't know
who I am

so accustomed to fast
I don't know how
to slow down

I have one delicacy
via these airways
your words, your thoughts

when your space
is empty
I wander like a nomad

and cry like a little girl





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #400 on: June 12, 2010, 09:11:31 PM » by silent lotus




life moves slow
and I don't know
who I am

so accustomed to fast
I don't know how
to slow down

I have one delicacy
via these airways
your words, your thoughts

when your space
is empty
I wander like a nomad

and cry like a little girl







Beautiful !
Logged

  Re: field rabbit
« Reply #401 on: June 16, 2010, 12:05:31 AM » by cherylleverette

Beautiful !

Thank you silent.  Rather an embarrassment to write, but true, nonetheless.

cheryl
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #402 on: June 17, 2010, 01:08:33 AM » by cherylleverette



preparation


she prepares herself for him
daily walks keep her legs taut and long
for making love

monthly hair clippings
keep her curls thick and soft
for hands running through

experiments with dyes and rinses
not to wash the gray away
but to match her peach skin

lotions of the earth
applied from head to toe
he'll cross no rough places

preparing herself for
someday she'll meet him
it's destiny



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #403 on: June 18, 2010, 03:20:33 PM » by cherylleverette



I've decided to make this
what it really is--a journal.
Most of the time I don't
write because I'm ashamed,
feeling guilty, or embarrassed
about what I have to say.
But those rules won't apply
any more...as of today...this minute....





Dear Reader, there are times when I feel really bad,
really lonely, really stupid, all the 'reallys' you can
think of are aflight in me.  Right now I feel just
fine.  Maybe it's that new medication...even my
stomach feels bubbly...probably like being tickled
except actually enjoying it rather than planning
ways to kill the tickler if he doesn't stop binding
you up, throwing you to the carpet and groping
your stomach with fake gnarled fingers...and oh
I forgot...sitting on your legs so you can't kick him
in the gonads...like go nads go, you know.

Ha.  Well that's all for this 15 minutes.




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #404 on: June 20, 2010, 08:26:05 AM » by silent lotus
Niagara in the Fall


Under
the waterfall
twenty miles
and a day

still
we are
far from shore

our bodies
never drying
under the sun

never insignificant
like yesterday's
neglected news,
rolled-up and silent


dear Cheryl

well done ...nice pen !

silent lotus



never insignificant
like yesterday's
neglected news,
rolled-up and silent
Logged

  Re: field rabbit
« Reply #405 on: June 20, 2010, 10:30:30 AM » by cherylleverette
dear Cheryl

well done ...nice pen !

silent lotus


silent, thank you.  you are always a blessing.

cheryl




never insignificant
like yesterday's
neglected news,
rolled-up and silent
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #406 on: June 25, 2010, 05:28:41 PM » by cherylleverette





last night
two nightmares fly through me

in the first a demonic man
kidnaps me, shows me
ancient erotic artifacts
mostly of naked cupid
with his tiny penis

we fly through the air
and tour Europe
at which time he turns
into two men, then three men
all of them faces pressing close to mine
stealing my breath

escape is near but I wake up
with a stuffy noise
fighting the covers
trying to get free

in relief I laugh at the dream
the nightmare isn't real
I fall asleep very soon after

in the second nightmare
I'm a demoness with
long dark auburn curls
covering my transparently adorned body
which, in the dream, is wickedly perfect
the strips of cloth I wear
are tightly woven net
(the weaving of a spider)
in a shade of ice-blue
almost white
as if I am almost pure
but not

I fly through the air
to a party at my exhusband's home
which is entirely made of pine
with scores of wooden playground
equipment in the yard
made for adults

it happens that I'm a gymnist
and commence with my acrobatics
ice-blue strips flying in the air
angering all the other wives
who immediately realize I'm not good
and hide their children
from my lithe body and my evil antics

men don't see my demonism
and enjoy the spectacle
my exhusband is in constant derision
making excuses for my behavior

I begin to feel guilty
children scatter about
all of them are on my mind

my devil eyes look into the crowd
and find a beautiful woman 
covered in make-up staring at me angrily
'resist me,' I beg of her, for I'm now quite
repentent, 'resist me!'
she does and I wake from the dream with
strange consonants and vowels on my lips

up in bed I hold my head in my hands
and think, I think hard 'what did I do?
have I been so evil?  are these dreams punishment?'

I remember some words that day
I scribbled about heat





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #407 on: June 26, 2010, 07:04:57 PM » by cherylleverette




words about sex


restless
fully crowned
waiting arrival
of something new

erect
magical
rays of fire
on flush of face
as if to sin
as if to scream
eye dares indecency

be known
be strong
be delightful

revel in opening
revel in closing

head bends
hand curls
in finding paradise

moment of nature
dual prostration
fingers in
mouth on

     encrypted affection



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  testing
« Reply #408 on: June 27, 2010, 12:32:34 PM » by cherylleverette
testing photostory by windows

ok, that didn't work, but I figured out how to do it.
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  8 hrs YouTube
« Reply #409 on: June 28, 2010, 01:20:49 PM » by cherylleverette








Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #410 on: June 28, 2010, 02:37:53 PM » by Tom Riordan
Voice is great. Why bury this on p. 100 of Journal? I think you can attach it to the posting in Submit. Tom
Logged

  Re: field rabbit
« Reply #411 on: June 28, 2010, 02:40:41 PM » by Tiko Lewis
I suggest posting in sights and sounds at least.  submit definitely works as well.

tiko
Logged

...i don't eat jelly beans afterward.

  Re: field rabbit
« Reply #412 on: June 28, 2010, 05:26:30 PM » by Peter.R
Enjoyed that, Cheryl
Logged

  Re: field rabbit
« Reply #413 on: June 29, 2010, 09:40:49 AM » by cherylleverette
Hey Tom, tiko, and Peter, thanks so much for taking a look and listen and then lettin' me know what you think.  I had no idea how it would be accepted.  Still don't really, but I can choose to take your words at face value.

Tom, I attached the file to the poem in workshop and wrote a note to the editor asking it be moved to submit.  Is that what you mean?  Or something else?

Thanks again,
cheryl

Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #414 on: June 29, 2010, 02:01:09 PM » by cherylleverette
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #415 on: July 01, 2010, 02:50:41 PM » by cherylleverette



train of thought


black train
too bad you're
not a choo-choo
a chuga-chuga
brown-sugared
and innocent

you overpower me
swallow my tongue whole
suck goodness from me
with your tunnel
of spigot steel

your caboose
is so much smaller
than your beginning
in fact, I can't
see it at all

black train
I'm lucky
there's only
one of you




co-translation


sometimes life seems so empty
I know that thought's not true
I know life is full of good things
but sometimes black thoughts
are so much bolder than
innocent ones

people say
'stay busy
you won't have time
to think bad thoughts'

so I stay busy
but I get tired
and bold is the thought
black is the intention

right there
on the tip of my brain
ready to run over me



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #416 on: July 04, 2010, 08:31:00 PM » by cherylleverette



Fourth of July Eve


I've been so lazy today
laying around, taking naps
gotta be a sin

popped in and out of PoetryCircle
watched CSI:  Crime Scene Investigation

and on TV too



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #417 on: July 04, 2010, 09:35:43 PM » by cherylleverette



you're too special to be sweet
you should be mean, moxy
, he says

what is he thinking?
he's not in his right mind.
why does he think he
wants to talk to me
in the first place?




