PoetryCircle
ContemporaryPoetryForum
Welcome, Guest. Please login or register.


« PoetryCircleThe WritingJournalese • Topic: sonnet notes »
ThreadTools

Print







 (Read 2599 times) [1] 2  All

  sonnet notes
« on: April 21, 2009, 01:22:16 PM » by Tom Riordan
I come to El Toboso for Aldonza
not to tilt at her but only speak
Logged

  Re: sonnet notes
« Reply #1 on: April 21, 2009, 01:41:32 PM » by maggie flanagan-wilkie
Interesting. That could lead to a he said/she said kind of crown.

Your use of 'tilt' - perfect.
Logged

  Re: sonnet notes
« Reply #2 on: April 21, 2009, 03:07:35 PM » by Tom Riordan
Like that idea. Could do something fun/chaotic with voices in 7th.
Logged

  Re: sonnet notes
« Reply #3 on: April 22, 2009, 05:00:24 AM » by maggie flanagan-wilkie
Your use of 'tilt' nagged me for hours.

Ended up writing this bit of modern sonnet-tering in haste to get it off my mind. 

i choose
economy
to let my
images
settle themselves
between your ears—
no baggage-
stanzas
of fill
to tilt
your eyes
towards time.

more often distorts
what was found.
Logged

  Re: sonnet notes
« Reply #4 on: April 22, 2009, 09:12:38 AM » by Tom Riordan
I come to El Toboso for Aldonza
not to tilt at her but only speak
about economy to let my images
settle themselves between her ears.
Those baggage stanzas filled to tilt
our eyes towards time most often
just distort the found and weaken
struts originally sound.
Logged

  Re: sonnet notes
« Reply #5 on: April 23, 2009, 03:15:07 AM » by maggie flanagan-wilkie
Say, will we be going for that clean edge look?
Logged

  Re: sonnet notes
« Reply #6 on: April 23, 2009, 09:39:59 AM » by Tom Riordan
Let's view cleanedge as one arrow in the quiver. The idea of a hundred lines like that has a monstrous feel to me, though maybe we will write a monster, who knows? Probably best to just take it as it comes, I think. I also like the skinny style of "i choose/economy".
Logged

  Re: sonnet notes
« Reply #7 on: April 23, 2009, 03:33:25 PM » by maggie flanagan-wilkie
Bit of advice: don't view it as a hundred lines; take it one sonnet at a time.

I'm going to play with Aldonza a bit.



Logged

  Re: sonnet notes
« Reply #8 on: April 23, 2009, 03:34:24 PM » by Tom Riordan
Oh, everyone wants to play with Aldonza a bit!
Logged

  Re: sonnet notes
« Reply #9 on: April 24, 2009, 02:21:23 AM » by maggie flanagan-wilkie
I come to El Toboso for Aldonza
not to tilt at her but only speak
about economy to let my images
settle themselves between her ears.
Those baggage stanzas filled to tilt
our eyes towards time most often
just distort the found and weaken
struts originally sound. Is my dream
impossible? Is it the blind wish of a
fool who nutures the unseen?
Logged

  Re: sonnet notes
« Reply #10 on: April 24, 2009, 09:35:06 AM » by Tom Riordan
I come to El Toboso for Aldonza
not to tilt at her but only speak
about economy to let my images
settle themselves between her ears.
Those baggage stanzas filled to tilt
our eyes towards time most often
just distort the found and weaken
struts originally sound. Is my dream
impossible? Is it the blind wish of a
fool who nutures the unseen?
Consider El Toboso, its Alhambra
the church of San Antonio Abad.
He battled phantom girls and pig's feet;
his church looks like a depot for wheat.

His church looks like a depot for wheat,
exactly what la Mancha's economy
feeds its waifs--wheat with fried beans,
on holy days, morcilla, blood sausage.
Logged

  Re: sonnet notes
« Reply #11 on: April 24, 2009, 04:30:28 PM » by maggie flanagan-wilkie
This practice is fun. I just threw a monkey wrench at you!! Maggie


I come to El Toboso for Aldonza
not to tilt at her but only speak
about economy to let my images
settle themselves between her ears.
Those baggage stanzas filled to tilt
our eyes towards time most often
just distort the found and weaken
struts originally sound. Is my dream
impossible? Is it the blind wish of a
fool who nutures the unseen?
Consider El Toboso, its Alhambra
the church of San Antonio Abad.
He battled phantom girls and pig's feet;
his church looks like a depot for wheat.

His church looks like a depot for wheat,
exactly what la Mancha's economy
feeds its waifs--wheat with fried beans,
on holy days, morcilla, blood sausage;
all rich fare in candlelight but the holy
days are too few and too far between.
Reality recedes to bone, the judgement
of shadows and the benedictions of the
priest. How lucky is the flea who thrives
beneath the wool of a man who cannot
feel its bite, who sees but does not see
each moment as it comes to know him.
Write the next sonnet to the couplet, Tom;
Purchase a ticket for the dog? Why not.