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #418 on: July 06, 2010, 12:07:42 AM » by cherylleverette





I have to stand alone in this corner
sometimes facing out, now facing in
not sure what I'm doing for whom.
I do know that for ever whom I do it
he's worth it, otherwise I'd scramble
outta here in three shakes of a lamb's
tail, shooing Mary away, because I'm
sure she's never stood in the corner
for him the way I do, nor has she been
as willing as I am. always willing, am I.

he bolsters me with precious language
gives me a day to lean on with his words
catapults my nights with faraway intimacy
nods his head toward the corner with his
well-groomed head and his silence. when
will he let me come out? when will he let
me come? how long must I stand here
in my schoolgirl uniform and bobby sox
and don't forget these goofy penny
loafers I paid for with my own money.

I dare him to let me show my face on his
kindness and I promise I will do things right
next time.  I promise I will do things better.
And when he sets me free I dare him to
openly show his affection.  I won't care if
I'm the only one knows.  Just don't make
me guess anymore.  I want only tears, smiles,
and guassian kisses surrounded in what looks
like a halo.  Then I want him to be bold
in his feelings for only me.  Childish, I am.




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #419 on: July 06, 2010, 04:40:31 PM » by cherylleverette



I don't want to partake
or to give.  Motivation's
just not here.  But I
wonder who or what
I'm devoted to.  And
it's sad to think of it
all thrown away caused
by, in all appearances,
a rift with one.  Issue
is, he's most important.



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  forgiveness
« Reply #420 on: July 15, 2010, 12:26:37 AM » by cherylleverette



I thought you blamed me for your freedom
and I didn't understand why anyone should
be blamed for letting go of something, some-
one she clings to. your words seemed angry,
your tone was foreign.  I didn't know what
to do. still don't. so I do nothing treating
you like the rest of the gang admiring your
genius from afar, thankful that I know you,
write on the same page you do, that my
comments fall above or below yours, although
I prefer being on top. now I think you've
softened.  I don't know what happened
except that I screwed up and it was so
humiliating, I couldn't type the words 'I feel
so humiliated; like a fool'   I didn't deserve
to use those words as a catcher's mitt, a white
flag, but I'd like to say this, I'll never beg again,
never assume again, never take you for granted
again bursting into your emotions like a drunkard
cowboy into a saloon, but hell yeah, I'd love to fuck
and I can't help that and won't apologize. sorry.
you can't have everything your way.  







the moon is jaded, grey and lifeless
on a blue night, in shingles
shiny like new silver
cryptic like fresh chrome
futuristic, frightening

roam carelessly
under a moonlit sky
where there are no boundaries

grief hums a whistler off-key
and bounces
among hills and canyons
glaring like steel

your hands like tattered rope
gather me like broken glass

bondage kisses liberty






One wrong move and I will fall like the tomb I am.
There is always more.  Your face and hands
where I'm soft as doe eyes.  Your tongue arouses
and finishes with thunderbolts, only visiting my
wound, weaving to and fro, searching needy places
surrounding with solace, coming upon me, until the
the wound is healed.  Your nearness wounds me,
becomes yours.  You stir fury in me.  Words don't
flow from my mouth;  I speak with my eyes.  You
answer without remorse.  You know.  Your misery
draws me like a shell following the sea.  Decisions
are made from generosity like devoted animals.




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #421 on: July 21, 2010, 01:26:28 AM » by cherylleverette





There's a place full of dread
that fills up like a trashcan
the Big Kahuna for
empty pill bottles, torn pictures
old letters, shredded pay stubs
bills marked paid in full

It fills up and explodes
all over the room
I have to clean up the mess
but I can't think, can't
sit still or concentrate
long enough to get
the job done

Rummaging through
all the garbage for peace
I find strings and crumbs
of things that surely!
should've never been
thrown away

In a frantic search
I go through all
the junk again
looking for a
bankruptcy discharge
never found




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  For TR
« Reply #422 on: July 21, 2010, 01:39:03 AM » by cherylleverette



Game of Love
by Santana
and Michelle Branch


Tell me just what you want me to be
One kiss and boom, you're the only one for me

So please tell me why
Don't you come around no more
'Cause right know I'm crying
Outside the door of your candy store

It just takes a little bit of this, a little bit of that
It started with a kiss, now we're up to bat
A little bit of laughs, a little bit of pain
I'm tellin' you, my babe, it's all in the game of love

This, whatever you make it to be
Sunshine will set on this cold lonely sea

So please baby, try
And use me for what I'm good for
It ain't sayin' goodbye
That's knockin' down the door of your candy store

You roll me, control me, console me, please hold me
You guide me, divide me into what
So please tell me
Why don't you come 'round no more
'Cause right now I'm dying
Outside the door of your lovin' store

It's all in the game of love
Let's play the game of love
Roll me, control me, please hold me
A little bit of this, a little bit of that






Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Redemption Post
« Reply #423 on: July 23, 2010, 05:17:44 PM » by cherylleverette





You are from the future.
I'm in the present.
We both know the future-future
like time travelers.

At a small candled-table over
Crab Rangoon, Yellow Tail Merlot
and cherry plums for desert,
we stare at each other,

one of our favorite pastimes,
     You look older tonight.
Instantly offended
my left eye cries.

My right eye blinks
attempting to force tears
as if it needs to cry too.
I've been depressed for weeks

feeling ancient and lonely
and you talk about how I look?

But I forgive you instantly.
After all, this is Redemption Post

where attraction never ends.
I will always like you.
It turns out to be a good thing
for me.  You have something

interesting to say,
     I'm sorry, didn't mean it
     to come out that way.
     What I mean is that you look as
     if you've learned something new.

     Have you?  

Of course, I have learned
something new about you.
I know better than to disclose

the truth.  You will become very
nervous, make a spectacular exit
and I'll sit crying.
To never become bitter

never hold a grudge
is a magical thing
and only occurs here,
but the price so very high.





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #424 on: July 23, 2010, 07:08:52 PM » by cherylleverette






A Sort of Freedom



Many voices
flow through you
     of sea
     of land, and

the mystic caribou.
I'll lift the latch
and set you free.
     Be silent.

     Be still.                          
Constantly pour
yourself through me.
You're my fervor

and have my gratitude
     to stay
     to remain.
I long to know you

but am bound
by no mere sacrifice
of who we are in this place
the author of

a more meaningful self
this fruitful life
born for a much
greater paradise.





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #425 on: July 23, 2010, 10:42:56 PM » by cherylleverette





Ok, fingers do your stuff.  Muse, mark your-
self remarkable and come out of that
box when I rub you the right direction.  
Maybe I'm not shining you just right. I've

tried Endust, so what's next? You know, I need
to write too. Whatever gifts you're giving
to those other peeps you need to bestow
on me. Maybe you're like the stiff-neck who

needs the right amount of syllables.  Hey,
I can do that too. Count, that is. Without
you turning yourself on, I'm as lost as
the dust mite on your right shoulder and the

flea that hangs from your nose. So, pity me
will ya? Pour yourself on these fingers. My
shoulders are beginning to sag from a
word recession, though thoughts roll like thunder

and feelings fight like ten hurricanes.  The
sun god has refused to shine on my mis-
behavior, and my bitter attitude
can't understand why she's not blown away.





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #426 on: July 24, 2010, 08:11:25 AM » by cherylleverette


Drawings -- GingerTyme aka Cherylanne
By Drew Johnson aka MisterCalm
















(more later::not that it matters, really)



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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #427 on: July 24, 2010, 08:14:12 AM » by silent lotus


Drawings -- GingerTyme aka Cherylanne
By Drew Johnson aka MisterCalm






(more later)






interesting light and line

silent lotus
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  Re: field rabbit
« Reply #428 on: July 24, 2010, 01:08:35 PM » by cherylleverette

interesting light and line

silent lotus

Thank you lotus.  I don't know enough about drawing to know when the light or line is interesting.  All I know is when he makes me look pretty...or goofy, like a cartoon.  He draws cartoons for a living.  Works for Dell Comic Books.  I think it's cool when anyone gets to use artistic talent as a full-time job.  Most of us aren't that lucky.

cheryl


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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #429 on: July 24, 2010, 01:10:20 PM » by cherylleverette


drawings, cont.















(painting by samarelArt)


Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #430 on: July 24, 2010, 06:56:50 PM » by cherylleverette














 

(painting by JiminyPixit) 


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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #431 on: July 24, 2010, 10:59:40 PM » by cherylleverette

















Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #432 on: July 25, 2010, 10:44:46 AM » by cherylleverette




 






(portrait by samarelArt)

 


(portrait by JiminyPixit)

 

I know why old women like to look at photo albums

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #433 on: July 25, 2010, 10:47:04 AM » by silent lotus
dear Cheryl

a very interesting series of portraits

and it is indeed interesting to pose so naked for an artist

our soles leave so many impressions of our souls

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  Re: field rabbit
« Reply #434 on: July 25, 2010, 11:01:55 AM » by cherylleverette
dear Cheryl

a very interesting series of portraits

and it is indeed interesting to pose so naked for an artist

our soles leave so many impressions of our souls




Thank you lotus.  Who's that?  Is that you?

I think it's interesting how many different ways Drew paints/draws me.  All those drawings are over a 7 year period, approx.  He asks for pictures of me now, but I don't send any.  I feel too old.  The ones with dark hair are the oldest, about 2-3 years ago, I guess, and I was just lucky they turned out as well as they did.  With a little help from PhotoShop of course.  O my, I'm tellin' all my secrets, silent.  But really, who cares?

Thank you again,
cheryl

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #435 on: July 25, 2010, 11:10:45 AM » by silent lotus
Thank you lotus.  Who's that?  Is that you?

I think it's interesting how many different ways Drew paints/draws me.  All those drawings are over a 7 year period, approx.  He asks for pictures of me now, but I don't send any.  I feel too old.  The ones with dark hair are the oldest, about 2-3 years ago, I guess, and I was just lucky they turned out as well as they did.  With a little help from PhotoShop of course.  O my, I'm tellin' all my secrets, silent.  But really, who cares?

Thank you again,
cheryl




dear Cheryl

you bare your self to the world with your poetry of today
so why not continue to send photos to Drew ?

the photo is not of me but of Bela Lugosi.......but then again maybe all hungarians
have some similar wrinkles !

summer laughter
silent lotus
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  Re: field rabbit
« Reply #436 on: July 25, 2010, 11:15:28 AM » by cherylleverette

dear Cheryl

you bare your self to the world with your poetry of today
so why not continue to send photos to Drew ?

the photo is not of me but of Bela Lugosi.......but then again maybe all hungarians
have some similar wrinkles !

summer laughter
silent lotus


Well I don't know why I'm so open with my poetry.  Wish I wasn't.  It happens before I know it, then it's too late.  But maybe you don't mean just me.  Maybe that's what poetry is.  There are other reasons I don't send pics to Drew, but I won't go into it.

Should've known who that was.  Looks familiar.

Thank you, lotushead.  ;)

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #437 on: July 26, 2010, 10:16:22 AM » by cherylleverette
Adobe Photoshop renderings:









 


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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #438 on: July 28, 2010, 10:32:52 AM » by cherylleverette


More AdobePhotoshop....

 















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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #439 on: August 04, 2010, 11:14:08 PM » by cherylleverette



I start with nothing
Slackdarity wins the race
for my dumbness
Then white lines
get in the way
and take over
Scraggle up my nose
into my brain
my right one
Fingers move
Cursor blinks just for me
Everyone loves me



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #440 on: August 13, 2010, 09:01:49 AM » by cherylleverette




You make me brave
but I hate you.
I see what's happening here.
You give me what I want most.
Then I'm enslaved.
It's not like I'm free from pain
or that you make me beautiful.
You just give me the courage
to face what I can't on my own.
I get the picture, but I don't know
how to win the fight.
You're only a pill.




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #441 on: August 13, 2010, 08:10:11 PM » by cherylleverette



You almost got to me twice today
but I resisted the third time.
It's Friday, my day off.
I wanted to have a good time;
had lots of things to do.
I wanted to enjoy the tasks
so, I gave in the second time.
The third time I thought about
everything I could have;
all the things I could do,
if it weren't for you:
visit my kids twice instead of once,
buy a new outfit every week
and my mom some roses.
I painted my nails, put on the
sapphire, aquamarine, and diamond.
At 8:30 I'll take a walk with Ryder.
If I resist you at 7:30
maybe I can buy a new ring
next month.
You're only a pill.