Write the next sonnet to the couplet Tom?
Purchase a ticket for the dog why not?

Easier said than done, Maldonza!
Yo soy hombre de pocas palabras,
as I have a thousand times, and who
are you calling 'my dog' if you don't
mind my asking? My 'bitch'?
Are you not weary yet of insults,
those embroideries of rape and hit
that call the kettling vultures here,
and here, to swell their bellies
and their feathers with hitchhiking fleas?
No one  talks trash about my Panza;
Otherwise, yes, we are flying Lufthansa.

[Two can play at that game, Maggie! My curveball to your monkeywrench!]





 
 
Logged

  Re: sonnet notes
« Reply #12 on: April 24, 2009, 05:11:55 PM » by maggie flanagan-wilkie
Ok, Quick draw, you're a line short!!!! Too funny!!!!!!

I come to El Toboso for Aldonza
not to tilt at her but only speak
about economy to let my images
settle themselves between her ears.
Those baggage stanzas filled to tilt
our eyes towards time most often
just distort the found and weaken
struts originally sound. Is my dream
impossible? Is it the blind wish of a
fool who nutures the unseen?
Consider El Toboso, its Alhambra
the church of San Antonio Abad.
He battled phantom girls and pig's feet;
his church looks like a depot for wheat.

His church looks like a depot for wheat,
exactly what la Mancha's economy
feeds its waifs--wheat with fried beans,
on holy days, morcilla, blood sausage;
all rich fare in candlelight but the holy
days are too few and too far between.
Reality recedes to bone, the judgement
of shadows and the benedictions of the
priest. How lucky is the flea who thrives
beneath the wool of a man who cannot
feel its bite, who sees but does not see
each moment as it comes to know him.
Write the next sonnet to the couplet, Tom;
Purchase a ticket for the dog? Why not.

Write the next sonnet to the couplet Tom?
Purchase a ticket for the dog why not?
Easier said than done, Maldonza!
Yo soy hombre de pocas palabras,
as I have a thousand times, and who
are you calling 'my dog' if you don't
mind my asking? My 'bitch'?
Are you not weary yet of insults,
those embroideries of rape and hit
that call kettling vultures here,
and here, to swell their bellies
and their feathers with hitchhiking fleas?
Nobody talks trash to my Panza;
Otherwise, yes, we are flying Lufthansa.
 
Logged

  Re: sonnet notes
« Reply #13 on: April 24, 2009, 05:24:59 PM » by Tom Riordan
Ok, Quick draw, you're a line short!!!! Too funny!!!!!!

I come to El Toboso for Aldonza
not to tilt at her but only speak
about economy to let my images
settle themselves between her ears.
Those baggage stanzas filled to tilt
our eyes towards time most often
just distort the found and weaken
struts originally sound. Is my dream
impossible? Is it the blind wish of a
fool who nutures the unseen?
Consider El Toboso, its Alhambra
the church of San Antonio Abad.
He battled phantom girls and pig's feet;
his church looks like a depot for wheat.

His church looks like a depot for wheat,
exactly what la Mancha's economy
feeds its waifs--wheat with fried beans,
on holy days, morcilla, blood sausage;
all rich fare in candlelight but the holy
days are too few and too far between.
Reality recedes to bone, the judgement
of shadows and the benedictions of the
priest. How lucky is the flea who thrives
beneath the wool of a man who cannot
feel its bite, who sees but does not see
each moment as it comes to know him.
Write the next sonnet to the couplet, Tom;
Purchase a ticket for the dog? Why not.

Write the next sonnet to the couplet Tom?
Purchase a ticket for the dog why not?

Easier said than done, Maldonza!
Yo soy hombre de pocas palabras,
as I have a thousand times, and who
are you calling 'my dog' if you don't
mind my asking? My 'bitch'?
Are you not weary yet of insults,
those embroideries of rape and hit
that call kettling vultures here,
and here, to swell their bellies
and their feathers with hitchhiking fleas?
No one  talks trash about my Panza!
Otherwise, yes, we are flying Lufthansa.
Do not make me put 15 lines in this stanza.
Logged

  Re: sonnet notes
« Reply #14 on: April 24, 2009, 05:26:54 PM » by jamesthomashoward
hilarious.
Logged

Cough.

 (Read 2599 times) [1] 2  All
Jump to:  
MemberTools

Home
Help
Calendar
Members List
Statistics
Login
Register



LatestNews

Like us on Facebook!

SiteStats

190904 Posts
18095 Topics
1517 Members
Latest Member: David Gwilym Anthony


Support PoetryCircle








PoetryCircle | Powered by SMF 1.1.15.
© 2005, Simple Machines. All Rights Reserved.

Simplicity design by BlocWeb