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #442 on: August 14, 2010, 06:41:37 PM » by cherylleverette




I told you no the third time
Don't know why I told you yes the second
You're designed for one yes a day
But I let you have your way so much
more than you deserve
I should probably turn this upside down
and look at it
Like I'm abusing you
That's what a responsible person would do
You seem so powerful to me, though
I don't have the guts it takes to resist you
Life is easier, doing the mundane is easier
I have so much mundaneness in my life
Responsible me says poor pitiful you
Or is it judgemental me
Oh shit, I don't care
All I care about is living a normal life
I can't do that with you haunting me
in the back of my brain
like having sex under the covers
in a room full of peeps
I did that one time
Once again, hell, I don't care
Shitfaced capsule,
you're only a pill



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #443 on: August 17, 2010, 12:40:42 AM » by cherylleverette



I really can't let go of you
of the vision, the hallucination
the psychoticism
I'd rather choose the way
of the insane
than to let go
of my pretending
that one scrimpy inch
of you spoke to me
about me, of me
but I swear to God
I'll never hurt you again






2 and one half times today
I went through all the opening
and the closing of your little
white and green capsule
which looks so cheery and healthy
which really is not
but is deadly instead
I'll tell you this, big boy
I'm loosing myself from you
Everyday, I do a little better
on my own
You're just a pill
stuffed inside a capsule



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #444 on: August 19, 2010, 05:35:11 AM » by cherylleverette



























Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #445 on: August 27, 2010, 02:04:04 AM » by cherylleverette



You have truly outwitted me this time
and I hate you for it. And hating this
much hurts.  Makes me cry and I
can't help it.  I wish you never
existed, that some idiot scientist died
before he could fully create you, but
then, someone else would have.
There are so many forms of you.
I remember when you first crept
into my life.  I was having a hard
time at work and after your first
visit, I could concentrate. I could
laugh. Enjoy my life.

Now you sorry son of a bitch,
you're ruining my life. And I
know all the shit about it being
my choice, but it doesn't feel
like a choice anymore. It feels
like I screwed my life up and
I can't go back and fix it.

Tomorrow is doomsday.
The day you die against my will
for 30 days. I put a darker
strawberry blonde rinse on my hair
Made sure my teeth were
still white so I wouldn't look
like a crack-head.

Funny thing, my head
feels like copper
My teeth like nicke
My body like weak tin
And in all that, you're
nothing more than a pill,
a sorry piece of shit.



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #446 on: September 09, 2010, 05:12:55 AM » by cherylleverette



Here comes Jane
womanly but not a woman
a child but not childish
She has two eyes
but only one is friendly
and wide searching nuances
and 'reasons why'
wherever it can.
The other one is lazy
and by appearance, droopy.
The pupil in 'friendly eye'
is bigger than the one
in 'droopy' and is also the one,
that at about 4 a.m.,
shakes the hand of acceptance
with the 'disorder'.




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #447 on: September 09, 2010, 05:50:53 AM » by Dax






Great, C

d
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“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #448 on: January 18, 2011, 08:13:43 PM » by cherylleverette
Thanks Dax.  Not sure about it myself.

cheryl
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #449 on: January 30, 2011, 09:31:45 AM » by silent lotus

I really can't let go of you
of the vision, the hallucination
the psychoticism
I'd rather choose the way
of the insane
than to let go
of my pretending
that one scrimpy inch
of you spoke to me
about me, of me
but I swear to God
I'll never hurt you again






2 and one half times today
I went through all the opening
and the closing of your little
white and green capsule
which looks so cheery and healthy
which really is not
but is deadly instead
I'll tell you this, big boy
I'm loosing myself from you
Everyday, I do a little better
on my own
You're just a pill
stuffed inside a capsule


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


dear Cheryl

your mount blanc is bleeding beautifully !


inkwell smiles
silent lotus


~



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  Re: field rabbit
« Reply #450 on: February 12, 2011, 06:31:26 PM » by cherylleverette



This is a new land
new territory
of someone I don't know
She can't cry
but makes me almost tear up
almost

I can't cry either
Seldom do I laugh
since Mama died

Where am I?
Where am I going
and where did I come from?

I need a life raft
It's all about 'I' now
Did you notice?
My eye has grown very small
almost swollen shut
I am

losing



cheryl



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #451 on: February 12, 2011, 06:32:40 PM » by cherylleverette
I really can't let go of you
of the vision, the hallucination
the psychoticism
I'd rather choose the way
of the insane
than to let go
of my pretending
that one scrimpy inch
of you spoke to me
about me, of me
but I swear to God
I'll never hurt you again






2 and one half times today
I went through all the opening
and the closing of your little
white and green capsule
which looks so cheery and healthy
which really is not
but is deadly instead
I'll tell you this, big boy
I'm loosing myself from you
Everyday, I do a little better
on my own
You're just a pill
stuffed inside a capsule


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


dear Cheryl

your mount blanc is bleeding beautifully !


inkwell smiles
silent lotus


~





Dear Silent,
You are so faithful.  I don't know what to say.

Thank you.

cheryl




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #452 on: February 14, 2011, 09:08:43 PM » by cherylleverette
She found herself
in a dirty dusky room
in a dark town
with strangers all around

No longer having a home
she wondered about this place
and whether anything or person
was alive here

All seemed dead
except for her
and she was too alive
too aware of her surroundings
to be thankful she was


Surely this is a film
she thought
not believing she'd been
dropped here forever
everyone has a home

Her pillow was mere feathers
her blanket mere threads
blue, the color of her mood

The young woman
gave them to me with a smile
she knew exactly
what she was doing
and didn't care


The dirty pillow
and the bare blanket
were tokens
of a life ruined



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #453 on: May 29, 2011, 07:09:28 AM » by silent lotus


i saw you;
your inside
sprayed across
a page today.
such worry,
such insight
i stopped asserting
when i knew
i knew nothing but what i feel,
i look
for beauty -
i look
for truth,
without
a hope
of ever
touching it,
like a vagrant
warming by
a campfire
burning
dollar bills.


Scott Douglas


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  Re: field rabbit
« Reply #454 on: July 11, 2011, 01:31:10 AM » by cherylleverette
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #455 on: July 11, 2011, 01:44:12 AM » by cherylleverette




Night was
a stench in the nostril
Day was a blinding sun
Always uncomfortable
and painful

They were facsimiles

Someone wicked
told a lie
and spat out
the hour glass
Sand was a lecher
rubbing against the grain

Please don't
make me go back
to the time
when every movement
when landscape
was brown and crusty
and you weren't there
sharing your water

Now I believe
water is magical
That it's strong
and can move
a stubborn emotion
Even change
who I am
for a minute

storing your water
in a clean vessel
where it will sparkle





Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #456 on: July 11, 2011, 07:25:53 AM » by silent lotus
dear Cheryl

wonderful to have you back !


silent lotus


~
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  Re: field rabbit
« Reply #457 on: July 12, 2011, 06:49:48 AM » by cherylleverette
dear Cheryl

wonderful to have you back !


silent lotus


~

Thank you so much, silent.

Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #458 on: July 13, 2011, 04:00:17 AM » by cherylleverette








can't stop me now
by George I feel health around the corner
like the Blob seeping down a hallway
not the nightmare blob
a good blob

and what about killer tomatoes?
I was once a tomato
red, shiny, clean, plump, firm
sweet to the tongue
beautiful to the eyes
I got tired of being eaten alive

No need to run from you anymore
no more disguises, clown hats
chains and ropes, black leather
brass and silver
a kiss and a fuck
I could use but only for enjoyment
forget committing me

I've been to a city
much like a nightmare
absolutely no one was there
She who falls on her own
lands on her own
rises on her own

The current city is like
imagination on speed
ghosts fly by behind my back
my mom's sweet white hair
the door ajar
her eyes peeking through

more than once a day
I have something to tell her
she's the one who cared
she listened
even if she couldn't remember it
five minutes later

there are spirits here
in my home
but don't put me in a documentary yet
no way I'm waxing dramatic over this shit
it's just common sense

but I wonder this:
what scares me for a minute
is that I'm swallowing insanity
in small doses
and the doses will grow and grow
until I talk to people no one else can see
until I think my granddaughter is my daughter
and I run naked on the lawn

but wait
(do you see
how this creeps up on me?)
back to the original monologue:
can't stop me now
no need to run...






I understand what fleeting moments are
and why they're called fleeting
the feelings, the presence of someone
lasts less than a second




In a minute I will walk away from this computer
because it's cold in here
but I'll be back
this was once my home










Verse 1:
 How do you explain,
 How do you describe,
 A love that goes from east to west,
 And runs and deep as it is wide?
 
You know all our hopes
 Lord, you know all our fears
 And words cannot express the love we feel
 But we long for You to hear
 
Chorus:
 So listen to our hearts (oh, Lord, please listen)
 Hear our spirits sing (and hear us sing)
 A song of praise that flows (a simple song of praise)
 From those You have redeemed (from those You have redeemed)
 We will use the words we know
 To tell You what an awesome God You are

We will use the words we know
 To tell You what an awesome God You are
 But words are not enough
To tell You of our love

 So listen to our hearts
 
Verse 2:
 If words could fall like rain
 From these lips of mine
 And if I had a thousand years
 I would still run out of time
 
So if You listen to my heart
 Every beat would say,
 Thank You for the Life,
thank You for the Truth,
thank You for the Way.


Lyrics by Steven Curtis Chapman






ť
 
 
Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #459 on: July 26, 2011, 12:53:15 AM » by cherylleverette
Let me tell you,
steamy booths
are made for crying.
Phones are made for tears
and a question or two.

Jeans and denim shirts
crafted for a bare chested
companion.  Inside his head
he's breaking down, building up
a look of non-curiosity,
waiting to talk and weep;
the slant of a cigarette
a jaunt in the cloudy glass.

Let me tell you, a phone
will bring news of death--
the only one for miles.
Maybe he will listen
without taking sides.



* It's enough to have one editor demote your poem, but to have two?  One right after the other, like the terribleness of your poem has brought them unity.  Makes me cry, hurts my feelings.  Thanks Maggie & Tiko.  My suggestion for those of us who can't write like you is that you limit your unified responses.  It hurts less.




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #460 on: July 26, 2011, 12:56:38 AM » by cherylleverette
he must think I'm a dyke
cause he gave me two burrs
one on each side of my head
with curls on top
like Kewpie

surely he can wax my eyebrows
and get it right
a sweet shape
nice arch

but no
he stops every few minutes
and asks me how I like it
do I want him to wax a little more?
pulling teeth just to get my money's worth

now why couldn't he cut my hair like that
he didn't stop to ask if he was cutting it too short
until it was already done
at which time I said
well, hell yeah it's too short
but what can you do
when it's too late?


(what if he's not really gay?  didn't tell you
that was all me)

dying to tell him I prejudged him
ask him how that makes him feel
it might be too painful for both of us
but what can you do
when it's too late?




I'm sorry for the stones I throw
I'm sorry for the fingers I point
grace travels all over the world
for people like me



dull yellow, blurry eyed

a rifle through
survival of the open, the close
white and green tomfoolery

cheer and health not so much
deadly instead

a wrap around your plastic crease
disguised and stuffed in color
the same cane of sugar

still, everyday is better
on my own


I'll tell you this, big boy
no more pissing with you
in tandem







***kept working and working on this and couldn't get it right.  I'll take all the help I can get.  I'm concerned that the first part doesn't flow.  but I hate to over use 'I' and 'you, your' and 'ing' words.  Gerunds??'***





This evening I was in a hurry
Wanted to buy a few things
and get out of the heat
I left my car keys in the house

There was nothing I could do
I knocked on the first door
No answer
Knocked on the second

Maria and Tobias answered
Tobias seemed nervous
but he came back
with a flat edged tool

He pulled the screen off first
and then he and Maria rattled
the window, and because
Tobias is small he hoisted his way

through the window
and let me inside my apartment
I couldn't thank them enough
for doing something they didn't have to do

They didn't hide quietly
till I went away
I went to the best ice cream place in town
I bought Tobias two dips

and Maria two dips of vanilla
I know it wasn't much
but it was my favorite ice cream
and it was important to me





meet me at the train station
the bus station
the airport
don't care where
just meet me there

I've wanted you for a long time
wanted your shoulder between my teeth
your blood down my throat
flesh under my finger nails

counting stripes at daylight
a savory habit

be my seedless watermelon
I'll be your salty tongue
and lick the soreness away

hope you're through
wanting a slut
and a sweet pea too

there's something refreshing
about a woman who doesn't care
if men think she's innocent

something about a woman
who doesn't get mad
when she's fucked
she just fucks back

the days of lemon meringue are over
only fudge cream will do





I read you loud and clear

you're not as far away
as you think you are





Like a gun in the hand
excitement pops
fear crackles

Brings you down
to my level

These nights
dirty dark
turn your head
sideways

A backward look
for the last time
we spy the demon
and are thankful





I don't like this place
and I don't care if you care if I like this place.
Writing a bad poem is one thing
Having two of those better than you
tell you the poem just doesn't cut it
is another thing.

Don't apologize you don't like my poem
when really you're saying 'gosh, Cheryl,
I tried to like your poem but there just
wasn't anything to like about it'.  Please
don't tell me that shit.  Don't tell me
anything at all.  Don't even speak to me
until, of course, I write as well as you do.



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #461 on: July 26, 2011, 01:27:38 AM » by Tiko Lewis
* It's enough to have one editor demote your poem, but to have two?  One right after the other, like the terribleness of your poem has brought them unity.  Makes me cry, hurts my feelings.  Thanks Maggie & Tiko.  My suggestion for those of us who can't write like you is that you limit your unified responses.  It hurts less.






i did not move your poem.
to view it as a demotion is
not accurate.  my opinion
was given in earnest with
only an intention to help.
the process is not new. it's
not about praise or validation,
it's about improvement.  i only
wish to help you as you've helped
me.  to see it as anything else is
disheartening.

also, i recommended you not remove
it.  it was never declared terrible.

tiko
Logged

...i don't eat jelly beans afterward.

  Re: field rabbit
« Reply #462 on: July 26, 2011, 01:49:03 AM » by cherylleverette
i did not move your poem.
to view it as a demotion is
not accurate.  my opinion
was given in earnest with
only an intention to help.
the process is not new. it's
not about praise or validation,
it's about improvement.  i only
wish to help you as you've helped
me.  to see it as anything else is
disheartening.

also, i recommended you not remove
it.  it was never declared terrible.

tiko

tiko you completely missed my point.  forget it.  my feelings were hurt, that's all.  I felt humiliated.  has nothing to do with technicalities.  but I would suggest that two editors replying in a negative way to one poem might be something you might not want to do in the future.

forget it.

c.
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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #463 on: July 26, 2011, 02:07:23 AM » by Tiko Lewis

i'll be sure to wear a helmet
next time.

tiko
Logged

...i don't eat jelly beans afterward.

  Re: field rabbit
« Reply #464 on: July 26, 2011, 02:18:51 AM » by Dax






taming of a tinker
called Sly: a play


what can I say
you want closure
sorry honey
is just a noise
blends in the drum
turns empty
dazzling nights
a shade of arsenic
there, happy
and the worst part
is knowing it'll
be there tomorrow
less severe
more palatable
covered in cosmetics
can't you see, this
all of it, is not me



   
— for a Very public lady and an open heart —







.
Logged

“Always be nice to bankers. Always be nice to pension fund managers. Always be nice to the media. In that order.” - John Gotti

  Re: field rabbit
« Reply #465 on: July 26, 2011, 03:46:23 AM » by cherylleverette
taming of a tinker
called Sly: a play

what can I say
you want closure
sorry honey
is just a noise
blends in the drum
turns empty
dazzling nights
a shade of arsenic
there, happy
and the worst part
is knowing it'll
be there tomorrow
less severe
more palatable
covered in cosmetics
can't you see, this
all of it, is not me


   
— for a Very public lady and an open heart —


Dax, as much as I appreciate your commnets, especially the last line, I honestly have no idea what you're talking about.

c

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #466 on: September 02, 2011, 04:43:39 AM » by cherylleverette

Art by MisterCalm
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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Papere en Ville, Collaborative Art by MisterCalm and Poetry
« Reply #467 on: September 12, 2011, 11:41:26 AM » by cherylanne leverette
Logged

For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.  -W.H. Auden

  Re: field rabbit
« Reply #468 on: September 15, 2011, 11:48:40 AM » by cherylleverette
keeping this temporarily.
right now it has an emotional connection



Mom, the way she died
that I was right there
that it feels like my fault
the way I cry when I talk about her

Her neck, and the way it was slit
that blood seeped out
that she moaned
the way she hurt and I was helpless

Her leg, the way she lifted it
that it would help with her pain
that her eyes wouldn't open
the way I told her, I'm sorry, Mama

This page, I can't see
that other things will have to wait






I'm not finding the same resource here to post a pic as I did with my mom's pic.



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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #469 on: February 28, 2012, 09:17:18 AM » by cherylleverette
Times change

Everyday it's a war
Will I do enough
not to piss someone off
or worry somebody?

And why would I want
the alternative?
The answer to that
is sad, really sad

On my way back to bed
I wonder if I'll fall asleep
this time



Spectacle

Thirteen
and six feet tall
His line drive
hits me in the chin

Now
I'm a bearded lady
at the circus



Year of the Potato

Today
I'll bake eight Idaho potatoes
and make a salad
from one head of lettuce
two tomatoes
and a basket of mushrooms

Time was
only one potato per person
But this family eats well

Question is
can I afford
to make everyone happy?




When she hits
the wet ground
for the fourth time
Harry intervenes
hugs the attacker
partly for protection
partly out of affection

Thrown in
with the camp's unruly
Harry doesn't fit in well

His answer to pray
continues:
a shower of free will
and the power
to alienate everyone
and everything
he cares about



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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #470 on: February 29, 2012, 02:46:41 PM » by cherylleverette
Upon being inspired

There, right there
that spot
is where we are

In the morning
we'll find a stream
of water crisp and cool

We'll count colored rocks
and watch them pop
across the surface

In the evening
when the sky is purple
and the aqua air is moist
we'll follow it home



Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #471 on: February 29, 2012, 04:31:50 PM » by Tom Riordan
-"Upon Being Inspired" has a loveliness, Cheyl.
-I think "Spectacle" is great!
-in "When She Hits" I'd like to know a bit more.
-Tom
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  Re: field rabbit
« Reply #472 on: March 05, 2012, 03:20:47 PM » by cherylleverette
Hey Tom.  Thanks for reading.  When she hits was inspired by an interesting article in an even more interesting newspaper written by and sold by homeless or former homeless people here in Tennessee.  Knowing my interest in and compassion for the homeless and needy, my son-in-law brought one home for me and I've been hooked ever since.  The homeless sell the newspaper for a dollar.  They get to keep 75 cents and the paper gets 25.  Isn't that an awesome way to help someone?  Many who sell the paper eventually become 'former homeless' persons.  The paper has poetry, songs, and articles.  Some of what's written is very good.

Cheryl

 
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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #473 on: March 05, 2012, 03:48:17 PM » by Tom Riordan
Sounds cool, Cheryl.
Submissions guidelines: http://www.thecontributor.org/Writing_and_Submission_Guidelines.pdf.
There used to be a paper like this around here, but haven't seen it in a long time now.
You're in Tennessee? Tom
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  Re: field rabbit
« Reply #474 on: March 05, 2012, 04:07:59 PM » by cherylleverette
Yes, TN now.  My daughter lives here.  I didn't fare well being without family near since my mother died.  And the Contributor is what I was referring to.  Fantastic idea.  Would be awesome if it was done everywhere for the homeless, or something like it.  It gives them the opportunity to work for a living.

Cheryl


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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #475 on: March 06, 2012, 01:37:43 AM » by cherylleverette
In better days
we drank pots of coffee together
chattered like magpies
and told stories of our week
in intricate detail
We loved ourselves

In better days
we made love on blankets in
front of the fire
and had orgasms
when the wood burst

In better days
we argued over whether to
put a ping pong table or
a sound system
in the basement

Our lives revolved
around baseballs and softballs
and discussions of whether
the coach really knew
how to position our kids

Now days, maybe
better in a different way
hubby is married to
a stripper from Las Vegas
amid implants and botox
and I dance to Wii with
our grandaughter


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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #476 on: March 06, 2012, 08:25:01 AM » by Tom Riordan
Moving poem, Cheryl. The "in better days" refrain, the "We loved ourselves" and the "now days" last S pose delightful challenges to our values.
The "orgasms/wood burst" is a great image, and "how to position our kids" great language. Tom
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  Re: field rabbit
« Reply #477 on: March 06, 2012, 05:15:54 PM » by cherylleverette
Thank you, Tom.  Changed a couple of things.

Cheryl

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #478 on: March 10, 2012, 04:02:44 PM » by silent lotus

Hey Tom.  Thanks for reading. 
When she hits was inspired by an interesting article in an even more interesting newspaper written by and sold by homeless or former homeless people here in Tennessee. 
 Knowing my interest in and compassion for the homeless and needy, my son-in-law brought one home for me and I've been hooked ever since. 
The homeless sell the newspaper for a dollar.  They get to keep 75 cents and the paper gets 25.  Isn't that an awesome way to help someone? 

Many who sell the paper eventually become 'former homeless' persons. 

The paper has poetry, songs, and articles.  Some of what's written is very good.

Cheryl

 


dear Cheryl

here is the homeless newspaper in Rhode Island

http://www.streetsights.org/

i've been honored to be on the jury the last two years for their national poetry contest.


lots of beautiful people out there with honesty to share.

a warm smile
silent lotus
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  Re: field rabbit
« Reply #479 on: March 12, 2012, 06:09:23 PM » by cherylleverette
Hi Silent, thanks so much for posting this.  Sorry it took me so long to reply.  Still waiting for a good, quiet time to check out the link.  Awesome that you're on the contest jury, and even more awesome that you're honored.

Seems to me it's a shame than human nature has the need to be homeless or near homeless to prompt honesty.

Thanks again,
Cheryl



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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #480 on: March 13, 2012, 02:05:28 AM » by cherylleverette
Reading Fortunes


definitely can't keep up
but will gladly ride coat tails
take notes along the way
learn to thank someone
without words

enthusiasm might ruin
the nexus, the connection
or destroy the magic of little girls
who follow tin cans and string
and discover secrets that do good,
bring health to bones

secrets that don't maim her
thwart her thoughts
make her feel funny

no, it's not unnatural
to spot a mentor
a million miles away
dial his number
read his fortune
without charging him a dime


=================


definitely can't keep up
but will gladly ride coat tails
take notes along the way
and learn to thank someone
without words

enthusiasm might ruin
the nexus, the connection
or destroy the magic of little girls
who follow tin cans and string
and discover secrets that do good,
bring health to bones

secrets that don't maim
thwart thoughts
or make you feel funny

no, it's not unnatural
to spot a mentor
a million miles away
dial his number
read his fortune
without charging him a dime







Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #481 on: March 13, 2012, 08:44:33 AM » by Tom Riordan
Reading Fortunes

Definitely can't keep up
but will glady ride coat tails
take notes along the way
learn to thank someone
without thanking them

knowing that enthusiasm
could ruin the nexus
the magic, the connection

like a little girl following
tin cans and string
discovering secrets
that do her good
bring health to her bones

don't maim her
thwart her thoughts
or make her feel funny

So, it's not unnatural
to spot a mentor
a million miles away
dial his number
and read his fortune
without charging him a dime
Delicate and delightful how the images come along, Cheryl - coattails & notes, to tin cans & string, to her bones & thoughts, to "his fortune" & a dime. Tom

glady=gladly?
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  Re: field rabbit
« Reply #482 on: March 13, 2012, 01:31:51 PM » by cherylleverette
Delicate and delightful how the images come along, Cheryl - coattails & notes, to tin cans & string, to her bones & thoughts, to "his fortune" & a dime. Tom

glady=gladly?

Thanks, Tom.  Now and then, I write something I'm not ashamed of -- not necessarily because it's good, but because I'm just not, for some reason, and this one hasn't hit the shame mark, not yet, anyway.

Thought I corrected 'glady'.  Thanks for the catch.

Cheryl

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #483 on: March 14, 2012, 10:42:20 AM » by cherylleverette


I'm slow these days

but soon things will change
They say when you get old
you live your second childhood
forgetting who your children are
but remembering your dolly's name

My second will be different
when I finally get my hands
and feet on that treadmill
the Jacuzzi, the Cuisinart
the 52" inch hi def, Netflix
and my own puppies to walk

after I visit the gym
in my new apartment complex
wave at cute Mr. Wilcox
drink Bailey's and coffee at the club
smile at the brightness of the morning

Thank goodness for that brightness
It will be here soon
I just know it




Today's Lesson

Took me so long to learn this:
do all your unpleasant tasks
first thing in the morning
Then, you won't have to
think about them
the rest of the day

Problem was
I just kept thinking
someday they won't
be unpleasant anymore
But apparently
there are some things
that will always be
unpleasant


for later

Mama used to say
"Sometimes
really smart people
don't know
the forest from the trees"

like when

neighbor boy Sammy
dropped his black-rimmed
three inch glasses and fell

or when

in the Spring
he'd wear shorts
his legs translucent
because he'd rather
stay inside
and read a book

and when

all the kids would hoot
and holler albino cola

he'd flash a bucktoothed grin,
"What a fairy tale, this world!"











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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #484 on: March 14, 2012, 11:20:36 AM » by Tom Riordan
eloquent, Cheryl. moving.
Logged

  Re: field rabbit
« Reply #485 on: March 14, 2012, 11:37:27 AM » by cherylleverette
eloquent, Cheryl. moving.

Thanks so much, Tom.

Cheryl

Note to self:  Tom is talking about the first writ only in the above post.



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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #486 on: March 15, 2012, 09:09:38 PM » by cherylleverette



Who goes to hell?

It's not what we do
that sends us there.
It's who we put our faith
in and what we trust
to save us.


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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #487 on: March 15, 2012, 09:48:59 PM » by Tom Riordan
Reminds me a therapist's rule of thumb, about why some people survive and even thrive after tragedies, and some don't: it's not how much bad stuff you have, its how much good stuff you have - or something like that.
Logged

  Re: field rabbit
« Reply #488 on: March 16, 2012, 05:43:44 PM » by cherylleverette
the Last Misunderstanding


She awakens today

Insures her car, apartment
and belongings for
thrice the value

Buys a life insurance policy
to cover her funeral
and twice the cost of
her daughter's home
and convertible Volkswagen

Takes a young lover
excellent with numbers
clear blue eyes, a pony tail
and a condo in Nashville
near the stars

Warns him at the onset
we'll speak only in symbols

A question mark in black
appears above his head
and in her finale, she waves
never to be misunderstood
again




Logged

A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #489 on: March 16, 2012, 05:58:33 PM » by Tom Riordan
Like this, Cheryl! Tom
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  Re: field rabbit
« Reply #490 on: March 16, 2012, 06:27:15 PM » by cherylleverette
Like this, Cheryl! Tom

So pleased to hear it, Tom.  Just wasn't sure if it was too sentimental.  I suppose there's always hope.
Thanks so much.

Cheryl

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #491 on: March 16, 2012, 07:30:04 PM » by cherylleverette





speak for them
the otherwise known

for Henry, for Rita
and little Tammy

remember the time
you lost your cash
and had no place to go
the fear of a rotten pillow
and cardboard box

a haunting voice
late in the night
speak for them








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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #492 on: March 17, 2012, 01:56:38 AM » by cherylleverette
Saul, the Republican


The only democrat
his father ever liked
was LBJ because
he was from Texas
pale-complected and
a Disciple of Christ

Saul was a republican before
diabetes took his mother
his home and his job

It's hard to find an open shelter
and when you do
you can only stay there for so long
with blood in your urine
and red scaly patches
on your forehead

His sister believes
you make your own bed
and the company
his son worked for
went bankrupt last month

If he makes it to the polls
like his mother
Saul will vote
a democratic ticket
in secret





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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #493 on: March 17, 2012, 01:25:40 PM » by Tom Riordan
these new portraits an interesting direction, Cheryl. Tom
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  Re: field rabbit
« Reply #494 on: March 17, 2012, 06:42:20 PM » by cherylleverette
these new portraits an interesting direction, Cheryl. Tom

Thanks Tom.  It's nice to post something for reasons other than just wondering what others think about it.

Cheryl

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #495 on: March 25, 2012, 12:51:18 AM » by cherylleverette





Jesus Christ


When a man first believes
he does just that--
only believes

How can he anticipate
His habits

or what He'd say
when offered
a cup of vinegar?

Soon
that man knows Him,
and loves


On that day
he'll quote Him
like no other




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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #496 on: March 25, 2012, 06:41:33 PM » by Tom Riordan
interesting, this, Cheryl - the progression. I see the vinegar sort of as a sin, by the man - a way to get to know Christ and learn to love him.
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  Re: field rabbit
« Reply #497 on: March 26, 2012, 10:53:33 AM » by cherylleverette
interesting, this, Cheryl - the progression. I see the vinegar sort of as a sin, by the man - a way to get to know Christ and learn to love him.

Tom, thank you.  I like your take on this.  If I were to move it elsewhere, I'd change the title.

Cheryl

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #498 on: April 03, 2012, 08:41:03 AM » by cherylleverette



Honey's so confused
she's an old dog
with no dick
but she still likes to hump

Cookie sits 
and takes it

Is there a place
for old gay dogs?
Dunno.  Is there
a place for old women
too religious to fit in

or don't understand
what they once relished

with self-pity
the last emotion
offered?







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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #499 on: April 03, 2012, 08:58:01 AM » by William Antcliff
Hi Cheryl

What a super poem. A comparison between an old gay dog and an old religious woman - can they fit in.  Very funny and poignant at same time.

I love...the "dunno" bit.

What a pleasure finding your poetry. You are a star here I can see!!
I am really enjoying "Field Rabbit".

Will.
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  Re: field rabbit
« Reply #500 on: April 03, 2012, 09:10:55 AM » by StellaR


your last post is quite funny, gave me my morning grin. thanks, cheryl!!

Stella
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“Logical argument is what destroys poetry because poetry is beyond logic.” Robert Graves

  Re: field rabbit
« Reply #501 on: April 03, 2012, 10:32:54 AM » by cherylleverette
Thanks so much Will.  Journalese is a nice place to express yourself and mull over things without announcing it to the world until/unless you're ready.  So glad you came to visit and enjoyed.

Hey Stella.  Awesome this entry could give you a grin.  Thanks for dropping by.

Cheryl

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #502 on: April 03, 2012, 10:51:52 AM » by Tom Riordan
How sharp is this? Super. Tom
Honey's so confused
she's an old dog
with no dick
but she still likes to hump

Cookie sits 
and takes it

Is there a place
for old gay dogs?
Dunno.  Is there
a place for old women
too religious to fit in

or don't understand
what they once relished

with self-pity
the last emotion
offered?








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  Re: field rabbit
« Reply #503 on: April 04, 2012, 11:49:28 AM » by William Antcliff
Enjoyed it..I have  been imagining following tin cans...in your poem further up the thread.

Will
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  Re: field rabbit
« Reply #504 on: April 04, 2012, 04:44:18 PM » by cherylleverette

Thanks Tom.  Can't hope for a better blessing/comment than that.  Will post up front.

Will, thanks.  You thought the tin can thing was ok?  Grant's comments led me to pull out of submit and post back here again.

Thanks for dropping by,
Cheryl

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #505 on: April 04, 2012, 04:50:23 PM » by William Antcliff
Cheryl,
not sure I quite understood the tin can bit..but in a good way. I thought it was an image of simple fun/play/innocence?
Will
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  Re: field rabbit
« Reply #506 on: April 04, 2012, 05:21:17 PM » by cherylleverette
Cheryl,
not sure I quite understood the tin can bit..but in a good way. I thought it was an image of simple fun/play/innocence?
Will

Yes I hope it to be innocence.  The image is of using tin cans and strings for a telephone, rather than the real thing.  A rather old image.  Didn't know it was only an American one.  Maybe it's just an old one and you're too young.

Thanks,
Cheryl

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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #507 on: April 09, 2012, 11:17:16 AM » by cherylleverette





somehow I have to communicate
without all this anxiety
everything's not all about me

I'm tired of funneling everything
throw a sieve of God knows what
not even I know what my problem is

everything is just such a big ass deal

everything I say
everything I do
doesn't all come 'round to you
something bigger than myself
but you tell me that's the way it should be

life should be easier by now
hell, I'm over fifty-five
I'm tired of crying
tired of being sad, frustrated
always waiting on something I don't have

so, I'll strive for health to my bones
wholeness for my heart and soul
but I thought I'd been doing that all along
it hasn't gotten me anywhere

or at least that's the way it seems
maybe I'll wake up all of a sudden someday
and realize something bigger has taken place
in me

*****

I keep hoping for that,
I really do
but then I think that will only happen
when I'm not looking for it

and that really pisses me off
all I want to do is talk


*****









 
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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #508 on: April 09, 2012, 12:04:19 PM » by Tom Riordan
This, and Roger's latest in Submit along with your reply to it, make me think of that "I think, therefore I am" bit, but instead, "I communicate, therefore I am."
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  Re: field rabbit
« Reply #509 on: April 09, 2012, 12:20:28 PM » by cherylleverette
This, and Roger's latest in Submit along with your reply to it, make me think of that "I think, therefore I am" bit, but instead, "I communicate, therefore I am."

Maybe some people don't feel like they exist unless they communicate.  If that's true I'm probably one of them. 

Thanks much for the look and reply, as always.

Cheryl
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A poet dares be just so clear and no clearer.... He unzips the veil from beauty, but does not remove it.  A poet utterly clear is a trifle glaring.  ~E.B. White

  Re: field rabbit
« Reply #510 on: April 24, 2012, 08:00:52 PM » by William Antcliff
Enjoyed it Cheryl.

Many of us will know the feeling.
Your writing is wonderfully direct.
best, will
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